|
|
|
More "Bach" Quotes from Famous Books
 ... oft there grows a painful thorn the floweret's stalk upon: Behind each cupboard's gilded doors there lurks a Skeleton: The crumpled roseleaf mocks repose, beneath the bed of down: In proof of which attend the tale of Bach Beethoven Brown. ...
— Lyra Frivola • A. D. Godley
... as valuable as some of those other definitions that express one art in terms of another: poetry in terms of painting, and painting in terms of poetry. "Architecture is frozen music" does not enable us to understand either perpendicular Gothic or a fugue of Bach; and when an historian defines history in terms of philosophy, or a philosopher philosophy in terms of history, you may be on the lookout for sophistication. Your philosophical historian points his moral by adorning his tale. Your historical philosopher allows ...
— The Creed of the Old South 1865-1915 • Basil L. Gildersleeve
... important powers of the State governments it is proper to observe, first, that the territory contemplated by the Constitution belongs to each State in its separate character and not to the United States in their aggregate character. Bach State holds territory according to its original charter, except in cases where cessions have been made to the United States by individual States. The United States had none when the Constitution was adopted which had not been thus ceded to them and which they held on the conditions on ...
— A Compilation of the Messages and Papers of the Presidents - Section 1 (of 3) of Volume 2: James Monroe • James D. Richardson
... ways of attacking a tone are generally recognized. These are described by Albert B. Bach, in The Principles of Singing, second edition, London, 1897. They are, first, the stroke of the glottis. (This is advocated by Garcia in most of his published works, although the testimony of many of his pupils, notably Mme. Marchesi, is that ...
— The Psychology of Singing - A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern • David C. Taylor
... cosseted him and swep' his path afore him, carryin' his victuals and cleanin' up the house when he's out hayin' or cuttin' wood, till he thinks it ain't so bad to bach it after all. If she'd just let him alone after Hattie died, and starved him out, he'd ha'nted her place oftener'n she's been over to his, and 'twouldn't ha' been long before he learnt the taste of her apple-pies and where they ought to be made. Now he knows ...
— Country Neighbors • Alice Brown
... now, alas! sufficiently uncommon, for he had nearly all his meals served for him in his own rooms. Constance, who was once more downstairs, sat playing at the pianoforte, performing chiefly melodies by Scarlatti or Bach, of which old-fashioned music she knew her husband to be most fond. A later fashion, as you know, has revived the cultivation of these composers, but at the time of which I write their works were much less commonly known. Though she was more than ...
— The Lost Stradivarius • John Meade Falkner
... appeal which is made by Bach and Mozart and Schubert. They also may be moved by suffering and sorrow. But they are never in vain rebellion against the Universe. Their sorrow is itself at one with the Universe, and therefore at one with ...
— Impressions And Comments • Havelock Ellis
... Johann Sebastian Bach, one of the world's mightiest tone poets, accomplished his mission, not by means of the contrapuntal fashion of his age, but in spite of it. The laws of canon and fugue are based upon as prosaic a foundation as those of the rondo and sonata form; I find it impossible ...
— Edward MacDowell • John F. Porte
... as you genteelly put it," Mr Sharnall said one evening, when Lord Blandamer had gone. "I can't stop his giving new bellows or a new pedal-board. And we do want the new board and the additional pipes. As it is, I can't play German music, can't touch a good deal of Bach's organ work. Who is to say this man nay, if he chooses to alter the organ? But I'm not going to truckle to anyone, and least of all to him. Do you want me to fall flat on my face because he is a lord? Pooh! we could all be lords like him. ...
— The Nebuly Coat • John Meade Falkner
... Shostakovich, Cage, Adams and certainly no Schoenberg in Liszt's music. His music has an ideological "ceiling," and that ceiling is "beauty." It never goes beyond that. And perhaps it was never as "beautiful" as the music of Mozart, Bach or Beethoven, nor quite as rational (Are all the emotions in Liszt's music truly "controlled?"). But it certainly was original and instructive, and ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated
... around. I saw before us a wide, marshy plain, traversed by the Gruna-Bach and the Floss-Graben. A few hills arose along these streams, and beyond ran a large river, which the sergeant told me was the Elster. The ...
— The Conscript - A Story of the French war of 1813 • Emile Erckmann
... less than eight private concerts during those six weeks, and heard the same new ballad, and the same latest gavotte in C minor, at everyone of them. She was taken to pianoforte recitals in fashionable squares and streets, and heard Bach and Beethoven till her heart ached with pity for the patient labour of the performers, knowing how poorly she and the majority of mankind appreciated their efforts. She went to a few dances that were rather amusing, and waltzed to her heart's content. She rode Arion in the Row, and ...
— Vixen, Volume II. • M. E. Braddon
... and several other public buildings. A chain of beautiful promenades encircles the city, on the site of its old fortifications. Following their course through walks shaded by large trees and bordered with flowering shrubs, I passed a small but chaste monument to Sebastian Bach, the composer, which was erected almost entirely at the private cost of Mendelssohn, and stands opposite the building in which Bach once directed the choirs. As I was standing beside it, a glorious choral, swelled by a hundred voices, ...
— Views a-foot • J. Bayard Taylor
... sorry but of course we can't do such a thing. Me and Zoeth, one of us a bach all his life, and t'other one a—a widower for twenty years, for us to take a child to bring up! My soul and body! Havin' hung on to the heft of our senses so far, course we decline! We ...
— Mary-'Gusta • Joseph C. Lincoln
... explained Citizen Drew, complacently displaying his boasted knowledge of public men in minute detail, "is the Honorable Archer Converse, whose father was General Aaron Converse, the war governor of this state. Lawyer, old bach, rich, just as crisp in talk as he is in looks, just as straight in his manners and morals and honesty as he is in his back, arrives every night at the Mellicite Club for his dinner on the dot of eight"—Citizen Drew waved his hand at the illuminated circle ...
— The Landloper - The Romance Of A Man On Foot • Holman Day
... spiritual things they will be no avail unless prosecuted by spiritual men. As well might men blind from birth attempt to study the starry heavens, and men born deaf undertake to expound and criticise the harmonies of Bach and Beethoven. Men must see and hear to speak and write intelligently on such subjects. And so men must be spiritually ...
— When the Holy Ghost is Come • Col. S. L. Brengle
... means of a plectrum held in the hand, the plectrum was set in motion by the mechanism of the claves or keys. The system of fingering employed in playing the harpsichord, up to 1700, did not make use of the thumb. J.S. Bach, F. Couperin, and J.P. Rameau were the pioneers in this matter. The first published work on piano technique and fingering was that by ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... on the attitude of the Germans toward Chopin, because I am convinced that in this attitude lies one of the main reasons why no one has hitherto dared to place him in the front rank of composers, side by side with Bach, Beethoven, and Wagner. For the Germans are the tonangebende (the standard-setting) nation in music to-day, and, as there seems to be a natural antipathy between the Slavic and the Teutonic mind, the Germans are apt, like Mendelssohn, to regard as mannerism what is simply ...
— Chopin and Other Musical Essays • Henry T. Finck
... 1808, asserts that what is called the Lex Antiqua, or Vetustior in which many German words are mingled with the Latin, has no claim to superior antiquity, and may be suspected to be more modern. M. Wiarda has been opposed by M. Fuer bach, who maintains the higher age of the "ancient" Code, which has been greatly corrupted by the transcribers. See Guizot, Cours de l'Histoire Moderne, vol. i. sect. 9: and the preface to the useful republication of five of the different ...
— The History of The Decline and Fall of the Roman Empire - Volume 3 • Edward Gibbon
... his powers showed themselves suddenly in full splendor, and that at a single bound he placed himself at the head of the dramatic composers of his age. This was not true of Hasse, Mozart, Gluck, Cherubini, Weber, in dramatic composition; nor of Bach, Haydn, Beethoven, in other branches of the musical art. However great a man's genius may be, he must live and learn. To attain the highest excellence, long continued study is necessary; and Handel, as we believe, was no ...
— The Atlantic Monthly, Vol. I., No. 3, January 1858 - A Magazine of Literature, Art, and Politics • Various
... him now constitute his real self, besides being for ever inscribed upon the roll of eternal remembrance. So the great musicians still live on, and when we claim that such-and-such an interpreter gives us the spirit of Bach, we may be saying more truly than we realise. There is no limit to the range of thought save the intrinsic nature of the thought itself. All thoughts seek their own, by the law of sympathy: like to like, fine to fine, and ...
