"Renaissance" Quotes from Famous Books
 ... centuries), the architecture presents two distinct styles, which in parts, are particularly incongruous. The organ and pulpit combined, which are on the left of the entrance, constitute a very handsome work of the "Renaissance" period, and are most unique. On the opposite side of the building a crocodile—or the remains of one—hangs from the wall, doubtless brought, as M. Joanne suggests, from some Egyptian crusade; but the "church" puts a very different complexion on the ...
— Twixt France and Spain • E. Ernest Bilbrough
... recurrent influence at all important crises. Dr. Guttmann somewhat rhetorically makes this identical claim. He points to the birth of Christianity, the rise of Islam, the mediaeval Scholasticism, the Italian Renaissance, the German Reformation, the English and American Puritanism, the modern humanitarian movement, as exemplifications of the continued power of Judaism to mould the minds and souls of men. There is a sense in which this ...
— Judaism • Israel Abrahams
... the eighteenth century. This proof infers the existence from the ideal of God, and so approaches the nature of God through the attribute of perfection. It owes the form in which it was accepted in the Middle Ages and Renaissance to St. Anselm, Archbishop of Canterbury at the close of the eleventh century. He argued from the idea of a most perfect being to its existence, on the ground that non-existence, or existence only in idea, ...
— The Approach to Philosophy • Ralph Barton Perry
... while students could think of nothing else, and tried to imitate, if they could not surpass, what the Romans and the Greeks had done. The age in which men were first interested in these things is called the Renaissance or "rebirth," because men were so unlike what they had been that they seemed born again. With the beginning of the Renaissance the Middle ...
— Introductory American History • Henry Eldridge Bourne and Elbert Jay Benton
... To be quite frank, he seems to me to pursue it ruthlessly, cruelly, unscrupulously. He is a man of high ideals, but without principle. In that respect he reminds one of the great spirits of the Italian Renaissance—Benvenuto Cellini and so forth—men who could pore for hours with conscientious artistic care over the detail of a hem in a sculptured robe, yet could steal out in the midst of their disinterested toil to plunge a knife in ...
— Hilda Wade - A Woman With Tenacity Of Purpose • Grant Allen
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