"Astragal" Quotes from Famous Books
 ... for the Plinth, marked I; that above, marked K, is for the Thorus, and for the Conge or Apophygis. BB is the Capital, which height is equal to its Base: It's divided into three; the first marked L, is for the Gorge, with the Conge and the Astragal; the second, marked M, is for the Echinus or quarter-round; the third, marked N, is for the Plinthus or Abacus, called by the French Tallor. C is one of the Faces of the Sabliers which serve instead of an Architrave. EE is the under ...
— An Abridgment of the Architecture of Vitruvius - Containing a System of the Whole Works of that Author • Vitruvius
... worked on the exteriors of buildings were the curious astragal or bead at all the angles, and the cornice, which consisted of a very large cavetto, or hollow moulding, surmounted by a fillet. These features are almost invariable from the earliest to the latest period of the style. This cavetto was ...
— Architecture - Classic and Early Christian • Thomas Roger Smith
... sawn in two has furnished decorated jambs to the door of the upper church. On a lintel of the early church of S. Lorenzo is a Christ in a mandorla, supported by angels with a sacred tree on each side and a griffin beyond; a rough astragal moulding surrounds the subject. The jambs have a rough arabesque scroll, terminating in a two-headed bird. These carvings are ...
— The Shores of the Adriatic - The Austrian Side, The Kuestenlande, Istria, and Dalmatia • F. Hamilton Jackson
... the ground. At Khorsabad (Fig. 41) it is a simple torus (Fig. 87), at Kouyundjik (Fig. 42) it is a kind of cushion (Fig. 88), which we find represented in not a few of the bas-reliefs. The curves bear a distant resemblance to the volutes of a capital; above this base appears a ring or astragal, the origin of which may be easily guessed. The original timber column, the newly felled tree that was set up to support the roof of a tent or a house, must have been placed upon a block of stone or wood, ...
— A History of Art in Chaldaea & Assyria, v. 1 • Georges Perrot |