— Spirit and Music • H. Ernest Hunt
... When they play Beethoven, Bach, or Meyerbeer, ach, I seem to live in another country. I hear music in everything, in the leaves, the rain, the ...
— The Goose Girl • Harold MacGrath
... was playing a grave prelude and fugue of Bach's. The three older people joined the children in the balcony, and sat quietly listening ...
— The Happy Adventurers • Lydia Miller Middleton
... real love of art and did not understand it. I went to concerts, but the only part of a sonata or symphony which took hold of me was that which was melodious. The long passages with no striking theme in them conveyed nothing to me, and as to Bach, excepting now and then, his music was like a skilful recitation of nonsense verses. The Marseillaise on a barrel-organ was intelligible, but gymnastics on strings—what did they represent? With pictures the case was somewhat different. I often left Clapton early in order that ...
— More Pages from a Journal • Mark Rutherford
... universal. It takes all sorts to make a church; she does not ask me to be celibate. But the fact that I have no appreciation of the celibates, I accept like the fact that I have no ear for music. The best human experience is against me, as it is on the subject of Bach. Celibacy is one flower in my father's garden, of which I have not been told the sweet or terrible name. But I may ...
— Orthodoxy • G. K. Chesterton
... agin, same as it used ter be While mother lived, for she was 'bout the hull wide world ter me. My bein' all the son she had, we loved each other more— That's why, I guess, I'm what they call a "bach" at forty-four. It's hard fer me to set alone, but women folks—'t ain't right, And it must be mighty lonesome fer the ...
— Cape Cod Ballads, and Other Verse • Joseph C. Lincoln
... is a thing of older ancestry; you cannot, however bursting with emotion, embody your feelings in forms like those of Phidias, of Michelangelo, of Bach, or Mozart, unless such forms have come ready to hand through the long, steady working of generations of men: Phidias and Bach in person, cut off from their precursors, would not, for all their genius, get ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)
... B flat; Schubert's five masses and vespers, 2d, 3d and 4th; Beethoven's two masses, the one in C being the most difficult. There was another written in D. Schubert's 2d, 3d and 4th masses were sung frequently. The grand mass of John Sebastian Bach, written in B minor, was sung by our choir for the first time in San Francisco, April 17, 1869. No one who is a singer can be blamed for being justly proud in rendering this music with the ...
— Sixty Years of California Song • Margaret Blake-Alverson
... a master, and music, under the marvellously able teaching of Mr. John Farmer, musical director of Harrow School, took up much of my time. My dear mother had a passion for music, and Beethoven and Bach were her favorite composers. There was scarcely a sonata of Beethoven's that I did not learn, scarcely a fugue of Bach's that I did not master. Mendelssohn's "Lieder" gave a lighter recreation, and many a happy evening did we spend, my mother and I, ...
— Autobiographical Sketches • Annie Besant
... musician, was born in Kothen in 1725, and died on the 20th of June 1787 in London. He was a great player on the viola da gamba, and composed much music of importance in its day for that instrument. He studied under Johann Sebastian Bach at the Leipzig Thomasschule; played for ten years (1748-1758) under A. Hasse in the band formed at Dresden by the elector of Saxony; and then, going to England, became (in 1759) chamber-musician to Queen Charlotte. He gave a concert of his own compositions ...
— Project Gutenberg Encyclopedia
... cultivation of Boston. The old Odeon is replaced by the stately Music Hall. The Journal of Music, which sprang from the impulse of those days, now, after a generation, is suspended; nor need we speculate why musical Boston, which demands the Passion music of Bach, permits a journal of such character to expire. Amid all these changes and disappearances two things have steadily increased—the higher musical taste of the country, and the good name of the critic whose work has most contributed ...
— Early Letters of George Wm. Curtis • G. W. Curtis, ed. George Willis Cooke
... supper it became really too bad. "What may it have cost? three ducats? must you have permission to wear it? Do you pay extra for leave to do so? We really must get one just like it." An officer there of the name of Bach, said, "For shame! what would you do with the cross?" That young ass, Kurzen Mantl, winked at him, but I saw him, and he knew that I did. A pause ensued, and then he offered me snuff, saying, "There, show that you don't care a pinch ...
— The Letters of Wolfgang Amadeus Mozart, V.1. • Wolfgang Amadeus Mozart
... Halle this year is of peculiar interest because of the attempt made by J. S. Bach to become acquainted with him. Forkel's biography of Bach (1802) is the only authority for this story. Bach in 1719 was in the service of the Prince of Anhalt-Coethen; hearing that Handel was in the neighbourhood, he went over ...
— Handel • Edward J. Dent
... like disthroyin' angels, an' the wind howlin' like tin thousand Banshees, but Barney didn't mind it all wan copper, bein' glorified wid the dhrink he'd had. So the hay niver enthered the head av him, but in he wint an' tumbled in bed an' was shnorin' like a horse in two minnits, for he was a bach'ler, God bless him, an' had no wife to gosther him an' ax him where he'd been, an' phat he'd been at, an' make him tell a hunderd lies about not gettin' home afore. So it came on to thunder an' lighten like as all the avil daymons in the univarse were fightin' ...
— Irish Wonders • D. R. McAnally, Jr.
... gently and his sorrows and his temptations faded from him. He glided into Bach, and then into Chopin and Mendelssohn, and at last drifted into dreamy improvisation, his fingers moving almost of themselves, his eyes half closed, ...
— The Grey Wig: Stories and Novelettes • Israel Zangwill
... and the song which you knew seems to sing itself, but enveloped with a richness and fulness of flowing accompaniment which is like the harping of aerial choirs. Then with others she plays the great music, concerted Bach or Beethoven, Chopin, Schumann, or Wagner, Weber or Mendelssohn; now an old gavotte, now a quaint fantasia, and why not a toccata of Galuppi Baldassero? It is more than a hint or a reminiscence, although ...
— From the Easy Chair, vol. 1 • George William Curtis
... technique, but of a civilization, and indeed of a culture. One might as well demand of a music-hall orchestra which plays ragtime all the year round that once in the year, and once only, on Good Friday, it should pull itself together to give an adequate performance of the Passion Music of Bach. ...
— The New Society • Walther Rathenau
... 'Musicians' upon 'nationality' and 'method,' we get what is called a Cross-division, thus 'German Musicians.' 'Not-German,' 'Classical,' 'Not-Classical;' for these classes may overlap, the same men sometimes appearing in two groups—Bach in 'German' and 'Classical,' Pergolesi in 'Not-German' and 'Classical.' If, however, we divide Musicians upon these attributes successively, cross ...
— Logic - Deductive and Inductive • Carveth Read
... needn't fear being shocked." At the end of the hall was a little partitioned-off room. Few enough personal goods could be taken along, but she had made this place hers, a painting, a battered Shakespeare, the works of Anker, a microplayer. Her tapes ran to Bach, late Beethoven and Strauss, music which could be studied endlessly. She took hold of a stanchion and nodded, ...
— The Burning Bridge • Poul William Anderson
... be more idiotic? Then Cotton Mather was a greater man than Johann Sebastian Bach. Then the average college critic of the arts, with his balderdash about inspiration and moral purpose, is greater than Georg Brandes or Saint-Beuve. Then Eugene Brieux, with his Y. M. C. A. platitudinizing, is greater than Moliere, with his ethical agnosticism, ...
— Damn! - A Book of Calumny • Henry Louis Mencken
... he says, is like the Alman (Allemagne of Bach, etc.)—i.e., it 'containeth the time of eight, and most commonly in short notes.' This is the Brawl, see L.L.L. III, i, 9, and was one of several tunes to which the Country Dance was danced, whether in a ring, or 'at length,' like ...
— Shakespeare and Music - With Illustrations from the Music of the 16th and 17th centuries • Edward W. Naylor
... and songs, among which "Nazareth" is universally popular. His list of compositions for orchestra is also very large, and includes such popular pieces as the "Saltarello," "Funeral March of a Marionette," and the Meditation, based on Bach's First Prelude, which is accompanied by a soprano solo. He was elected a member of the Institut de France ...
