"Artist" Quotes from Famous Books
... pleased, interested, delighted; and when the encored "Soldier tired" was ended, had I but possessed so much Italian, "Sono anch'io Cantatore" would have burst from my lips with as much fervour and devotedness of resolution as the "Sono anch'io Pittore" of the artist. From this moment never had I three shillings and sixpence in my pocket, and either Billington's or Braham's name in the bills of the night, that I was not to be seen planted in the front row of the ... — The Mirror of Literature, Amusement, and Instruction, Vol. 17, - Issue 491, May 28, 1831 • Various
... edition, the latter shows a considerable improvement upon the work of his "'prentice hand." The complete work was published, as we have said, in 1841. It appeared in an expensive and sumptuous form, and was adorned with the French artist Grandville's illustrations—which had first appeared only two years previously in the Paris edition of La Fontaine's Fables, published by Fournier Aine. The book was well received both in America and England, and four other ... — The Fables of La Fontaine - A New Edition, With Notes • Jean de La Fontaine
... render you any other service than this," replied the artist, walking up and down the room in long strides. "I know very well that in all circumstances bachelors should triumph over husbands, but that does not prevent my conscience from smiting me. You know that I saved ... — Serge Panine • Georges Ohnet
... and are contained in 9 volumes. The portraits of the judges were painted by Michael Wright, by the order of the Court of Aldermen, 19 April, 1670 (Repertory 75, fo. 160b). Warrants for the payment of the artist, and also Jeremiah Wright for painting arms and inscriptions on the frames, are preserved in the Chamberlain's office.—See Report on Corporation Records, 16 Dec., 1869, Appendix iii, ... — London and the Kingdom - Volume II • Reginald R. Sharpe
... stipulated on the part of Nicholas that he do work at the more desirable profession of stucco-making, together with the execution of orders for sculpture, the proceeds of which were to be considered the property of Fladge, he allowing the generous stipend of one shilling a week to the artist. Here, then, Mr. Fladge becomes sensible of the fact that some good always come of great evils, for indeed his criminal was so far roving a mine of wealth that he only hoped it might be his fortune ... — Our World, or, The Slaveholders Daughter • F. Colburn Adams
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