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More "Louvre" Quotes from Famous Books



... as if ashamed to be discovered. And when one had coaxed them out they went through the necessary gestures automatically, as if mournfully wondering that any one should care to buy. I remember once, at the Louvre, seeing the whole force of a "department," including the salesman I was trying to cajole into showing me some medicated gauze, desert their posts simultaneously to gather about a motor-cyclist in a muddy uniform who had dropped in to see his pals with tales from the front. But after six months the ...
— Fighting France - From Dunkerque to Belport • Edith Wharton

... I have a picture or two in sight, somewhere about the room. In the corners, hidden away behind pedestals and curtains, a quick eye may detect stacks of pictures, ready to be brought out and put on the easel when needed. On the pedestals stand plaster casts of busts from antique originals in the Louvre, the Uffizzi Gallery, and the British Museum; and yonder, beside the arched entrance between the ante-room and the library, stands a small white marble torso of a semi-recumbent river god which I picked ...
— The Arena - Volume 4, No. 21, August, 1891 • Various

... de France, rencontra un jour dans les appartements du Louvre un homme qui lui etait inconnu, et dont l'exterieur paraissait tres commun. Il lui demanda a qui il appartenait. "J'appartiens a moi-meme, lui repondit cet homme d'un ton fier et peu respectueux.—Mon ami, repartit le roi, vous ...
— French Conversation and Composition • Harry Vincent Wann

... "Yes," said he in answer to his own questioning, "I think I can tell you where all these pictures are, though I've never seen them, except one. The two angels by Melozzo da Forli are in St. Peter's at Rome. The Sposalia of Raphael is in the Breza, Milan. The Andrea del Sarto is in the Louvre. That's the one I've seen. That little child of Heaven, playing the lute, is in the predella of an altar-piece by Vittore Carpaccio in the—in the—please don't tell me—in the Academia of Venice. ...
— The Fortunate Youth • William J. Locke

... matter and some valuable approximate results. Storms were his sworn adversaries, and it was through the study of storms that he approached that of meteorology at large. Many who knew him not otherwise, knew - perhaps have in their gardens - his louvre-boarded screen for instruments. But the great achievement of his life was, of course, in optics as applied to lighthouse illumination. Fresnel had done much; Fresnel had settled the fixed light apparatus on ...
— Memories and Portraits • Robert Louis Stevenson

... seen her at your apartment this afternoon. Do not annihilate me, Madame; I mean not to offend you. The lady has come from England on purpose to entrap you; she came last night, and she stays at the Hotel du Louvre. She spoke to me of you." Jouffroy raised his hands to heaven. "Ha! then I understood, and I fled hither ...
— The Daughters of Danaus • Mona Caird

... put by a beautiful girl scarcely yet verging on womanhood to a fine intelligent youth, two or three years her senior, as they paced slowly on together through the gardens of the Louvre on the banks of the Seine, flowing at that period bright and clear amid fields and groves. Before them rose the stately palace lately increased and adorned by Henry the Second, the then reigning monarch of France, with its lofty towers, richly carved columns, ...
— Villegagnon - A Tale of the Huguenot Persecution • W.H.G. Kingston

... became assured. She had to paint the usual formal tableau de reception, and chose Allegory, painting her "La Paix ramenant l'Abondance," which, though a somewhat stilted affair such as Academies demand, is full of charm—and is still to be seen at the Louvre. She was received into the Academy on the last day of May in 1783 in her twenty-eighth year, and thenceforward had the valuable privilege of the right to show at ...
— Vigee Le Brun • Haldane MacFall

... hotel at that time of night. I was relieved at seeing him pass on, and the more so that he did not take the turn into the Terminus Hotel, my hotel, but went towards the entrance where a carriage was waiting for him. He meant of course to put up in the town, either at the Noailles or the Louvre. ...
— The Passenger from Calais • Arthur Griffiths

... bordered with golden palm-leaves. Four bands, spotted like a leopard's skin, were wound about her head, while these in turn were supported by little clusters of golden grapes. She had copied the head-dress of a Bacchante in the Louvre. All over her person were cameos, and just beneath her breasts she wore a golden band held in place by an engraved gem. Her beautiful wrists, arms, and hands were bare. She had, in fact, blotted ...
— Famous Affinities of History, Vol 1-4, Complete - The Romance of Devotion • Lyndon Orr

... great fair of the south of France. It has gone the way of most fairs, even in France, where these delight- ful exhibitions hold their own much better than might be supposed. It is still held in the month of July; but the bourgeoises of Tarascon send to the Magasin du Louvre for their smart dresses, and the principal glory of the scene is its long tradition. Even now, however, it ought to be the prettiest of all fairs, for it takes place in a charming wood which lies just beneath the castle, beside the Rhone. The booths, the barracks, the platforms of the mountebanks, ...
— A Little Tour in France • Henry James

... ask for a light, even if the party be a stranger, to pull out your case and offer him a cigar, by way of recognizing the civility in stopping to accommodate you. The Spaniards are naturally a polite people, and the stranger stepping into the Louvre and other public places of resort in Havana, is struck at once with the marked contrast in this respect to familiar gatherings elsewhere. In no place is a cigar more enjoyable than in Havana. Seated upon the roof of one of the large hotels in that city in a bright ...
— Tobacco; Its History, Varieties, Culture, Manufacture and Commerce • E. R. Billings

... with applause, and as soon as she had taken up her quarters at the Louvre, the Dukes of Berri, Bourbon, and Brittany, the Constable, and all the great officers of the court rallied round her. Two days later the Duchess of Orleans arrived with a long train of mourning coaches. A great assembly was held, and the king's advocate announced to them the ...
— At Agincourt • G. A. Henty

... it's the Louvre picture, La Something or other, the woman with the smile, that disappeared about two years ago?" exclaimed the aunt with ...
— Beasts and Super-Beasts • Saki

... great French room in the Louvre, if you at all remember the general character of the historical pictures, you will instantly recognize, in thinking generally of them, the rounded fleshly and solid character in the drawing, the gray or greenish and brownish color, or defect of color, lurid and ...
— Lectures on Landscape - Delivered at Oxford in Lent Term, 1871 • John Ruskin

... violence were exhibited. Again the peas rattled upon the hands and faces of the halberdiers, till their ears tingled with pain. "Prate to us of the king's favorites," cried one of the foremost of the scholars, a youth decorated with a paper collar: "they may rule within the precincts of the Louvre, but not within the walls of the university. Maugre-bleu! We hold them cheap enough. We heed not the idle bark of these full-fed court lapdogs. What to us is the bearer of a cup and ball? By the four Evangelists, we will have none of them here! Let the Gascon cadet, D'Epernon, reflect on ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner

... abroad at the end of the month. Says she can't abide the Dutch, but means to see what there is to their old Rhine, and come back by way of Tuscany and France." Mary gurgled. "Can't you see her in Paris, poor dear, 'doing' the Louvre, with her nose in a guidebook. Why! Perhaps ...
— The Nest Builder • Beatrice Forbes-Robertson Hale

... London," of which the name of one portion (the keep) has gradually come into use as a synonym for the whole. Of the various fortress-palaces of Europe, not one can lay claim to so long or so interesting a history. The Louvre at Paris, though still in existence, is so as a comparatively modern palace, in which nothing now remains above ground of the castle of Philip Augustus, with its huge circular keep, erected by that monarch in ...
— Memorials of Old London - Volume I • Various

... without reluctance, that in these curious and costly articles Paris is superior to London; since the opulence of the French capital arises from the defects of its government and religion. In the absence of Louis XIV. and his successors, the Louvre has been left unfinished: but the millions which have been lavished on the sands of Versailles, and the morass of Marli, could not be supplied by the legal allowance of a British king. The splendour of the French ...
— Memoirs of My Life and Writings • Edward Gibbon

... case. Take Guise into your heart, and drive your friends; Let knaves in shops prescribe you how to sway, And, when they read your acts with their vile breath, Proclaim aloud, they like not this or that; Then in a drove come lowing to the Louvre, And cry,—they'll have it mended, that they will, Or ...
— The Works Of John Dryden, Vol. 7 (of 18) - The Duke of Guise; Albion and Albanius; Don Sebastian • John Dryden

... do no good here. Take your engines to the courtyard of the Tuileries and aid the troops in preventing the fire from spreading to the Louvre. That is the only place where there is any hope of doing good. Now, monsieur," he said to Cuthbert, "You must fall in and aid the Pompiers. The orders are that all able-bodied men are to help ...
— A Girl of the Commune • George Alfred Henty

... about thirty years of age was leaning on the parapet of that quay from which a spectator can look up the Seine from the Jardin des Plantes to Notre-Dame, and down, along the vast perspective of the river, to the Louvre. There is not another point of view to compare with it in the capital of ideas. We feel ourselves on the quarter-deck, as it were, of a gigantic vessel. We dream of Paris from the days of the Romans to those of the ...
— The Brotherhood of Consolation • Honore de Balzac

... he went on, as Parks withdrew, "when I went downstairs this morning and saw that cabinet, I could hardly believe my eyes. I thought I knew furniture, but I hadn't any idea such a cabinet existed. The most beautiful I had ever seen is at the Louvre. It stands in the Salle Louis Fourteenth, to the left as you enter. It belonged to Louis himself. Of course I can't be certain without a careful examination, but I believe that cabinet, beautiful as it is, is merely ...
— The Mystery Of The Boule Cabinet - A Detective Story • Burton Egbert Stevenson

... that no one can afford in California to take the same route twice, for each one has a glory of its own. If a traveler have but one day for the Louvre Gallery, he cannot afford to spend it all in one corridor; and as California is one great picture gallery, filled with the masterpieces of Him who paints with sunshine and dew and fire, and sculptures with chisel ...
— Around The Tea-Table • T. De Witt Talmage

... I wiped away a tear with which the north wind blowing over the quay had obscured my vision. A bright fire was leaping in the chimney of my study. Ice-crystals, shaped like fern-leaves, were sprouting over the windowpanes and concealed from me the Seine with its bridges and the Louvre of ...
— The Crime of Sylvestre Bonnard • Anatole France

... boulevards, while the mob of the revolution surged in the streets of Paris. Half blind, half paralyzed, leaning heavily on his cane, he sought to extricate himself from the clamorous crowd, and finally found refuge in the Louvre, almost empty during the days of excitement. With difficulty he dragged himself to the hall of the gods and goddesses of antiquity, and suddenly came face to face with the ideal of beauty, the smiling, witching Venus of Milo, whose charms have ...
— Jewish Literature and Other Essays • Gustav Karpeles

... at breakfast on the following morning, I feared I should see my old acquaintance, the agent of the Ministry of the Interior, walk in and demand my instant departure from Paris as a political refugee. I presumed that as a visitor at the Grand Hotel du Louvre, then newly opened, I should be regarded by the police with greater respect, than at the little hotel at the corner of the Rue des Filles St. Thomas, where I had once stayed for the sake of economy. I had originally intended to take up my quarters at an hotel I knew ...
— My Life, Volume II • Richard Wagner

... rides, excursions, soirees, visits to the operas and theatres, walks on the Boulevards, and in the galleries of the Louvre, ended at last. The evening before we were to set out for the South of France, I was at my lodgings, unpacking and repacking the luggage which I had left in Joseph's care during my absence among the Alps; I was melancholy, dissatisfied with the dissipations which had exhausted ...
— Atlantic Monthly, Volume 2, Issue 10, August, 1858 • Various

... when Olympia was shown at the Salon, Zola—amid the jeers of the Philistines and the hisses of the pompiers, the academicians, and the public, Zola said: 'I look forward to the day when Manet's picture will hang in the Louvre opposite the Odalisque of Ingres, and it will not be the Odalisque which will gain by comparison.' It'll be there. Every day I see the time grow nearer. In ten years the Olympia will ...
— Of Human Bondage • W. Somerset Maugham

... have found the means for it. Instead of going to your former lodgings, go to the Hotel du Louvre. I will see to it that my sister and Miss Ville-Handry shall have taken rooms there before you reach Paris; and you may be sure, that, in less than a quarter of an hour after your arrival, you will hear news. But, heavens, how near we are! ...
— The Clique of Gold • Emile Gaboriau

... passage of air.] Airpipe. — N. air pipe, air tube; airhole[obs3], blowhole, breathinghole[obs3], venthole; shaft, flue, chimney, funnel, vent, nostril, nozzle, throat, weasand[obs3], trachea; bronchus, bronchia[Med]; larynx, tonsils, windpipe, spiracle; ventiduct[obs3], ventilator; louvre, jalousie, Venetian blinds; blowpipe &c. (wind) 349; pipe &c. (tube) 260; jhilmil[obs3]; smokestack. screen, window screen.' artificial lung, iron lung, heart and ...
— Roget's Thesaurus