— The Standard Operas (12th edition) • George P. Upton
... "The wasted frame, with sometimes strumous swellings, and the unnatural abdominal enlargement which accompanies disease of mesenteric glands, gives a very sad, and often a most unnatural, appearance to the sufferer." Professor Rhys' description of a reputed changeling, one Ellis Bach, of Nant Gwrtheyrn, in Carnarvonshire, is instructive as showing the kind of being accredited among the Welsh with fairy nature. The professor is repeating the account given to him of this poor creature, who died nearly half a century ago. He tells us: ...
— The Science of Fairy Tales - An Inquiry into Fairy Mythology • Edwin Sidney Hartland
... at Rose Feral's?" pursued the shopkeeper. Colard meditated and mentioned Bach and Bousquier, two notorious smugglers. "The rascals, they had better be on their guard," said the shopkeeper, "and you, Colard, come along with me; poor Fualdes is going to be buried, and it is not fitting to be ...
— The German Classics, v. 20 - Masterpieces of German Literature • Various
... was saying before, the classical stuff may do for those who like it well enough to stand it, but the domestic article suits me. I like the kind of beer that this man Bach turned out in the spring of the year, but I don't seem to be able to care much for his music. And so far as Chopin is concerned, I hope you'll all do ...
— Cobb's Bill-of-Fare • Irvin Shrewsbury Cobb
... He'd enjoy it so. He's the real American. He has imagination and adaptability. It's a shame: all the petits fours and Bach recitals wasted on Jeff Saxton, ...
— Free Air • Sinclair Lewis
... Tha{n} cam {the} god bach{us} & by her set hy{m} doun Holdynge in his honde a cuppe full of wyne. Of grene vyne leues he wered a Ioly croun He was clad in clustres of grapes gode & fine A garlonde of yuy he chose for his sygne. On his hede he had a thredbare ke{n}dall hode. A gymlot ...
— The Assemble of Goddes • Anonymous
... was a boy, I was very fond of music, and I am so now; and it so happened that I had the opportunity of hearing much good music. Among other things, I had abundant opportunities of hearing that great old master, Sebastian Bach. I remember perfectly well—though I knew nothing about music then, and, I may add, know nothing whatever about it now—the intense satisfaction and delight which I had in listening, by the hour together, to Bach's fugues. It is a pleasure which remains with me, I am glad ...
— Science & Education • Thomas H. Huxley
... Drum ist so wenigen zu traun. 375 Doch sollen nun getreue Fraun Mit Segenswnschen ihn geleiten, Den wir dort sehn von dannen reiten. Es wandte sich der junge Fant Hin nach dem Wald von Breceliand.[2] 380 Er kam an einen Bach geritten, Den htt' ein Hahn wohl berschritten, Doch weil da Gras mit Blumen spross, So dass der Bach im Schatten floss, Gedacht' er an der Mutter Wort 385 Und trabte diesseits an ihm fort Unverdrossen bis zur Nacht; Die ward, wie's eben ging, ...
— An anthology of German literature • Calvin Thomas
... the eighteenth century the musical life of Europe was in full swing. Then there came forward a man who was greater than all others, a simple organist of the Thomas Church of Leipzig, by the name of Johann Sebastian Bach. In his compositions for every known instrument, from comic songs and popular dances to the most stately of sacred hymns and oratorios, he laid the foundation for all our modern music. When he died in the year 1750 he was succeeded by Mozart, who created musical fabrics of sheer loveliness which ...
— The Story of Mankind • Hendrik van Loon
... book will become a favorite with our people. It contains sketches, legends, and traditions of many of the great musicians. Bach, Gluck, Mozart, Mendelssohn, Pergolesi, Schubert, Scarlatti, Weber, Paganini, Gretry, Catalani, Malibran, Handel, Anderle, Haydn, Boieldieu, Cimarosa, Beethoven, Lully, Berger, etc., float pleasantly through its fanciful pages. Romance and reality mingle genially together, ...
— Continental Monthly, Volume 5, Issue 4 • Various
... very careless about these matters you may depend upon it that when he was growing up his mother was either dead or careless or tactless; and you may safely suspect that Adam in his previous state of existence was a forlorn old bach. So be gentle with him, for it will take time to correct the faults ...
— Happiness and Marriage • Elizabeth (Jones) Towne
... of all those who are greatest among men: of Goethe, for instance, of Bach, or Kant: namely, the correspondence of intense personality and the most highly developed objectivity; for the greatest personality ceases in the end to distinguish between itself and the world, has eradicated everything paltry, selfish and subjective and has become ...
— The Evolution of Love • Emil Lucka
... Beethoven, as from him. We draw them mostly from Schilling's "Encyclopdie der gesammten musikalischen Wissenschaft," Vol. IV., Stuttgart, 1841,—a work which deserves to be better known in our country. It is worthy of note, that in this work, of which Mozart fills eight pages, Handel, Bach, Haydn, and Beethoven seven to seven and a half each, Gluck six and a quarter, Meyerbeer four, and Weber four and a half, Marx, eighteen years since, ...
— The Atlantic Monthly, Volume V, Number 29, March, 1860 - A Magazine Of Literature, Art, And Politics • Various
... passionately devoted to music, which inspired some of her best poems; and during the last years of her life, in hours of intense physical suffering, she found relief and consolation in listening to the strains of Bach and Beethoven. When she went abroad, painting was revealed to her, and she threw herself with the same ardor and enthusiasm into the study of the great masters; her last work (left unfinished) was a critical analysis of the ...
— The Poems of Emma Lazarus - Vol. II. (of II.), Jewish Poems: Translations • Emma Lazarus
... both loved good music—Mozart, Bach, Beethoven—and were almost priggish in their contempt for anything of a lighter kind; especially with a lightness English or French! It was only the musical lightness of Germany they could endure at all! But whether in Paris or London, ...
— The Martian • George Du Maurier
... absolutely certain test of greatness in art. The instantly popular tune is unendurable in six months, the instantly popular novel or poem is totally forgotten in a year or two. No one perceives the whole greatness of St. Paul's Cathedral, or Sansovino's Library at Venice, or the music of Bach, or the poetry of Milton, at the first sight or hearing. No competent eye, ear or mind fails to perceive more and more of it at each renewed experience. Whatever be the art, a picture, a piece of sculpture, a book, the test is the same: the cheap, the sentimental, {194} the sensational, the merely ...
— Milton • John Bailey
... doctor, or something smart," and says he, "I can't afford it." He was rather near or so, you know, was my poor Griffey; but I never was letting him rest day or night, and the only thing he wasn't liking was being much talked over. So says I, "Come you, Jinkins, bach,"—he liked to be called by his sirname—"if you do larn Howel well, he'll be making his fortune some day," for he do say so, he do be always saying, "I'll be a great man, and get as much money as father." I eused to put in the last words of myself, for Howel never was taking to ...
— Gladys, the Reaper • Anne Beale
... became also more and more strange and bizarre. He had discovered an old Nuremberg composer by the name of Staden. His opera entitled "Seelewig"—the first of all German operas, by the way—he insisted was the very zenith of musical art, eminently superior to Mozart and Bach. He played arias and melodies ...
— The Goose Man • Jacob Wassermann
... Harrogate—At the last moment, as I was saying, just as everything was ready, the clothes finished and everything—Now Elsbeth is going to sing again. Clara is playing her accompaniment or turning over for Mr. Carter, I think. No, Mr. Carter is playing by himself—This is BACH," she whispered, as Mr. ...
— Jacob's Room • Virginia Woolf
... with Mr. Pearce most satisfactorily. Visited Mr. Bach, distiller, Brooklyn—my first time there. Dined with C. Vyse, at Dalmonico's. Met Mr. Blane, Palin, and Bund. A most sumptuous dinner: would cost at least 50 dollars. Left at nine, and spent my last evening at ...
— Journal of a Voyage across the Atlantic • George Moore
... the language of the performances and native talent provides both works and interpreters. The day is still far distant, but it will come. The opera of Germany was still Italian more than a century and a half after the invention of the art form, though in the meanwhile the country had produced a Bach and a Handel. The Palmo venture (at the bottom of which there seems to have been a desire to popularize or democratize a form of entertainment which has ever been the possession of wealth and fashion) revived the social sentiment upon which Da Ponte had built his hopes. In the opinion ...
