"Fortissimo" Quotes from Famous Books
 ... oratorio immediately follows, for there is hardly a finer effect in music than that of the soft voices singing the words, "And the Spirit of God moved upon the face of the waters," while the strings gently pulse; and the fortissimo C major chord on the word "light," coming abruptly after the piano and mezzo-forte minor chords, is as dazzling in its brilliancy to-day as when it was first sung. The number of unisons, throwing into relief the two minor chords on C and F, should be especially noted. The chorus in the ...
— Old Scores and New Readings • John F. Runciman
... devices for accelerating or retarding the time and for making the tone loud or soft, but when to whip up the time or to slow down, when to use the sustaining or the soft lever or when to swell through a crescendo from pianissimo to fortissimo—all that is left to your own taste, judgment and discretion. There is, indeed, among the improvements introduced in the pianola a contrivance, of which more hereafter, by which complete directions are given for the interpretation of the roll of music that is being played. ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb
... the usual heavy accent, which was now heard above the tremolo of the violins like the delicate sigh it is intended to be, and which finally gave to the fortissimo that follows the crescendo that air of desperation which properly belongs to it. Having restored the mysterious dignity of the introductory Adagio, I allowed the wild movement of the Allegro to run its passionate course, ...
— On Conducting (Ueber das Dirigiren): - A Treatise on Style in the Execution of Classical Music • Richard Wagner (translated by Edward Dannreuther)
... from the need for further speech by the sudden fortissimo of drums and trumpets and fifes, bursting into the breadth of the piazza in a grand storm of sound—a roar, a blast, and a whistling, well befitting a city famous for its musical instruments, and reducing the members of the closest group to a ...
— Romola • George Eliot
... pity such a clever man had a 'pediment' in his speech. But when he came to what he conceived the pith of his argument or the point of his joke, he mouthed out his words with slow emphasis; as a hen, when advertising her accouchement, passes at irregular intervals from pianissimo semiquavers to fortissimo crotchets. He thought this speech of Mr. Ely's particularly metaphysical and profound, and the more decisive of the question because it was a generality which represented no particulars ...
— Scenes of Clerical Life • George Eliot
... he shouted, as though his visitor had been fifty yards off instead of five. "I have been looking out for you. Here, William! William!" (crescendo), "William!" (fortissimo), "where on earth is the boy? I expect that idle fellow, George, has been sending him on some of his errands instead of attending to them himself. Whenever he is wanted to take a horse he is nowhere to be found, and then it is 'Please, sir, Mr. George,' that's what he calls ...
— Colonel Quaritch, V.C. - A Tale of Country Life • H. Rider Haggard
... of these theatres whose stages are near the street. A musical farce was current there. From an open window came the tune, waylaying us as we walked. The orchestra was playing it fortissimo. You could hear it above the footfalls, the laughter, and the ...
— Tales From Bohemia • Robert Neilson Stephens
... of his ascent. Towards the climax he was a furious spender; he shopped with large unexpected purchases, he shopped like a mind seeking expression, he shopped to astonish and dismay; shopped crescendo, shopped fortissimo, con molto espressione until the magnificent smash of Crest Hill eroded his shopping for ever. Always it was he who shopped. My aunt did not shine as a purchaser. It is a curious thing, due to I know not what fine strain in her composition, that my aunt never set ...
— Tono Bungay • H. G. Wells |
