"Artistry" Quotes from Famous Books
 ... more, or very, very rarely. The books I love now are those which teach me something actual about the living world; and it troubles me not at all if any of them betray no sense of beauty and lack immortal words. Their artistry is nothing, what they say is everything. So on the shelf to which I mostly resort is a book on the Himalayas; a Lloyd's Shipping Register; a little work on seamanship that every would-be second mate knows; Brown's Nautical Almanacs; a Channel Pilot; a Continental ...
— A Tramp's Notebook • Morley Roberts
... might be taken as a reckless abandonment of artistry in favor of the national, but commonplace; and in fact, Heimatkunst, when assimilated to folklore, as it was in this gospel, did run the risk of an uninspired monotony. Such writers as Sohnrey and Frenssen have not altogether escaped the danger. Only the synthesis ...
— The German Classics of the Nineteenth and Twentieth Centuries - Masterpieces of German Literature Vol. 19 • Various
... certain strange differences. Broadly speaking, modern American verse is sharp, vigorously experimental; full of youth and its occasional—and natural—crudities. English verse is smoother, more matured and, molded by centuries of literature, richer in associations and surer in artistry. Where the American output is often rude, extremely varied and uncoordinated (being the expression of partly indigenous, partly naturalized and largely unassimilated ideas, emotions, and races), the English product is formulated, ...
— Modern British Poetry • Various
... who designed the Bishop's Palace, and the great town halls of Louvain, Oudenaarde, and Brussels, although some authorities allege that Gauthier Coolman designed the Cathedral. But without denying the power and artistry of this latter master, we may still believe in the well-established claim of Keldermans, who showed in this great tower the height of art culminating in exalted workmanship. Keldermans was selected ...
— Vanished towers and chimes of Flanders • George Wharton Edwards
... them had certainly not written the other two. The letter which Audrey had handed to Mr. Dennie was penned in the style commonly known as commercial—plain, commonplace, utterly lacking in the characteristics which are supposed to denote imagination and a sense of artistry. It was the sort of caligraphy which one comes across every day in shops and offices and banks—there was nothing in any upstroke, downstroke or letter which lifted it from the very ordinary. But the other two ...
— Scarhaven Keep • J. S. Fletcher
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