— Chapters of Opera • Henry Edward Krehbiel
... pictures...." The names he cited were unknown to Charity. "Yes; yes; the Schaefer quartette played at Lyric Hall on Saturday evening; and on Monday I had the privilege of hearing them again at the Towers. Beautifully done... Bach and Beethoven... a lawn-party first... I saw Miss Balch several times, by the ...
— Summer • Edith Wharton
... and study the marvellous effects of sound in the building. Listen, if possible, from the Lady Chapel, to an anthem by some old composer; listen to Bach's G minor fugue from the triforium of the choir, and hear the echoes rolling from pier to pier; listen to the Hallelujah Chorus sung on some great festival service in the nave, or some simple well-known hymn sung by close upon 3000 people, and the listener will ...
— Bell's Cathedrals: The Cathedral Church of Gloucester [2nd ed.] • H. J. L. J. Masse
... who was still one of Herne's company of players in Shore Acres, had no home to break up, but he said, "I'm going to get some sort of headquarters in New York. If you'll come on we'll hire a little apartment up town and 'bach' it. I'm sick of theatrical ...
— A Son of the Middle Border • Hamlin Garland
... back "You're the man we want! Into Parliament you shall go, Davy-bach" and much else. So David restored the five villages to sobriety in life and faith, yet left them with a new enthusiasm kindled. Before he departed on his return to London and the grind of his profession, he had effected ...
— Mrs. Warren's Daughter - A Story of the Woman's Movement • Sir Harry Johnston
... age; and the resistance which it provoked, during the generation that passed away from the restoration to the fall of Metternich, and again under the reaction which commenced with Schwarzenberg and ended with the administrations of Bach and Manteuffel, proceeded from various combinations of the opposite forms of liberalism. In the successive phases of that struggle, the idea that national claims are above all other rights gradually rose to the supremacy which it now possesses among ...
— The History of Freedom • John Emerich Edward Dalberg-Acton
... for my somewhat childish indignation by letting myself loose upon the organ then. The flood of Bach and Beethoven brought back the sense of proportion. It proved, however, at the same time that there had been this growth of distortion in me, and that it had been provided apparently by my closer ...
— The Damned • Algernon Blackwood
... defence of those who cannot understand or win emotions from such things as classical music or the "advanced" drama. Pray, in pity's name, what is to be said against the commonplace man who hears an accomplished musician play Beethoven, Bach, or Chopin in his—the commonplace one's—drawing-room, and who says in agony, "Very fine! Very deep! Very profound—profound indeed, sir! Full of breadth and symmetry and that sort of thing! Now do you think we might vary that noble masterpiece with a waltz?" Can we ...
— Side Lights • James Runciman
... school in Washington, D. C. Lived much in the South. Now a Senior at the University of Idaho, at Moscow, Idaho, where her husband, Baker Brownell, is an assistant professor of journalism. Chief interests, aside from writing, are Bach, the New Republic, woman suffrage, and climbing mountains. First story was written at the age of nine, offered to The Youth's Companion for $100. It was not accepted. First published story was in The Pagan, September, 1919, "West ...
— The Best Short Stories of 1919 - and the Yearbook of the American Short Story • Various
... understatement, of something small in the presence of something great? That uneasy titter, caught from time to time as one turns Miss Coleridge's pages, we seem to have heard before in the Arena chapel or at the end of a Bach fugue. It is the comment of sophisticated refinement that can neither sit still nor launch out into rapturous, but ill-bred, ecstasies, of the weakling who takes refuge in slang or jocularity for fear of becoming natural and being thought ...
— Pot-Boilers • Clive Bell
... art. Painting completed whole. Music passing panorama. Not translatable into words. To follow, even anticipate composer. Bach's absolute knowledge. Fire of Prometheus. Inner sanctuary of art. Science of acoustics. Prime elements. Dr. Marx and Helmholtz. Motive. Beethoven's fifth symphony. Phrase. Period. Simple melody. "God Save the King." Our "America." ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... part of large corporations, factories, and business houses to take a decided stand against drinking, are having a marked effect in reducing drunkenness where it does most harm. This practice has been declared by John Bach McMasters, the noted American historian, to have exerted a stronger influence in promoting temperance and total abstinence than all the temperance crusades from Hartley's time to the prohibition wave ...
— Civics and Health • William H. Allen
... This was Major Bach. Upon his assumption of the command he inaugurated what can only be truthfully described as a Reign of Terror. Tall, of decided military bearing, he had the face of a ferret and was as repulsive. With his sardonic grin he recalled no one so vividly ...
— Sixteen Months in Four German Prisons - Wesel, Sennelager, Klingelputz, Ruhleben • Henry Charles Mahoney
... "Kenelm's an old bach, you know. One time he used to work, or pretend to, because he needed the money; but his Aunt Phoebe up to Brockton died and left him four or five thousand dollars and he ain't worked of any account since. He's a gentleman now, livin' on ...
— Thankful's Inheritance • Joseph C. Lincoln
... describing them. Likewise, in modern methods of teaching to draw, the pupil is taught to see objects before painting them. In music, unfortunately, the same rule does not hold. Young people are taught to play the compositions of Bach, Mozart, Beethoven, Chopin and Liszt, before their minds and ears can grasp these works, before they have developed the faculty of being moved ...
— The Eurhythmics of Jaques-Dalcroze • Emile Jaques-Dalcroze
... Monte's been drinkin', an' allers gets stubborn in direct proportion to what licker he tucks onder his belt—'all the same, Dan, as to this yere spellin', I proposes to ask for kyards. Even if I ain't no Bach'lor of Arts, so long as the Doc don't fire nothin' at me worse'n words of one syllable, an' don't send 'em along faster than two at a clatter, your Uncle Monte'll get thar, collars creakin', chains a-rattlin', ...
— Faro Nell and Her Friends - Wolfville Stories • Alfred Henry Lewis
... submitted his score of 'Fidelio' for the pianoforte to Beethoven, the latter found written at the bottom of the last page, "Finis, with God's help." Beethoven immediately wrote underneath, "O man! help thyself!" This was the motto of his artistic life. John Sebastian Bach said of himself, "I was industrious; whoever is equally sedulous, will be equally successful." But there is no doubt that Bach was born with a passion for music, which formed the mainspring of his industry, and was the true secret of his success. When a mere youth, his elder brother, wishing ...
— Self Help • Samuel Smiles
... small obligations. In the presence of a few friends, who had remained true after the recent days of trouble, he played the piano to us on this occasion, during which a curious coincidence occurred. The day before poor Tausig had filled up a spare hour by playing Liszt's 'Fantaisie' on the name of Bach, [Footnote: The notes B, A, C, H, are equivalent to our English B flat, A, C, B.—Editor.] and now when Liszt chanced to play us the same piece, he literally collapsed with amazement before this wonderful prodigy ...
— My Life, Volume II • Richard Wagner
... to health, who can never stop relating what he has suffered, I note down here circumstantially the dire agonies of this evening's tea-party. And not for myself alone, but likewise for all those who from time to time may amuse and edify themselves with my copy of John Sebastian Bach's Variations for the Piano-forte, published by Nageli in Zurich, and who find my marks at the end of the thirtieth variation, and, led on by the great Latin Verte, (I will write it down the moment ...
— Hyperion • Henry Wadsworth Longfellow
... The boy Bach copied whole books of musical studies by moonlight, for want of a candle churlishly denied. Nor was he disheartened when these copies were taken from him. The boy painter West, began his work in a garret, and cut hairs from the tail of the family cat for bristles ...
— The True Citizen, How To Become One • W. F. Markwick, D. D. and W. A. Smith, A. B.
... sound suddenly arrested his steps. It was a concert of voice and instruments, which in this lost solitude seemed to him like a dream, or a miracle. The music was good-even excellent. He recognized a prelude of Bach, arranged by Gounod. Robinson Crusoe, on discovering the footprint in the sand, was not more astonished than Camors at finding in this desert so lively a symptom ...
— Monsieur de Camors, Complete • Octave Feuillet
... taken office under Schwarzenberg as the representative of the modern spirit, to which the Government still professed to render homage, became the instrument of an act of submission to the Papacy which marked the lowest point to which Austrian policy fell. Alexander Bach, a prominent Liberal in Vienna at the beginning of 1848, had accepted office at the price of his independence, and surrendered himself to the aristocratic and clerical influences that dominated the Court. Consistent only in his efforts to simplify the forms of government, ...