... forehead the crinkled golden hair flowed sideways beneath a veil; one hand drooped on the arm of her chair; the other held up an inverted human skull, into which a young Dionysus, smooth, brown and sidelong as the St. John of the Louvre, poured a stream of wine from a high-poised flagon. At the lady's feet lay the symbols of art and luxury: a flute and a roll of music, a platter heaped with grapes and roses, the torso of a Greek statuette, and a bowl overflowing with coins and ...
— The Early Short Fiction of Edith Wharton, Part 1 (of 10) • Edith Wharton

... series of portraits. There were no altar-pieces in this period. At the beginning of his English work Van Dyck produced certain portraits unsurpassed during his whole life. The well-known Charles I., with an equerry, in the Louvre, is perhaps the best of these. His works after this were uneven in quality. His vitality was drained by social dissipations, and he lost the ambition to grow. Some features of the portraits became stereotyped, ...
— Van Dyck - A Collection Of Fifteen Pictures And A Portrait Of The - Painter With Introduction And Interpretation • Estelle M. Hurll

... statues, and inscriptions, are here carefully preserved: but nothing in the collection equals the statue known by the title of the Venus of Arles, found here, and which is so deservedly admired at the Louvre. ...
— The Idler in France • Marguerite Gardiner

... regard; and MM. Felix Roubaud, Legrande, and Caffe, as delegates of the scientific press, proposed to the medical body, and to the scientific world in Paris, to invite Lescarbault to a banquet in the Hotel du Louvre on ...
— Myths and Marvels of Astronomy • Richard A. Proctor

... became generally adopted in English art to represent a galloping horse, and the French painter, Gericault, introduced it into France in 1821 in his celebrated picture, the "Derby d'Epsom," (see Pl. II, fig. 1) which is now in the Louvre. ...
— More Science From an Easy Chair • Sir E. Ray (Edwin Ray) Lankester

... you can see, close by, the Louvre, with its sculptures extending from Jean Goujon to Carpeaux; the Church of St. Clotilde, where Cesar Franck for forty years hid his genius away from popularity; the railway station of the Quai d'Orsay, which first proved that a terminus may excite sensations as fine as those ...
— Over There • Arnold Bennett

... of police posted in the neighborhood of the Louvre had regarded this street drama with stoical indifference. When the noisy crowd surged into the Rue de Rivoli it passed between the mounted videttes of the Garde Republicaine. Farther on, in the Rue St. Honore, a squad of dismounted cuirassiers ...
— Mlle. Fouchette - A Novel of French Life • Charles Theodore Murray

... Thorpe did relinquish some of the multiplied glories of the Louvre to sit in front of a cafe by the Opera House and see the funny people go past—and thence, by Bruges and Antwerp, to Holland, where nobody could have imagined there were as many pictures as Thorpe saw with his own weary eyes. There were wonderful old buildings at ...
— The Market-Place • Harold Frederic

... they should be represented among us by such characteristic specimens as are still to be procured. Some modern artists are jealous of or indifferent to past genius, and sedulously disparage it in view of their own immediate interests. Bayle St. John, in his "Louvre," relates that he heard an associate of the Royal Academy deliberately and energetically declare, that, if it were in his power, he would slash with his knife all the works of the old masters, and thus compel people to buy modern. This spirit is both ungenerous ...
— Atlantic Monthly Volume 6, No. 37, November, 1860 • Various

... Louvre, there have I seen The sumptuously-feathered angel pierce Prone Lucifer, descending. Looked he fierce, Showing the fight a fair one? Too serene! The young Pharsalians did not disarray Less willingly their locks of floating silk: That suckling mouth of his upon the ...
— The Shaving of Shagpat • George Meredith

... as well as for the more artistic effects of the marquetry of the 17th and 18th centuries, which were produced with similar veneers. The process of inlaying is of the most remote antiquity, and the student may see in the cases of the British Museum, at the Louvre, and in other museums, examples of both Assyrian and Egyptian inlaid patterns of metal and ivory, or ebony or vitreous pastes, upon both wood and ivory, dating from the 8th and 10th centuries before the Christian Era, or earlier. The Greeks and Romans also made use of it for ...
— Intarsia and Marquetry • F. Hamilton Jackson

... the serpent as an emblem of the healing art which goes far back into antiquity. The mystical character of the snake, and the natural dread and awe inspired by it, early made it a symbol of supernatural power. There is a libation vase of Gudea, c. 2350 B.C., found at Telloh, now in the Louvre (probably the earliest representation of the symbol), with two serpents entwined round a staff (Jastrow, Pl. 4). From the earliest times the snake has been associated with mystic and magic power, and even today, among native races, it plays a part ...
— The Evolution of Modern Medicine • William Osler

... waters" of the fate that carries us, were too remote, too high and translunar, to afford us the aid we need. Heine tells us somewhere, how, driven by the roar of street-fighting, into the calm cool galleries of the Louvre, sick and exhausted in mind and body, he fell down at the feet of the Goddess of Beauty there, standing, as she still stands, at the end of that corridor of mute witnesses, and as he looked to her for help, he knew that she could never bend down to him, or ...
— Visions and Revisions - A Book of Literary Devotions • John Cowper Powys

... see—was a model of the literary gentleman of the sixteenth century; a savant, a diplomat, a collector of books and manuscripts, Greek, Hebrew, and Syriac, which formed the original nucleus of the present library of the Louvre; a botanist, too, who loved to wander with Rondelet collecting plants and flowers. He retired from public life to peace and science at Montpellier, when to the evil days of his master, Francis I., succeeded the still worse days of Henry II., and Diana of Poitiers. That ...
— Historical Lectures and Essays • Charles Kingsley

... victorious general was expected to bring trophies of this kind in his train. Whether the fine arts themselves are likely to be improved in consequence of the accumulation in any one place of such vast treasures as the Louvre were long exhibited, there has been, and will no doubt continue to be, much controversy. It is certain that the arts of France derived no solid advantage from Napoleon's museum. The collection was a mighty heap of incense for the benefit of the national vanity; and the hand which ...
— The History of Napoleon Buonaparte • John Gibson Lockhart

... armies, watched an aeroplane swing high over the trees and soar off towards Versailles. He discharged his car at the Arc de Triomphe, and set about deciphering the carven pictures. Then, he walked up the great Avenue, made his way to the Place de la Republique, wandered through the gardens of the Louvre, and, as dusk fell, found himself in the Avenue de l'Opera. It was very gay. He had a bock at a little marble table, and courteously declined the invitations of a lady of considerable age painted to look young. He at first simply refused, and finally ...
— Simon Called Peter • Robert Keable

... that suggestion of Marie's about the agent Brathwaite. A fortnight later came a third letter. Wonderful to relate, his wife was actually in Paris, of all places in the world! She had taken a situation in the Hotel du Louvre. Master Tom expected to be in Paris almost as soon as ...
— The Observations of Henry • Jerome K. Jerome

... di San), governor of the Louvre. He is father of Valenti'na and leader of the St. ...
— Character Sketches of Romance, Fiction and the Drama, Vol 1 - A Revised American Edition of the Reader's Handbook • The Rev. E. Cobham Brewer, LL.D.

... the firmness of a Roman general so late as the time of Alexander Severus, in the Excerpta Legationum, p. 25, edit. Louvre.] ...
— The History of The Decline and Fall of the Roman Empire - Volume 1 • Edward Gibbon

... are having! Sight-seeing from morning till night, stopping for nice lunches in the gay cafes, and meeting with all sorts of droll adventures. Rainy days I spend in the Louvre, revelling in pictures. Jo would turn up her naughty nose at some of the finest, because she has no soul for art, but I have, and I'm cultivating eye and taste as fast as I can. She would like the relics of great people ...
— Little Women • Louisa May Alcott

... neighbouring villages, the smell of the forest, the visits and the behaviour of both birds and fishes, the look of the plants in his garden, the disposition of cloud, the colour of the light, and last, although not least, the arsenal of meteorological instruments in a louvre-boarded hutch upon the lawn. Ever since he had settled at Gretz, he had been growing more and more into the local meteorologist, the unpaid champion of the local climate. He thought at first there was no place so healthful in the arrondissement. By the end of the second year, he protested ...
— The Merry Men - and Other Tales and Fables • Robert Louis Stevenson

... even love, as "lots of fun." I did not think that they, or the men either, had much natural sense of beauty. They admire beauty in a curious way through their intellect. Nearly every American girl has a cast of the winged Victory of the Louvre in her room. She makes it a point of her education to ...
— McClure's Magazine, Vol 31, No 2, June 1908 • Various

... tears so interwined with joy that there is scant difference. Paris has been dreaming a nightmare, and though she awakes, the grim terror is upon her—it lies on the sand-closed art treasures of the Louvre. Only the flowers are there, always the flowers, the Roses of England and the Lilies ...
— Darkwater - Voices From Within The Veil • W. E. B. Du Bois

... in his hut, with only thatch for cover, Unto these laws must bend; The sentinel that guards the barriers of the Louvre ...
— The Complete Poetical Works of Henry Wadsworth Longfellow • Henry Wadsworth Longfellow

... evening performances was an exhibition of POSES- PLASTIQUES, the subjects being chosen from celebrated pictures in the Louvre. Theatrical costumiers, under the command of a noted painter, were brought from Paris. The ladies of the court were carefully rehearsed, and the whole thing was very perfectly and very beautifully done. All the English ladies were assigned parts. But, as nearly all these ...
— Tracks of a Rolling Stone • Henry J. Coke

... splendid art collection of the Museo, the city has a treasure only equalled by the Louvre at Paris and the galleries of Florence. To artists it is the one attraction of Madrid, and is principally composed of works by Spanish masters, though also containing many other fine works of art. Here we may see forty examples by the hand of Murillo, sixty-four from Velasquez, ...
— Foot-prints of Travel - or, Journeyings in Many Lands • Maturin M. Ballou

... Mary de Medici came only to Bearn after his father's death, to carry off all that was precious in art, collected by the kings and queens of Navarre, for centuries—treasures which, according to the historians of the time, had not their parallel in the sixteenth century. The palace of the Louvre became rich in the spoils of Bearn: tapestry, pictures, furniture, objects of virtu of all kinds were borne away, and nothing left in its original place. Louis the Fourteenth and his successor occupied themselves little with the country, ...
— Barn and the Pyrenees - A Legendary Tour to the Country of Henri Quatre • Louisa Stuart Costello

... her! How little those who stand on the shore to watch the departure of a foreign steamer, know what they do when they envy its passengers!... We buckled on our armor and began sight-seeing the other day, going to see the Sainte Chapelle and the galleries and museum of the Louvre among the rest. The Sainte Chapelle is quite unlike anything I ever saw and delighted us extremely. As to the Louvre, one needs several entire days to do justice to it, besides an amount of youthful enthusiasm and bodily strength ...
— The Life and Letters of Elizabeth Prentiss • George L. Prentiss

... AEginetan there was a transitional style, to which period the artists Dipoenus and Scyllis are assigned by Pliny. The metopes of the temple of Selinus in Sicily, the bas-reliefs representing Agamemnon, Epeus, and Talthybius, in the Louvre, the Harpy monument in the British Museum, and the Apollo of Tenea, ...
— Museum of Antiquity - A Description of Ancient Life • L. W. Yaggy

... character which French students would not forget. I had among my many friends, reputable and demi-reputable, a rather remarkable lorette named Maria, whose face was the very replica of that of the Laughing Faun of the Louvre—or, if one can conceive it, of a very pretty "white nigger." This young lady being either ennuyee or frightened by the roar of musketry—probably the former—and knowing that I was a Revolutionist ...
— Memoirs • Charles Godfrey Leland

... Melanie, it is the talk, the very daily, hourly gossip of the streets, the alleys, nay, even the very kennels of Paris. Every one knows it—every one believes it, from the monarch in the Louvre to the lowest butcher of ...
— Graham's Magazine Vol XXXIII No. 3 September 1848 • Various

... tourist and his wife, after their return from abroad, were telling of the wonders seen by them at the Louvre in Paris. The husband mentioned with enthusiasm a picture which represented Adam and Eve and the serpent in the Garden of Eden, in connection with the eating of the forbidden fruit. The wife also waxed enthusiastic, and ...
— Jokes For All Occasions - Selected and Edited by One of America's Foremost Public Speakers • Anonymous

