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More "Lyric" Quotes from Famous Books
 ... pessimist and master of cadenced lyric prose, urged young writers to lead ascetic lives that in their art they might be violent. Chopin's violence was psychic, a travailing and groaning of the spirit; the bright roughness of adventure was missing from his quotidian existence. The tragedy was within. One recalls Maurice Maeterlinck: "Whereas ...
— Chopin: The Man and His Music • James Huneker
... cannot be reckoned, seemed for a time to be drunk with pride. Even Boileau, hurried along by the prevailing enthusiasm, forgot the good sense and good taste to which he owed his reputation. He fancied himself a lyric poet, and gave vent to his feelings in a hundred and sixty lines of frigid bombast about Alcides, Mars, Bacchus, Ceres, the lyre of Orpheus, the Thracian oaks and the Permessian nymphs. He wondered whether ...
— The History of England from the Accession of James II. - Volume 4 (of 5) • Thomas Babington Macaulay
... Poletiss sang, "And a life that was wild and free, free, free, And a life that was wild and free." To this charming lyric there was a chorus of, "Then hurrah for the pirate bold, And hurrah for the rover wild, And hurrah for the yellow gold, And hurrah for the ocean's child!" the mild enunciation of which highly moral ...
— The Adventures of Mr. Verdant Green • Cuthbert Bede
... summoned myself as a witness I take the stand once more to confess that Alan Seeger's lofty lyric, 'I have a rendezvous with Death' has a diminished appeal because of the foreign connotations of 'rendezvous'. The French noun was adopted into English more than three centuries ago; and it was used as a verb nearly three centuries ago; it does not interfere with the current of sympathy when I ...
— Society for Pure English, Tract 5 - The Englishing of French Words; The Dialectal Words in Blunden's Poems • Society for Pure English
... we are indebted for the connection of a national error, and for the cure of our Pindaric madness. He first taught the English writers that Pindar's odes were regular; and though certainly he had not the lire requisite for the higher species of lyric poetry, he has shown us that enthusiasm has its rules, and that in mere confusion there is neither grace ...
— Lives of the English Poets: Prior, Congreve, Blackmore, Pope • Samuel Johnson
... we are. Old rivals too, In commerce and adventure the world over. From JOHN THE GREAT'S time to the present, you In Africa have been a daring rover; "The Rover's free"! Ah! that's good lyric brag— He is not free to trample on ...
— Punch, or the London Charivari, Volume 98, January 18, 1890 • Various
... on the field of Goito; it was won. It was won against odds. At Pastrengo they witnessed an encounter; this was a battle. Vittoria perceived that there was the difference between a symphony and a lyric song. The blessedness of the sensation that death can be light and easy dispossessed her of the meaner compassion, half made up of cowardice, which she had been nearly borne down by on the field of Pastrengo. At an angle on a height off the left wing ...
— The Shaving of Shagpat • George Meredith
... development of the religious sentiment being the same as in Helene, I at first missed the lyric effusion of that work, which seems to me more and more beautiful, as I think of it more. This, however, was a mere prejudice, of course, as the thought here is poured into a quite different mould, and I was not troubled by it ...
— Memoirs of Margaret Fuller Ossoli, Vol. I • Margaret Fuller Ossoli
... of antient Sages; his who bred Great Alexander to subdue the world, Lyceum there, and painted Stoa next: There thou shalt hear and learn the secret power Of harmony in tones and numbers hit By voice or hand, and various-measur'd verse, Aeolian charms and Dorian Lyric Odes, And his who gave them breath, but higher sung, Blind Melesigenes thence Homer call'd, Whose Poem Phoebus challeng'd for his own. 260 Thence what the lofty grave Tragoedians taught In Chorus or Iambic, teachers best Of moral prudence, with delight receiv'd ...
— The Poetical Works of John Milton • John Milton
... can haf all your wishes," asserted the Professor, still in the German lyric strain over his triumph. "It iss the box of enchantments. You haf but to will the change you would haf taig place—it iss done. The substance of ...
— The Mystery • Stewart Edward White and Samuel Hopkins Adams
... of Verona, is the greatest lyric poet of Roman literature. One hundred and sixteen of his ...
— History of Rome from the Earliest times down to 476 AD • Robert F. Pennell
... The business was to show a number of pretty scenes, and noble ladies, and to give them a chance of exhibiting their clothes, and their voices. The last gave Jonson his chance; the fine Horatian workman that he was could always produce a lyric that would fit any situation and give some dignity to any trivial personage. But the taint of vanity and fashion, pomp and externality, inevitably clung to the whole thing. Too many personages were introduced, probably because in such plays there were always a ...
— Milton • John Bailey
... song going—a matter of some seventy-nine verses. Seventy-eight were quite unprintable, and rejoiced his brother cowpunchers monstrously. They, knowing him to be a singular man, forebore ever to press him, and awaited his own humor, lest he should weary of the lyric; and when after a day of silence apparently saturnine, he would lift his gentle voice ...
— The Virginian - A Horseman Of The Plains • Owen Wister
... lyric is perhaps the happiest of all those poems in which Schiller has blended the classical spirit with the more deep and tender philosophy which belongs to modern romance. The individuality of the heroes introduced is carefully preserved. The reader is every where reminded of Homer; and yet, ...
— Blackwood's Edinburgh Magazine, No. CCCXXVIII. February, 1843. Vol. LIII. • Various
... I was, to think The printed poems fair, When close within my arms I held A living lyric there! ...
— Songs for a Little House • Christopher Morley
... larks trilled high in the heavens; his heart was lyric with joy; He plucked a posy of lilies; he sped like a love-sick boy. He stole up the velvety pathway—his cottage was sunsteeped and still; Vines honeysuckled the window; softly he peeped o'er the sill. The lilies dropped from his fingers; devils were choking ...
— Ballads of a Cheechako • Robert W. Service
... ardent, more expansive, wholly given up to rapture, an impassioned painter of crude and dazzling pictures, a lyric prose-writer, omnipotent in laughter and tears, plunged into fantastic invention, painful sensibility, vehement buffoonery; and by the boldness of his style, the excess of his emotions, the grotesque familiarity ...
— The Best of the World's Classics, Restricted to Prose, Vol. VIII (of X) - Continental Europe II. • Various
... youth; this was the basis of nearly all novels and of most short stories; its presence was demanded for either primary or secondary interest in the drama; and it was the chief source of inspiration for the lyric. But within the last thirty years all sorts of other subjects have been opened up. To-day the writer's difficulty is, not that he is restricted by literary convention in his choice of material, ...
— Modern American Prose Selections • Various
... man in the moon we mean none other than that illustrious personage, whose shining countenance may be beheld many a night, clouds and fogs permitting, beaming good-naturedly on the dark earth, and singing, in the language of a lyric bard, ...
— Moon Lore • Timothy Harley
... specially attracted by "The Buffalo Battery," a rollicking lyric known to all Anglo-India from Peshawur to Tuticorin. The air is the familiar one of the "Hen Convention," and the opening ...
— The Wings of the Morning • Louis Tracy
... how the mysteries of being are shared by the commonest lives; the short lyric "Wages" condenses into a few lines the strongest proof of the life to come; and "Crossing the Bar" has borne many a spirit in peace ...
— The World's Best Poetry Volume IV. • Bliss Carman
... and Mary Gray, which records a piece of Scottish news of no importance whatever, has become an English nursery rhyme. In Jamie Douglas an historical fact has been interwoven with a beautiful lyric. Indeed, the chances of ...
— Ballads of Scottish Tradition and Romance - Popular Ballads of the Olden Times - Third Series • Various
... fashionable poetry on the other hand there was no lack at least of scholars, who exerted themselves to emulate the Alexandrian masters. With true tact the more gifted of the Alexandrian poets avoided larger works and the pure forms of poetry—the drama, the epos, the lyric; the most pleasing and successful performances consisted with them, just as with the new Latin poets, in "short- winded" tasks, and especially in such as belonged to the domains bordering on the pure forms of art, more especially to the wide field intervening between narrative and song. ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen
... assemblies and councils of the Roman people is defaced by the inconsiderate levity of a few, who never recollect where they have been born, but who fall away into error and licentiousness, as if a perfect impunity were granted to vice. For as the lyric poet Simonides teaches us, the man who would live happily in accordance with perfect reason, ought above all things ...
— The Roman History of Ammianus Marcellinus • Ammianus Marcellinus
... English that, in spite of them, I was an artiste. I longed to bring them to my feet, as Jupiter did the Titans. So I ordered from one of those poetasters to be found in every land, a sort of libretto called, in theatrical parlance, a lyric drama; and to the words of this monstrosity I arranged the very finest airs of my several operas. When I had completed this musical kaleidoscope I called it 'Pyramus and Thisbe.' I dished up my olla ...
— Joseph II. and His Court • L. Muhlbach
... their heads to look at her. She has the appeal of a folk-song And her cheap clothes are always in rhythm. When the strike was on she gave half her pay. She would give anything—save the praise that is hers And the love of her lyric body. ...
— The Ghetto and Other Poems • Lola Ridge
... morn Still lingers in the valley; but the bee With restless passion hovers on the wing, Waiting the opening flower, of whose embrace The sun shall be the signal. Poised in air, The winged minstrel of the liquid dawn, The lark, pours forth his lyric, and responds To the fresh chorus of the sylvan doves, The stir of branches and the fall of streams, The harmonies ...
— Venetia • Benjamin Disraeli
... then that Pushkin is, he is accordingly at his best only in his lyrics. But the essence of a lyric is music, and the essence of music is harmony, and the essence of harmony is form; hence in beauty of form Pushkin is unsurpassed, and among singers he is peerless. His soul is a veritable olian harp. No sooner does the wind begin to blow ...
— Lectures on Russian Literature - Pushkin, Gogol, Turgenef, Tolstoy • Ivan Panin
... scriptorium? Was he some 'Frenchman' imported from sunny Champagne, where Thibaut, the mawkish singer was making verses which his people loved to listen to? Did he teach the young novices French as well as writing? Did he touch the lute himself on Feast-days, and charm them with some new lyric of Gasse Brusle, or delight them with one of Rutebeuf's merry ditties? France was all alive with song at this time, and princes were rivals now for poetic fame. It may be that this 'foreigner' brought in a taste for light literature as well ...
— The Quarterly Review, Volume 162, No. 324, April, 1886 • Various
... travelled about the country gathering them together by ear and word of mouth, and, having weeded out the repetitions, he edited the famous epical Kalevala, and later collected quantities of other lyric ballads from the heathen times, and published them as Kanteletar. Thus much ancient music and verse was revived that had almost been forgotten. But of this we must speak in ...
— Through Finland in Carts • Ethel Brilliana Alec-Tweedie
... end of the third ornithological lyric Miss Sherwin roused from her attitude of inspired vision and breathed to Carol, "My! That was sweet! Of course Raymond hasn't an unusually good voice, but don't you think he puts such a ...
— Main Street • Sinclair Lewis
... ringing true. Look, for example, at the work of those two whom we could so ill spare—Synge and St. John Hankin. They were as far apart as dramatists well could be, except that each had found a special medium—the one a kind of lyric satire, the other a neat, individual sort of comedy—which seemed exactly to express his spirit. Both forms were in a sense artificial, but both were quite sincere; for through them each of these two dramatists, so utterly dissimilar, shaped forth the essence of his broodings and visions ...
— Another Sheaf • John Galsworthy
... recovered by Barnes, who understood his humour, when, after engaging in close colloquy with the schoolmaster of Moffat, respecting a disputed quantity in Horace's 7th Ode, Book ll., the dispute led on to another controversy, concerning the exact meaning of the word Malobathro, in that lyric effusion. His second escapade was made for the purpose of visiting the field of Rullion-green, which was dear to his Presbyterian predilections. Having got out of the carriage for an instant, he saw the sepulchral monument of the slain at the distance of about a mile, and ...
