"Retouch" Quotes from Famous Books
... extraordinary. My spasms it would have been difficult to beat. The populace encored. Several gentlemen swooned; and a multitude of ladies were carried home in hysterics. Pinxit availed himself of the opportunity to retouch, from a sketch taken upon the spot, his admirable painting ... — The Works of Edgar Allan Poe - Volume 4 (of 5) of the Raven Edition • Edgar Allan Poe
... linguificus[1]) attacks the immature in years or judgment. A riper acquaintance with the history and practical aims of international language purges it from the system. We have all been through it. For the inventor of Esperanto, accustomed for so many years to retouch, modify, and revise, it must require no ordinary degree of self-control to keep his hands off, and leave the fate of his offspring to others. It grew with his growth, developing with his experience, ... — International Language - Past, Present and Future: With Specimens of Esperanto and Grammar • Walter J. Clark
... nothing to say. This is especially true of work recast by men in mature age. Writers and painters (sculptors luckily are restrained by the nature of their art—unless they deliberately go and break up their work with a hammer) retouch and change, in the years when they have become more critical and less creative, what they think to be the insufficient achievements of their youth: yet it is the vigour and the simplicity of their youthful ... — On Something • H. Belloc
... In 1592 he had acquired sufficient reputation as a dramatist, or at least as a recaster of the plays of others, to excite the jealousy of the leading playwrights, whose crude dramas he condescended to rewrite or retouch. That graceless vagabond, Robert Greene, addressing from his penitent death-bed his old friends Lodge, Peele, and Marlowe, and trying to dissuade them from "spending their wits" any longer in "making plays," spitefully declares: "There is an upstart crow ... — Atlantic Monthly, Volume 20, No. 118, August, 1867 • Various
... experienced by Pasquier, when Marot, in his Rifacciamento of the Roman de la Rose, left some of the obsolete phrases, while he got rid of others; cette bigarrure de langage vieux et moderne, was with him writing no language at all. The same circumstance occurred abroad, when they resolved to retouch and modernise the old French metrical version of the Psalms, which we are about to notice. It produced the same controversy and the same dissatisfaction. The church of Geneva adopted an improved version, but the charm of the old one ... — Curiosities of Literature, Vol. II (of 3) - Edited, With Memoir And Notes, By His Son, The Earl Of Beaconsfield • Isaac D'Israeli
... her a little troubled perplexity as often as she saw it there; and Faith excused herself in a graceful little note, and stayed at Cross Corners, helping her mother fold away the crimson curtains, and get up the white muslin ones, make up summer sacks for Hendie, and retouch her own simple wardrobe, which this year could ... — Faith Gartney's Girlhood • Mrs. A. D. T. Whitney
... is a law which permits any modern poet to retouch a play of Aeschylus, and bring it forward as his own composition. And, as there is an absurd prejudice, among the vulgar, in favour of his extravagant pieces, I have selected one of them, and ... — The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 1 (of 4) - Contibutions to Knight's Quarterly Magazine] • Thomas Babington Macaulay
... until it becomes the sepulcher of all French youth, even to taking as canon fodder the adolescent under age and men already exempt or free by purchase. But, as before these excesses, it may still be maintained with certain modifications; it suffices almost to retouch it, to establish exemptions and the privilege of substitution as rights, which were once simply favors,[3275] reduce the annual contingent, limit the term of service, guarantee their lasting freedom ... — The Origins of Contemporary France, Volume 5 (of 6) - The Modern Regime, Volume 1 (of 2)(Napoleon I.) • Hippolyte A. Taine
... among good writers, and a crowd of self-conscious and mannered "stylists" among writers not so very good, is essential. About Shakspeare it was said that he "never blotted a line." The observation is almost literally true about Sir Walter. The pages of his manuscript novels show scarcely a retouch or an erasure, whether in the "Waverley" fragment of 1805 or the unpublished "Siege of ... — Waverley, Or 'Tis Sixty Years Hence, Complete • Sir Walter Scott
... a narrative, which, although hallowed by an antiquity of a thousand years and more, has already appeared in so many different forms, and been clothed in so many different garbs; for, however much I may have allowed my fancy or my judgment to retouch and remodel the immaterial portions of the legend, the essential parts of this immortal myth remain the same. And, if I succeed in leading you to a clearer understanding and a wiser appreciation of the thoughts and feelings of our old northern ancestors, I shall have ... — The Story of Siegfried • James Baldwin |