"Modern" Quotes from Famous Books
 ... this position the Russians had indeed created a masterwork of modern field fortification. Deep, broad trenches had been fitted so closely to the landscape that in most instances they could be recognized as such only at very close distances. Almost all these trenches had been covered with a fivefold layer of tree trunks, on top of which there ...
— The Story of the Great War, Volume IV (of 8) • Francis J. (Francis Joseph) Reynolds, Allen L. (Allen Leon)
... of war, to gather in between four and five million voluntary recruits was a great achievement. But to turn these recruits at the shortest possible notice, under the hammer-blows of a war, in which our enemies had every initial advantage, into armies equipped and trained according to modern standards, might well have seemed to those who undertook it an impossible task. And the task had to be accomplished, the riddle solved, before, in the face of the enemy, the incredible difficulties of it could possibly be admitted. The creators of the new ...
— Towards The Goal • Mrs. Humphry Ward
... splendid poem included in this collection, is one of the most moving emotional narratives found in modern poetry." —'Review ...
— The Man Against the Sky • Edwin Arlington Robinson
... presented a number of fragments of earthenware from Graham County, North Carolina. Some important accessions have been made by purchase. A large collection of pottery, textile fabrics, and other articles from the graves of Peru was obtained from Mr. William E. Curtis; a series of ancient and modern vessels of clay and numerous articles of other classes from Chihuahua, Mexico, were acquired through the agency of Dr. E. Palmer; a small set of handsome vases of the ancient white ware of New Mexico was acquired by purchase from Mr. C. M. Landon, of Lawrence, Kansas, and several handsome vases from ...
— Eighth Annual Report • Various
... belong to a different category. Albertini says that the bronze is by Donatello, and "li ornamenti marmorei di suoi discipuli." Half a century later, Vasari says that Donatello made two of them, and that Michelozzo made the Faith, which is the least successful of the three. Modern criticism tends to revert to Albertini, assigning all to Michelozzo, with the presumption that Hope, which is derived from the Siena statuette, was executed from Donatello's design. Certainly the basal figures are without the brio of Donatello's chisel; ...
— Donatello • David Lindsay, Earl of Crawford
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