"Artificer" Quotes from Famous Books
 ... the masters of the science of medicine on a level with men who do carpentry on broken limbs, and sew up wounds like tailors, and carve away excrescences as a butcher trims meat? Via! A manual art, such as any artificer might learn, and which has been practised by simple barbers like yourself—on a level with the noble science of Hippocrates, Galen, and Avicenna, which penetrates into the occult influences of the stars and plants and gems!—a science locked up ...
— Romola • George Eliot
... that, Just as in every artificer there pre-exists a type of the things that are made by his art, so too in every governor there must pre-exist the type of the order of those things that are to be done by those who are subject to his government. And just as the type of the things yet to ...
— Summa Theologica, Part I-II (Pars Prima Secundae) - From the Complete American Edition • Saint Thomas Aquinas
... inciter to sensuous desire, now helps the man put it away and flee from it; ethically she is converted into an instrument against her former self. In like manner nature is turned against nature by the thinking artificer. ...
— Homer's Odyssey - A Commentary • Denton J. Snider
... bare Colliquation of the Salt and Earth remaining in the Ashes of a burnt Plant, and that yet common Glass, once made, does so far resist the violence of the Fire, that most Chymists think it a Body more undestroyable then Gold it self. For if the Artificer can so firmly unite such comparative gross Particles as those of Earth and Salt that make up common Ashes, into a Body indissoluble by Fire; why may not Nature associate in divers Bodies the more minute Elementary Corpuscles ...
— The Sceptical Chymist • Robert Boyle
... the romance he ruthlessly rooted out. A further step in this transition from art to piety is marked by the poem upon the Creation of the World, called Le Sette Giornate. Written in blank verse, it religiously but tamely narrates the operation of the Divine Artificer, following the first chapter of Genesis and expanding the motive of each of the seven days with facile rhetoric. Of action and of human interest the poem has none; of artistic beauty little. The sustained descriptive style wearies; and were not this ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds
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