"Cabalistic" Quotes from Famous Books
 ... well as one of the most successful essays in psychological analysis ever attempted by an author; and in his wonderful portrait, which must be closely studied, and not epitomized or reproduced in extracts, we see glowing enthusiasm united to cabalistic profundity, and the most morbid tension of the intellectual powers united to clear and well-defined hopes. How has the author succeeded in making Mordecai so human and so true to nature? By mixing the gold with an alloy of commoner ...
— George Eliot; A Critical Study of Her Life, Writings & Philosophy • George Willis Cooke
... curious golden mitre ending in the shape of a wondrously bejewelled trident. The curious Americans noted that the arch-priest's robes were as black as his evilly glittering eyes, and were embroidered with curious cabalistic symbols done in silver thread. In his withered hand Herakles carried a ceremonial trident—the mark of the ...
— Astounding Stories, March, 1931 • Various
... talisman probably originated from the belief that certain properties or virtues were impressed upon substances by planetary influences. "A talisman," says Pettigrew, "may in general terms be defined to be a substance composed of certain cabalistic characters engraved on stone, metal, or other material, or else written on slips of paper." Hyde quotes a Persian writer who defines the Telesm or Talismay as "a piece of art compounded of the celestial powers and elementary ...
— Three Thousand Years of Mental Healing • George Barton Cutten
... mustache? Was he John Bray? Impossible. It was all very perplexing. But here in his hand he held the tangible evidence of McGuire's fears. "You know what I've got and I know what you've got." The sentence seemed to have a cabalistic significance—a pact—a threat which each man held over the other. Perhaps it wasn't money only that "Hawk" wanted. Whatever it was, he meant to have it, and soon. The answer the man expected was ...
— The Vagrant Duke • George Gibbs
... strangely-embroidered robe fell over his shoulders, covered with hieroglyphic symbols; the embroidery was in black and gold, upon a variegated ground of brilliant colors. The robe was bound about his waist with a broad belt of gold, with cabalistic devices traced on it in dark red and black; red stockings, and shoes embroidered with gold, and pointed and curved upward at the toes, in Oriental fashion, appeared below the skirt of the robe. The man's face was ...
— The Room in the Dragon Volant • J. Sheridan Le Fanu
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