... Hapsburgh, published at Vienna in the year 1756.—"Machiavel the Second, or Murder no Sin," from the French of Monsieur le Diable, printed at Paris for le Sieur Daemon, in la Rue d'Enfer, near the Louvre.—"Cruelty a Virtue," a Political Tract, in two volumes, fine imperial paper, by Count Soltikoff.—"The Joys of Sodom," a Sermon, preached in the Royal Chapel at Warsaw, by W. Hellsatanatius, Chaplain to his Excellency Count Bruhl.—"The ...
— The Book-Hunter in London - Historical and Other Studies of Collectors and Collecting • William Roberts

... very politely shown up to a suite of pleasant apartments, consisting of an antiroom, bedroom, and dressing-room, the two latter were charmingly situated, the windows of which, looked out upon an agreeable garden belonging to the palace of the Louvre. For these rooms I paid the moderate price of three livres a day. Here, after enjoying those comforts which travellers after long journies, require, and a good dinner into the bargain, about nine o'clock at night I sallied out to the Palais Royal, a superb palace ...
— The Stranger in France • John Carr

... me like a tale Of my own future destiny. The King 105 Felt in his breast the phantom of the knife, Long ere Ravaillac arm'd himself therewith. His quiet mind forsook him: the phantasma Started him in his Louvre, chased him forth Into the open air: like funeral knells 110 Sounded that coronation festival; And still with boding sense he heard the tread Of those feet that ev'n then were seeking him ...
— The Complete Poetical Works of Samuel Taylor Coleridge - Vol I and II • Samuel Taylor Coleridge

... quite well. I am having an awfully jolly time of it here. What a pity it is you dont come over! I was wishing for you yesterday in the Louvre, where we spent a pleasant day looking at the pictures. I send you the silk you wanted, and had great trouble hunting through half-a-dozen shops for it. Not that I mind the trouble, but just to let ...
— The Irrational Knot - Being the Second Novel of His Nonage • George Bernard Shaw

... fact that she was one of the most famous personalities in Europe did not, after our talk, in the least disturb my pleasing dreams of a possible future. It was, nevertheless, specially forced upon me, for as we drove along the Rue de Rivoli, past the interminable facades of the Louvre, and the big shops, and so into the meaner quarter of the markets—the Opera Comique was then situated in its temporary home in the Place du Chatelet—numberless wayfarers showed by their demeanor of curiosity that Rosetta Rosa was ...
— The Ghost - A Modern Fantasy • Arnold Bennett

... but now vanquished Paris, which for centuries had not seen a conquering enemy near its walls—lay at their feet. The steeples of Notre-Dame, of St. Genevieve, the large cupola of the Hotel des Invalides, the countless spires proudly looming up, the vast pile of the Tuileries, the Louvre, the Palais-Royal, where for twenty years Napoleon had given laws to trembling Europe, were plainly discerned. And this great city, with its temples and palaces, was in the hands of the enemy. They were Prussian generals who looked down from the heights of the Montmartre, and who for seven years ...
— NAPOLEON AND BLUCHER • L. Muhlbach

... hold of Manchester sarcasms concerning glory: a weedy word of the newspapers had been sown in his bosom perhaps. He said: 'I don't care to win glory; I know all about that; I 've seen an old hat in the Louvre.' And he would have had her to suppose that he had looked on the campaigning head-cover of Napoleon simply as a shocking bad, bald, brown-rubbed old tricorne rather than as the nod of extinction to thousands, the great orb of darkness, the still-trembling gloomy quiver—the brain ...
— The Shaving of Shagpat • George Meredith

... by the Italian maid-of-honor, the Duchess Litta, and they all took the oath of allegiance. The civil marriage was appointed for the next day, April 1, at Saint Cloud, and the religious ceremony for the next but one, April 2, in the Salon Carre of the Louvre, between the long gallery of the Museum and the Apollo Gallery. The formal entry of the Emperor and Empress into their capital on the day of the religious marriage was to be an occasion of great pomp. Strangers had gathered from all quarters of Europe ...
— The Happy Days of the Empress Marie Louise • Imbert De Saint-Amand

... many-stringed harp in his hand, chanting the praises of the murderers, and exciting the drunken populace to greater horrors? Lebrun. Yes, the French Pindar is appointed poet-laureate to the guillotine, and has apartments assigned him at the national cost in the Louvre. Whenever an atrocity is to be committed, an ode is published, "by order of authority," to raise the passions of the people to the proper pitch. When the atrocity is over, another ode is ordered to celebrate the performers, and congratulate the people on their ...
— Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various

... studio." He no doubt benefited by this carelessness of the painter. Cezanne worked slowly, but he never stopped working; he left nothing to hazard, and, astonishing fact, he spent every morning at the Louvre. There he practised his daily scales, optically speaking, before taking up the brush for the day's work. Many of Vincent von Gogh's pictures Tanguy owned. This was about 1886. The eccentric, gifted Dutchman ...
— Promenades of an Impressionist • James Huneker

... he had omitted to make any mention of this strange apartment in his recital to the official. He would not trust to the discretion of the Telegraph Department, so on reaching the Hotel du Louvre et de la Paix he succeeded, after some difficulty, in ringing up the commissary ...
— The Albert Gate Mystery - Being Further Adventures of Reginald Brett, Barrister Detective • Louis Tracy

... musician, gilding the dark reddish-brown hair coiled loosely on her nobly poised head. Her black dress enhanced the extreme pallor of delicate features, which, outlined against that golden background, bore a strong resemblance to the lovely portrait of Titian's wife in the Louvre. Unmindful of the keys, across which her fingers strayed, she was gazing off into space, as if seeking some friendly face; and to the same sombre, passionate, ...
— At the Mercy of Tiberius • August Evans Wilson

... the world possess Correggios, and I will only mention the exquisite Saint Catherine and the resplendent Antiope of the Louvre; the Danae of the Borghese Gallery, a chef-d'oeuvre of grace and delicacy; and, finally, in the Dresden Gallery, our Magdalen in the Desert, that jewel so ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton

... it is for the dust, and our light is none of the best—ah! how I have seen this room lighted up in my lady's time!—all this grand furniture came from Paris, and was made after the fashion of some in the Louvre there, except those large glasses, and they came from some outlandish place, and that rich tapestry. How the colours are faded already!—since I saw ...
— The Mysteries of Udolpho • Ann Radcliffe

... may happen, too, that help comes in the night. Things come back to a man that it is good to remember. That time—and that other. . . . A woman there—and the one you met in such a place. There is a picture in the Louvre, by Veronese: a young Venetian woman steps out upon the marble stairway of a palace holding a golden-haired boy by the hand; she is dressed in black velvet, she glows with youth and happiness. ...
— The Great Hunger • Johan Bojer

... battered straw hat and scanty green cloak was advancing in his direction; the wind, blowing back the fringe of disfiguring short hair, disclosed a pure unbroken line of delicate profile, strangely simple, and recalling the profiles in Botticelli's lovely fresco in the Louvre. Miss Price, for it was she, carried a painting-box, and under one arm a stretcher that gave her infinite trouble whenever the wind caught it. As she passed, the Painter half started up to join her, but she gave him such a ...
— Different Girls • Various

... called Fundata is extremely ancient. We find it in Egyptian mural paintings, as well as in the centre of a Phoenician bowl from Cyprus, now in the Louvre. The mediaeval Fundata was a silk material, covered with what appeared to be a gold network covering the stuff. It is supposed to be the same as that worn by Constantine,[127] and is named in ecclesiastical inventories as late as the fifteenth ...
— Needlework As Art • Marian Alford

... examples, even of the simplest and healthiest-minded type of religious consciousness, we shall find this complex sacrificial constitution, in which a higher happiness holds a lower unhappiness in check. In the Louvre there is a picture, by Guido Reni, of St. Michael with his foot on Satan's neck. The richness of the picture is in large part due to the fiend's figure being there. The richness of its allegorical meaning also is due to his being ...
— The Varieties of Religious Experience • William James

... sanctuary. The book by Caccia, for example, published by Sessali at Novara in 1565, and reprinted at Brescia in 1576, is sure to turn up some day, but I have failed to find it at Varallo, Novara (where it appears in the catalogue, but not on the shelves), Milan, the Louvre, the British Museum, and the Bodleian Library. Through the kindness of Sac. Ant. Ceriani, I was able to learn that the Biblioteca Ambrosiana possessed what there can be little doubt is a later edition of ...
— Ex Voto • Samuel Butler

... it has, out and out, the most comfortable hotel we have seen in America. It is quite a bijou, with a very pretty facade, and, being new last year, everything is in the best style. The ground floor, as is generally the case in this country, consists, like the Hotel du Louvre in Paris, of good shops, which gives a gayer appearance to the whole than if it were one mass of dwelling rooms. We find it so comfortable that, instead of going on this afternoon to Philadelphia, we mean to remain here to-night, and to go on ...
— First Impressions of the New World - On Two Travellers from the Old in the Autumn of 1858 • Isabella Strange Trotter

... and a dangerous school for one so young," said the nun, with a sigh. "I have heard my father talk of what life was like at the Louvre when the Bearnais reigned there in the flower of his manhood, newly master of Paris, flushed with hard-won victory, and but ...
— London Pride - Or When the World Was Younger • M. E. Braddon

... did she hold him, yet repel? What was her object? Was she some princess who had been hidden away during her girlhood, to appear only when the bud opened into womanhood, rich, glorious, and warm? Like a sunbeam, like a shadow, she flitted through the corridors and galleries of the Louvre and the Palais Royal, and whenever he had sought to point her out to some one, to discover her name, lo, she was gone! Tormenting mystery! Ah, that soft lisp of hers, those enchanting caprices, those amazing extravagances of fancy, that wit which possessed the sparkle of white chambertin! ...
— The Grey Cloak • Harold MacGrath

... replied the man of science, as if he were retracing instructions for a voyage to the North Pole. "I will go through the Luxembourg, the Rue de Seine, the Pont des Arts, the Louvre, the Rue du Coq, the Rue Croix-des-Petits-Champs, the Rue des Fosses-Montmartre. It is the shortest route ...
— A Street Of Paris And Its Inhabitant • Honore De Balzac

... The learning displayed in the composition of his pictures, and their minute elaboration and exquisite finish, gave them great celebrity and entitle them to a distinctive place among the products of the Bolognese school. A number of his works are at Bologna, and others at Florence, the Louvre, Dresden and St Petersburg. Among the best of his sacred subjects are a "St Sebastian'' and an "Assumption of the Virgin,'' both in the church of St Sebastian at Rome. He was among the first of the Italian painters to devote himself to the painting of cabinet pictures. ...
— Project Gutenberg Encyclopedia

... many places, and then threw his body, still breathing, out of the window into the court, where it fell at the feet of the Duke of Guise. The minions of the Louvre flocked around in hideous glee, to insult the lifeless form of him, before whom they had so long quailed and trembled. They gibbeted their own infamy in vainly seeking to dishonor the illustrious dead. His memory is at once the glory and the shame of France: and the very land of the St. Bartholomew ...
— Great Men and Famous Women. Vol. 1 of 8 • Various

... about a good deal in my quarter in the morning, and made acquaintance with many funny little old squares and shops, merceries, flower and toy shops which had not yet been swallowed up by the enormous establishments like the Louvre, the Bon Marche, and the big bazaars. I don't know how they existed; there was never any one in the shops, and of course their choice was limited, but they were so grateful, their things were so much cheaper, and they were so anxious to get anything one wanted, that it was a pleasure to deal ...
— My First Years As A Frenchwoman, 1876-1879 • Mary King Waddington

... patrons—and, like a sensible man, he went on producing these cheap daubs to any extent required, for a living, while he endeavoured to perfect himself meanwhile for the higher art he was meditating for the future. In the great galleries of the Louvre at Paris he found abundant models which he could study in the works of the old masters; and there, poring over Michael Angelo and Mantegna, he could recompense himself a little in his spare hours for the time he was ...
— Biographies of Working Men • Grant Allen

... monuments of ancient Rome have entirely disappeared. Nothing remains of the Palace of the Caesars, which nearly covered the Palatine Hill; little of the fora which, connected together, covered a space twice as large as that inclosed by the palaces of the Louvre and Tuileries, with all their galleries and courts; almost nothing of the glories of the Capitoline Hill; and little comparatively of those Thermae which were a mile in circuit. But what does remain attests an unparalleled grandeur,—the ...
— Beacon Lights of History, Volume III • John Lord

... student days we were still taught to write Latin speeches and Latin verses. I am impregnated with the ideas of classical art and classical thought. Far from desiring to sweep these things away, I should wish such treasures, like those of our Louvre, to be made accessible to the great mass of mankind. But I must point out that we should remain free in relation to that which we admire, and that we are not free in relation to classical thought. The Greco-Roman mental formulas, ...
— The Forerunners • Romain Rolland