— History of Modern Europe 1792-1878 • C. A. Fyffe
... bars, the Doctor's head sank back upon the cushions of the chair and the Doctor's hand stole mechanically to the matches. He smoked and she played—quiet, large music, tranquilly filling the room: Bach fugues, German Lieder, fragments of weird northern harmonies, fragments of Beethoven and Schubert, the Largo of Handel,—and all the time she played she looked at the man who lay back in the chair, half turned ...
— Life at High Tide - Harper's Novelettes • Various
... majesty of the forest to him confer the same exaltation of mind, the same intellectual transport, which the trained musician feels when listening to the celestial harmonies of a great orchestra. In proportion as one conceives, or can imagine, the fineness of the musical endowment of a Bach or Beethoven, and in proportion as he can realize in his own mind the infinity of training and preparation which has contributed to the development of such a master musician—in such proportion may he comprehend and appreciate the unusual ...
— American Big Game in Its Haunts • Various
... much. It was necessary in order that music should be purified inside the Church that the great secular musical movement should begin with the Italian Monteverde, with the Frenchman Rameau, and with the Germans Sebastian Bach and Handel; what splendid times, Gabriel! And just think what genius followed: Gluck, Haydn, Mozart, Mehuel, Boieldieu, and, above all, ...
— The Shadow of the Cathedral • Vicente Blasco Ibanez
... six thousand feet in the air, and Pike's Peak is shouldered up on the foot-hills. Socrates is a great teacher, but look at Sphroniscus, the sculptor, his father. Paganini is a great musician, but Paganini was born of musicians whose wrists had muscles that stood out like whip-cords. Bach is a great musician, but there were forty people of the name of Bach mentioned in musical dictionaries. Charles Darwin is the great scientist, but there were four generations of scientists who had made ...
— The Battle of Principles - A Study of the Heroism and Eloquence of the Anti-Slavery Conflict • Newell Dwight Hillis
... rioting old sailor-songs, with no tune, and not many more words, but with a catchiness in the two or three bars that gives you the sensation of a ship rolling and pitching under your feet— but Sara won't let me, so"—laughing mischievously—"I suppose I'll have to come down to Bach and Wagner!" ...
— Sara, a Princess • Fannie E. Newberry
... pained protest: "Oh surely not; not Bach; I do not come for my Bach to Okraska. She belongs too definitely to the romantics to grasp Bach. Beethoven, if you will; she may give us the Appassionata superbly; but not ...
— Tante • Anne Douglas Sedgwick
... Bach, a Dane by nation, mounted guard every fourth day, and was the terror of the whole garrison; for, being a perfect master of arms, he was incessantly involved in quarrels, and generally left his marks behind him. He had served in two regiments, neither of which would ...
— The Life and Adventures of Baron Trenck - Vol. 1 (of 2) • Baron Trenck
... without frame or legs. The strings were of brass, struck by a wedge made of the same metal which was called a tangent. It was capable of soft tones only, but they were very sweet and melancholy. The elder Bach loved this instrument. He did not take kindly to the piano which was about to supplant his beloved clavichord. One regrets that he could not have lived to have seen it perfected. In playing the music written by Bach we must remember ...
— How the Piano Came to Be • Ellye Howell Glover
... Sarabande, Gigue) all in the same key. But we find occasionally in suites, a Fugue or Fuguetta, or even an Aria or Adagio; and in name, at any rate, one dance movement has formed part of the sonata since the time of Emanuel Bach. ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock
... consumptive like Chopin, with a bad cough, a fastidious regard for beauty, and a flow of anaemic melody. He was divinely gifted with a greater richness of invention than was given to any other composers excepting two, Bach and Mozart; and death would not take his gifts as an excuse when he was thirty-seven. Hence our Mr. Cummings has droppings of lukewarm tears; hence, generally, compassion for his comparatively short life has ousted admiration for his mighty works from the ...
— Old Scores and New Readings • John F. Runciman
... laughed, disrespectfully, at this, and the girl watched her with a mournful face. 'My dear child, you are too delightful! You are trying to reform her? by Beethoven and Bach, by Rubens and Titian?' ...
— A London Life; The Patagonia; The Liar; Mrs. Temperly • Henry James
... don't decently envy the rich. I'm an old bach. I make enough money for a stake, and then I sit around by myself, and shake hands with myself, and have a smoke, and read history, and I don't contribute to the wealth of Brother Elder ...
— Main Street • Sinclair Lewis
... a Polish lady, Justine Krzyzanowska. Frederic was their third child. His first musical education he received from Adalbert Ziwny, a Czech musician, who is said to have been a passionate admirer of J.S. Bach. He also received a good general education at one of the first colleges of Warsaw, where he was supported by Prince Antoine Radziwill, a generous protector of artistic talent and himself well known as the composer of music to Goethe's Faust and other works. ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 3 - "Chitral" to "Cincinnati" • Various
... a music lesson at a quarter past two on Thursdays. It was always rather a rush to get back in time for it. She crammed her "Bach's Preludes" and "Schubert's Impromptus" automatically into her portfolio, and started. It was only when she was half-way down Church Street that she remembered she had left her book of studies on the top of the piano. Needless to say, her lesson that day was hardly a success. In the disturbed ...
— The Luckiest Girl in the School • Angela Brazil
... variety, for Althea had come to feel change as monotonous; or there was spinsterhood in England established near her friend, Miss Buckston, who raised poultry in the country, and went up to London for Bach choir practices and Woman's Suffrage meetings. Althea couldn't see herself as taking an interest in poultry or in Woman's Suffrage, nor did she feel herself fitted for patriotic duties in Boston. There was nothing for it, then, but to continue her present ...
— Franklin Kane • Anne Douglas Sedgwick
... the fugues of good masters, above all, those by J. Seb. Bach. Let his "Well-tempered Harpsichord" be your daily bread. By these means you will certainly become ...
— Advice to Young Musicians. Musikalische Haus- und Lebens-Regeln • Robert Schumann
... time when such puerility was disturbing this cradle of freedom and cacophony, Bach and Haendel were at work in their contrapuntal webs, the Scarlattis, Corelli and Tartini and Porpora were alive. Peri, Josquin and Willaert and Lassus were dead, and the church had had its last mass from the most famous citizen of the town of Palestrina. Monteverde was no longer ...
— Contemporary American Composers • Rupert Hughes
... every direction, astonishing nobles and peasants, and playing with the same enthusiasm and poetry in barns as in palaces. On hearing this our author slipped back to the garden, where he hid himself to listen to Remenyi, who, to his great disgust, was playing a concerto of Bach's. ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 86, February, 1875 • Various
... little," said Phoebe, who rather piqued herself upon her music, and who was learned in Bach and Beethoven, and had an opinion of her own about Wagner. Mrs. Tom brightened visibly, for her girls played not a little, but ...
— Phoebe, Junior • Mrs [Margaret] Oliphant
... of the twelve semitones of our chromatic scale, was not developed and accepted until after the acoustical reforms of Rameau, and the system of tuning keyed instruments embodied in that work called the Well-tempered Clavichord of Sebastian Bach. Both these men published their discoveries about ...
— Music: An Art and a Language • Walter Raymond Spalding
... possessed an individuality which distinguished it from every other work of a like nature. All one could say with certainty about it was that it was not modern music. There was a simplicity and a severity about it which stamped it unmistakably as belonging to an age anterior even to Bach or Handel: modern writers employ more ornamentation and are not so restricted in their harmonies; modern art sanctions a greater liberty, a less simplicity of method, and a less rigid conformity ...
— The Argosy - Vol. 51, No. 3, March, 1891 • Various
... Mozart's Symphony Concertante for violin and viola,—Bach's Passacaglia,—and Schumann's overture to "Die Braut von Messina" given in New York City by ...
— Annals of Music in America - A Chronological Record of Significant Musical Events • Henry Charles Lahee
... him from one occupation to another with distracting glee. When he was tired of making music, as he called it, he demanded food, and, so long as he could cook it and serve it himself, he delighted in bacon and eggs, as much as he did in Bach and Beethoven. ...