— Guy Mannering • Sir Walter Scott
... The eloquence of his mute attitudes, his physical mastery of the conditions, his strength repressed, tied to my silly freaks and subject to my commands, while his thoughts roamed free! That was the beginning. It lasted through a week of starlight and a week of moonlight—lyric nights with the hot, close days between; and each night an increasing interest attached to the moment when he was to put me on my horse. I make no apology for myself ...
— A Touch Of Sun And Other Stories • Mary Hallock Foote
... a well-known lyric composition of the late Marquis, which, with a slight alteration, might be addressed either to a ...
— The Complete Poems of Sir Thomas Moore • Thomas Moore et al
... of the poems of the elder Timrod are the following. Washington Irving said of these lines that Tom Moore had written no finer lyric:— ...
— Poems of Henry Timrod • Henry Timrod
... Decadence,' and at 'To Julia in Shooting Togs.' But, after all, Mr. Seaman's masterpiece up to date is certainly 'To the Lord of Potsdam.' ... This will live, or we are greatly mistaken, among the most effective examples of historical satire-lyric."—The ...
— The Battle of the Bays • Owen Seaman
... imagine it better. He was the farthest reach of subtlety compatible with an individual self,—the subtilest of authors, and only just within the possibility of authorship. With this wisdom of life, is the equal endowment of imaginative and of lyric power. He clothed the creatures of his legend with form and sentiments, as if they were people who had lived under his roof; and few real men have left such distinct characters as these fictions. And they spoke in language as sweet as ...
— Essays • Ralph Waldo Emerson
... sounds, the song of crickets, coming in full choir upon the wind, and fancied that, if moonlight could be heard, it would sound just like that. Finally, he took a draught at the Shaker spring, and, as if it were the true Castalia, was forthwith moved to compose a lyric, a Farewell to his Harp, which he swore should be its closing strain, the last verse that an ungrateful world should have from him. This effusion, with two or three other little pieces, subsequently written, he took the first opportunity to send, by one of the Shaker brethren, to Concord, ...
— The Snow Image • Nathaniel Hawthorne
... Miss Catherine H. Waterman, under which name she wrote the popular and beautiful lyric, "Brother, Come Home!" has in press a collection of her writings, under the title of The Broken Bracelet and other Poems, to be published by ...
— International Weekly Miscellany, Vol. I, No. 6 - Of Literature, Art, And Science, New York, August 5, 1850 • Various
... rhythm. It may even be suggested that his little poems are less artificial than most French verse; they are the result of a less obvious effort. He lisped in numbers; and with him it was rather prose that had to be consciously acquired. His lyric note, although not keen and not deep, is heard again and again in his novels, and it sustains some of the most graceful and tender of his short stories,—"The Death of the Dauphin," for instance, and the ...
— The Nabob, Volume 1 (of 2) • Alphonse Daudet
... various kinds of literature are often treated in the mass with little attempt at discrimination between them, regardless of the fact that the problems of the translator vary with the character of his original. Tytler's book, full of interesting detail as it is, turns from prose to verse, from lyric to epic, from ancient to modern, till the effect it leaves on the reader ...
— Early Theories of Translation • Flora Ross Amos
... severity would have been unpleasing, had not he qualified them, by adopting the extravagant humour of Lueian and Rabelais—Prior, lively, familiar, and amusing—Rowe, solemn, florid, and declamatory—Pope, the prince of lyric poetry; unrivalled in satire, ethics, and polished versification—the agreeable Parnel—the wild, the witty, and the whimsical Garth—Gay, whose fables may vie with those of La Fontaine, in native humour, ease, and simplicity, and whose genius for pastoral was truly ...
— The History of England in Three Volumes, Vol.II. - From William and Mary to George II. • Tobias Smollett
... without doubt, the most highly intellectual of our female poets.... The new poems, while not inferior to the others in point of literary art, have in them more of fervor and of feeling; more of that lyric sweetness which catches the attention and makes the song sing itself over and over afterwards in the remembering brain.... Some of the new poems seem among the noblest H. H. has ever written. They touch the high-water mark of her intellectual ...
— Hetty's Strange History • Helen Jackson
... fate and foreknowledge in "Religio Laici," or lashes Shaftesbury in the "Medal," or pours a torrent of contempt on Shadwell in "MacFlecknoe," or describes the fire of London in the "Annus Mirabilis," or soars into lyric enthusiasm in his "Ode on the Death of Mrs Killigrew," and "Alexander's Feast," or paints a tournament in "Palamon and Arcite," or a fairy dance in the "Flower and the Leaf,"—he is always at home, and always aware that he is. His consciousness of his own ...
— The Poetical Works of John Dryden, Vol II - With Life, Critical Dissertation, and Explanatory Notes • John Dryden
... his heaviness in drama, Jonson had a light enough touch in lyric poetry. His songs have not the careless sweetness of Shakspere's, but they have a grace of their own. Such pieces as his {123} Love's Triumph, Hymn to Diana, The Noble Mind, and ...
— Brief History of English and American Literature • Henry A. Beers
... editions of the poets and romancists; and there are, and always will be, a distinguished minority, of which the selling prices may be expected to remain firm. Such men as Shakespeare, Jonson, Beaumont, Fletcher, Chapman, Massinger, and among the lyric group Barnfield, Watson, Constable, Wither (earlier works and Hallelujah), Carew, Herrick, Suckling, and Lovelace, are to be viewed ...
— The Book-Collector • William Carew Hazlitt
... fermenting, formless design for the tragedy, The Vikings at Helgeland, transformed itself temporarily into the lyric ...
— The Feast at Solhoug • Henrik Ibsen
... sees the apple fall and has the revelation of a universe moving in a symphony before which the mind stands mute and awestruck. The cook takes the pig from the stye and the apple from the tree and makes a pretty lyric for the dinner-table. The Great Adventure, in short, is just this passionate pursuit of the soul of harmony in things, great and small, spiritual and material. We are all in the quest and our captains are those who lead us to the highest peaks of revelation—Bach ...
— Pebbles on the Shore • Alpha of the Plough (Alfred George Gardiner)
... customs arises is not valid, for customs ratified by Aristophanes, by Rabelais, by Shakespeare, have no right to change. If they have changed, let us try immediately to return from our disgraceful refinements to the nobler and more rarefied heights of lyric laughter, tragic intensity, and wit, for we cannot have the first two without the last. And anyhow, how can a social custom claim precedence over the undying material of the senses and the emotions of man, over the very ...
— Lysistrata • Aristophanes
... reached the height of their renown in music, as well as what might be termed their golden era, with the establishment of the Italian opera, in the seventeenth century. At this period all the stages of Italy were the scenes of the lyric triumphs of this otherwise unfortunate class, some of whom accumulated vast fortunes. In the following century, as has been seen, Clement XVI abolished the practice as far as the church was concerned, and in the present century the first Napoleon abolished the practice secularly and socially. ...
— History of Circumcision from the Earliest Times to the Present - Moral and Physical Reasons for its Performance • Peter Charles Remondino
... Here you are, already twenty-one, and you have not yet written a dictionary. What will you do for fame? Eh? Nothing: you are intolerably lazy—and what is worse, it is your fate. Beginnings are insuperable barriers to you. What about that great work on The National Debt? What about that little lyric on Winchelsea that you thought of writing six years ago? Why are the few lines still in your head and not on paper? Because you can't begin. However, never mind, you can't help it, it's your one great flaw, and it's fatal. Look at Jones! Younger ...
— The Path to Rome • Hilaire Belloc
... Lyric poetry is by its excellence the chief art of England, as music is the art of Germany. A book of poetry is almost sure of fair appreciation in the English press which does not trouble to notice a "Sartor Resartus" or the first essays of an Emerson. ...
— Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris
... faculty are probably to be sought in that Shelleian treasury, Prometheus Unbound. It is unquestionably the greatest and most prodigal exhibition of Shelley's powers, this amazing lyric world, where immortal clarities sigh past in the perfumes of the blossoms, populate the breathings of the breeze, throng and twinkle in the leaves that twirl upon the bough; where the very grass is all a-rustle with lovely spirit-things, ...
— Shelley - An Essay • Francis Thompson
... Diomede and Menelaus, and conduct their own horses in the rapid career. [41] Ten, twenty, forty chariots were allowed to start at the same instant; a crown of leaves was the reward of the victor; and his fame, with that of his family and country, was chanted in lyric strains more durable than monuments of brass and marble. But a senator, or even a citizen, conscious of his dignity, would have blushed to expose his person, or his horses, in the circus of Rome. The games were exhibited at the expense of the republic, the magistrates, or the emperors: ...
— The History of The Decline and Fall of the Roman Empire - Volume 4 • Edward Gibbon
... by sacrifice, Samuel opposes the great principle which was the special message committed to every prophet in Israel, and which was repeated all through its history, side by side with the divinely appointed sacrificial system. In the intensity of his spiritual emotion, Samuel speaks in lyric strains, in the measured parallelism which was the Hebrew dress of poetry, and gives forth in words 'which will live for ever' the great truth that God delights in obedience more than in sacrifice. Whilst, on ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... selected it for applause. It is now what Shelley's 'Cloud' was for many years, a comfort to those who do not like to deny altogether the genius they cannot understand. Yet I am certain that, in the long run, his grotesque plays with their lyric beauty, their violent laughter, 'The Playboy of the Western World' most of all, will be loved for holding so much of the mind of Ireland. Synge has written of 'The Playboy' 'anyone who has lived in real intimacy with the Irish ...
— Synge And The Ireland Of His Time • William Butler Yeats
... Matron (who is listening, with her eyes devoutly fixed on the Libretto of "The Mountebanks," under the firm conviction that she is in direct communication with the Lyric Theatre.) I always understood The Mountebanks was a musical piece, my dear, didn't you? and even as it is, they don't seem to keep very close to the words, as far as I ...
— Punch, or the London Charivari, Vol. 102, April 30, 1892 • Various
... you listen to that?" cried Solling, amid the hearty laughter of the others. "Simsen's so lyric, he certainly must be drunk. I must have ...
— The Most Interesting Stories of All Nations • Julian Hawthorne
... religion, morality, or good manners, or to the disturbance of the state, an absolute government will certainly more effectually prohibit them from, or punish them for publishing such thoughts, than a free one could do. But how does that cramp the genius of an epic, dramatic, or lyric poet? or how does it corrupt the eloquence of an orator in the pulpit or at the bar? The number of good French authors, such as Corneille, Racine, Moliere, Boileau, and La Fontaine, who seemed to dispute it with the Augustan age, flourished under the despotism ...
— The PG Edition of Chesterfield's Letters to His Son • The Earl of Chesterfield
... A lyric conception—my friend, the Poet, said—hits me like a bullet in the forehead. I have often had the blood drop from my cheeks when it struck, and felt that I turned as white as death. Then comes a creeping as of centipedes running ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... you will understand, Dispenser of a Thousand Mercies, why at first blush Islam and the lyric stage should ...
— The Patient Observer - And His Friends • Simeon Strunsky
... of MacDowell make an important section of the catalogue of his works, and are chiefly notable for their beauty and tenderness of expression, and he was at his very best when writing in the pure lyric form. His efforts comprising Ops. 56, 58 and 60 are of a rare and expressive order. He also composed a number of fine part-songs for male-voice choruses. Most of his best vocal works are set to his own verses, as he could seldom satisfy ...
— Edward MacDowell • John F. Porte
... to Queen's Gate!" said Alexander, when Piers began to look at his watch. "No hurry, my boy! The night is young! 'And'"—he broke into lyric quotation—"'haply the Queen Moon is on her throne, clustered around with all her starry fays.'—I shall never forget this dinner; shall you, Biddy? We'll have a song when ...