... not all. He was equally affable with artists. He talked daily with the painters in the Louvre; and having paid a visit to the great actor Le Kain, whom he had seen the night before in the character of a Roman emperor, he found him like Buffon ...
— Joseph II. and His Court • L. Muhlbach

... senses, it is an escape rather from the tyranny of the soul. But only to those who worship her above all things does she ever reveal her true treasure: else will she be as powerless to aid you as the mutilated Venus of the Louvre was before the romantic but sceptical ...
— Miscellanies • Oscar Wilde

... left London on January 6, and, reaching Paris the following day, they made themselves comfortable at the Hotel du Louvre. However, they only remained there one week, during which it was so cold that they saw little and enjoyed little. They went to Notre Dame, the Louvre, the Madeleine, and the Champs Elysees, but without being greatly impressed by what they beheld. Hawthorne does ...
— The Life and Genius of Nathaniel Hawthorne • Frank Preston Stearns

... of Algiers, set many Christian slaves free. It is, as we said, hard to realize that in times almost within the memory of living men, Christians toiled in chains for the infidel, in the way some may have seen depicted by pictures in the Louvre. Similar pictures are kept in the old church of St. Giles, at Bruges, where a confraternity existed for the redemption of captives. This association is still represented in the parochial processions, by a group of children. Some are ...
— Donahoe's Magazine, Volume 15, No. 1, January 1886 • Various

... Morse, who was later to chain electricity for future use, was then a young artist painting in the Louvre, and helping Cooper to buy pictures. Of one purchase is noted: "Shortly after the revolution of 1830, passing through the Carousel, he bought a portrait, covered with dust but of apparent rare beauty, from a dealer in antiques, who said it was a Teniers. This painting was ...
— James Fenimore Cooper • Mary E. Phillips

... the house being converted into sleeping-rooms for the maids. Mademoiselle Annette would go into hysterics, were she to see the works of art, that satisfied the past generation of masters in this country, in too close familiarity with her Louvre- ized eyes." ...
— Home as Found • James Fenimore Cooper

... down about half past eleven; I suppose it was two when, some point arising and some particular picture being instanced, an adjournment to the Louvre was proposed. I paid the score, and in a moment we were trooping down the Rue de Renne. It was smoking hot; Paris glittered with that superficial brilliancy which is so agreeable to the man in high spirits, and in moods of dejection so depressing; the wine sang in my ears, it danced and brightened ...
— The Wrecker • Robert Louis Stevenson and Lloyd Osbourne

... cheerful influences were mingled with his impression. They were of a nature to which he usually does full justice, even overestimating perhaps their charm of suggestion; but, at the hour I speak of, the old Parisian quay, the belittered print-shop, the pleasant afternoon, the glimpse of the great Louvre on the other side of the Seine, in the interstices of the sallow estampes suspended in window and doorway—all these elements of a rich actuality availed only to mitigate, without transmuting, that general vision of a high, cruel pillory which pieced itself together as I drew specimen after ...
— Picture and Text - 1893 • Henry James

... to the Louvre, sire,' Du Mornay answered drily; while I stood, silent and amazed, before this strange man, who could so suddenly change from grave to gay, and one moment spoke so sagely, and the next like any wild lad in ...
— A Gentleman of France • Stanley Weyman

... to teach em the necessary Sciences, and to instruct them in all the Treaties of Peace, Alliance, and others, which have been made in several Ages past. These Members are to meet twice a Week at the Louvre. From this Seminary are to be chosen Secretaries to Ambassies, who by degrees ...
— The Spectator, Volume 2. • Addison and Steele

... Caryatid of the Erechtheum, is a model of perfect simplicity. For further illustration of the quality I have chosen the bronze charioteer from Delphi, and the Artemis from Gabii, now in the Louvre. The former (Fig. 4) is a youth of noble family, clad in the long dress necessary to protect from the wind a man driving a chariot. The latter (Fig. 5), a work of the school of Praxiteles, represents a young ...
— The Legacy of Greece • Various

... thought that Mr. Manby's pictures were bad, when he remembered that Frida had a weakness for bad pictures. Art did not appeal to Frida. She talked about Paris and Florence and Rome without a word of the Louvre or the Uffizi Gallery or the Vatican. She didn't care a rap about Raphael or Rubens, but she hampered ...
— The Return of the Prodigal • May Sinclair

... by this picture, but you mustn't take it too much to heart. These disagreeable discoveries come at times to most picture fanciers and owners. Why, about twenty per cent. of the alleged Old Masters in the Louvre are supposed to be wrongly attributed. And there are heaps of similar cases in this country. Lady Dovecourt was telling me the other day that they simply daren't have an expert in to examine the Van Dykes at Columbey for fear of unwelcome ...
— The Unbearable Bassington • Saki

... rumours having reached him from Khorsabad, a few miles off, of some remains there, he caused some vigorous excavations to be made there, and, aided by his government, contrived to lodge an excellent collection of Assyrian sculptures in the Louvre. About this time Mr. Layard was travelling through the Turkish Asiatic provinces; and in the course of his wanderings paid considerable attention to the mounds situated at Nimroud and near Mosul. Convinced that under these hillocks lay precious relics ...
— How to See the British Museum in Four Visits • W. Blanchard Jerrold

... But some prisons still remain, and I am going to put a stop to this sort of public order. Does any one wish to play at skittles? The whole ancient world fell in ruin, when the big ball rolled. Good old folks, let us smash with our crutches that Louvre where the monarchy displayed itself in furbelows. We have forced its gates. On that day, King Charles X. did not stick well and ...
— Les Miserables - Complete in Five Volumes • Victor Hugo

... near Khorsabad which proved to be the site of the city erected by "Sargon the Later", who is referred to by Isaiah. The relics discovered by Botta and his successor, Victor Place, are preserved in the Louvre. ...
— Myths of Babylonia and Assyria • Donald A. Mackenzie

... it just as he was setting out to meet her at the Louvre. It brought him up with a round turn. While he was lotus-eating here, his boy, whose philosopher and guide he ought to be, had taken this great step towards danger, hardship, perhaps even death. He felt disturbed to the soul, realising ...
— Forsyte Saga • John Galsworthy

... irretrievably. Yet to curious retrospective minds not long afterwards, these graceful follies would seem tragic or allegoric, with an undercurrent of infernal irony throughout. Charles and his two brothers, keeping the gates of a mimic paradise in the court of the Louvre, while the fountains ran wine—were they already thinking of a time when they would keep those gates, with iron purpose, while ...
— Gaston de Latour: an unfinished romance • Walter Horatio Pater

... he sat down to the evening meal at Conde's, after which, having attired himself in his new suit, he repaired with de Penthiere and de Caussac to the Louvre. It was eight o'clock when they entered, the reception rooms were already full, and the brilliancy of the attire, both of the courtiers and ladies, seen by the light of great chandeliers, was impressive in the extreme to one who had never seen any gathering of the kind before. There ...
— Won by the Sword - A Story of the Thirty Years' War • G.A. Henty

... great Flemish artist whose works were sought by kings and princes. He painted the history of Marie de Medicis in the series of colossal pictures now in the Louvre. He was knighted by Philip IV of Spain and Charles ...
— Quentin Durward • Sir Walter Scott

... almost be called a gay place. Stroll down the principal street at mid-day and you will find a well-dressed crowd of both sexes, some driving and cycling, others inspecting the shops or seated at flower-bedecked tables in the fashionable French "Restaurant du Louvre" with its white aproned garcons and central snowy altar of silver, fruit, and hors-d'oeuvres all complete. Everything has a continental look, from the glittering jewellers' shops to the flower and fruit stalls, ...
— From Paris to New York by Land • Harry de Windt

... my little friend, that a ceiling painted by so great a master as yours is worth its weight in gold?" replied the count. "If the civil list paid you, as it did, thirty thousand francs for each of those rooms in the Louvre," he continued, addressing Schinner, "a bourgeois,—as you call us in the studios—ought certainly to pay you twenty thousand. Whereas, if you go to this chateau as a humble decorator, you ...
— A Start in Life • Honore de Balzac

... gong would sound in a few minutes. She pictured the dreary, silent dining-room with its few scattered occupants, and her heart sank at the prospect. To her relief came remembrance of a cheerful but entirely respectable restaurant near to the Louvre to which she had been taken a few nights before. She had noticed quite a number of women dining there alone. She closed her dispatch case with a snap and gave a glance at herself in the great mirror. The blackbird was ...
— All Roads Lead to Calvary • Jerome K. Jerome

... and for half his life of France) suffers his children to die of hunger, consigns their mothers to the same fate, but aggravated by remorse and by the spectacle of their perishing infants! These clamours could not penetrate to the Louvre, but they penetrated to a higher court, and were written in books from which there is no erasure allowed. So much for the vaunted 'generosity' of Henry IV. As to another feature of the chivalrous character, elegance of manners, let the reader consult the report of an English ...
— The Posthumous Works of Thomas De Quincey, Vol. 1 (2 vols) • Thomas De Quincey

... the same privilege, though without the same genius. No more than he shall we seat ourselves upon the tripod of the unities, but merely casting our eyes upon Paris and the old dark palace of the Louvre, we will at once pass over the space of two hundred leagues and the period of ...
— Serge Panine • Georges Ohnet

... apprenticeship to Pignatelli in Naples, made his own riding-school the best in the world, so that the French no longer had to journey to Italian masters. He obtained from the king the basement of the great gallery of the Louvre, and there taught Louis XIII. and other young nobles of the Court—amongst them the Marquis du Chillon, afterwards Cardinal Richelieu—to ride the great horse.[249] Such was the success of his manege that he annexed masters to teach his pupils dancing, vaulting, and ...
— English Travellers of the Renaissance • Clare Howard

... Beatrice—Carlo Continga taking it to him." Unfortunately, both of these portraits have perished, and the only representation of Beatrice as a girl that we have is the sculptor Cristoforo Romano's well-known bust in the Louvre. ...
— Beatrice d'Este, Duchess of Milan, 1475-1497 • Julia Mary Cartwright

... morning, nor again to any person known to this story. An officer of the ——th Cavalry, spending a portion of the following winter in Paris, writes that he met him face to face one day in the galleries of the Louvre. Being in civilian costume, of course, and much changed in appearance since he was a youth in the straps of a second lieutenant, it was possible for him to take a good long look at the man he had not seen since he wore the chevrons of a dashing sergeant ...
— The Deserter • Charles King

... Theed's to admire, the creature talked as if she were a manikin or a robed skeleton! Is there nothing due to the idea, Acajou? 'The idea!' dear me, why he didn't exactly know what the idea was! So he'll go trolling about the Louvre and the Luxembourg gallery, the Pitti palace and all Rome, and his mind will be as full of elbows and collar bones as the catacombs; he'll talk to you of the Grecian line of beauty and of 'pose,' and sketch ...
— Continental Monthly, Vol. III, No IV, April 1863 - Devoted to Literature and National Policy • Various

... Dawson may almost be called a gay place. Stroll down the principal street at mid-day and you will find a well-dressed crowd of both sexes, some driving and cycling, others inspecting the shops or seated at flower-bedecked tables in the fashionable French "Restaurant du Louvre" with its white aproned garcons and central snowy altar of silver, fruit, and hors-d'oeuvres all complete. Everything has a continental look, from the glittering jewellers' shops to the flower and fruit stalls, where you may buy roses or strawberries for a dollar apiece. I recollect ...
— From Paris to New York by Land • Harry de Windt

... Pavannes by sight, laughed at the idea. "Your friend," he said, "is a wider man than that!" And I thought he was right there—but then it might be the cut of the clothes. "They have been at the Louvre playing paume, I'll be sworn!" he went on. "So the Admiral must be better. The one next us was M. de Teligny, the Admiral's son-in-law. And the other, whom you mean, was the ...
— The House of the Wolf - A Romance • Stanley Weyman

... you should employ your leisure in writing down your reflections, like the Chevalier de Montaigne. You could give us a trenchant essay on the Ingratitude of Man. Here are you host of the biggest inn in Paris—a pile more imposing than the Louvre itself. Your hospitality is so eager that you insist on entertaining me, so lavish that you lodge me for nothing, would keep me without a murmur till the end of my life. Yet I, ingrate that I am, depart without a ...
— Helmet of Navarre • Bertha Runkle