— The Heavenly Twins • Madame Sarah Grand
... the latter found written at the bottom of the last page, "Finis, with God's help." Beethoven immediately wrote underneath, "O man! help thyself!" This was the motto of his artistic life. John Sebastian Bach said of himself, "I was industrious; whoever is equally sedulous, will be equally successful." But there is no doubt that Bach was born with a passion for music, which formed the mainspring of his industry, and was ...
— Self Help • Samuel Smiles
... beautiful, powerful touch of control. After the first bars, the Doctor's head sank back upon the cushions of the chair and the Doctor's hand stole mechanically to the matches. He smoked and she played—quiet, large music, tranquilly filling the room: Bach fugues, German Lieder, fragments of weird northern harmonies, fragments of Beethoven and Schubert, the Largo of Handel,—and all the time she played she looked at the man who lay back in the chair, half turned from her, the cigar drooping from his fingers. There was no sound in the room but the ...
— Life at High Tide - Harper's Novelettes • Various
... the classical stuff may do for those who like it well enough to stand it, but the domestic article suits me. I like the kind of beer that this man Bach turned out in the spring of the year, but I don't seem to be able to care much for his music. And so far as Chopin is concerned, I hope you'll all do ...
— Cobb's Bill-of-Fare • Irvin Shrewsbury Cobb
... me you got mighty familiar," said Obed in a jocular tone. "She didn't tell me what her name was. I suppose she looked upon me as a dried-up old bach." ...
— In A New World - or, Among The Gold Fields Of Australia • Horatio Alger
... demand of a music-hall orchestra which plays ragtime all the year round that once in the year, and once only, on Good Friday, it should pull itself together to give an adequate performance of the Passion Music of Bach. ...
— The New Society • Walther Rathenau
... pace the deck, Rachel was indignant with the prosperous matrons, who made her feel outside their world and motherless, and turning back, she left them abruptly. She slammed the door of her room, and pulled out her music. It was all old music—Bach and Beethoven, Mozart and Purcell—the pages yellow, the engraving rough to the finger. In three minutes she was deep in a very difficult, very classical fugue in A, and over her face came a queer remote impersonal expression of complete ...
— The Voyage Out • Virginia Woolf
... fellow in the overalls with a wad of greasy waste in his hand. He 's only the engineer. I mean the artist, the man that plays on the keys. Well, he knows what the people want. He has his fingers on the public pulse. Does he give them a Bach fugue, or Guillmant's "Grand Choeur?" 'Deed, he doesn't. He goes right to the heart, with "Patrick's Day in the Morning," and "The Carnival of Venice," and "Home, Sweet Home," and "Oh, Where, Oh Where has my Little Dog Gone?" He knows his business. A ...
— Back Home • Eugene Wood
... buildings. A chain of beautiful promenades encircles the city, on the site of its old fortifications. Following their course through walks shaded by large trees and bordered with flowering shrubs, I passed a small but chaste monument to Sebastian Bach, the composer, which was erected almost entirely at the private cost of Mendelssohn, and stands opposite the building in which Bach once directed the choirs. As I was standing beside it, a glorious choral, swelled by a hundred voices, came through the open windows, like a ...
— Views a-foot • J. Bayard Taylor
... three Saturdays at the Opera have been prodigious. and a new opera by Bach(748) last night, was so crowded, that there were ladies standing behind the scenes during the whole performance. Adieu! my dear lord: as this goes by a private hand, you may possibly ...
— The Letters of Horace Walpole Volume 3 • Horace Walpole
... him again at the public piano, devoting all the magic of his genius to charming a contemptible Christendom. He gave them Beethoven and Bach, Paradies and Tschaikowski, unrolled to them the vast treasures of his art and memory. And very soon, lo! the Christian rats were pattering back again, only more wisely and cautiously. They came crawling from every part of the ship's ...
— Ghetto Comedies • Israel Zangwill
... was still one of Herne's company of players in Shore Acres, had no home to break up, but he said, "I'm going to get some sort of headquarters in New York. If you'll come on we'll hire a little apartment up town and 'bach' it. I'm sick ...
— A Son of the Middle Border • Hamlin Garland
... of him. He liked to arrive a few minutes before the concert commenced, and one of us would read the program to him. He had an excellent memory for music, and his taste was broad enough to embrace almost everything good from Bach to Wagner. He was a keen critic of a performance, and in the intervals between the pieces he criticized the playing from the standpoint ...
— An Adventure With A Genius • Alleyne Ireland
... nice young man," your Diddler lives and flourishes among them like a fighting cock. Diddler's "heyday" being over, he next becomes a politician—an old Hunker; attends caucusses and conventions, dinners and inaugurations. Never aspiring to matrimony among the ladies, he remains an "old bach;" never hoping for office under government, he never gets any; and when, at last, both youth and energies are wasted, Diddler dons a white neckcloth, combs his few straggling hairs behind his ears, and, dressed in a well-brushed but shocking seedy ...
— The Humors of Falconbridge - A Collection of Humorous and Every Day Scenes • Jonathan F. Kelley
... sensation, and there were loud cries of sacrilege and even proposals of police action. One indignant classicist, in token of his ire, hung a wreath of Knackwuerste around the neck of the bust of Johann Sebastian Bach in the Thomaskirche, and appended to it a card bearing the legend, Schweinehund! But the exquisite beauty of the effect soon won acceptance for the means employed to attain it, and the phonograph ...
— A Book of Burlesques • H. L. Mencken
... three principal evolutionary stages, together with descriptions of several works which are not oratorios in the strict sense, but at the same time are sacred compositions written upon a large scale and usually performed by oratorio societies, such as Bach's "Passion Music" and "Magnificat," Berlioz's, Mozart's, and Verdi's Requiems, Mendelssohn's "Hymn of Praise," Handel's "Dettingen Te Deum," Schumann's "Paradise and the Peri," ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
... for a great position in the world like Handel. Nor was he a romantic consumptive like Chopin, with a bad cough, a fastidious regard for beauty, and a flow of anaemic melody. He was divinely gifted with a greater richness of invention than was given to any other composers excepting two, Bach and Mozart; and death would not take his gifts as an excuse when he was thirty-seven. Hence our Mr. Cummings has droppings of lukewarm tears; hence, generally, compassion for his comparatively short life has ousted admiration for his mighty works from the minds of those who are readier at all ...
— Old Scores and New Readings • John F. Runciman
... of attacking a tone are generally recognized. These are described by Albert B. Bach, in The Principles of Singing, second edition, London, 1897. They are, first, the stroke of the glottis. (This is advocated by Garcia in most of his published works, although the testimony of many of his ...
— The Psychology of Singing - A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern • David C. Taylor
... aisles, and Anna, who preferred her fugues confused, felt that her spirit was being caught up to heaven, he had looked at her rapt face and wet eyelashes, and patted her hand very kindly, and said encouragingly, "In my youth I too cultivated Bach. Now I cultivate pigs. ...
— The Benefactress • Elizabeth Beauchamp
... proceeded for some time quietly, the animals stopped short and remained as if fixed to the ground, and began to tremble; their fear soon communicated itself to my people, who shouted, without intermission, the words "Bach! bach!" which means "Tiger! tiger!" I ordered them to continue making as much noise as possible, in order to scare away the animals if they really were near. I had some jungle grass gathered and made a fire, which I kept constantly blazing. However, I heard no howling, and observed no other ...
— A Woman's Journey Round the World • Ida Pfeiffer
... was necessary in order that music should be purified inside the Church that the great secular musical movement should begin with the Italian Monteverde, with the Frenchman Rameau, and with the Germans Sebastian Bach and Handel; what splendid times, Gabriel! And just think what genius followed: Gluck, Haydn, Mozart, Mehuel, Boieldieu, and, above all, our ...
— The Shadow of the Cathedral • Vicente Blasco Ibanez
... talk of music, She is Music's devotee. She will tell you that Beethoven Always makes her wish to pray; And "dear old Bach!" His very name She says, her ear enchants; But— Her favorite piece is Weber's ...
— A line-o'-verse or two • Bert Leston Taylor
... once a year gave a prize to the school, but this year it was to be finer than usual, and her Majesty had sent to Herr Bach and requested him to choose five of his best boys, each of whom was to compose a piece of his own. No one was to see it until the end of three weeks, when they were to play it at a grand concert, which the imperial family were to attend with the whole court. Franz was ...
