"Bent" Quotes from Famous Books
... find fault! Let me finish," said Ananyev, waving his hand with vexation; "don't interfere, please! I am not telling you, but the doctor. . . . Well," he went on, addressing me and glancing askance at the student who bent over his books and seemed very well satisfied at having gibed at the engineer—"well, Kisotchka was not surprised or frightened at seeing me. It seemed as though she had known beforehand that she would find me in the summer-house. She ... — Love and Other Stories • Anton Chekhov
... looked down on a surging crowd. He was waiting for the official announcement on the third race. The crowd was waiting for the posting of the odds on the Handicap, waiting, money in hand, ready to dash at bargains. Al Engle forced his way through the press and Goldmark bent to listen. ... — Old Man Curry - Race Track Stories • Charles E. (Charles Emmett) Van Loan
... beside Mme. Le Grange lay an embroidery frame, the needle set in a puffy red peony. Mme. Le Grange picked it up and took a stitch or two. Her head bent over her work, so that the playful light made gold of the white in her ... — The House of Mystery • William Henry Irwin
... mind to tell her aunt that she did not want to go and stay with Pauline—that she had never really thought of leaving her. She expected to be clasped and fondly kissed for being so ready to give up her visit; but she found, to her hurt surprise, that Pauline had been right, and that her aunt was bent on her going away ... — Miss Merivale's Mistake • Mrs. Henry Clarke
... treatment of the iron-work out of which it is frequently wrought on the mainland of Italy—never in Venice. The iron is always wrought, not cast, beaten first into thin leaves, and then cut either into strips or bands, two or three inches broad, which are bent into various curves to form the sides of the balcony, or else into actual leafage, sweeping and free, like the leaves of nature, with which it is richly decorated. There is no end to the variety of design, no limit to the lightness and flow of the forms, which the workman can ... — The Stones of Venice, Volume II (of 3) • John Ruskin
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