... become with Valerie Duplessis. She is in herself so charming in her combination of petulant wilfulness and guileless naivete, that she might sit as a model for one of your exquisite heroines. Her father, who is in great favour at Court, had tickets for the Salle des Etats of the Louvre today—when, as the journals will tell you, the results of the plebiscite were formally announced to the Emperor—and I accompanied him and Valerie. I felt, on entering the hall, as if I had been living for months in an atmosphere of false rumours, for those I chiefly meet in ...
— The Parisians, Complete • Edward Bulwer-Lytton

... curious and costly articles Paris is superior to London; since the opulence of the French capital arises from the defects of its government and religion. In the absence of Louis XIV. and his successors, the Louvre has been left unfinished: but the millions which have been lavished on the sands of Versailles, and the morass of Marli, could not be supplied by the legal allowance of a British king. The splendour of the French nobles is confined ...
— Memoirs of My Life and Writings • Edward Gibbon

... adorned the walls of temples and houses, excepting where woodwork was employed, as in the Temple of Solomon. There is much richness and beauty in many of the slabs now in the Phoenician collection of the Louvre,[683] especially in those which exhibit the forms of sphinxes or griffins. Many of the patterns most affected are markedly Assyrian in character, as the rosette, the palm-head, the intertwined ribbons, and the rows of gradines which ...
— History of Phoenicia • George Rawlinson

... darkening the lines which turn away from the light, the tendency with them is rather to darken them towards the light, for it is there in general that shade will ultimately enclose them. The best example of this treatment that I know is Raphael's sketch, in the Louvre, of the head of the angel pursuing Heliodorus, the one that shows part of the left eye; where the dark strong lines which terminate the nose and forehead towards the light are opposed to tender and light ones behind the ear, and in other ...
— The Crown of Wild Olive • John Ruskin

... retained, after death, the art of making friends, Montaigne and Samuel Johnson certainly stand first. But we have portraits of all sorts of men, from august Caesar to the king's dwarf; and all sorts of portraits, from a Titian treasured in the Louvre to a profile over the grocer's chimney shelf. And so in a less degree, but no less truly, than the spirit of Montaigne lives on in the delightful Essays, that of Charles of Orleans survives in a few old songs and old account-books; and it is still in the choice ...
— Familiar Studies of Men & Books • Robert Louis Stevenson

... servitude and obligation, and not so much the crowd of men, as the crowd of business. Local solitude, to say the truth, rather gives me more room, and sets me more at large; I more readily throw myself upon the affairs of state and the world, when I am alone; at the Louvre, and in the bustle of the court, I fold myself within my own skin; the crowd thrusts me upon myself; and I never entertain myself so wantonly, with so much license, or so especially, as in places of respect and ceremonious prudence: our follies do not make me laugh, but our wisdom does. ...
— The Best of the World's Classics, Restricted to Prose, Vol. VII (of X)—Continental Europe I • Various

... Parisian guide comes from and how he graduates for his job I do not know. He is not French and, as a rule, he doesn't know Paris. He knows his way to the Louvre and to two or three American bars and to the Moulin Rouge in Montmartre. But he doesn't need to know his way. For that he falls back on the taxi-driver. "Now, sir," says the guide briskly to the gentleman who has engaged ...
— Behind the Beyond - and Other Contributions to Human Knowledge • Stephen Leacock

... Pavilion de Marsan, to amuse the Children of France, as they were then called, and to extend their acquaintance with the young people of their own age. One day when I was visiting with my parents some exposition of objects of art or flowers in one of the lower halls of the Louvre, I saw him approach my mother—whom he had known in England—with a familiarity at once respectful and charming. He plainly wished to please those whom he addressed, and he had the gift of doing so. In that kind of success he was rarely wanting, especially with women. ...
— The Duchess of Berry and the Court of Charles X • Imbert De Saint-Amand

... an irregular mass of buildings with little pretensions to Architectural beauty or effect. It has great capacity, and nothing more. The LOUVRE is much finer, yet still not remarkable, but its wealth of Paintings by the Great Masters of all time surprised as well as delighted me. I never saw anything at all comparable to it. But of this ...
— Glances at Europe - In a Series of Letters from Great Britain, France, Italy, - Switzerland, &c. During the Summer of 1851. • Horace Greeley

... houses excepting seed catalogues. We find them more marvelous than the Arabian Nights, more imaginative than Baron Manchausen, and more alluring than a circus poster. We care not who steals the Mona Lisa so long as Salzer sends us pictures of his cabbages. The art gallery of the Louvre may be robbed of its masterpiece without awakening a pang in our breasts, if Dreer will only send us the pictures of those roses that bloom in the paint-shops of Philadelphia. Morgan may purchase the choicest collections of paintings in Europe and hide them from the public in his New York mansion, ...
— Trees, Fruits and Flowers of Minnesota, 1916 • Various

... table. A true gentleman's face is infinitely removed from all such paltriness,—calm-eyed, firm-mouthed. I think Titian understood the look of a gentleman as well as anybody that ever lived. The portrait of a young man holding a glove in his hand, in the Gallery of the Louvre, if any of you have seen that collection, will remind you of ...
— The Atlantic Monthly, Vol. II, No. 8, June 1858 • Various

... dreamt then that war was only three months distant? Paris was a revelation to Paul. He crowded a lot of sight-seeing into half a dozen busy days. All that was noble or beautiful in Art as in Nature appealed instinctively to him. I can see him now at the Louvre gazing rapt from various angles at that glorious piece of statuary the Venus of Milo. His knowledge of history made his visit to the glittering palace of Louis XIV at Versailles an undiluted pleasure. Fascinated by the genius of Napoleon, he spent a long time at the Invalides ...
— War Letters of a Public-School Boy • Henry Paul Mainwaring Jones

... rapid journey, he descended at a hostelry opposite the residence of the Spanish ambassador, Don Diego de Cuniga. After nightfall he had a secret interview with that functionary, and learning, among other matters, that there was to be a great ball that night at the Louvre, he determined to go thither in disguise. There, notwithstanding his hurry, he had time to see and to become desperately enamored of "that wonder of beauty," the fair and frail Margaret of Valois, Queen of Navarre. Her subsequent visit ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley

... there are many portraits at the Exhibition, but I do not mean to complain of this. Indeed, we cannot too highly applaud the revival of this noble branch of art, to which we owe the Joconde of the Louvre and the Violin-player of the Sciarra Palace. Many a fair young girl unknown to fame, many a matron whose quiet life will pass unheeded by the world, will by her portrait enter into immortality. Torn, sooner or later, from the family roof ...
— Lippincott's Magazine, Vol. 22, November, 1878 - of Popular Literature and Science • Various

... the bells, I could make you a list of all the famous bells, living and dead, that haunt the city, and the tale of what they have done would be a history of France. The bell of the St. Bartholomew over against the Louvre, the tocsin of the Hotel de Ville that rang the knell of the Monarchy, the bell of St. Julien that is as old as the University, the old Bourdon of Notre Dame that first rang when St. Louis brought in the crown ...
— Hills and the Sea • H. Belloc

... resemblance to Perugino's. It gained more freedom, action, grace, and strength of color. Some examples of this second style of his painting are the Madonna del Cardellino, or Madonna of the Goldfinch, which you will remember in the Uffizi Gallery, Florence, and La Belle Jardiniere in the Louvre, Paris. But I have brought photographs of these pictures so that you may see the striking difference between ...
— Barbara's Heritage - Young Americans Among the Old Italian Masters • Deristhe L. Hoyt

... 7: I learn from the learned that the Florence and Louvre Madonnas, with the roses, are not Botticelli's; but Botticelli, I am sure, would not have been offended by those lovely bushes being attributed ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)

... regicide and offer a symbol of the system of materialistic policy which governs us; it was answered at the Carmes and at the Abbaye; answered on the steps of Saint-Roch; answered once more by the people against the king before the Louvre in 1830, as it has since been answered by Lafayette's best of all possible republics against the republican insurrection at Saint-Merri and the rue Transnonnain. All power, legitimate or illegitimate, must defend itself when attacked; but the strange thing is that where the people ...
— Catherine de' Medici • Honore de Balzac

... deal in my quarter in the morning, and made acquaintance with many funny little old squares and shops, merceries, flower and toy shops which had not yet been swallowed up by the enormous establishments like the Louvre, the Bon Marche, and the big bazaars. I don't know how they existed; there was never any one in the shops, and of course their choice was limited, but they were so grateful, their things were so much cheaper, and they were so anxious to get anything one wanted, that it was ...
— My First Years As A Frenchwoman, 1876-1879 • Mary King Waddington

... herself, among the dew, on a May morning? Believe me, joy, humility, and usefulness, always go together: as insolence with misery, and these both with destructiveness. You may learn with proud teachers how to throw down the Vendome Column, and burn the Louvre, but never how to lay so much as one touch of safe colour, or one layer of steady stone: and if indeed there be among you a youth of true genius, be assured that he will distinguish himself first, ...
— A Joy For Ever - (And Its Price in the Market) • John Ruskin

... lonely Prometheus on the mattress-rock at No. 3 Avenue Matignon. It was 1854 when Heine was painfully removed there. It was so long ago as the May of 1848 that he had walked out for the last time. His difficult steps had taken him to the Louvre, and, broken in body and nerves—but never in spirit—he had burst into tears before the Venus of Milo. It was a characteristic pilgrimage—though it was only a "Mouche" who could have taken Heine seriously when he said that ...
— Old Love Stories Retold • Richard Le Gallienne

... inaugurated (probably about the 14th of July) a new establishment that has long been demanded by the laboring population, that is to say, a new labor exchange, the buildings of which, situated on Chateau d'Eau Street, are to succeed the provisional exchange installed in the vicinity of Le Louvre Street. The new structures have been erected from plans by Mr. Bouvard, and occupy an area of seventeen ...
— Scientific American Supplement, No. 795, March 28, 1891 • Various

... mantle, passed by upon a brown horse, bearing a servant behind him on the crupper. This was Troilo Orsini; and Ambrogio marked him well. Troilo, after some minutes' conversation with the players, rode forward to the Louvre. The bravo followed him and discovered from his servant where he lodged. Accordingly, he engaged rooms in the Rue S. Honore, in order to ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds

... and we were shown pictures of Paris. Because the cinema was a little one and the prices small the films were faded and torn, so that the Opera and the Place de la Concorde and the Louvre and the Seine danced and wriggled and broke before our eyes. They looked strange enough to us and only accented our isolation and the odd semi-civilisation in which we were living. There were comments all around the room in exactly the spirit of children before a conjurer at a party.... ...
— The Secret City • Hugh Walpole

... was later to chain electricity for future use, was then a young artist painting in the Louvre, and helping Cooper to buy pictures. Of one purchase is noted: "Shortly after the revolution of 1830, passing through the Carousel, he bought a portrait, covered with dust but of apparent rare beauty, from a dealer in antiques, who said it was a Teniers. This painting was shown ...
— James Fenimore Cooper • Mary E. Phillips

... each a Pension of a Thousand Livres. They are likewise to have able Masters to teach em the necessary Sciences, and to instruct them in all the Treaties of Peace, Alliance, and others, which have been made in several Ages past. These Members are to meet twice a Week at the Louvre. From this Seminary are to be chosen Secretaries to Ambassies, who by degrees may ...
— The Spectator, Volume 2. • Addison and Steele

... must be a great disappointment to you, you've always set such store by this picture, but you mustn't take it too much to heart. These disagreeable discoveries come at times to most picture fanciers and owners. Why, about twenty per cent. of the alleged Old Masters in the Louvre are supposed to be wrongly attributed. And there are heaps of similar cases in this country. Lady Dovecourt was telling me the other day that they simply daren't have an expert in to examine the Van Dykes at Columbey for fear of unwelcome ...
— The Unbearable Bassington • Saki

... and after all had been prostrated in solemn adoration of the Divine presence, the citizens would pour out into the street, and repair, some to their homes, some to the Palace of the Tournelles, with its towers and gardens guarded by the Bastille; others to the Louvre or to the Pre-aux-clercs, and the fields by the river side; others would stroll up the hill of Montmartre; and some in boats would brave the dangers of the Seine! On other and sadder occasions, the inhabitants ...
— Blackwood's Edinburgh Magazine, No. CCCXXXVI. October, 1843. Vol. LIV. • Various

... Celestins. Within its circle it enclosed the district of Saint Paul, the Culture Sainte-Catherine, the Temple, Saint-Martin, Les Filles-Dieu, Saint Sauveur, Saint Honore, Les Quinze Vingts, which hitherto had been in the suburbs and undefended; and it reached the river below the Louvre, which was thus united to the town. There were six gates in the circumvallation, to wit: beginning on the east, the Baudet Gate or Saint-Antoine Gate, the Saint-Avoye or Temple Gate, the Gate of the Painters or of Saint-Denis, the Saint-Martin or Montmartre Gate, the Saint-Honore Gate and the ...
— The Life of Joan of Arc, Vol. 1 and 2 (of 2) • Anatole France