— Standard Selections • Various
... he is, truth still more profound. What am I? Terrible question! Problem of predestination, of birth, of liberty, there lies the abyss. And yet one must plunge into it, and I have done so. The prelude of Bach I heard this evening predisposed me to it; it paints the soul tormented and appealing and finally seizing upon God, and possessing itself of peace and the infinite with an all-prevailing fervor ...
— Amiel's Journal • Mrs. Humphry Ward
... make 'em happy. An imported waist costs more'n one made in Waloo an' it keeps a girl strong enough to work for the silk stockin's she's got to have," she said with scorn. "I don't wonder there's so many bach'lors when I figure how much money it costs now to ...
— Mary Rose of Mifflin • Frances R. Sterrett
... interpretation, or even at times on the actual notes to be sung. To perform exactly as written the operas of Gluck, notably Armide and Orphee, the operas of Mozart, the Italian operas and English oratorios of Handel, the oratorios of Bach, Haydn, and Mendelssohn, would be to do the greatest injustice to these ...
— Style in Singing • W. E. Haslam
... fact, it was the practice of adhering so exclusively to the standard works of great composers which started the new Philharmonic Society, which has just come into existence. The elder body stick stanchly to the safe courses of Bach, Gluck, Beethoven, Mozart, and Mendelssohn. The newly-created association proclaim that their mission is to look after aspirants, as well as to honour the veterans of the art; and accordingly they bring forward many compositions experimentally—a ...
— Chambers's Edinburgh Journal, No. 436 - Volume 17, New Series, May 8, 1852 • Various
... no less than eight private concerts during those six weeks, and heard the same new ballad, and the same latest gavotte in C minor, at everyone of them. She was taken to pianoforte recitals in fashionable squares and streets, and heard Bach and Beethoven till her heart ached with pity for the patient labour of the performers, knowing how poorly she and the majority of mankind appreciated their efforts. She went to a few dances that were rather amusing, and waltzed to her heart's ...
— Vixen, Volume II. • M. E. Braddon
... Coffin," Racey murmured without rancour. "I wonder where they're taking him? He used to bach with Nebraska Jones, didn't he? I guess that's where they're taking him to. Yep, they've gone round the corner of the ...
— The Heart of the Range • William Patterson White
... the end of it, this musette enters with the most really thrilling effect of simple beauty. O - it's first-rate. I am quite mad over it. If you find other books containing Lully, Rameau, Martini, please let me know; also you might tell me, you who know Bach, where the easiest is to be found. I write all morning, come down, and never leave the piano till about five; write letters, dine, get down again about eight, and never leave the piano till I go to bed. This is a fine life. - ...
— Letters of Robert Louis Stevenson - Volume 2 • Robert Louis Stevenson
... senior partners of the old firms to return home, leaving very junior partners or senior clerks here, who receive their instructions from England. Consequently, in some of these large family dwellings there are only young men "keeping bach." There are a pretty English church, a club bungalow, a book club, lawn tennis and croquet grounds, and a small hall used for dancing, lectures and amateur theatricals. No wheeled vehicle larger than a perambulator ever disturbs the quiet. ...
— The Golden Chersonese and the Way Thither • Isabella L. Bird (Mrs. Bishop)
... Amen corner struck up a tune that had no end, but a mighty power of setting the congregation in motion. The leader had a voice like the pleasant droning of a bag-pipe, and the faculty of emitting a continuous note like that instrument, without stopping to breathe. It went on and on like a Bach fugue, winding and whining its way, turning the corners of the lines of the catch without a break. The effect was soon visible in the emotional crowd: feet began to move in a regular cadence and voices to join in, ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... nineteenth century, which statement another confirmed by giving his dates as 1817-1846; and, further, credited him with the composition of The Woman of Samaria, and as having transposed plain- song from tenor to bass. Bach is said to have been the founder of the 'Thames School Lipsic,' the composer of the Seasons, the celebrated writer of opera comique, born 16—, and having gone through an operation for one of his fingers, turned his attention to composition, wrote operas, and, lastly, that ...
— Literary Blunders • Henry B. Wheatley
... very few, float on it. In Germany everybody sings, almost everybody plays some instrument, and from the youngest to the oldest everybody understands music; at least that is the impression you carry away with you from the land of Bach, Handel, Haydn, Mozart, and Brahms, and Beethoven, and Wagner, and I might fill the ...
— Germany and the Germans - From an American Point of View (1913) • Price Collier
... country from which people here are free. There is little conventionalism, little formality, and much liberality of sentiment; very little sectarianism, and, as a general rule, a healthy, sensible tone in conversation, which I like much. But it does not do to speak about John Sebastian Bach's Fugues, or pre-Raphaelite pictures. ...
— A First Year in Canterbury Settlement • Samuel Butler
... theoretic interest. For all that we speak of the sacrosanct uniqueness of a given art work, we know very well, though we do not always admit it, that not all productions are equally intractable to transference. A Chopin etude is inviolate; it moves altogether in the world of piano tone. A Bach fugue is transferable into another set of musical timbres without serious loss of esthetic significance. Chopin plays with the language of the piano as though no other language existed (the medium "disappears"); Bach speaks the language of the piano as a handy means ...
— Language - An Introduction to the Study of Speech • Edward Sapir
... people delighted. I have known him to sit through a long and heavy organ recital, not in a resigned manner but actively attentive, clearly determined that if the minutest portion of his soul was sensitive to the fugues of J. S. Bach he would allow that portion to bask in the sunshine of an unwonted experience. So that from one point of view he was the incarnation of tolerance as he certainly was the incarnation of good-humor and generosity. He envied no man his gifts from Nature or Fortune. ...
— The Bibliotaph - and Other People • Leon H. Vincent
... does not suit, I'll throw him Weber in to boot! There's not the splitting of a splinter To chuse 'twixt him last named, and Winter. Of Doctor Pepusch old queen Dido Knew just as much, God knows, as I do. I would not go four miles to visit Sebastian Bach-or Batch-which is it? No more I would for Bononcini. As for Novello and Rossini, I shall not say a word about [to grieve] 'em, Because they're living. ...
— The Works of Charles and Mary Lamb (Vol. 6) - Letters 1821-1842 • Charles and Mary Lamb
... fab'ri cate bev'er age al'ka li gal'ax y cher'u bim al'ka line mas'to don dem'o crat ap'o gee mack'er el den'i zen al'i quot mar'i ner den'si ty as'ter isk par'a graph ex'or cist az'i muth par'al lax ed'i fy bach'e lor par'a gon em'a nate cal'a bash par'a pet em'pha size cal'a mus par'a ...
— McGuffey's Eclectic Spelling Book • W. H. McGuffey
... legal voter by the laws of Maryland. Even General Schenck's order admits him to vote, if he recants upon oath. I think that is cheap enough. My order in Missouri, which you approve, and General Scherick's order here, reach precisely the same end. Bach assures the right of voting to all loyal men, and whether a man is loyal, each allows that man to fix by his own oath. Your suggestion that nearly all the candidates are loyal, I do not think quite meets the case. In this struggle for the nation's life, ...
— The Papers And Writings Of Abraham Lincoln, Complete - Constitutional Edition • Abraham Lincoln
... crate dings from Mozart, Beethoven, und Méhul Mit chorals of Sebastian Bach Soopline und peaudiful. Der Breitmann feel like holy saints, De tears roon down his fuss; Und he sopped out, "got verdammich - dis Ist ...
— The Breitmann Ballads • Charles G. Leland
... octaves and two notes, from CCC to D. Sometimes two octaves only. Later it was extended to F, 30 notes, which is the compass generally found in England. Following Hope-Jones' lead, all the best builders have now extended their boards to g, 32 notes, this range being called for by some of Bach's organ music and certain pieces of the French school where a melody is played by the right foot and the bass by the left. The chief reason is that g is the top note of the string bass, and is called for in orchestral transcriptions. Henry Willis & Sons have ...
— The Recent Revolution in Organ Building - Being an Account of Modern Developments • George Laing Miller
... and then embroiders it to the limits of his own originality. The Hindu musician does not read set notes; he clothes anew at each playing the bare skeleton of the RAGA, often confining himself to a single melodic sequence, stressing by repetition all its subtle microtonal and rhythmic variations. Bach, among Western composers, had an understanding of the charm and power of repetitious sound slightly differentiated in a hundred ...