— The Crown of Life • George Gissing
... Alfieri in the light of mere meretricious gewgaws, which took away from the interest of dramatic action without affording him any satisfaction in return. As it was with metre and metaphor and description, so it was also with the indefinable something which we call lyric quality: the something which sings to our soul, and which sends a thrill of delight through our nerves or a gust of emotion across our nature in the same direct way as do the notes of certain voices, the phrases ...
— The Countess of Albany • Violet Paget (AKA Vernon Lee)
... it with care, from the adorably finished prologue—it is the disgrace of our Navy that we cannot produce a commissioned officer capable of writing one page of lyric prose—to the eloquent, the joyful, the impassioned end; and my first notion was that I had been cheated. In this sort of book-collecting you will see how entirely the bibliophile lies at the mercy of ...
— Traffics and Discoveries • Rudyard Kipling
... satisfactorily what the "pea-vine" was. His "Ring around and shake a leg, ma lady," was a triumph in the lyric line. ...
— The Great White Tribe in Filipinia • Paul T. Gilbert
... of the countryside. "The Passing of the Gael" is known wherever there are Irish emigrants, but there are other verses of "Ethna Carberry" (Mrs. Anna Johnstone MacManus) that are as fine as this. Mrs. Dora Sigerson Shorter is a balladist of stark power, and Miss Eva Gore-Booth a lyric poet whose natural lilt no preoccupation with mysticism can for ...
— Irish Plays and Playwrights • Cornelius Weygandt
... choice that the teacher need not resort to the questionable device of giving children fragments and bits of verse and prose to commit to memory. One of the greatest services we can do the young mind is to accustom it to the perception of wholes, and whether this whole be a lyric or a narrative poem like Evangeline, it is almost equally important that the young reader should learn to hold it as such in his mind. To treat a poem as a mere quarry out of which a particularly smooth stone can ...
— Verse and Prose for Beginners in Reading - Selected from English and American Literature • Horace Elisha Scudder, editor
... a pity we have let the gift of lyric improvisation die out. Sitting islanded on some gray peak above the encompassing wood, the soul is lifted up to sing the Iliad of the pines. They have no voice but the wind, and no sound of them rises up to the high places. But the ...
— The Land of Little Rain • Mary Austin
... were well known to the Greeks, they associated Music with Medicine as an attribute of Apollo.[178:1] Chiron the centaur, by the aid of melody, healed the sick, and appeased the anger of Achilles. By the same means the lyric poet Thales, who flourished in the seventh century B. C., acting by advice of an oracle, was able to subdue a pestilence ...
— Primitive Psycho-Therapy and Quackery • Robert Means Lawrence
... all only about thirty thousand lines; but it includes epic, lyric, didactic, elegiac, and allegorical poems, together with war-ballads, paraphrases, riddles, and charms. Of the five elegiac poems (Wanderer, Seafarer, Ruin, Wife's Complaint, and Husband's Message), the Wanderer ...
— Anglo-Saxon Grammar and Exercise Book - with Inflections, Syntax, Selections for Reading, and Glossary • C. Alphonso Smith
... of Burns it will ever be of prime interest from the fact that its air, as played by Miss Jessie Lewars to the poet only a few days before his death, supplied the hint for his most tender and touching lyric, "O Wert them in the Cauld Blast." ...
— Children's Rhymes, Children's Games, Children's Songs, Children's Stories - A Book for Bairns and Big Folk • Robert Ford
... Homer and Virgil is counselled by Quintilian as the best way of informing youth and confirming man. For, besides that the mind is raised with the height and sublimity of such a verse, it takes spirit from the greatness of the matter, and is tinctured with the best things. Tragic and lyric poetry is good, too, and comic with the best, if the manners of the reader be once in safety. In the Greek poets, as also in Plautus, we shall see the economy and disposition of poems better observed than in Terence; ...
— Discoveries and Some Poems • Ben Jonson
... out of print and I hold the copyright. The three poems following these originally appeared in my second volume, "The Falconer of God and Other Poems." For permission to reprint a few of the remaining poems I have to thank the editors of Reedy's Mirror, The Bang, The Lyric, The Madrigal, The Sun Dial (New York Evening Sun), Everybody's Magazine, The Century Magazine, and "Books and the Book World" (New York Sunday Sun). For the group, "The Long Absence" in the section entitled, "After," I owe thanks ...
— Perpetual Light • William Rose Benet
... wine-press to change it into perfumed wine. Listen! there is, a dozen hours from Alexandria, towards the west, not far from the sea, a nunnery, the rules of which, a masterpiece of wisdom, deserve to be put in lyric verse and sung to the sound of the theorbo and tambourines. It may truly be said that the women who are there, submissive to these rules, have their feet upon earth and their faces in heaven. They desire to be poor, that Jesus may love them, modest, that He ...
— Thais • Anatole France
... the earth And those who saw it wept with joy and fright. "Thou art Apollo, than the sun more bright!" They cried. "Our music is of little worth, But thrill our blood with thy creative mirth Thou god of song, thou lord of lyric might!" ...
— Main Street and Other Poems • Alfred Joyce Kilmer
... exclaimed, looking at Martin Cosgrave with some disapproval. "Well, he has attempted something anyway. He may not have, succeeded, but the artist is in him somewhere. He has created a sort of—well, lyric—in ...
— Waysiders • Seumas O'Kelly
... Director Holtei, thanks to a magnanimous oversight on the part of Franz Listz. The preference of King Friedrich Wilhelm IV. for church scenes contributed to secure him eventually his important position at the greatest lyric theatre in Germany, the Royal Opera of Berlin. For he was prompted far less by his devotion to the dramatic muse than by his desire to secure a good position in some important German city, when, as already hinted, through Liszt's recommendation he was appointed ...
— My Life, Volume I • Richard Wagner
... Speeches and Essays, which, with his poetical compositions, were printed by Alderman Barber in 1723. in two splendid 4to volumes. The first volume containing pieces in most species of poetry, the epic excepted, and also imitations from other authors. His Grace wrote some Epigrams, a great number of lyric pieces, some in the elegiac strain, and others in the dramatic. Amongst his poems, an Essay on Poetry, which contains excellent instructions to form the poet, is by far the most distinguished. He wrote a play ...
— The Lives of the Poets of Great Britain and Ireland (1753) - Vol. III • Theophilus Cibber
... Cowper's poetry lacked the true note of passion, that there was an absence of the "lyric cry." I protest that I find the note of passion in the "Lines on the Receipt of my Mother's Picture," in his two sets of verses to Mrs. Unwin, in his sonnet to Wilberforce not less marked than I find it in other great poets. I find in The Task and elsewhere in Cowper's works a note ...
— Immortal Memories • Clement Shorter
... I cared, Mike!" Margaret's words poured from her lips. Ordinary as they were, they were a love-lyric to his ears. ...
— There was a King in Egypt • Norma Lorimer
... night, when he was boiling maple-sap in the sugar-bush with little Ovide Rossignol (who had a lyric passion for holding the coat while another man was fighting)—"no, for what shall I fight with Raoul? As boys we have played together. Once, in the rapids of the Belle Riviere, when I have fallen in the water, I think he has ...
— The Ruling Passion • Henry van Dyke
... Ross I 'll daily sing, With vocal note and lyric string, And duly, when I 've drank the king, He 'll be my second toss. May Heaven its choicest blessings send On such a man, and such a friend; And still may all that 's good attend ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... much afraid 'I say') that so 'great a slip' might be attended with 'still greater' and 'worse': for 'your' Horace, and 'my' Horace, the most charming writer that ever lived among the 'Pagans' (for the 'lyric kind of poetry,' I mean; for, the be sure, 'Homer' and 'Virgil' would 'otherwise' be 'first' named 'in their way') well observeth (and who understood 'human nature' ...
— Clarissa, Or The History Of A Young Lady, Volume 8 • Samuel Richardson
... during the month of May one of these handsome fellows was busy in my garden, diligently picking the potato bugs from the young vines, stopping now and then, especially in his morning visits, to pour out a happy, ringing lyric and to show his handsome plumage. On one occasion he took a couple of potato bugs in his "gros" beak as he flew to the nearby woodland, probably a tempting morsel for his spouse's breakfast. A bird that can sing better than ...
— Some Spring Days in Iowa • Frederick John Lazell
... Flacci . . . Od in locos communes ad lyric poseos studiosorum utilitatem digest. Studio & oper Josephi Langii. Hanovi, typis Wechelianis, apud Claudium Marnium & heredes Joannis Aubrii, ...
— The Library of William Congreve • John C. Hodges
... dignity of certain groves—these are but ingredients, they are not the secret of the philtre. The place is sanative; the air, the light, the perfumes, and the shapes of things concord in happy harmony. The artist may be idle and not fear the "blues." He may dally with his life. Mirth, lyric mirth, and a vivacious classical contentment are of the very essence of the better kind of art; and these, in that most smiling forest, he has the chance to learn or to remember. Even on the plain of Biere, where the Angelus of Millet ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 16 (of 25) • Robert Louis Stevenson
... Rocky Mountain cabin in that stormy night it was in every respect the climax of his life. As he sat in the doorway, looking at the fire and over into the storm beyond, he realized that he was shaken by a wild, crude lyric of passion. Here was, to him, the pure emotion of love. All the beautiful things he had ever heard or read of girlhood, of women, of marriage, rose in his mind to make this night an almost intolerable blending of joy and ...
— They of the High Trails • Hamlin Garland
... specimen of Pushkin's lyric productions which we shall present to our countrymen, "done into English," as Jacob Tonson was wont to phrase it, "by an eminent hand," is a production considered by the poet's critics to possess the very highest degree of merit in its peculiar style. We have mentioned some details respecting ...
— Blackwood's Edinburgh Magazine, Vol 58, No. 357, July 1845 • Various
... you would like, in spite of your caveat for the Gracioso. I have not wholly dropt the two Students, but kept them quite under: and brought out the religious character of the Piece into stronger Relief. But as I have thrown much, if not into Lyric, into Rhyme, which strikes a more Lyric Chord, I have found it much harder to satisfy myself than with the good old Blank Verse, which I used to manage easily enough. The 'Vida es Sueno' again, though blank Verse, has been difficult ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... seek the musing May, She is deep in the wood, Viewing and pursuing The beautiful and good. Where the grassy bank receding, Spreads its quiet couch for reading The pages of the sages, And the poet's lyric lay— We shall find ...
— Poems • Denis Florence MacCarthy
... Gipsy lyric then came another to which the captain especially directed my attention as being what Sam. Petalengro calls 'The girl in the red chemise'—as well as I can recall his words. A very sweet song, with a simple but ...
— Gipsy Life - being an account of our Gipsies and their children • George Smith
... have told before, we have to stop and talk with the men before they will let us pass. For example, one afternoon I was waylaid on my way to the women by the head of the household I was visiting, a fine old man of the usual type, courteous but opposed. He asked to look at my books. I had a Bible, a lyric book, and a book of stanzas bearing upon the Truth, copied from the old Tamil classics. He pounced upon this. Then he began to chant the stanzas in their inimitable way, and at the sound several other old men ...
— Things as They Are - Mission Work in Southern India • Amy Wilson-Carmichael
... incompleteness of Mr. Wilde's Life of Dante. Mr. Wilde, more than a year before his death, informed us that his work was nearly ready for the printer; and at the same time he confided to us for perusal his admirable translations of specimens of Italian Lyric Poets. We hope the descendants of our learned and ingenious friend will place these works, so creditable to his temper, scholarship, and genius, before ...
