"Portraying" Quotes from Famous Books
 ... this Fairy World which has crept in under the grand Olympian order in response to a true necessity. Its beings are not natural, its events are not probable; thus the poet forces us to look inward if we would see his meaning. Spirit is portraying spirit, and not externality, which is here made absurd; in this manner we are driven out of the real into ideal, or we drop by the way in reading ...
— Homer's Odyssey - A Commentary • Denton J. Snider
... first school, grayness and sobriety of the second. But there are few good pictures at Dort now, and some of the best works of Cuyp are to be found in our National Gallery, [London] executed at his native place and portraying the great brick tower of the church in the golden haze of evening, seen across rich pastures, where the cows are lying deep in the meadow grass. The works of Ary Scheffer are now the most interesting pictures in the Dortrecht Gallery. Of the subject, "Christus Consolator," there are two representations. ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various
... lake Deerslayer had ever seen. Hitherto, his experience had been limited to the courses of rivers and smaller streams, and never before had he seen so much of that wilderness, which he so well loved, spread before his gaze. Accustomed to the forest, however, his mind was capable of portraying all its hidden mysteries, as he looked upon its leafy surface. This was also the first time he had been on a trail where human lives depended on the issue. His ears had often drunk in the traditions of frontier warfare, but he had never yet been confronted ...
— The Deerslayer • James Fenimore Cooper
... he, indeed, that persons who saw him on the stage in that character not infrequently drew the inference and kept the belief that he was personally a monster. His look was iron-visaged; the cast of his manners was relentless and savage. Quin said that his face contained not lines but cordage. In portraying the contrasted passions of joy for Antonio's losses and grief for Jessica's elopement he poured forth all his fire. When he whetted his knife, in the trial scene, he was silent, grisly, ominous, and fatal. No human ...
— Shadows of the Stage • William Winter
... had been lost, as a man is a round figure by nature, and is so represented by that art, whereas in painting, on the other hand, it is not so easy to find the right shapes and the best manner of portraying them, which are essential to the majesty, beauty, grace, and ornament of a picture. In one circumstance fortune was favourable to Andrea, because, as has been said elsewhere, by means of the numerous victories won by the Pisans at sea, many antiquities ...
— The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8) • Giorgio Vasari
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