— Autobiography of a YOGI • Paramhansa Yogananda
... yet I don't decently envy the rich. I'm an old bach. I make enough money for a stake, and then I sit around by myself, and shake hands with myself, and have a smoke, and read history, and I don't contribute to the wealth of Brother Elder ...
— Main Street • Sinclair Lewis
... themselves upon a society that had occupied its continent and used most of its free land. The Centennial had revived the study of American history from patriotic reasons. An intense interest in self-analysis now kept this alive, as Henry Adams, James Schouler, and John Bach McMaster devoted themselves to a scrutiny of historic facts, as colleges began to create chairs of American history, as James Ford Rhodes retired from his office to his study to write the history of his own times. In the next few years associations for ...
— The New Nation • Frederic L. Paxson
... Schubert's famous symphony, he spoke feelingly of the author, and then gave some pictures of the lives of Beethoven and Bach. ...
— ZigZag Journeys in Northern Lands; - The Rhine to the Arctic • Hezekiah Butterworth
... You listen, and the song which you knew seems to sing itself, but enveloped with a richness and fulness of flowing accompaniment which is like the harping of aerial choirs. Then with others she plays the great music, concerted Bach or Beethoven, Chopin, Schumann, or Wagner, Weber or Mendelssohn; now an old gavotte, now a quaint fantasia, and why not a toccata of Galuppi Baldassero? It is more than a hint or a reminiscence, although it is not an orchestra. But when those fingers kindred with Cecilia's ...
— From the Easy Chair, vol. 1 • George William Curtis
... there was spinsterhood in Europe, semi-social, semi-intellectual, and monotonous in its very variety, for Althea had come to feel change as monotonous; or there was spinsterhood in England established near her friend, Miss Buckston, who raised poultry in the country, and went up to London for Bach choir practices and Woman's Suffrage meetings. Althea couldn't see herself as taking an interest in poultry or in Woman's Suffrage, nor did she feel herself fitted for patriotic duties in Boston. There was nothing for it, then, but to continue her present nomadic life. After seeing herself shut ...
— Franklin Kane • Anne Douglas Sedgwick
... by Beethoven and Mozart, by Weber and Rossini, than by their fathers, were not due in larger measure to the inherited effects of daily exercise of the musical faculty by their fathers, than to inheritance, with increase, of spontaneous variations; and whether the diffused musical powers of the Bach clan, culminating in those of Johann Sebastian, did not result in part from constant practice; but I will raise the more general question—How came there that endowment of musical faculty which characterizes modern Europeans at large, as compared with their remote ...
— Essays: Scientific, Political, & Speculative, Vol. I • Herbert Spencer
... miracles evaporate into mere chemical reactions when you once investigate! All the white-clad, ghostly spirits turn out to be clothes on the line. I suppose there's some equally natural explanation about your way on the piano—the clear, limpid phrasing of that Bach the other day, and then the color of the Bizet afterwards. It's astonishing to hear anybody of your crude youth playing Bach at all—and then to hear it played right—and afterwards to hear a ...
— The Bent Twig • Dorothy Canfield
... (Schubert died in 1828), is as modern as the masters just named. He was as boldly original as Schubert, and as great a magician in the art of arousing deep emotion by means of novel, unexpected modulations. As an originator of new harmonic progressions he has had only three equals,—Bach, Schubert, and Wagner. Harmonies as ultra-modern as those of Wagner's "Parsifal" may be found in some of the mazurkas of Chopin. He was, as Rubinstein called him, "the soul of the pianoforte." No one before or after him knew ...
— Beacon Lights of History, Volume XIV • John Lord
... melodic and acoustic aspects of identical harmonic structure at every turn. This, however, is rendered possible and interesting by the fact that the passages in such counterpoint are separated by episodes and are free to appear in different keys. Many fugues of Bach are written throughout in multiple counterpoint; but the possibility of this, even to composers such as Bach and Mozart, to whom difficulties seem unknown, depends upon the freedom of the musical design which allows the composer to select the most effective permutations ...
— Encyclopaedia Britannica, 11th Edition, Volume 7, Slice 2 - "Constantine Pavlovich" to "Convention" • Various
... Sebastian Bach must be accorded the title of "father of modern music." All succeeding composers have bowed with reverence before his name, and acknowledged in him the creative mind which not only placed music on a deep scientific ...
— The Great German Composers • George T. Ferris
... jingoistic, to a boy-and-girl melody entitled We'll Have a Moon Just for Us Two. The latter tune had been stolen from a hit of four years before, which in turn had been stolen from a hit of six years before that, and it had been stolen from a still earlier bit of Bach, so it was a rather ...
— Space Platform • Murray Leinster
... presented with suitable words; and it should not be a difficult task to provide words even more suitable and kind than the original German, which seldom observes an intelligent, dignified and consistent mood. These chorales should be sung very slow indeed, and will admit of much accompaniment. Bach's settings, when not too elaborate or of impossible compass in the parts, may be well used where the choir is numerically strong. He has made these chorales peculiarly his own, and, in accepting his interpretation of them, we are only acquiescing in a universal judgement, ...
— A Practical Discourse on Some Principles of Hymn-Singing • Robert Bridges
... drawing-room, Mrs. Lintot and one or two other ladies, severely dressed, would play the severest music in a manner that did not mitigate its severity. They were merciless! It was nearly always Bach, or Hummel, or Scarlatti, each of whom, they would say, could write both like an artist and a gentleman—a very rare but ...
— Peter Ibbetson • George du Marier et al
... listeners, the same absorbed attention, the same spell. The superficial attributed these largely to his appearance and manner; the more thoughtful looked deeper. Here was a player who was a thoroughly trained master in technic and interpretation; one who knew his Bach, Beethoven, Chopin, Schumann and Liszt. These things of themselves would not hold an audience spellbound, for there were other artists equally well equipped. In a final analysis it was doubtless Paderewski's wonderful piano tone, ...
— Piano Mastery - Talks with Master Pianists and Teachers • Harriette Brower
... classic or romantic but both—and both not only at different times in one essay, but at the same time in one sentence—in one word. And must we admit it, so is everyone. If you don't believe it, there must be some true definition you haven't seen. Chopin shows a few things that Bach forgot—but he is not eclectic, they say. Brahms shows many things that Bach did remember, so he is an eclectic, they say. Leoncavallo writes pretty verses and Palestrina is a priest, and Confucius inspires Scriabin. ...
— Essays Before a Sonata • Charles Ives
... and ere she descended from it she had conned the conversation over and over again. "But how?" she repeated to herself, as she climbed the three flights of stairs to the rooms where she and her sister "bach'ed." "But how?" And so she continued to put the interrogation, for the stubborn Scotch blood, though many times removed from Scottish soil, was still strong in her. And, further, there was need that she should learn how. Her sister Letty and she had come up from an interior town to the ...
— Moon-Face and Other Stories • Jack London
... of March, 1916, two sisters from Guebwiller—Sister Edwina, nee Bach, Mother Superior, and Sister Emertine, nee Eckert, were charged with anti-German manifestations for having treated as lies the figures regarding French and Russian prisoners sent out in the German communiques, for having protested against the bombardment of Rheims Cathedral, for having ...
— Fighting France • Stephane Lauzanne
... her hand on the little Child's head—Felicity puts stool bach, and stands by Kate taking her hand and kissing it at ...
— The Squire - An Original Comedy in Three Acts • Arthur W. Pinero
... Whatever may be thought of the relation of the apple to the fall of man, this creature certainly leads to the speedy fall of the apple. Who has not seen the ground covered with premature and decaying fruit in July, August, and September? Bach specimen will be found perforated by a worm-hole. The egg has been laid in the calyx of the young apple, where it soon hatches into a small white grub, which burrows into the core, throwing out behind it a brownish powder. After about three weeks of apple ...
— The Home Acre • E. P. Roe
... dem Bach alleine Badet sich die schne Elfe; 10 Arm und Nacken, wei und lieblich, Schimmern in ...
— A Book Of German Lyrics • Various
Copyright © 2025 e-Free Translation.com
|
|
|