— The International Monthly Magazine, Volume 1, No. 1, August 1850 - of Literature, Science and Art. • Various
... social exhilaration. Thumbelina in her Cradle, Thumbelina and the Toad, Thumbelina and the Swallow and Thumbelina as Queen of the Flowers—these at once suggest a cradle rhythm, a toad rhythm, the flight of birds, and a butterfly dance. Because the rhythm is a lyric form it must be remembered that the part of a story suited to a rhythm play is always a part characterized by a distinct emotional element. In the performance of rhythm plays the point is to secure the adjustment of ...
— A Study of Fairy Tales • Laura F. Kready
... Now, what do you think, there was a waiter in this very hotel, but, alas! he is now gone, who sang (from morning to night, as my informant said with a shrug at the recollection) what but 'S IST LANGE HER, the German version of Auld Lang Syne; so you see, madame, the finest lyric ever written will make its way out of whatsoever corner of patois ...
— The Letters of Robert Louis Stevenson - Volume 1 • Robert Louis Stevenson
... woman, lapsing, as she occasionally did lapse, into the easy Italian of the lyric stage. "She ...
— The Paliser case • Edgar Saltus
... strange circumstance and characters; but his composition and his style illuminate the characters, order the circumstances, and render clear, as, for example, in the Sonnets, the subtleties of his thought. A great artist, by his comprehensive grasp of the main issue of his work, even in a short lyric or a small picture, and by his luminous representation of it, suggests, without direct expression of them, all the strange psychology, and the play of character in the situations. And such an artist does this excellent thing by his noble composition, and by his lofty, ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... mongrel forms of epic should be included the half descriptive, half lyric poems which were popular among the English, dealing chiefly with nature, the seasons of the year, etc. There belong also to this division numerous didactic poems in which a prosaic content is dressed up in poetic form, such as compendiums of physics, astronomy, and ...
— An Estimate of the Value and Influence of Works of Fiction in Modern Times • Thomas Hill Green
... possessed natural taste, and had cultivated the same without judgment. His intricate disposition and extreme sensitiveness frightened him away from much effort at self-expression; yet not a few trifling scraps and shreds of lyric poetry had fallen from his pen in high moments. These, when the mood changed, he read again, and found dead, and usually destroyed. He was more easily discouraged than a child who sets out to tell its ...
— Children of the Mist • Eden Phillpotts
... "tone" of the light that was gradually waning. So satisfied was he with that distant pulse of harmony that he began weaving some verses in his head to "His Absent Lady,"—and succeeded in devising quite a charming lyric to her whose honour and renown he was ready to kill. So complex, so curious, so callous, yet sensuous, and utterly egotistical was his nature, that had Angela truly died under his murderous blow, he would have been ready now ...
— The Master-Christian • Marie Corelli
... trio! The event of the evening! General Hardshell Jackson, Senor Lupe de Tamale, and the renowned lyric barytone, James Russell Lowell Mason, will combine in a grand farewell concert. Ascend the platform, Senor!" he cried to the Mexican lad, who stood, wide-eyed, in a corner. Then he gestured ...
— Stanford Stories - Tales of a Young University • Charles K. Field
... Oh, exuberant younkers! You "guy" "the old gang" as "played out," As fogies, and fussers, and funkers, You've over-much reason, no doubt. But, great Scott! as your rowing-rhymes rattle And lilt lyric praise of the Crews, We too sniff the air of the battle! We too have a ...
— Punch, or the London Charivari, Vol. 104, March 18, 1893 • Various
... few among your subscribers who are unacquainted with the sweet lyric effusion of Herrick "to the Virgins, to make much of ...
— Notes & Queries, No. 22., Saturday, March 30, 1850 • Various
... to 1190. The lyric poets of this period were for the most part Austrian and Bavarian knights who lived remote from the French border and were little influenced by the now well-developed art of the troubadours and trouvres. They got their ...
— An anthology of German literature • Calvin Thomas
... Palazzo del Te is the Villa Farnesina, raised on the banks of the Tiber by Baldassare Peruzzi for his fellow townsman Agostino Chigi of Siena. It is an idyll placed beside a lyric ode, gentler and quieter in style, yet full of grace, breathing the large and liberal spirit of enjoyment that characterised the age of Leo. The frescoes of Galatea and Psyche, executed by Raphael and his pupils, have made this villa famous in the annals of Italian painting. ...
— Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds
... than twenty years," concluded the report in a strain of lyric prophecy, "petroleum will have taken the place of all the primitive and useless illuminating mediums now employed. It will replace, in like manner, all the coarse and troublesome varieties of fuel of our day. In less than twenty years the whole world will ...
— The Clique of Gold • Emile Gaboriau
... began, "why women are so shy about being caught reading poetry. We men—lawyers, mechanics, or what not—may well feel ashamed. If we must read poetry, it should be at dead of night, within closed doors. But you women are so akin to poesy. The Creator Himself is a lyric poet, and Jayadeva [15] must have practised the divine art seated ...
— The Home and the World • Rabindranath Tagore
... A Greek poet, chiefly lyric, recalling Pindaric days, has sprung up lately in Athens. His rendering of the dramas of Sophocles into modern Greek for the stage in Athens and Constantinople, is said to have attracted much attention ...
— 1931: A Glance at the Twentieth Century • Henry Hartshorne
... Hermann and Dorothea, Elective Affinities, and Memoirs; Tieck's William Lovel, Prince Zerbino, and other works; Koerner, Novalis, and something of Richter; all of Schiller's principal dramas, and his lyric poetry. Almost every evening I saw her, and heard an account of her studies. Her mind opened under this influence, as the apple-blossom at the end of a warm week in May. The thought and the beauty of this rich literature ...
— Memoirs of Margaret Fuller Ossoli, Vol. I • Margaret Fuller Ossoli
... their letters especially that their feelings flew high. They were not then in any danger of being contradicted by facts, and nothing could check their illusions or intimidate them. They wrote to each other two or three times a week in a passionately lyric style. They hardly ever spoke of real happenings or common things; they raised great problems in an apocalyptic manner, which passed imperceptibly from enthusiasm to despair. They called each other, "My blessing, my hope, my beloved, my ...
— Jean-Christophe, Vol. I • Romain Rolland
... volumes he had gathered; and the operas, the casts, were of absorbing interest. At once a memento of the heroic period of American music and of his first manhood, the faded crudely embellished strips of paper, bearing names, lyric tenors and sopranos of limpid, bird-like song long ago lost in rosy and nebulous clouds of fable and cherished affection, roused remembered pleasures sharper than any calm actuality of to-day. He paused with a quiet exclamation, the single glass adroitly held in his ...
— The Three Black Pennys - A Novel • Joseph Hergesheimer
... was speaking to himself. "It might work—it might add interest—" Mr. Heatherbloom waited patiently. "Would you have any objections," earnestly, "to my making a little addenda to the sign on the chariot of cadence? What's the Matter with Mother? 'The touching lyric, as interpreted by ...
— A Man and His Money • Frederic Stewart Isham
... his first love. A crowd gathered. He asked for a doctor. A dozen students ran in a dozen different directions. The tired horse stamped its feet impatiently, and once it whinnied. The coachman lighted his pipe and watched his dying fare. Some wag sang a drunken lyric, and ...
— Visionaries • James Huneker
... themselves politically emancipated amid a sympathetic environment, and again they illumined their religious tradition with all the culture which their environment could afford. The mingling of thought gave birth to a great literature, both creative and critical; to a striking body of lyric poetry; to a systematic theology, and ...
— Philo-Judaeus of Alexandria • Norman Bentwich
... tale in this volume plunges into the middle of things, with the revolution brought about by Copernicus; but, within the tale, partly by means of an incidental lyric, there is an attempt to give a bird's-eye view of what had gone before. The torch then passes to Tycho Brahe, who, driven into exile with his tables of the stars, at the very point of death hands ...
— Watchers of the Sky • Alfred Noyes
... their lips. The early spring of Italy came later to the northern latitudes, but when it did come, it brought with it Marot and Ronsard in France, Wyatt and Surrey in England. More significant than the output of the greater poets was the wide distribution of lyric talent. Not a few compilations of verses offer to the public the songs of many writers, some of them unknown by name. England, especially, was "a nest of singing birds," rapturously greeting the dawn, and the rimes were mostly of "love, ...
— The Age of the Reformation • Preserved Smith
... persons. Courtiers take too much pains to lighten them. With Charles X. grief at the loss of his brother was quickly followed by the enjoyment of reigning. Chateaubriand, who, when he wished to, had the art of carrying flattery to lyric height, published his pamphlet: Le roi est mart! Vive le roi! In it he said: "Frenchmen, he who announced to you Louis le Desire, who made his voice heard by you in the days of storm, and makes to you to-day of Charles X. in circumstances very different. He is no longer obliged ...
— The Duchess of Berry and the Court of Charles X • Imbert De Saint-Amand
... equals me with the gods above: the cool grove, and the light dances of nymphs and satyrs, distinguish me from the crowd; if neither Euterpe withholds her pipe, nor Polyhymnia disdains to tune the Lesbian lyre. But, if you rank me among the lyric poets, I shall tower to the stars with my ...
— The Works of Horace • Horace
... century, and was, in fact, the parent of the vaccination which has superseded it, and which is merely inoculation with matter derived from another source, the cow. She was also an authoress of considerable repute for lyric odes and vers de societe, &c., and, above all, for her letters, most of which are to her daughter, Lady Bute (as Mme. de Sevigne's are to her daughter, Mme. de Grignan), and which are in no respect inferior to those of the French lady in sprightly wit, while in the variety of ...
— Letters of Horace Walpole - Volume I • Horace Walpole
... surpassed. In the same kind of composition he was followed, nine hundred years after, by Virgil, in the Eneid; by Tasso, after another fifteen hundred years, in the 'Jerusalem Delivered.' The Greeks also boasted of their Pindar and Anacreon in lyric poetry; and of Aristophanes, Euripides, Sophocles, ...
— A Catechism of Familiar Things; Their History, and the Events Which Led to Their Discovery • Benziger Brothers
... which has fallen to me of late I was doubly glad to get my teeth into Mr. St. JOHN ERVINE'S good meaty ration at the Lyric Theatre, Hammersmith. His theme is as old and new as Job. John Ferguson is a saintly Ulster farmer, apostle of the doctrine of non- resistance (rare type in those parts, I understand) and eager justifier of the ways of God to men. Ferguson's beloved farm is mortgaged; foreclosure ...
— Punch, or the London Charivari, Vol. 158, March 3rd, 1920 • Various
... purposes equal to Milton's in his minor poems. Of course any man would be an intensified ass who should attempt to reach the diction of the 'Paradise Lost', or aspire to the tremendous style of Shakespeare. You must not confound things, though. A Lyric diction is one thing—a Dramatic diction is another, requiring the utmost force and conciseness of expression,—and Epic diction is still another; I conceive it to be something between the Lyric and Dramatic, with all the luxuriance of ...
— Representative Plays by American Dramatists: 1856-1911: Francesca da Rimini • George Henry Boker
... a sense in which the stage alone can give the full significance to a dramatic poem, just as a lyric finds its full interpretation in music; but we prefer that a song of Goethe or Shelley should wait for its music, and in the meantime suggest its own aerial accompaniment, rather than be vulgarized ...
— The Contemporary Review, January 1883 - Vol 43, No. 1 • Various
... romancists; and there are, and always will be, a distinguished minority, of which the selling prices may be expected to remain firm. Such men as Shakespeare, Jonson, Beaumont, Fletcher, Chapman, Massinger, and among the lyric group Barnfield, Watson, Constable, Wither (earlier works and Hallelujah), Carew, Herrick, Suckling, and Lovelace, are to be viewed as standard ...
