"Benedict" Quotes from Famous Books
 ... glowed with pleasure at the recognition, and tossing back his curls, he sprang forward and threw his arms about Weber's neck, begging him to go home with him. When the astonished musician recovered himself, he presented the boy to Jules Benedict, his young friend and pupil who walked at his side, saying, "This is Felix Mendelssohn." For response Felix, with a bright look, seized the young man's hand in both his own. Weber stood by smiling at the boy's enthusiasm. ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... Charlemagne began the development of the architecture of France, but not until the tenth and eleventh centuries did the "movement reach its full force; and its development was due mainly to the great monastic community, which, founded by St. Benedict early in the sixth century, had poured from the heights of Monte Cassino its beneficent ...
— Frederic Lord Leighton - An Illustrated Record of His Life and Work • Ernest Rhys
... Mohammedanism in Persia, Arabia, Turkey and Africa, as also on account of the enslavement of Negroes and Indians in the Americas, other Popes proclaimed the Christian law in regard to the cruelties of the slave trade. Again Urban VIII, in 1639, and Benedict XIV, in 1741, were defenders of the liberty of the Indians and blacks even though they were not as yet instructed in the Christian faith.[488] In 1815, Pius VII demanded of the Congress of Vienna the suppression of the slave trade. In the Bull of Canonization ...
— The Journal of Negro History, Volume 2, 1917 • Various
... which was not filled by a liberal and reforming king, a liberal and reforming emperor, or, strangest of all, a liberal and reforming pope; the age of Frederic the Great, of Catherine the Second, of Joseph the Second, of Peter Leopold, of Benedict XIV., of Ganganelli, of Pombal, of D'Aranda; when the very Bourbons of Naples were liberals and reformers, and all the active minds among the noblesse of France were filled with the ideas which were soon after ...
— Considerations on Representative Government • John Stuart Mill
... setting for something else. In the words of Corneille, "l'amour ne doit etre que l'ornement, et non l'ame de nos pieces," and this is how it is generally employed by the best dramatists. The love of Benedict and Beatrice, for example, is simply a setting for their witty talk and repartee. On the Spanish stage love is often a setting for entertaining intrigue, as in Lope de Vega's El Perro del Hortelano. In Schiller's Wallenstein the love ...
— Wagner's Tristan und Isolde • George Ainslie Hight
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