"Modelling" Quotes from Famous Books
 ... famous also for his decorative art. This many-sided man is probably the greatest artist soul in Holland. He is expert in almost every domain of art. Etching, pastel and water-colour drawing, oil-painting, wood-cutting, lithography, working in silver, copper, and brass, and modelling in clay, belong equally to his accomplishments, though as a painter he is, ...
— Dutch Life in Town and Country • P. M. Hough
... deduction—a great one, certainly,—still, if the expression of the highest thoughts in the most beautiful forms be the true aim of Art, Scheffer must rank among the very first painters of his age. Delaroche may surpass him in strength and vigor of conception, and in thorough modelling and execution; but Scheffer has taken a deeper hold of the feelings, and has risen into ...
— The Atlantic Monthly, Volume 4, No. 23, September, 1859 • Various
... pictures so bad as to be humorous; a dancer by the Holland-Parisian, Kees van Dongen, had the merit at least of sincerity. Erbsloeh has joined the extremists, Kirchner, Guimi, Kanoldt, Kandinsky, Utrello—a good street effect; Werefkin and several Frenchmen were in evidence. The modelling was both grotesque and indecent. The human figure as an arabesque is well within the comprehension of the average observer, but obscenity is not art—great art is never obscene. The blacks and whites that I saw in Munich at this particular ...
— Ivory Apes and Peacocks • James Huneker
... is, in painting, what grammar is in literature, a general preparation to whatever species of the art the student may afterwards choose for his more particular application. The power of drawing, modelling, and using colours is very properly called the language of the art; and in this language, the honours you have just received prove you to have ...
— Seven Discourses on Art • Joshua Reynolds
... and then he stirred vaguely. But he did not lift his hand or touch the brushes beside it. Gazing at each other, in the fading light of the low window, the two faces were curiously alike. There was the same delicate modelling of lines, the same breadth between the eyes, the long, flowing locks, the full, sensitive lips, and in the eyes the same look of deep melancholy—touched with a subtle, changing, human smile that drew the beholder. It disarmed criticism ...
— Unfinished Portraits - Stories of Musicians and Artists • Jennette Lee
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