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"Olympian" Quotes from Famous Books

... poker games, bridge games, and other forms of seaside sports, all of which contributed to the gaiety of life in the Indian Ocean. In the evening one might have imagined oneself at a London music-hall, in the daytime at the Olympian games, and in the early morning out on the farm. There were a number of chickens on board and each rooster seemed obliged to salute the dawn with a fanfare of crowing. They belonged to the governor and were going out to East ...

— In Africa - Hunting Adventures in the Big Game Country • John T. McCutcheon

... had stood transparently arrested—the auctioneer, the spectators, and even Bellairs, all well aware that Mr. Longhurst was the principal, and Jim but a speaking-trumpet. But now that the Olympian Jupiter was gone, Mr. Borden thought proper ...

— The Works of Robert Louis Stevenson - Swanston Edition Vol. 13 (of 25) • Robert Louis Stevenson

... Styx Coffee and Repartee Mollie and the Unwiseman Worsted Man; A Musical Play for Amateurs The Enchanted Typewriter Ghosts I Have Met Mrs. Raffles Olympian Nights R. Holmes & Co. ...

— Alice in Blunderland - An Iridescent Dream • John Kendrick Bangs

... his day believed the statue to commemorate an event which happened in 425, while he himself preferred to connect it with an event of 453. The inscription on the pedestal is indecisive on this point. It runs in these terms: "The Messenians and Naupactians dedicated [this statue] to the Olympian Zeus, as a tithe [of the spoils] from their enemies. Paeonius of Mende made it; and he was victorious [over his competitors] in making the acroteria for the temple." The later of the two dates mentioned by Pausanias has been generally accepted, though not without recent protest. This would ...

— A History Of Greek Art • F. B. Tarbell

... Aristides, painted pathetic scenes, and was perhaps as remarkable for teaching art to the celebrated Euphranor (fl. 360 B.C.) as for his own productions. Euphranor had great versatility in the arts, and in painting was renowned for his pictures of the Olympian gods at Athens. His successor, Nikias (fl. 340-300 B.C.), was a contemporary of Praxiteles, the sculptor, and was possibly influenced by him in the painting of female figures. He was a technician of ability in composition, light-and-shade, and relief, and was praised for ...

— A Text-Book of the History of Painting • John C. Van Dyke

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