... renovation of this great City hall commenced in the year 1864, when Mr. Horace Jones, the architect to the City of London, was entrusted with the erection of an open oak roof, with a central louvre and tapering metal spire. The new roof is as nearly as possible framed to resemble the roof destroyed in the Great Fire. Many southern windows have been re-opened, and layer after layer of plaster and cement scraped from the internal architectural ornamentation. The southern windows have been ...
— Old and New London - Volume I • Walter Thornbury

... the Hall of the Arts in the Louvre, in which there are many fine paintings, is called, ...
— Poems • Sir John Carr

... as 1816, Lord Exmouth, after the bombardment of Algiers, set many Christian slaves free. It is, as we said, hard to realize that in times almost within the memory of living men, Christians toiled in chains for the infidel, in the way some may have seen depicted by pictures in the Louvre. Similar pictures are kept in the old church of St. Giles, at Bruges, where a confraternity existed for the redemption of captives. This association is still represented in the parochial processions, by ...
— Donahoe's Magazine, Volume 15, No. 1, January 1886 • Various

... him. Why did she hold him, yet repel? What was her object? Was she some princess who had been hidden away during her girlhood, to appear only when the bud opened into womanhood, rich, glorious, and warm? Like a sunbeam, like a shadow, she flitted through the corridors and galleries of the Louvre and the Palais Royal, and whenever he had sought to point her out to some one, to discover her name, lo, she was gone! Tormenting mystery! Ah, that soft lisp of hers, those enchanting caprices, those amazing extravagances of fancy, that wit which possessed the sparkle of white chambertin! He would ...
— The Grey Cloak • Harold MacGrath

... the Tour Jeanne d'Arc, which is itself earlier in date than either Coucy (1228) or Pierrefonds (1390). More than this, a document of 1202 preserves the most interesting fact that this tower was planned after the dimensions and shape of the famous Tour du Louvre, of which Paris now possesses only a circle of white marble to mark the site of the royal tower that once stood where the south-west corner of the Louvre ...
— The Story of Rouen • Sir Theodore Andrea Cook

... exist. Explain that if you can. I'll give you five thousand, ten thousand francs to buy a beautiful clock that is not a copy and is not ancient, and you can't do it. Such a thing does not exist. Look here, I was going up the staircase of the Louvre the other day. They were putting up a mosaic; it was horrible; every one knows it is horrible. Well, I asked who had given the order for this mosaic, and I could not find out; no one knew. An order is passed from bureau to bureau, and no one is responsible; ...
— Confessions of a Young Man • George Moore

... But I'm beginning to find out that joy isn't a matter of geography and companionship isn't a matter of over-crowded subways. And the strap-hangers and the train-catchers and the first-nighters can have what they've got. I don't seem to envy them the way I used to. I don't need a Louvre when I've got the Northern Lights to look at. And I can get along without an AEolian Hall when I've got a little music in my own heart—for it's only what you've got there, after all, that really counts ...
— The Prairie Child • Arthur Stringer

... the Louvre, before Henry II, Catherine de Medici, and the whole court, she delivered a discourse in Latin of her own composition, in which she maintained that it becomes women to cultivate letters, and that it is unjust and tyrannical to deprive flowery of their perfumes, ...
— CELEBRATED CRIMES, COMPLETE - MARY STUART—1587 • ALEXANDRE DUMAS, PERE

... boy genius of healing, and his daughter Hygieia, the goddess of health. Votive reliefs representing such groups have been found near the temple of Aesculapius at Athens. The British Museum possesses a beautiful head of Aesculapius (or possibly Zeus) from Melos, and the Louvre ...
— Project Gutenberg Encyclopedia

... interposed Felix. "Can we not have a change? Let me arrange the programme. First, we rout Cosse—an easy matter; second, we continue our march to Paris, defeating Monseigneur on the way; third, we dictate terms of peace at the Louvre." ...
— For The Admiral • W.J. Marx

... know," said Mon. Devanne. "All I can say is that the king stopped here one night in 1784, and that the famous Iron Casket found in the Louvre contained a paper bearing these words in the king's own ...
— The Extraordinary Adventures of Arsene Lupin, Gentleman-Burglar • Maurice Leblanc

... found the means for it. Instead of going to your former lodgings, go to the Hotel du Louvre. I will see to it that my sister and Miss Ville-Handry shall have taken rooms there before you reach Paris; and you may be sure, that, in less than a quarter of an hour after your arrival, you will hear news. But, heavens, how near we are! I ...
— The Clique of Gold • Emile Gaboriau

... which, for that matter, can be found on any and every social level, will realize the awe with which the bourgeoisie of Angouleme regarded the Hotel de Bargeton. The inhabitant of L'Houmeau beheld the grandeur of that miniature Louvre, the glory of the Angoumoisin Hotel de Rambouillet, shining at a solar distance; and yet, within it there was gathered together all the direst intellectual poverty, all the decayed gentility from twenty leagues ...
— Two Poets - Lost Illusions Part I • Honore de Balzac

... this last mail from France brought nothing so horrible as what I was made to expect. Yet I am not at all at ease, in respect to that poor unfortunate family at the Louvre, which, I protest, I think not much more so than that of Galas.(281) Of all those whom I wish to have hanged, I will be so free as to own that I am more disposed in favour of the M. de la Fayette than of any other, because in him I do not see, what is almost ...
— George Selwyn: His Letters and His Life • E. S. Roscoe and Helen Clergue

... Lucretius paint pictures of life and Nature so large, so glowing, so majestic that they remind us of nothing but the "Fete Champetre" of Giorgione, in the Louvre. All that life is a thing we must leave soon, and forever, and must be hopelessly lapped in an eternity of blind silence. "I shall let men see the certain end of all," he cries; "then will they resist religion, and the threats ...
— Letters on Literature • Andrew Lang

... actually in the room, challenging the pale tints of the books, the tawny browns and blues of the Persian carpet, and the scarlet splendours of the courtier over the mantelpiece. The room was lit up besides by a few gleaming casts from the antique, by the 'Diane Chasseresse' of the Louvre, by the Hermes of Praxiteles smiling with immortal kindness on the child enthroned upon his arm, and by a Donatello figure of a woman in marble, its subtle sweet austerity contrasting with the Greek frankness and blitheness ...
— Robert Elsmere • Mrs. Humphry Ward

... you prefer them to the Louvre, sire,' Du Mornay answered drily; while I stood, silent and amazed, before this strange man, who could so suddenly change from grave to gay, and one moment spoke so sagely, and the next like any ...
— A Gentleman of France • Stanley Weyman

... Sunday. The Louvre was on my way to the Conservatory, where, as is well known, I lived ...
— Delsarte System of Oratory • Various

... simple, short-skirted, and with a slit in the upper part at both sides. It was fastened with clasps over both shoulders, and shortened as far as the knees by means of pulling it through the girdle. In this form it is worn by two maidens in the Louvre, destined for the service of the Lakonian Artemis at Karyae. They carry kinds of baskets on their heads, and are performing the festive dance in honor of the goddess. The exomis is worn by the female statue in the Vatican known as the "Springing Amazon," and ...
— Museum of Antiquity - A Description of Ancient Life • L. W. Yaggy

... glad 'tis there. Now I would pray our monsieurs To think an English courtier may be wise, And never see the Louvre. ...
— The Life of Henry VIII • William Shakespeare [Dunlap edition]

... in glazing; because, having only a thin substance, it can be rendered pale by a small portion of white; although in the end it becomes darker by a concentration of its molecules. Mrime states that in the greater part of Alexander Veronese's works—in his Death of Cleopatra, in the Louvre, for instance—there are some demi-tints which are too green, and which it is certain were not so originally. Terre verte, therefore, must be employed with caution; and it would be well to ascertain beforehand whether a mineral colour will in time become darker than ...
— Field's Chromatography - or Treatise on Colours and Pigments as Used by Artists • George Field

... certainly would become in fifty, or twice that number of years. The situation was far more beautiful than that of the city of the Seine. The marble church must be elevated, and become a Pantheon, adorned with the works of Thorwaldsen and other artists; Christiansborg, a Louvre, whose gallery you visit; Oester Street and Pedermadsen's passage, arcades such as are in Paris, covered with glass roofs and flagged, shops on both sides, and in the evening, when thousands of gas-lamps burnt, here should be the promenade; ...
— O. T. - A Danish Romance • Hans Christian Andersen

... auction room, droning the dull iteration of a catalogue. There is as little to awaken and inspire in the system of religion and ethics of the pagan world they lived in as in the eyes of the stone effigies that stare blankly upon us in the British Museum, the Uffizi and the Louvre. ...
— Marse Henry, Complete - An Autobiography • Henry Watterson

... other Quarters. Sometimes you fringed the Latin Quarter in the big cafes of the Boulevard St. Michel, and sometimes you strolled northwards as far as the Seine, and occasionally even crossed the Seine in order to enter the Louvre, which lined the other bank, but you did not go any ...
— The Lion's Share • E. Arnold Bennett

... palace of the Louvre, reared by the "Roi Chevalier" on the site of those dreary feudal towers which of old had guarded the banks of the Seine, held within its sculptured masonry the worthless brood of Valois. Corruption and intrigue ran riot at the court. Factious nobles, bishops, and cardinals, with no God but ...
— Pioneers Of France In The New World • Francis Parkman, Jr.

... apprehension. He was ten years old, when, to escape De Retz and Beaufort, the Queen-Mother fled with him to St. Germain, and slept there upon straw, in want of the necessaries of life. After their return to Paris, the mob broke into the Louvre, and penetrated to the royal bedchamber. He could not well forget the night when his mother placed him upon his knees to pray for the success of the attempt to arrest Conde, who thought himself the master. He was twelve ...
— The Atlantic Monthly, Vol. 13, No. 78, April, 1864 • Various

... tastes of advancing civilization. Governments and joint-stock companies may erect and fill, with a world of utilities and curiosities of ancient and modern times, British Museums, National Galleries, Crystal Palaces and Polytechnic Institutions; but not one of these, nor the Louvre, nor Versailles, nor the Tuileries can compete with one private mind, taste and will concentrated upon one great work for a lifetime, when endowed with the requisite perceptions and means competent to carry that work to the highest perfection of science, genius and art. Museums, galleries ...
— A Walk from London to John O'Groat's • Elihu Burritt

... the very thing I want," exclaimed the emperor, eagerly. "A villa in the grandest possible style—a palace magnificent enough to be mentioned after the Louvre, but still with all the peculiarities of a villa. For the palace of the King of Rome, after all, will be only a sort of villa in Paris; as a winter residence the Tuileries, or the Louvre, would be preferred. But, though I want the building to be large ...
— NAPOLEON AND BLUCHER • L. Muhlbach

... his poem during his exile at Paris. The preface is dated from the Louvre; the postscript from Cowes Castle, in the Isle of Wight, where he was then confined, expecting his immediate execution. The poem, in the first edition, 1651, is therefore abruptly concluded. There is something very affecting and great in his style ...
— Calamities and Quarrels of Authors • Isaac D'Israeli

... these parties, the conversation turned very much on the importance of the arts to all nations aspiring to fame and eminence; and he very soon perceived, that the vast collection of trophies which adorned the Louvre, had not been formed so much for ostentatious exhibition, as with a view to furnish models of study for artists; constituting, in fact, but the elementary part of a grand system of national decoration designed by Buonaparte, and by which he expected to leave such memorials to posterity ...
— The Life, Studies, And Works Of Benjamin West, Esq. • John Galt

... that volume, (Taken to his beating bosom by it) Lean and list the bosom-beats of Rafael, Would we not? than wonder at Madonnas— Her, San Sisto names, and Her, Foligno, Her, that visits Florence in a vision, Her, that's left with lilies in the Louvre— Seen by us and ...
— Robert Browning: How To Know Him • William Lyon Phelps

... thought. The thin, delicate hand which held his cigar was long and tapering, and upon his finger was an antique Florentine ring in the form of a small emerald moth. I particularly noticed it as of very unusual pattern. I recollected seeing one of the same design in the Louvre Museum in Paris several ...
— The Stretton Street Affair • William Le Queux

... election became assured. She had to paint the usual formal tableau de reception, and chose Allegory, painting her "La Paix ramenant l'Abondance," which, though a somewhat stilted affair such as Academies demand, is full of charm—and is still to be seen at the Louvre. She was received into the Academy on the last day of May in 1783 in her twenty-eighth year, and thenceforward had the valuable privilege of the right to ...
— Vigee Le Brun • Haldane MacFall