— The Book-Collector • William Carew Hazlitt
... the allusion, for a moment, when the old gentleman repeated emphatically,—"The Red and the Blue, ye know—Tom Campbell." It was in reference to a couple of stanzas, addressed to the United States by that great lyric poet, scarcely equaled in his ...
— Old New England Traits • Anonymous
... learning and their wisdom in state matters was one Thales, whom Lycurgus, by importunities and assurances of friendship, persuaded to go over to Lacedaemon; where, though by his outward appearance and his own profession he seemed to be no other than a lyric poet, in reality he performed the part of one of the ablest lawgivers in the world. The very songs which he composed were exhortations to obedience and concord, and the very measure and cadence of the verse, ...
— The Boys' and Girls' Plutarch - Being Parts of The "Lives" of Plutarch • Plutarch
... pigeon-wings, the concertina played "Matamoras," Jones continued his lyric, when two Mexicans leaped at each other, and the concertina ...
— Red Men and White • Owen Wister
... the third ornithological lyric Miss Sherwin roused from her attitude of inspired vision and breathed to Carol, "My! That was sweet! Of course Raymond hasn't an unusually good voice, but don't you think he puts such a ...
— Main Street • Sinclair Lewis
... workings are submitted to his observation and experiment as a part of the world of knowledge; he sees its operation in individuals, social groups, and nations, and sets it forth in the action of the lyric, the drama, and the epic as the law of life. In its sphere is the higher unity of plot by virtue of which it integrates many lives in one main action. Such, then, is the nature of plot as intermediary between man and his environment, ...
— Heart of Man • George Edward Woodberry
... existence separate from Dancing. The primitive Greek poems, religious in subject, were not recited but chanted; and though at first the chant of the poet was accompanied by the dance of the chorus, it ultimately grew into independence. Later still, when the poem had been differentiated into epic and lyric—when it became the custom to sing the lyric and recite the epic—poetry proper was born. As during the same period musical instruments were being multiplied, we may presume that music came to have an existence apart from ...
— Essays: Scientific, Political, & Speculative, Vol. I • Herbert Spencer
... the glorious contest now waging in Greece being yet suspended forbids a catastrophe parallel to the return of Xerxes and the desolation of the Persians. I have, therefore, contented myself with exhibiting a series of lyric pictures, and with having wrought upon the curtain of futurity, which falls upon the unfinished scene, such figures of indistinct and visionary delineation as suggest the final triumph of the Greek cause as a portion of the cause of ...
— The Complete Poetical Works of Percy Bysshe Shelley Volume I • Percy Bysshe Shelley
... the scheme of the poem, partly for the views expressed on questions of the day, Maud provoked more hostile criticism than anything which he wrote; yet it seems to have been the poet's favourite work. The story of its composition is curious. It was suggested by a short lyric which Tennyson had printed privately in 1837 beginning with the words 'Oh, that 'twere possible after long grief'. His friend, Sir John Simeon, urged him to write a poem which would lead up to and explain it; and the poet, adopting the idea, used Maud as a vehicle ...
— Victorian Worthies - Sixteen Biographies • George Henry Blore
... song of crickets, coming in full choir upon the wind, and fancied that, if moonlight could be heard, it would sound just like that. Finally, he took a draught at the Shaker spring, and, as if it were the true Castalia, was forthwith moved to compose a lyric, a Farewell to his Harp, which he swore should be its closing strain, the last verse that an ungrateful world should have from him. This effusion, with two or three other little pieces, subsequently written, he took the first opportunity to send, by one of the Shaker brethren, ...
— The Snow Image • Nathaniel Hawthorne
... low. "An' now again I see the faces of those who dance with it. It is the Fires of Mora—come, God alone knows how—from Erin—to this place. The Fires of Mora!" He contemplated the hushed folk before him; and then from his lips came that weirdest, most haunting of the lyric legends ...
— The Moon Pool • A. Merritt
... may seem absurd to some who read these lines—some practical people!—but I cannot convey the pleasure I had in the very elusiveness and mystery of the sign, nor how I wished I might at the next turn come upon the poet himself. I decided that no one but a poet could have contented himself with a lyric in one word, unless it might have been a humourist, to whom sometimes a single small word is more blessed than all the verbal riches of Webster himself. For it is nothing short of genius that uses one word when twenty ...
— The Friendly Road - New Adventures in Contentment • (AKA David Grayson) Ray Stannard Baker
... reached their culmination among the Hellenes, so the romantic arts culminate among the Christian nations. In poetry, as the most perfect and universal (or the totality of) art, uniting in itself the two contraries, the symbolic and the classical, the lyric is a repetition of the architectonic-musical, the epic, of the plastic-pictorial, the drama, the union of ...
— History Of Modern Philosophy - From Nicolas of Cusa to the Present Time • Richard Falckenberg
... ill—such, like all external things, are important only as we take them: but in its diminished capacity to feel greatly and tenderly, in its added numbness, in its less noble beat. It was thus that the cor cordium lost what no lyric passion, no triumphant exultation of success, could give ...
— Prose Fancies • Richard Le Gallienne
... lyrics, and a lyric to be lyrical and heart appealing, must be inevitable. It must be the spontaneous expression of the heart of the author—an expression which had to come. It is the latent secret of the power of ...
— Hymns from the East - Being Centos and Suggestions from the Office Books of the - Holy Eastern Church • John Brownlie
... is taken from the play, David Lloyd George, which we understand may some day be produced at the Lyric Opera House, Hammersmith, as a ...
— Punch, or the London Charivari, Vol. 159, July 14th, 1920 • Various
... 1878. Ayala was nominated to the post of president of congress shortly before his death, which occurred unexpectedly on the 30th of January 1879. The best of his lyrical work, excellent for finish and intense sincerity, is his Epistola to Emilio Arrieta, and had he chosen to dedicate himself to lyric poetry, he might possibly have ranked with the best of Spain's modern singers; as it is, he is a very considerable poet who affects the dramatic form. In his later writings he deals with modern society, its vices, ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 1 - "Austria, Lower" to "Bacon" • Various
... whence he removed to Cambridge, and after taking his M.A. degree in 1620, left Cambridge. He afterwards spent some years in London in familiar intercourse with the wits and writers of the age, enjoying those "lyric feasts" which are celebrated in his "Ode ...
— Christmas: Its Origin and Associations - Together with Its Historical Events and Festive Celebrations During Nineteen Centuries • William Francis Dawson
... is himself a creature, made by something he calls "Quiet;" and what is this but the Gnostic notion of aeons and their subordination to the great, hid God? No, this brief dramatic lyric is far from being an imagination. Rather say it is a chapter taken from the history of man's traffic in gods. Setebos is creative; lacks moral qualities in that he may be evil or good; acts from spleen, and by simple caprice; is loveless; to be feared, deceived, tricked, as Caliban ...
— A Hero and Some Other Folks • William A. Quayle
... of Wordsworth's, superior to Hogg's, and, though not so intellectual as Shelley's, rivals it in truth. Mackay's is the lark itself, Shelley's is himself listening, with unwearied ears and tightly-stretched imagination, to the lark. Who is surprised that Eric Mackay's lyric, 'The Waking of the Lark,' sent a thrill through the heart of America? This poem, which appeared in the New York Independent, is undoubtedly the lark-poem of the future. From the opening to the closing stanza there is not an imperfect verse, not a commonplace. ...
— The Song of the Flag - A National Ode • Eric Mackay
... poetry of love, chivalry and glorious war. The lyric had a vivid personal interest. Tales of romantic daring and achievement were suggestions of possibilities in Harry's career. Her waking hours were mainly spent, book in hand, under the old apple-tree that ...
— The Red Acorn • John McElroy
... wonderful boy, having satisfied the Master [Dr. Barnard] that he was an admirable scholar, and possessed of genius, was at once placed at the head of a form. He acquired the rules of Latin verse; tried his powers; and perceiving that he could not rise above his rivals in Virgil, Ovid, or the lyric of Horace, he took up the sermoni propiora, and there overshadowed all competitors. In the following lines he describes the hammer of the auctioneer with a mock sublimity which ...
— Life Of Johnson, Vol. 1 • Boswell
... and his natural dryness and sarcastic severity would have been unpleasing, had not he qualified them, by adopting the extravagant humour of Lueian and Rabelais—Prior, lively, familiar, and amusing—Rowe, solemn, florid, and declamatory—Pope, the prince of lyric poetry; unrivalled in satire, ethics, and polished versification—the agreeable Parnel—the wild, the witty, and the whimsical Garth—Gay, whose fables may vie with those of La Fontaine, in native humour, ...
— The History of England in Three Volumes, Vol.II. - From William and Mary to George II. • Tobias Smollett
... meet with one who is able to say a natural thing in a natural way, as Mr. Rice has shown that he can do. There is a very agreeable mingling of feeling and fun in his lighter pieces, rising into real grace and lyric fancy in some of them, such as "New Year's Eve" and ...
— Atlantic Monthly, Vol. 5, No. 32, June, 1860 • Various
... further. A landscape painter would not make a primary study of Angelo's anatomical drawings; a composer of lyric forms of music would not study Sousa's marches; nor would a person writing a story look for much assistance in the arguments of Burke. The most direct benefit is derived from studying the very thing one wishes to know about, not ...
— English: Composition and Literature • W. F. (William Franklin) Webster
... were led, the one by M. Persuis, the other by M. Rey, both leaders of the Emperor's bands. M. Lais, first singer to his Majesty, M. Kreutzer, and M. Baillot, first violinists of the same rank, had gathered the finest talent which the imperial chapel, the opera, and the grand lyric theaters possessed, either as instrumental players or male and female singers. Innumerable military bands, under the direction of M. Lesuem, executed heroic marches, one of which, ordered by the Emperor from M. Lesueur for the army of Boulogne, is still to-day, according to the judgment ...
— The Memoirs of Napoleon Bonaparte • Bourrienne, Constant, and Stewarton
... prestige and glory to his country in many ways. Tanner, a Georgia boy, is no longer a Negro artist, but an American artist whose works adorn the galleries of the world. Paul Laurence Dunbar, an American poet, who singing songs of his race, voicing its sorrows and griefs with unrivalled lyric sweetness and purity, has caught the ear of the world. The matchless story of Booker Washington, the American educator, is told in many tongues and ...
— Masterpieces of Negro Eloquence - The Best Speeches Delivered by the Negro from the days of - Slavery to the Present Time • Various
... quaint, and honey-sweet, just such a song as in that full dawn of poesy Englishmen struck from the lyre and thought naught of it. His lips did not move; had he spoken, at the sound of his own voice the charm had cracked, the little lyric had shrunk away before tragedy that was yet as fierce as it was profound, that had as yet few other notes than ...
— Sir Mortimer • Mary Johnston
... that—when the heart Is pure—love overflows the lips in song As sweet and limpid as a mountain spring; But—when it's bitter with base treachery— It dams itself against all utterance, And either mines the soul, or, breaking forth, Sweeps downward to destruction. Oh! 'tis true, Love is the lyric happiness of youth; And they, who sing its perfect melody, Do from the honest parish register Still take their tune. And so must you. For you Are now in the very period of youth When myriads of unborn beings knock loud and long Upon the willing portals ...
— The Scarlet Stigma - A Drama in Four Acts • James Edgar Smith
... that to many of our readers the name which stands at the head of this sketch is unknown, and that those who recognize it will only know it as that of the author of the well-known lines upon the death of Sir John Moore—a lyric of such surpassing beauty, that so high a judge as Lord Byron considered it the perfection of English lyrical poetry, preferring it before Coleridge's lines on Switzerland—Campbell's Hohenlinden—and the finest of Moore's Irish melodies, which were instanced ...
