"Emotional" Quotes from Famous Books
 ... crowded to the doors night by night. The reek of stable-stained coats and boots, the smell of strong tobacco, the effluvia of many breaths, the heat, the closeness were forgotten in the fervor of the young evangelist's utterances. His voice took on wild emotional cadences which sounded deep places in the heart. To these people, long unused to religious oratory, it was like the return of John and Isaiah. It was poetry and the drama, and processions and apocalyptic visions. This youth had the histrionic spell, ...
— Other Main-Travelled Roads • Hamlin Garland
... the upper classes during the first century after its introduction must be attributed in no small measure to the fact that the throne was twice occupied by Empresses in that interval. The highly decorative aspects of the creed appealing to the emotional side of woman's nature, these Imperial ladies encouraged Buddhist propagandism with earnest munificence. But the mass of the people remained, for the most part, outside the pale. They continued to believe in the Kami and to worship them. Thus, when a terribly destructive earthquake* occured ...
— A History of the Japanese People - From the Earliest Times to the End of the Meiji Era • Frank Brinkley and Dairoku Kikuchi
... casks which had formed part of the outward-bound burden. The protracted holiday-making had its natural sequence. There was, however, too much method in the next proceedings for it to be attributed wholly to emotional inebriety. ...
— Charles the Bold - Last Duke Of Burgundy, 1433-1477 • Ruth Putnam
... of Concha Arguello there was never a lingering doubt of the quality of that fortnight between the days of torturing doubts and acute emotional upheaval, and the sailing away of Rezanov. It was true that what he banteringly termed her romantic sadness possessed her at times, but it served as a shadow to throw into sharper relief an almost incredible happiness. If she seldom saw Rezanov alone there was the ...
— Rezanov • Gertrude Atherton
... was interpreting in the hope that the purely technical deficiencies which I had neither time nor knowledge to enable me to correct would pass comparatively unnoticed, provided I was able to give sufficient interest and compel sufficient attention to the emotional values of the work. This kind of study, forced upon me in the first instance through reasons of expediency, became a habit, and gradually grew into a conviction that it was a mistake to practice technic at all unless such practice should conduce to some definite, specific and immediate ...
— Great Pianists on Piano Playing • James Francis Cooke
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