... so resigned amidst his torments, has quite shamed me for my want of faith. You can have no idea how grievously he suffers, and you should see him at the Grotto, with his eyes glowing with divine hope! It is really sublime! I only know of one picture at the Louvre—a picture by some unknown Italian master—in which there is the head of a monk beatified by a ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola

... personally. Even at breakfast on the following morning, I feared I should see my old acquaintance, the agent of the Ministry of the Interior, walk in and demand my instant departure from Paris as a political refugee. I presumed that as a visitor at the Grand Hotel du Louvre, then newly opened, I should be regarded by the police with greater respect, than at the little hotel at the corner of the Rue des Filles St. Thomas, where I had once stayed for the sake of economy. I had originally intended to take up my quarters at an hotel I knew in the Rue le Pelletier, but ...
— My Life, Volume II • Richard Wagner

... silent emptiness. On the swift, leaden-colored current of the Seine, spanned here and there by ghostly bridges, mysterious barges plied weirdly through the twilight. Up on the left the Arc de Triomphe began to emerge dimly out of night, while down on the right the line of the Louvre lay, black and sinister, beneath the towers and spires that faintly detached themselves against the growing saffron of the morning. High above all else, the domes of the Sacred Heart were white with the rays of the ...
— The Inner Shrine • Basil King

... accuracy and artistic skill the many varying effects of colour that are produced as the climbing sun casts its early beams on the giant larder and its masses of food—effects of colour which, to quote a famous saying of the first Napoleon, show that "the markets of Paris are the Louvre of the people" ...
— The Fat and the Thin • Emile Zola

... connoisseurs, at any rate, a personage. Without them he was a personage nowhere. Every month, every week, almost, he was beginning to receive requests to be allowed to see and study them, or appeals to lend them for exhibition. In the four months since his uncle's death, both the Louvre and the Berlin Museum had approached him, offering to exhibit them, and hinting that the loan might lead, should he so desire it, to a very profitable sale. If he did anything of the kind, he was pledged of course to give the British Museum the first chance. But ...
— The Mating of Lydia • Mrs. Humphry Ward

... therefore, that they should be represented among us by such characteristic specimens as are still to be procured. Some modern artists are jealous of or indifferent to past genius, and sedulously disparage it in view of their own immediate interests. Bayle St. John, in his "Louvre," relates that he heard an associate of the Royal Academy deliberately and energetically declare, that, if it were in his power, he would slash with his knife all the works of the old masters, and thus compel people to buy modern. This spirit is both ungenerous ...
— Atlantic Monthly Volume 6, No. 37, November, 1860 • Various

... in 1565 that Palissy was sent for to Paris by the queen, to help her to decorate and lay out the gardens of the palace of the Tuileries, which she was now planning, close to the Louvre. ...
— The Red Book of Heroes • Leonora Blanche Lang

... say it's the Louvre picture, La Something or other, the woman with the smile, that disappeared about two years ago?" exclaimed the ...
— Beasts and Super-Beasts • Saki

... first found himself banished and destitute. His love of pictures was as strong as his love of power—stronger, since it survived. A fatal malady had seized on the cardinal, whilst engaged in the conferences of the treaty, and worn by mental fatigue. He brought it home with him to the Louvre. He consulted Guenaud, the great physician, who told him that he had two months to live. Some days after receiving this dread mandate, Brienne perceived the cardinal in night-cap and dressing gown tottering along his gallery, pointing to his pictures, and exclaiming, "Must I quit ...
— The Mirror of Literature, Amusement, and Instruction - Volume 17, No. 477, Saturday, February 19, 1831 • Various

... one sees this grand language exhibited more truly. It is not picture, but certain primitive and leading effects of light and shadow, or lines and contours, that captivate the attention. I saw a picture of Rembrandt's at the Louvre, whose subject I do not know and have never cared to inquire. I cannot analyze the group, but I understand and feel the thought it embodies. At something similar Turner seems aiming; an aim so opposed to the practical and outward tendency of the English mind, ...
— At Home And Abroad - Or, Things And Thoughts In America and Europe • Margaret Fuller Ossoli

... Medici, accompanied by her suite, issues from the gate of the Louvre the morning after the Massacre of St. Bartholomew, 142 ...
— The Great Events by Famous Historians, Vol. 1-20 • Various

... together at Monsieur About's rooms, where, between a dozen oysters and a bottle of Sauterne, he asked his victims what they thought of some Titians he had just discovered, and which he wished to sell to the Louvre for a small fortune,—Titians which were not painted even by Mignard. The insulter and the insulted fell into each other's arms before these daubs, and they parted, each delighted with the other. These pseudo-Titians were for Monsieur About his Alcibiades's ...
— The Atlantic Monthly, Volume 14, No. 83, September, 1864 • Various

... had asked Arthur to bring Margaret and Miss Boyd to see him on Sunday at his apartment in the Ile Saint Louis; and the lovers arranged to spend an hour on their way at the Louvre. Susie, invited to accompany them, preferred independence and ...
— The Magician • Somerset Maugham

... of which the Louvre is full, there is one of Polyhymnia, which is celebrated above the rest for an expression of melancholy pensiveness not usually found among the ancients. It is a singular circumstance that D'Urville should have observed among the Papuans the very expression of ...
— Celebrated Travels and Travellers - Part III. The Great Explorers of the Nineteenth Century • Jules Verne

... George," I said gratefully. "I hope you'll point out the Louvre and the Eiffel Tower to me some day. ...
— The Guest of Quesnay • Booth Tarkington

... got hold of Manchester sarcasms concerning glory: a weedy word of the newspapers had been sown in his bosom perhaps. He said: 'I don't care to win glory; I know all about that; I 've seen an old hat in the Louvre.' And he would have had her to suppose that he had looked on the campaigning head-cover of Napoleon simply as a shocking bad, bald, brown-rubbed old tricorne rather than as the nod of extinction to thousands, the great orb of darkness, the still-trembling gloomy quiver—the ...
— The Shaving of Shagpat • George Meredith

... for the purpose from the most distant regions, regardless of cost. Gudea, the priest-king of Lagas, imported limestone from the Lebanon and from Samalum, near the Gulf of Antioch, while the statues which adorned his palace, and are now in the Louvre, are carved out of diorite from the Peninsula of Sinai. The diorite doubtless came by sea, but the blocks of hewn stone that were brought from "the land of the Amorites" must have been ...
— Babylonians and Assyrians, Life and Customs • Rev. A. H. Sayce

... a Raphael, and I believe one of his best. I had a very exciting bid for it with the French Government. They wanted it for the Louvre, but of course at an auction the ...
— The Doings Of Raffles Haw • Arthur Conan Doyle

... the artist would set forth, as, for example, that the wanderings of Ulysses mean nothing else than the journeyings of a man named Odysseus, who was son of Laertes and husband of Penelope; and further, that the Bacchus which we see in the Louvre is nothing else than the graceful, winsome son of Semele, with audacious melancholy in his eyes and sacred voluptuousness on his soft and arching lips. It is quite otherwise in Romantic art, in which the wild wanderings of ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke

... general. One incident was indeed of a character which French students would not forget. I had among my many friends, reputable and demi-reputable, a rather remarkable lorette named Maria, whose face was the very replica of that of the Laughing Faun of the Louvre—or, if one can conceive it, of a very pretty "white nigger." This young lady being either ennuyee or frightened by the roar of musketry—probably the former—and knowing that I was a Revolutionist and at work, conceived the ...
— Memoirs • Charles Godfrey Leland

... eminent living statesmen of France, as well as her greatest living historians—were for a long time connected with the Paris journals, and each made his first appearance as a writer in criticisms on the Fine Arts. For several years the former published series of articles on the exhibitions of the Louvre, which were remarkable both for artistic knowledge and literary verve. The latter also published in 1810 a pamphlet on the exhibition in the Louvre, which excited great sensation—more, however, from its having a political tendency ...
— The International Monthly, Volume 3, No. 2, May, 1851 • Various

... stout figure, and then he began quietly walking up the now deserted arcades of the Rue de Rivoli; with a certain grim amusement, he gradually increased his pace, and when at last he turned into the great court of the Louvre, and stood for a moment at the base of the Gambetta Monument, he assured himself that he ...
— The Uttermost Farthing • Marie Belloc Lowndes

... black On a single fishing-smack, In memory of the man but for whom had gone to wrack All that France saved from the fight whence England bore the bell. Go to Paris; rank on rank Search the heroes flung pell-mell On the Louvre, face and flank! You shall look long enough ere you come to Herve Riel. So, for better and for worse, Herve Riel, accept my verse! In my verse, Herve Riel, do thou once more Save the squadron, honor France, love thy wife, the ...
— Practice Book • Leland Powers

... offered in the marketplaces of the world to-day. Even the greatest connoisseurs are caught napping sometimes, as in the case of the famous crown supposedly dating to the Fifth Century, B.C., which was for a brief period one of the treasures of the Louvre. Its origin was finally discovered, and great was the outcry! It had been traced to a Viennese artisan, a worker ...
— The House in Good Taste • Elsie de Wolfe

... crucial appearance. Finally, nothing denoted externally the existence of these sarcophagi jealously hidden from investigation according to a usage that is established especially by the imprecations graven upon the basaltic casket now preserved in the Museum of the Louvre, and which contained the ashes ...
— Scientific American Supplement, No. 832, December 12, 1891 • Various

... young, not more than three-and-twenty; her figure was of rarest symmetry; when the great world knew her it had been accustomed to say that her figure resembled that of the celebrated Diana for the Louvre; there was the marvelous, ...
— Marion Arleigh's Penance - Everyday Life Library No. 5 • Charlotte M. Braeme

... to surround the Young Women's Christian Association and seize the lot of them. 'Once back at the Louvre and the girls are mine,' he exclaims. We must use Mrs. Hemans again for one of the girls; she says 'Never,' and stabs Marshal ...
— The Toys of Peace • Saki

... genius with honour and rewards; whereas, in England, we are obliged to stand on our own feet, and combat the envy and malice of our brethren. Egad! I have a good mind to come and settle here in Paris. I should like to have an apartment in the Louvre, with a snug pension ...
— The Adventures of Peregrine Pickle, Volume I • Tobias Smollett

... of Hennebont, where John of Montfort breathed his last after escaping from the Louvre of his day, only a heap of stones remains. The old fortress of Largoet is in much the same condition, nothing of the ancient structure having been conserved save the famous Tour d'Elven, considered ...
— Legends & Romances of Brittany • Lewis Spence

... that nations regard the same thing. The soul of music, as of painting and poetry, is always one. The foreigner is no longer a foreigner when he hears the music he loves; and silent under its spell, lovers, for the first time, meet. In the Louvre or the Vatican will not the traveller see ...
— Early Letters of George Wm. Curtis • G. W. Curtis, ed. George Willis Cooke

... have seen her at your apartment this afternoon. Do not annihilate me, Madame; I mean not to offend you. The lady has come from England on purpose to entrap you; she came last night, and she stays at the Hotel du Louvre. She spoke to me of you." Jouffroy raised his hands to heaven. "Ha! then I understood, and I fled ...
— The Daughters of Danaus • Mona Caird

... repetition of stereotyped formulas naturally render that kind of text hardly explicit and sometimes enigmatical. There are dedications like the Nama Sebesio engraved upon the great Mithra bas-relief preserved in the Louvre, that caused a number of {17} dissertations to be written without any one explaining it. And besides, in a general way, epigraphy gives us but little information about the liturgy and almost nothing regarding ...
— The Oriental Religions in Roman Paganism • Franz Cumont

... wonderful skilled labor, the economical living of poor people, on which rested, as well as on higher things, the splendors of the imperial Paris. The average American lady goes to that city to buy "things," as well as to visit the Louvre, and while the late emperor endeavored to make his capital the social centre of the world, he did not scorn to make it a fashionable market and ...
— Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 24, March, 1873 • Various

... (1507) of "David dancing before the Ark" and "Judith and Holofernes" in the same church. His bronze and marble tomb of the physician Girolamo della Torre in San Fermo at Verona was beautifully decorated with reliefs, which were taken away by the French and are now in the Louvre. A number of other works which emanated from his workshop are attributed to him; and he has been suggested, but doubtfully, as the author of a fine bronze relief, a "Dance of Nymphs," in the Wallace collection ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 3 - "Brescia" to "Bulgaria" • Various