— Harper's New Monthly Magazine, Volume 2, No. 12, May, 1851. • Various
... glancing about, the bolt lying under the horizon; bolt HIDDEN, as is fit, under such a horizon as he had. A singularly radiant man. Could have been a Poet, too, in some small measure, had he gone on that line. There are many touches of genius, comic, tragic, lyric, something of humor even, to be read in those Shadows of Speeches taken down for us ...
— History of Friedrich II. of Prussia, Vol. XVIII. (of XXI.) - Frederick The Great—Seven-Years War Rises to a Height.—1757-1759. • Thomas Carlyle
... school the poem on "Space" which the Literary Opinion had copied; and he was the greatest possible success. Most of it I feel sure the school didn't understand. But just as he finished the last two lines—those lines the magazine had called "as perfect in winged lyric quality as any lines in the English language could be"—the Byrd, whom Sam had groomed carefully and brought in from the brier-patch for the occasion, rose, and, with his freckles black with the intensity of his comprehension of the poem, spread his ...
— Over Paradise Ridge - A Romance • Maria Thompson Daviess
... the East to New York. It was inconceivable by him that New York could reject it. He spoke about the music, but he meant his "production." The man was a marvel in his own line, and such a worker as can rarely be found anywhere. He believed the opera was going to mark an epoch in the history of the lyric stage. And he said so, almost wildly, in late hours ...
— The Way of Ambition • Robert Hichens
... all its branches." Experts and pedagogues (chiefly pedagogues) have, for the purpose of convenience, split literature up into divisions and sub-divisions—such as prose and poetry; or imaginative, philosophic, historical; or elegiac, heroic, lyric; or religious and profane, etc., ad infinitum. But the greater truth is that literature is all one—and indivisible. The idea of the unity of literature should be well planted and fostered in the head. All literature ...
— Literary Taste: How to Form It • Arnold Bennett
... close colloquy with the schoolmaster of Moffat, respecting a disputed quantity in Horace's 7th Ode, Book ll., the dispute led on to another controversy, concerning the exact meaning of the word Malobathro, in that lyric effusion. His second escapade was made for the purpose of visiting the field of Rullion-green, which was dear to his Presbyterian predilections. Having got out of the carriage for an instant, he saw the sepulchral monument of the slain at the distance of ...
— Guy Mannering • Sir Walter Scott
... are lyric. In the usual sense. They are not much different from poetry that praises gardens. The content is the distress of love, death, universal longing. The impulse to formulate them in the "cynical" vein (like cabaret songs) may, for example, might have arisen from the wish to ...
— The Verse of Alfred Lichtenstein • Alfred Lichtenstein
... contains in all only about thirty thousand lines; but it includes epic, lyric, didactic, elegiac, and allegorical poems, together with war-ballads, paraphrases, riddles, and charms. Of the five elegiac poems (Wanderer, Seafarer, Ruin, Wife's Complaint, and Husband's Message), the Wanderer is the ...
— Anglo-Saxon Grammar and Exercise Book - with Inflections, Syntax, Selections for Reading, and Glossary • C. Alphonso Smith
... Gabriel Maxenius, however, was the first to publish a work on Finnish national poetry, which brought to light the beauties of the Kalevala. It appeared in 1733, and bore the title: De Effectibus Naturalibus. The book contains a quaint collection of Finnish poems in lyric forms, chiefly incantations; but the author was entirely at a loss how to account for them, or how to appreciate them. He failed to see their intimate connection with the religious worship of ...
— The Kalevala (complete) • John Martin Crawford, trans.
... to his correspondence-office in the Place de la Bourse; and he began to compose for the Troyes newspaper an account of recent events in a lyric style—a veritable tit-bit—to which he attached his signature. Then they dined together at a tavern. Hussonnet was pensive; the eccentricities of the ...
— Sentimental Education, Volume II - The History of a Young Man • Gustave Flaubert
... expand themselves as the gale of thought or passion rises or subsides. If a spiritual anemometer were invented it would be found that the wind which drives through the poem maintains often and for long an astonishing pace. The strangely beautiful lyric passages interspersed through the speeches are really of a slower movement than the dramatic body of the poem; they are, by comparison, resting-places. The perfumed closet of the song of Paracelsus in Part IV. is "vowed to quiet" ...
— Robert Browning • Edward Dowden
... moving power of passages in certain poems read when we were young, irrational doorways as they were through which the mystery of fact, the wildness and the pang of life, stole into our hearts and thrilled them. The words have now perhaps become mere polished surfaces for us; but lyric poetry and music are alive and significant only in proportion as they fetch these vague vistas of a life continuous with our own, beckoning and inviting, yet ever eluding our pursuit. We are alive or dead to the eternal inner message ...
— The Varieties of Religious Experience • William James
... arise to sing a Devastation or a Glatton? Can a Devastation or a Glatton ever inspire poetic thoughts and images? One would say that the singer must be endowed in no ordinary degree with the sacred fire whom such a theme as a modern ironclad turret-ship should move to lyric utterance. It has been said that all the romance of the road died out with the old coaching days; and certainly a locomotive engine, with its long black train of practical-looking cars, makes hardly so picturesque a feature in the landscape as one of the old stage-coaches ...
— Man on the Ocean - A Book about Boats and Ships • R.M. Ballantyne
... the Lyric Dance Arcade and Indian Palace of Asiatic Mystery. And I found myself close to the platform, listening to the cry of a ...
— Friendship Village • Zona Gale
... mean, in a work of art considered not as a moral or theological document but as a work of art,—an aesthetic flaw. I add the word 'considerable' because we do not regard the effect in question as a flaw in a work like a lyric or a short piece of music, which may naturally be taken as expressions merely of a mood or a ...
— Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth • A. C. Bradley
... exceedingly trifling. We have no remaining inscription earlier than the fortieth Olympiad, and the early inscriptions are rude and unskilfully executed; nor can we even assure ourselves whether Archilochus, Simonides of Amorgus, Kallinus, Tyrtaeus, Xanthus, and the other early elegiac and lyric poets, committed their compositions to writing, or at what time the practice of doing so became familiar. The first positive ground which authorizes us to presume the existence of a manuscript of Homer, is in the famous ordinance of Solon, ...
— The Iliad of Homer • Homer
... much wit; so much truth and knowledge with so much life and fancy. His prose is always intelligible and always entertaining. In poetry he has attempted almost every species of composition known before, and he has added new ones; and if we except the highest lyric,—(in which how few, how very few even of the greatest minds have been fortunate)—he has attempted every species successfully; from the political song of the day, thrown off in the playful overflow ...
— Biographia Literaria • Samuel Taylor Coleridge
... was not thinking that the pleasure he would continue to give would remind people of his trivial personality, which indeed he never particularly celebrated and which had much better lie buried with his bones. He was thinking, of course, of that pleasure itself; thinking that the delight, half lyric, half sarcastic, which those delicate cameos had given him to carve would be perennially renewed in all who retraced them. Nay, perhaps we may not go too far in saying that even that impersonal satisfaction was not the deepest ...
— The Life of Reason • George Santayana
... known wherever there are Irish emigrants, but there are other verses of "Ethna Carberry" (Mrs. Anna Johnstone MacManus) that are as fine as this. Mrs. Dora Sigerson Shorter is a balladist of stark power, and Miss Eva Gore-Booth a lyric poet whose natural lilt no preoccupation with mysticism can for more than ...
— Irish Plays and Playwrights • Cornelius Weygandt
... some capacity in the diviner flights of lyric letters, friend. You are not to despise poetry. Nay—rather contemn those who bring scorn to the name of poet—vain writers for filthy pence—fellows like this ...
— The Panchronicon • Harold Steele Mackaye
... through the green and gold lyric of the spring day, an elderly company sadly out of key with the triumphant note of eternal youth which rang through all the visible world. Mrs. Purdon looked at nothing, said nothing, seemed to be aware of nothing but the purpose in her heart, whatever that might be. Paul and I, ...
— Americans All - Stories of American Life of To-Day • Various
... familiar to most ears; but its wild, ringing, rapturous burst of song in the air high above the tree-tops is not so well known. From a very prosy, tiresome, unmelodious singer, it is suddenly transformed for a brief moment into a lyric poet of great power. It is a great surprise. The bird undergoes a complete transformation. Ordinarily it is a very quiet, demure sort of bird. It walks about over the leaves, moving its head like a little hen; then perches on a limb a few feet from the ground ...
— Bird Stories from Burroughs - Sketches of Bird Life Taken from the Works of John Burroughs • John Burroughs
... what has been here given, no wonder that a heart like Burns, which, for all its unsteadfastness, never lost its sensibility, nor even a sense of conscience, should have been visited by the remorse which forms the burden of the lyric to Mary in heaven, written ...
— Robert Burns • Principal Shairp
... evoking, developing, and guiding the powers of his nation into fuller and higher life. In his many-sidedness Bjrnson was also in his time the first skald of his people, almost equally endowed with genius as a narrative, a dramatic, and a lyric poet; with talents scarcely less remarkable as an orator, a theater-director, a journalistic tribune of the people (his newspaper articles amounted, roughly estimated, to ten thousand book-pages), a letter-writer, ...
— Poems and Songs • Bjornstjerne Bjornson
... however, in fables, and elsewhere when pointed or intense expression was craved. The earliest of the Greek elegists, Callinus and Tyrtaus, composed war-songs. Mimnermus, Solon, Theognis, Simonides of Ceos, are among the most famous elegists. Music developed in connection with lyric poetry. The Greeks at first used the four-stringed lyre. Terpander made an epoch (660 B.C.) by adding three strings. Olympus and Thaletas made further improvements. Greek lyric poetry flourished, especially from 670 to 440 B.C. The ...
— Outline of Universal History • George Park Fisher
... was vehement without being passionate. She recited ballad stories, and whatever else is usually delivered in declamation. At the same time she had contracted an unhappy habit of accompanying what she delivered with gestures, by which, in a disagreeable way, what is purely epic and lyric is more confused than connected with ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. II • Editor-in-Chief: Kuno Francke
... a great writer, George Eliot one of the greatest, Mrs. Browning a marvelous poet—and the lyric beauty of her "Mother and Poet" is greater than anything her husband ever wrote—Harriet Martineau a wonderful woman, and Ouida is probably the greatest living novelist, man or woman. Give the women ...
— The Works of Robert G. Ingersoll, Volume VIII. - Interviews • Robert Green Ingersoll
... by Quintilian as the best way of informing youth and confirming man. For, besides that the mind is raised with the height and sublimity of such a verse, it takes spirit from the greatness of the matter, and is tinctured with the best things. Tragic and lyric poetry is good, too, and comic with the best, if the manners of the reader be once in safety. In the Greek poets, as also in Plautus, we shall see the economy and disposition of poems better observed than in Terence; and the latter, who thought the sole grace ...
— Discoveries and Some Poems • Ben Jonson
... precede the commencement of the bar, and occasional rests, as in musical compositions: if this was attended to by those who set poetry to music, it is probable the sound and sense would oftener coincide. Whether these musical times can be applied to the lyric and heroic verses of the Greek and Latin poets, I do not pretend to determine; certain it is, that the dactyle verse of our language, when it is ended with a double rhime, much resembles the measure of Homer and Virgil, except in the length of the lines. B. Then there is no relationship ...
— The Botanic Garden. Part II. - Containing The Loves of the Plants. A Poem. - With Philosophical Notes. • Erasmus Darwin
... by name, Your friend, little Cally, your wishes proclaim; Read this and you'll soon learn to know it, I'm not your papa the great lyric poet. ...
