"Patently" Quotes from Famous Books
 ... the Bay. These things fell as they were foretold, and Dick enjoyed himself to the utmost. It is allowable and even necessary at sea to lay firm hold upon tables, stanchions, and ropes in moving from place to place. On land the man who feels with his hands is patently blind. At sea even a blind man who is not sea-sick can jest with the doctor over the weakness of his fellows. Dick told the doctor many tales—and these are coin of more value than silver if properly handled—smoked with him till unholy hours of the night, ...
— The Works of Rudyard Kipling One Volume Edition • Rudyard Kipling
... of the dining-room, but she interposed, and a very beautiful obstacle she made of herself. His left hand went out as if to grip her, then hesitated. He was patently awed by her ...
— The Night-Born • Jack London
... edge of Normandy and the edge of Flanders—which retains to-day the most vivid impress of Rome. For though the great buildings are lacking, and the Roman work, which must here have been mainly of brick, has crumbled, and though I can remember nothing upstanding and patently of the Empire between the gate of Rheims and the frontier of Artois, yet one feature—the Roman road—is here so evident, so multiple, and so enduring that it makes ...
— First and Last • H. Belloc
... name; it utters no particular word. It merely speaks. Sometimes, ashamed at being tricked by an illusion so absurd, I steal a glance at the yachtsman forward. He is smoking, placidly staring at the clouds. Patently he was not the speaker, and patently he has heard nothing. Was it Cynthia, my dearer shipmate? She, too, knows the voice; even answered it one day, supposing it mine, and in her confusion I surprised our common secret. But we never hear it together. She is seated now on the lee side of the ...
— From a Cornish Window - A New Edition • Arthur Thomas Quiller-Couch
... of their tools, men who, like Mozart, could scarcely repress their tears at the sound of a favorite instrument, and wrote marvelously for flutes and horns and oboes and all the components of their bands. But matched with his, their knowledge of the instrument was patently relative. For, with them, music had on the whole a general timbre. Phrases which they assigned, say, to violins or flutes can be assigned to other instruments without doing the composition utter damage. But in the ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld
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