... been to see the sculptures in the Louvre?—dear me, I forgot the Louvre's fate. I wonder where the sculpture is? I used to think it the best thing in the way of art in Paris. There was a youthful Bacchus who was the main support of my thesis as to the greater beauty of ...
— The Life and Letters of Thomas Henry Huxley Volume 3 • Leonard Huxley

... Hall of Audience, stood above a row of cellars with grated air-holes, once the prison cells of the old court-house, now converted into a kitchen. I do not know that the magnificent lofty chimney-piece of the Louvre, with its marvelous carving, seemed more wonderful to me than the vast open hearth of the salon d'Esgrignon when I saw it for the first time. It was covered like a melon with a network of tracery. Over it stood an equestrian portrait of Henri III., under whom the ancient duchy of appanage ...
— The Collection of Antiquities • Honore de Balzac

... anyway; therefore, if a little instruction could be got it would be well to try it. As the rain was still falling, they borrowed old umbrellas of every imaginable hue from the establishment and started forth for the Musee du Louvre. ...
— L'Assommoir • Emile Zola

... in securing full payment. Corneille Rogier set the jewels worn at her marriage by Anne d'Autriche, wife of Louis XIII. Two brothers, each bearing the name Pierre Courtois, are also noted in old records. One of them, at the time of his death, in 1611, occupied two apartments with two shops in the Louvre; the shop of the other had the sign "Aux Trois Roys", probably referring to the "Three Kings of the East", the Magi of the Gospel, very appropriate patrons ...
— Shakespeare and Precious Stones • George Frederick Kunz

... make me think of one of Murillo's pictures in the Louvre, which we saw when we were abroad last year. It is the interior of a convent kitchen, and instead of mortals in old dresses doing the work, there are beautiful white-winged angels. One puts the kettle on the fire, and one is lifting up a pail of water, and one is at the ...
— A Princess in Calico • Edith Ferguson Black

... the right: my commission I shall do, and set the King my master's cousins in safe keeping—with a chimney-board clapped to the louvre," [chimney]. ...
— The White Rose of Langley - A Story of the Olden Time • Emily Sarah Holt

... entirely vanished. Wappers's hand, as I thought, seemed to have grown old and feeble, Verboeckhoven's cattle-pieces are almost as good as Paul Potter's, and Keyser has dwindled down into namby-pamby prettiness, pitiful to see in the gallant young painter who astonished the Louvre artists ten years ago by a hand almost as dashing and ready as that of Rubens himself. There were besides many caricatures of the new German school, which are in themselves caricatures of the masters ...
— Little Travels and Roadside Sketches • William Makepeace Thackeray

... about 1660. The square building on the right is the public Weighing-House, where Rembrandt sketched the ruins of the old town-hall (see preceding illustration). After an etching by J. van der Ulft, 1656. Plate 5. The Bridge Called "Grimnessesluis" in Amsterdam. After the drawing by Rembrandt in the Louvre, Paris. Reproduced, by permission, from a copyright photograph by Messrs. Braun and Co., Dornach. Plate 6. View of the Ramparts of Amsterdam, with the St. Anthony-Gate in the Distance. After the drawing by Rembrandt, formerly in the Heseltine Collection. Plate 7. Mills on the West Side ...
— Rembrandt's Amsterdam • Frits Lugt

... moves he lets his canvases lie in the vacated studio." He no doubt benefited by this carelessness of the painter. Cezanne worked slowly, but he never stopped working; he left nothing to hazard, and, astonishing fact, he spent every morning at the Louvre. There he practised his daily scales, optically speaking, before taking up the brush for the day's work. Many of Vincent von Gogh's pictures Tanguy owned. This was about 1886. The eccentric, gifted Dutchman attracted the poor merchant by ...
— Promenades of an Impressionist • James Huneker

... own questioning, "I think I can tell you where all these pictures are, though I've never seen them, except one. The two angels by Melozzo da Forli are in St. Peter's at Rome. The Sposalia of Raphael is in the Breza, Milan. The Andrea del Sarto is in the Louvre. That's the one I've seen. That little child of Heaven, playing the lute, is in the predella of an altar-piece by Vittore Carpaccio in the—in the—please don't tell me—in the Academia ...
— The Fortunate Youth • William J. Locke

... limestone plaque, which is preserved in the Louvre, Paris, depicts on its upper half the pious King Ur-Nina engaged in the ceremony of laying the foundations of a temple dedicated either to the goddess Nina or to the god Nin-Girsu. His face and scalp are clean shaven, and he has a prominent nose and firm mouth, eloquent of decision. The folds ...
— Myths of Babylonia and Assyria • Donald A. Mackenzie

... high over the trees and soar off towards Versailles. He discharged his car at the Arc de Triomphe, and set about deciphering the carven pictures. Then, he walked up the great Avenue, made his way to the Place de la Republique, wandered through the gardens of the Louvre, and, as dusk fell, found himself in the Avenue de l'Opera. It was very gay. He had a bock at a little marble table, and courteously declined the invitations of a lady of considerable age painted to look young. He at first simply refused, and finally cursed into silence, a weedy, flash ...
— Simon Called Peter • Robert Keable

... rites. Leonardo da Vinci had a flute player make music while he painted his picture of Mona Lisa, thinking that it gave her the expression he wished to catch—that strange smile reproduced in the Louvre painting. The flute member of the pipe species, therefore, was more or less an emblem of eroticism, and, as I have already said, has never been even remotely identified with religious mysticism, with perhaps the one exception of Indra's flute, which, however, ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell

... This column is used for sculpture and painting only. Enter official name of gallery under name of city, followed by country in parentheses, and separated by hyphen: London (Eng.)-National Gallery; Paris (France)-Louvre. ...
— A Library Primer • John Cotton Dana

... Raphael!—then twenty names about, and last but one, as if just thought of, 'Correggio.' The whole collection, including 'a divine picture by Murillo,' and Titian's Daughter (hitherto supposed to be in the Louvre)—the whole I would, I think, have cheerfully given a pound or two for the privilege of not possessing—so execrable as sign-paintings even! 'Are there worse poets in their way than painters?' Yet the melancholy business is here—that the bad poet goes out of his ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett

... destroying the stone-work of the Cathedral. It was only by a fortunate accident that Wren became the builder; for Charles II., whose tastes and vices were all French, had in vain invited over Perrault, the designer of one of the fronts of the Louvre. ...
— Old and New London - Volume I • Walter Thornbury

... these he abandoned for a mound near Khorsabad which proved to be the site of the city erected by "Sargon the Later", who is referred to by Isaiah. The relics discovered by Botta and his successor, Victor Place, are preserved in the Louvre. ...
— Myths of Babylonia and Assyria • Donald A. Mackenzie

... appellation of "The Tower of London," of which the name of one portion (the keep) has gradually come into use as a synonym for the whole. Of the various fortress-palaces of Europe, not one can lay claim to so long or so interesting a history. The Louvre at Paris, though still in existence, is so as a comparatively modern palace, in which nothing now remains above ground of the castle of Philip Augustus, with its huge circular keep, erected by that ...
— Memorials of Old London - Volume I • Various

... the importunities of his suit that she had sought and obtained Sir John Killigrew's permission to accompany the latter's sister to France when she went there with her husband, who was appointed English ambassador to the Louvre. Sir John's authority as her guardian had come into force with the decease ...
— The Sea-Hawk • Raphael Sabatini

... institution, and went to reside in the famous Hotel Saint-Pol, under the protection of the Bastille. The Palais des Tournelles was subsequently erected backing on to the Hotel Saint-Pol. Thus, under the later Valois, the kings came back from the Bastille to the Louvre, which ...
— Scenes from a Courtesan's Life • Honore de Balzac

... beggar of Velasquez and the dogs of Philip II. Poor Velasquez and poor Murillo! Poor Greek statues which lived in the Acropolis of their cities, and are now stifled beneath the red cloth hangings of the Louvre! ...
— The Conquest of Bread • Peter Kropotkin

... with aspirations after the Ideal. In the autumn of the year Tennyson entertained, and was entertained by, Mr Huxley. In their ideas about ultimate things two men could not vary more widely, but each delighted in the other's society. In the spring of 1872 Tennyson visited Paris and the ruins of the Louvre. He read Victor Hugo, and Alfred de Musset, whose comedies he admired. The little that we hear of his opinion of the other great poet runs to this effect, "Victor Hugo is an unequal genius, sometimes sublime; he reminds one ...
— Alfred Tennyson • Andrew Lang

... contradistinction to mere inscriptions—have come down to us, belonged to those days. The oldest of all was ASSURNAZIRPAL, whose residence was at CALACH (Nimroud). The bas-reliefs with which his palace was decorated are now in the Louvre and the British Museum, most of them in the latter.[67] They may be recognized at once by the band of inscription which passes across the figures and reproduces one text again and again (Fig. 4). To Assurnazirpal's ...
— A History of Art in Chaldaea & Assyria, v. 1 • Georges Perrot

... de Beauvais, who died in 1264, France had not been wanting in illustrious scholars, but it could not be said that a French school of art existed. Francois Clouet or Cloet, called Jehannet, was born in Tours about 1500. His portraits are seen in the Gallery of the Louvre, and have been likened to those of Holbein; but they lack the strength and spirit of that artist; in fact, the distinguishing feature of Clouet's work is the remarkable finish of draperies and accessories, while the profusion ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement

... not to let me detain him," replied she. "I will be escorted to the Louvre by the Duke de Chartres. Hey, Kathi! come ...
— Prince Eugene and His Times • L. Muhlbach

... the announcement was made of the determination of the King and his Parliament to rebuild St. Paul's. The history of that rebuilding belongs to New St. Paul's. The King wanted to employ a French architect, Claude Perrault, who had built the new front of the Louvre, but this was objected to. Then Denham, whose life may be read in Johnson's Poets, and who wrote one poem which may still be met with, Cooper's Hill, was appointed the King's Surveyor, with Wren for his "Coadjutor." Denham held the title to his death, but had nothing to do ...
— Old St. Paul's Cathedral • William Benham

... of the world possess Correggios, and I will only mention the exquisite Saint Catherine and the resplendent Antiope of the Louvre; the Danae of the Borghese Gallery, a chef-d'oeuvre of grace and delicacy; and, finally, in the Dresden Gallery, our Magdalen in the Desert, that jewel so ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton

... habit when Clelie is at work upon a copy in one of the great galleries to accompany her to the scene of her labor in the morning and call for her at noon, and, in accordance with this habit, I made my way to the Louvre at midday upon one ...
— Esmeralda • Frances Hodgson Burnett

... streets, or so many noble buildings. The Hotel de Cluny and the Hotel de Sens are rare specimens of 15th-century civic architecture. The Palace of the Tuileries, on the right bank of the Seine, dates from the 16th century, and was the royal residence till the Revolution. Connected with it is the Louvre, a series of galleries of painting, sculpture, and antiquities, whose contents form one of the richest collections existing, and include the peerless "Venus de Milo." The Palais Royal encloses a large public ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood

... symphonies are not dazzling but they are charming. They form an interesting link in the golden chain, and the public has a right and even some sort of duty to hear them. They would enjoy hearing them too, just as at the Louvre they like to see certain pictures which are not extraordinary but which are, nevertheless, worthy of the place they occupy. That is to say, if the public is really guided by a love of art and seeks only intellectual pleasure instead of sensations and shocks. Some one has said ...
— Musical Memories • Camille Saint-Saens

... police posted in the neighborhood of the Louvre had regarded this street drama with stoical indifference. When the noisy crowd surged into the Rue de Rivoli it passed between the mounted videttes of the Garde Republicaine. Farther on, in the Rue St. Honore, a squad ...
— Mlle. Fouchette - A Novel of French Life • Charles Theodore Murray

... the prophets and youths in the Sistine Chapel, or the chained men in the Louvre, who seem unable to bear existence, and are therefore "slaves" of the earth; or in contemplating the half-finished slaves in the Boboli Gardens, who seem almost to burst the stone in their wild longing for a higher life; or in reading his last sonnets, we can conceive ...
— The Evolution of Love • Emil Lucka

... dressing-gown. I wiped away a tear with which the north wind blowing over the quay had obscured my vision. A bright fire was leaping in the chimney of my study. Ice-crystals, shaped like fern-leaves, were sprouting over the windowpanes and concealed from me the Seine with its bridges and the Louvre of the Valois. ...
— The Crime of Sylvestre Bonnard • Anatole France

... edit. du Louvre. A Coman prince, who died without baptism, was buried at the gates of Constantinople with a live retinue of ...
— The History of The Decline and Fall of the Roman Empire - Volume 6 • Edward Gibbon









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