— James Fenimore Cooper • Mary E. Phillips
... fine days which the April of the other year meanly grudged us, a poet, flown with the acceptance of a quarter-page lyric by the real editor in the Study next door, came into the place where the Easy Chair sat rapt in the music of the elevated trains and the vision of the Brooklyn Bridge towers. "Era la stagione nella quale la rivestita terra, piu che tutto ...
— Imaginary Interviews • W. D. Howells
... The musical comedy lyric is an interesting survival of the days, long since departed, when poets worked. As everyone knows, the only real obstacle in the way of turning out poetry by the mile was the fact that you had to make the ...
— A Wodehouse Miscellany - Articles & Stories • P. G. Wodehouse
... whose words he says were full of poisonous filth, and another whose language was imbued with vinegar. I have read with much distaste his indelicate verses against old women and witches; nor do I see any merit in telling his friend Maecenas that if he will but rank him in the choir of lyric poets, his lofty head shall touch the stars. Fools admire everything in an author of reputation. For my part, I read only to please myself. I like only that ...
— Candide • Voltaire
... foundation; and Chaucer, to whatever extent his opinions or sentiments may have been in accordance with ideas of ecclesiastical reform, displays a pious devotion towards the foremost Saint of the Church. The lyric entitled the "Praise of Women," in which she is enthusiastically recognized as the representative of the whole of her sex, is generally rejected as not Chaucer's; but the elaborate "Orison ...
— Chaucer • Adolphus William Ward
... enjoyed his stay in Milan, and breathed with rapture the incense burned in abundance before him. The Italian Journal in its account of the coronation reached lyric heights: ...
— The Court of the Empress Josephine • Imbert de Saint-Amand
... that word INTELLECTUAL, one lays himself liable to the accusation of having forsaken democracy. For all that, "fundamental brainwork" is behind every respect-worthy piece of writing, whether it be a lightsome lyric that seems as careless as a redbird's flit or a formal epic, an impressionistic essay or a great novel that measures the depth of human destiny. Nonintellectual literature is as nonexistent as education ...
— Guide to Life and Literature of the Southwest • J. Frank Dobie
... so distantly and absently sung that she could not locate it. There were singers among the Israelites, but they sang with wild exultation and more care for the sense than the melody. They had cultivated the chant and forgotten the lyric, because they had more heart for prophecy than passion. Rachel had revered her people's song, but there was something in this half-heard music that touched her youth and her love of life. She stopped to hear ...
— The Yoke - A Romance of the Days when the Lord Redeemed the Children - of Israel from the Bondage of Egypt • Elizabeth Miller
... In tracing the progress of learning, in England, I propose, during the remainder of the present paper to discuss one inconsiderable yet important element of modern civilization, which is often entirely overlooked. I refer to "Lyric Poetry." ...
— The Bay State Monthly, Volume 3, No. 2 • Various
... to attempt to arrange the various forms of poetry in an order of absolute values; it is enough that each has its own quality, and, therefore, its own value. The drama, the epic, the ballad, the lyric, each strikes its note in the complete expression of human emotion and experience. Each belongs to a particular stage of development, and each has the authority and the enduring charm which attach to every ...
— The Book of Old English Ballads • George Wharton Edwards
... more striking of the poems of the elder Timrod are the following. Washington Irving said of these lines that Tom Moore had written no finer lyric:— ...
— Poems of Henry Timrod • Henry Timrod
... still as one in a dream, his eyes straining forward into the golden mist of blossoms. In a moment more came, distinct and clear to his ear, the beautiful words of the second stanza of Saint Francis's inimitable lyric, ...
— Ramona • Helen Hunt Jackson
... months when he found himself alone with his canvases and whole-hearted toward them. He recognized that he had been dividing his interest, that his ambition had suffered, that his hand did not leap as it had before at the suggestion of some lyric or dramatic possibility of color. He even fancied that his drawing, which was his vulnerable point, had worsened. He worked strenuously for days without satisfying himself that he had recovered ground appreciably, and then came desperately to the conclusion ...
— A Daughter of To-Day • Sara Jeannette Duncan (aka Mrs. Everard Cotes)
... with a tender wing, Taught them a joy so deep, so true, it seemed that the whole-world fabric shook, Thrilled and dissolved in radiant dew; then Brown made him a golden book, Full of the faith that Life is good, that the earth is a dream divinely fair, Lauding his gem of womanhood in many a lyric rich and rare; Took it to Jones, who shook his head: "I will ...
— Rhymes of a Rolling Stone • Robert W. Service
... Meadows is quoted as saying that any sentence of the canonical writings of China could be read in any English family without offense, and that there is nothing in Chinese religious rites resembling the immoral rites which are met with elsewhere. Chinese lyric poetry ...
— Folkways - A Study of the Sociological Importance of Usages, Manners, Customs, Mores, and Morals • William Graham Sumner
... "The Lyre and the Sword," were a cause of disagreement, for Caroline, like so many women, deified Napoleon, and her lover's lyric assaults upon him were so much sacrilege; while to him her adoration of that personified prairie-fire, who had devastated the Fatherland, was treason. The Brunetti, being well out of the running, Caroline found new cause of ...
— The Love Affairs of Great Musicians, Volume 1 • Rupert Hughes
... folk-song, and that it produced such song-composers as Schubert and Schumann and Robert Franz and Hugo Wolf and Richard Strauss. But it seems strange that, apart from Heine, even the greatest of German lyric poets, such as Platen, Lenau, Moerike, Annette von Droste, Geibel, Liliencron, Dehmel, Muenchhausen, Rilke, should be so little known beyond the borders of ...
— The German Classics of The Nineteenth and Twentieth Centuries, • Editor-in-Chief: Kuno Francke
... talk of the best poem which the war has produced; and opinions usually vary. My own vote, so far as England is concerned, is still given to Julian Grenfell's lyric of the fighting man; but if France is to be included too, one must consider very seriously the claims of La Passion de Notre Frere le Poilu, by Marc Leclerc, which may be had in a little slender paper-covered book, at a cost, in France, where it has been selling in its thousands, ...
— A Boswell of Baghdad - With Diversions • E. V. Lucas
... on your horse and let's go to the woods. Wouldn't you like to? The hills are one long glory to-day." It was not the note of her prayer, it was well-ordered and calm. Still, Steering's heart leaped like a boy's at her friendliness, and he began to speak his gratitude in a lyric tune: ...
— Sally of Missouri • R. E. Young
... barbarous state of our Theatre, such a performance as Gorboduc must have been hailed as not only a novelty but a wonder. It was the first piece composed in English on the ancient tragic model, with a regular division into five acts, closed by lyric choruses. ...
— Memoirs of the Court of Queen Elizabeth • Lucy Aikin
... during the twelfth and thirteenth centuries, the Minnesingers, or lyric poets, flourished. They were the "Troubadours of Germany." For the most part, refined and tender and chivalrous and pure, the songs of these poets tended to soften the manners and lift the hearts of ...
— A General History for Colleges and High Schools • P. V. N. Myers
... as an introduction to the reading and study of French lyric poetry. If it contributes toward making that poetry more widely known and more justly appreciated its ...
— French Lyrics • Arthur Graves Canfield
... age of Italian poetry, which now followed at the end of the fifteenth century, as well as the Latin poetry of the same period, is rich in proofs of the powerful effect of nature on the human mind. The first glance at the lyric poets of that time will suffice to convince us. Elaborate descriptions, it is true, of natural scenery are very rare, for the reason that, in this energetic age, the novels and the lyric or epic poetry had something else to deal with. Bojardo and Ariosto paint nature vigorously, but as briefly as ...
— The Great Events by Famous Historians, Volume 07 • Various
... failed," Hennibul declared, smiling. "Come to supper at the Savoy to-night. The two new American girls from the Lyric and St. John Lyttleton are to be there. Moderately respectable, I believe, but ...
— A Prince of Sinners • E. Phillips Oppenheim
... you can haf all your wishes," asserted the Professor, still in the German lyric strain over his triumph. "It iss the box of enchantments. You haf but to will the change you would haf taig place—it iss done. The substance of ...
— The Mystery • Stewart Edward White and Samuel Hopkins Adams
... first introduced the Pastoral, and Virgil and Pope brought it to its perfection; that Gray and Mason (who always hunt in couples in George's brain) have shown a great deal of poetical fire in their lyric poetry; that Aristotle's rules are not to be servilely followed, which George has shown to have imposed great shackles upon modern genius. His poems, I find, are to consist of two vols., reasonable octavo; and a third ...
— The Best Letters of Charles Lamb • Charles Lamb
... then humanity, and at last himself. With him, as with all others, the great paradox and the great definition of life was this, that the ambition narrows as the mind expands. In Dramatic Lyrics he discovered the one thing that he could really do better than any one else—the dramatic lyric. The form is absolutely original: he had discovered a new field of poetry, and in the centre of that ...
— Robert Browning • G. K. Chesterton
... sculpture embraces all types from the playful to the very serious, it is foolish to try to appreciate the whole series at one time. Perhaps the best way is to start first to familiarize oneself with the smaller bronzes of the purely lyric type, the charming garden figures, sun-dials, and miniature fountains, that make up such an attractive part of the collection. Note how often the names of Edward Berge, Janet Scudder and Anna Coleman Ladd recur in connection ...
— An Art-Lovers guide to the Exposition • Shelden Cheney
... the first complete edition of Sidney Lanier's poems — published three years after the poet's death — predicted with confidence that Lanier would "take his final rank with the first princes of American song." Anticipating the appearance of this volume, one of the best of recent lyric poets, who had been Lanier's fellow prisoner during the Civil War, prophesied that "his name to the ends of the earth would go." Indeed, there was a sense of surprise to those who had read only the 1877 edition of Lanier's poems, ...
— Sidney Lanier • Edwin Mims
... have travelled in France but must frequently have heard proverbial allusion made to a certain monarch of Yvetot; and still fewer must be those who, having the slightest knowledge of French literature, are unacquainted with Beranger's happy lyric— ...
— Chambers's Edinburgh Journal, No. 458 - Volume 18, New Series, October 9, 1852 • Various
... announcement of the minister of religion and the archbishop, and is especially given to news of an ecclesiastical character. Its most prominent writer is Dr. C.D. af Wirsen, one of "the immortal eighteen" of the Swedish Academy and a lyric poet of reputation. ...
— Norwegian Life • Ethlyn T. Clough
... the self-reliant force By which his way he told, Nor of the Midas-touch that turn'd All enterprise to gold, And made the indignant River yield Unto the ozier'd plain,— For these would ask a wider range Than waits the lyric strain: ...
— Man of Uz, and Other Poems • Lydia Howard Sigourney
... healthy, and, some will add, unspoiled; but poetry must be judged by the nicer and more exacting standard, just as all other of the fine arts must. I wonder if you have ever read what is probably the most perfect lyric ever written by an American? I am going to set it down here as an example of what poetry can be, and I want you to compare your favorite poems, whatever they may be, with it. It is by Edgar ...
— American Men of Mind • Burton E. Stevenson
... no longer the evil sensuality, loose construction, formlessness, and drunken peasant dances of Tchaikovsky; but a blending of Wagner, Brahms, Liszt—and the classics. Oh, Strauss, Richard, knows his business! He is a skilled writer. He has his chamber-music moments, his lyric outbursts; his early songs are sometimes singable; it is his perverse, vile orgies of orchestral music that I speak of. No sane man ever erected such a mad architectural scheme. He should be penned behind ...
— Old Fogy - His Musical Opinions and Grotesques • James Huneker
... Artist; which still is not the highest Genius—witness Shakespeare, Dante, AEschylus, Calderon, to the contrary. Burns assuredly had more Passion than the Frenchman; which is not Genius either, but a great Part of the Lyric Poet still. What Beranger might have been, if born and bred among Banks, Braes, and Mountains, I cannot tell: Burns had that advantage over him. And then the Highland Mary to love, amid the heather, as compared to Lise the Grisette in ...
