"Second-rate" Quotes from Famous Books
 ... "month of grace" was passing, yet nothing had been done, second-rate Powers awaiting the Great, while the Great, appalled by the bigness of the demand, fussed and intrigued, consulted, fermented and proposed: ...
— The Lord of the Sea • M. P. Shiel
... campaigns, particular in their nature, gave me useful impressions, but not the scene for my purpose. The world must think of those wars comparatively as second-rate and only partially illustrative, when its fearful curiosity and more fearful apprehension centre on the possibility of the clash of arms between the enormous forces of two first-class European land-powers, with their supreme ...
— The Last Shot • Frederick Palmer
... descriptions of pictures quite awake to the beauty manufactured by man, has in no way anticipated the modern discovery that nature is beautiful. To readers who have had enough of the pathetic fallacy, and of the second-rate novelist's local colour, Lucian's tacit assumption that there is nothing but man is refreshing. That he was a close enough observer of human nature, any one can satisfy himself by glancing at the Feast of Lapithae, the Dialogues of the Hetaerae, ...
— Works, V1 • Lucian of Samosata
... not cast a halo round her relatives, he could have preached that sermon upon the home-keeping duties of women, or have been too much offended to accept any service from the Curtis family; and he could have done without them, for he had a wide middle-class popularity; his manners with the second-rate society, in which he had been bred, were just sufficiently superior and flattering to recommend all his best points, and he obtained plenty of subscriptions from visitors, and of co-operation from inhabitants. Many a young lady was in a flutter ...
— The Clever Woman of the Family • Charlotte M. Yonge
... works, his greatness in composition remains altogether unappreciated. Many modern works exhibit greater pretense at arrangement, and a more palpable system; masses of well-concentrated light or points of sudden and dextrous color are expedients in the works of our second-rate artists as attractive as they are commonplace. But the moving and natural crowd, the decomposing composition, the frank and unforced, but marvelously intricate grouping, the breadth of inartificial and unexaggerated shadow, these are merits of an order only the more elevated ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
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