"Borgia" Quotes from Famous Books
 ... restless and easily led; a lesson in time may save his honored house from disaster. But to Carillo no quarter." He rose and stood over them. "The best thing in Machiavelli's 'Prince,'" he said, "is the author's advice to Caesar Borgia to exterminate every member of the reigning house of a conquered country, in order to avoid future revolutions and their infinitely greater number of dead. Do not let the water in your blood whimper for mercy. You are not here to protect ...
— The Doomswoman - An Historical Romance of Old California • Gertrude Franklin Horn Atherton
... arrived before Atella at the beginning of July. The king of Naples was no sooner advised of his approach, than he marched out of camp, attended by the Venetian general, the marquis of Mantua, and the papal legate, Caesar Borgia, to receive him. All were eager to do honor to the man who had achieved such brilliant exploits; who, in less than a year, had made himself master of the larger part of the kingdom of Naples, and that, with the most limited resources, in defiance of the bravest and best disciplined soldiery ...
— The History of the Reign of Ferdinand and Isabella The Catholic, V2 • William H. Prescott
... Reginald. It had been painted in early youth; the features were beautiful, disdainful,—with a fierceness breaking through the courtly air. The eyes were very fine, black as midnight, and piercing as those of Caesar Borgia, as seen in Raphael's wonderful picture in the Borghese Palace at Rome. They seemed to fascinate the gazer—to rivet his glances—to follow him whithersoever he went—and to search into his soul, as did the dark ...
— Rookwood • William Harrison Ainsworth
... mediaeval, nor had the Roman fashion of the vast interior power to hold one's imagination enchained to the Cross of Calvary. The white robes of the altar servants, broidered vestments of the priests and pallid torches of a hundred candles belonged to the Rome of Caesar Borgia and not to the Rome of Caesar Nero. Into that singular building, impressive in its incompleteness, crept no echo of the catacombs, and the sighing of the reed notes was voluptuous as a lover's whisper, and as far removed from the murmurs of the Christian martyrs. Here ...
— The Orchard of Tears • Sax Rohmer
... 'Semiramis' of Voltaire, in the 'Merope' of Alfieri, in the 'Ion' of Euripides, and again and again in Victor Hugo's dramas. M. Polti points out that this single situation is utilized as the culminating point at the very end of four of Hugo's plays—the 'Burgraves,' 'Marie Tudor,' 'Lucrece Borgia' and 'Le Roi s'amuse' (which supplied the plot for the opera of 'Rigoletto') and he insists further that one or another subdivision of this situation has been employed by Hugo at least five times in the single drama of 'Lucrece Borgia.' If there ...
— Inquiries and Opinions • Brander Matthews
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