— Letters of Edward FitzGerald to Fanny Kemble (1871-1883) • Edward FitzGerald
... again seeing by chance the forest of Fontainebleau, and about the same time casually encountering Madame Sand, he poured forth his "Souvenir," a poem of matchless sweetness and beauty, vibrating with feeling and most musical in expression—an exquisite combination of lyric and elegy. ...
— Lippincott's Magazine of Popular Literature and Science, October, 1877, Vol. XX. No. 118 • Various
... opinions as to Thomas Moore's greatness, but there can scarcely be two as to his lyric gift. He could write charming love-songs, simple and yet full of colour, and, given the Oriental theme, it is no wonder that youths and maidens of his day sighed and smiled over "Lalla Rookh" as over nothing that had yet been written for them. It is a delightful tale, half-prose and half-poetry, ...
— Greenwich Village • Anna Alice Chapin
... some extent, however small, made its title clear. The Scotch have their born ballads, subtly expressing their past and present, and expressing character. The Irish have theirs. England, Italy, France, Spain, theirs. What has America? With exhaustless mines of the richest ore of epic, lyric, tale, tune, picture, etc., in the Four Years' War; with, indeed, I sometimes think, the richest masses of material ever afforded a nation, more variegated, and on a larger scale—the first sign of proportionate, native, ...
— Complete Prose Works - Specimen Days and Collect, November Boughs and Goodbye My Fancy • Walt Whitman
... explain satisfactorily what the "pea-vine" was. His "Ring around and shake a leg, ma lady," was a triumph in the lyric line. ...
— The Great White Tribe in Filipinia • Paul T. Gilbert
... encounters in this degenerate age. Well, her next essay in creative composition is my supper, which will be an equally spirited impromptu. To-morrow she will darn and sew me an epic; and her desserts will continue to be in the richest lyric vein. Such, sir, are the poems of Lisa, all addressed to me, who came so near ...
— Jurgen - A Comedy of Justice • James Branch Cabell
... wait. You sing it for us now, then after dinner we can all sing it. [She picks up guitar and thrusts it at him.] Come on, Lyric Writer, ...
— Class of '29 • Orrie Lashin and Milo Hastings
... been good friends at heart," she resumed, "because she used to sing his songs. Ah, how did it go?" and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father's which had been set to an absurdly and charmingly sentimental air by some ...
— Night and Day • Virginia Woolf
... Even his most charming story, "Erec et Enide," carries chiefly a moral of courtesy. His is poet-laureate's work, says M. Gaston Paris; the flower of a twelfth-century court and of twelfth-century French; the best example of an admirable language; but not lyric; neither strong, nor deep, nor deeply felt. What we call tragedy is unknown to it. Christian's world is sky-blue and rose, with only enough red to give it warmth, and so flooded with light that even its mysteries count only by ...
— Mont-Saint-Michel and Chartres • Henry Adams
... "Idyls of the King," and see what beautiful beadrolls of names he can string together from the rough Cornish and Devon coasts. Only out of a poetic-hearted people are poets born. The peasant writes ballads, though scholars and antiquaries collect them. The Hebrew lyric fire blazed in myriad beacons from every landmark. The soil of Palestine is trodden, as it were, with the footsteps of God, so eloquent are its mountains and hamlets with these records of a ...
— Atlantic Monthly, Vol. 5, No. 30, April, 1860 • Various
... another most very young men in love have found themselves in that condition, and have tormented themselves to the verge of fever and distraction over imaginary hurts and wrongs. Was there ever a true lyric poet who did not at least once in his early days believe himself the victim of a heartless woman? And though long afterwards fate may have brought him face to face with the tragedy of unhappy love, fierce with passion and terrible with violent death, can he ever quite forget ...
— Marietta - A Maid of Venice • F. Marion Crawford
... sometimes fell upon the earth And those who saw it wept with joy and fright. "Thou art Apollo, than the sun more bright!" They cried. "Our music is of little worth, But thrill our blood with thy creative mirth Thou god of song, thou lord of lyric might!" ...
— Main Street and Other Poems • Alfred Joyce Kilmer
... poem, — and Mrs. Lanier has wisely put it as an appendix to her edition of the poems, — but as the words of a musical composition to be rendered by a large orchestra and chorus. It compares, therefore, with a lyric very much as one of the librettos of a Wagner drama would compare with a genuine drama. It serves merely to give the ideas which were to be interpreted emotionally through the forms of music. Lanier knew well the requirements of an orchestra. He knew the effect of contrasts and of short, simple ...
— Sidney Lanier • Edwin Mims
... fool, he will stay and stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the ...
— The Sport of the Gods • Paul Laurence Dunbar
... to the critics, is the most soft and pleasing of our lyric measures. With the slight change of setting a capital at the head of each line, it becomes the regular ballad-metre of our language. Being also adapted to hymns, as well as to lighter songs, and, more particularly, to quaint details of no great ...
— The Grammar of English Grammars • Goold Brown
... that of the compilers of the various sets of proverbial sayings. It is apparently due to an intellectual movement, perhaps not uninfluenced by Greek thought, and chronologically the latest of the elements composing the Old Testament scriptures. In place of the lyric fervour of prophets, and the devout intuition of psalmists, we have the praise of Wisdom. But that noble portrait is no copy of the Greek conception, but contains features peculiar to itself. She stands opposed to blatant, meretricious Folly, ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... nowhere else in his work, likens Lincoln to a tree so mighty that its branches reach the heavens and its roots the primal rock and nations of men may rest in its shade; Edgar Lee Masters, whose work is full of the shadow and light of Lincoln, has made his most moving lyric an epitaph upon Ann Rutledge, the girl Lincoln loved and lost; and Vachel Lindsay, in Lincoln's own Springfield, during the World War thought of him as so stirred even in death by the horrors which then alarmed the universe that he could not sleep but walked ...
— Contemporary American Novelists (1900-1920) • Carl Van Doren
... subdivided into sundry more special denominations; the most notable be the heroic, lyric, tragic, comic, satyric, iambic, elegiac, pastoral, and certain others; some of these being termed according to the matter they deal with; some by the sort of verse they like best to write in; for, indeed, the greatest part of poets have apparelled their poetical inventions in that numerous kind ...
— A Defence of Poesie and Poems • Philip Sidney
... supporters in the latter: and when the Spartans destroyed and sacked the city of Thebes, they spared the house that had been inhabited by PINDAR, in respect to that great poet's memory. TERPANDER too, a lyric poet and musician is related by AElian to have appeased a tumult at Sparta by the sweetness of his notes and the fire of his poetry. They would not, however, endure either poetry or music which did not breathe exalted sentiment, and produce ...
— The Mirror of Taste, and Dramatic Censor, Vol. I, No. 5, May 1810 • Various
... affect Una? 10. Note the teachings in xxiii (prayer), xxiv (absolution), and xxv (mortification of the flesh). 11. Observe that Faith teaches the Knight his relations to God; Charity, those to his fellow-men. 12. Explain the lyric note in l. 378. 13. Give an account of the knight's visit to the Hill of Contemplation. Explain the allegory. 14. Find a stanza complimentary to Queen Elizabeth. 16. What prophecy ...
— Spenser's The Faerie Queene, Book I • Edmund Spenser
... Bion (p. 63), 'Sleep no more, Venus:... 'tis Misery calls,' &c.; but here the phrase, ''Tis Misery calls,' is Shelley's own. He more than once introduces Misery (in the sense of Unhappiness, Tribulation) as an emblematic personage. There is his lyric named Misery, written in 1818, ...
— Adonais • Shelley
... for fame? Eh? Nothing: you are intolerably lazy—and what is worse, it is your fate. Beginnings are insuperable barriers to you. What about that great work on The National Debt? What about that little lyric on Winchelsea that you thought of writing six years ago? Why are the few lines still in your head and not on paper? Because you can't begin. However, never mind, you can't help it, it's your one great flaw, and it's fatal. Look at Jones! Younger than you by half ...
— The Path to Rome • Hilaire Belloc
... economically collected by the musician. Being ignorant of the rare value of his museum, he went from house to house, giving private lessons in harmony. This lack of knowledge proved his ruin afterwards, for he became all the more fond of paintings, stones and furniture, as lyric glory was denied him, and his ugliness, coupled with his supposed poverty, kept him from getting married. The pleasures of a gourmand replaced those of the lover; he likewise found some consolation for his isolation ...
— Repertory Of The Comedie Humaine, Complete, A — Z • Anatole Cerfberr and Jules Franois Christophe
... another—was born. Athens was crowned with marvellous temples, whose exquisite proportions amaze and charm us to-day—inimitable creations of beauty. Homer came, and then epic poetry was born. AEschylus and tragedy came; Pindar and the lyric song; Theophrastus and pastoral music; Anacreon and the strain which bears his special name. And so Phidias and his companions created sculpture, Herodotus history, Demosthenes oratory, Plato and Aristotle philosophy, Zeuxis painting, and Pericles statesmanship. ...
— Orthodoxy: Its Truths And Errors • James Freeman Clarke
... form became again distinctively a personal choice. Finally, in the spontaneous utterance of a national spirit on broad lines, as in the later Russian and Finnish examples, with the various phases of surging resolution, of lyric contemplation and of rollicking humor, the symphony has its best ...
— Symphonies and Their Meaning; Third Series, Modern Symphonies • Philip H. Goepp
... praise rendered to the scintillating beauties of this book, there is perhaps, none more impressive than that of Barbey d'Aurevilly, an illustrious literary man of a long and generous patrician lineage. His comment, kindled with lyric enthusiasm, is illuminating. It far surpasses the usual narrow conception of technical subjects. Confessing his professional ignorance in matters of war, his sincere eulogy of the eloquent amateur is therefore ...
— Battle Studies • Colonel Charles-Jean-Jacques-Joseph Ardant du Picq
... reign,—it has no direct reference to Jesus. Compilers of hymn-books have sought to rectify what they deem a lapse in Christian spirit by the substitution of a verse begining "Christ alone beareth me." But the quality of the interpolated verse is so inferior to the lyric itself that it has not found general acceptance. Others, again, with an excess of zeal, have endeavored to substitute "the Cross" for "a ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... the piano rhapsodist, the piano mind, the piano soul is Chopin," said Rubinstein. "Tragic, romantic, lyric, heroic, dramatic, fantastic, soulful, sweet, dreamy, brilliant, grand, simple, all possible expressions are found in his compositions and all are sung by ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... that if the author of the lyric was not describing Indian squaws when he alluded to the 'scowling' females whose 'nimble poignards dare the day,' he certainly ought to have been. But the allusion to 'the bows,' settles the matter. Bows and arrows are not used in the confederate army, though they ...
— The Continental Monthly, Vol. 2 No 4, October, 1862 - Devoted To Literature And National Policy • Various
... attempt in this place to say anything particular of your lyric poems, though they are the delight and wonder of the age, and will be the envy of the next. The subject of this book confines me to satire; and in that an author of your own quality, whose ashes I will not disturb, has given you all the commendation which his self- sufficiency could afford to any ...
— Discourses on Satire and Epic Poetry • John Dryden
... laborious in the mere texture of his verse. It is rational to argue that if the poetic, inspiration is not vital enough to find an immediate expression it is not true enough to make it worth while to remould and recast it. It would seem—judging by results—that Dr. Macdonald's conception of a lyric is of something wholly spontaneous. Be this as it may, the poetic cast of his mind is revealed in his prose with greater freedom and a completer charm than in his verse. The best of him is the atmosphere he carries. It is not possible to read his books and not to know him for a brave, ...
— My Contemporaries In Fiction • David Christie Murray
... Champs, which Thackeray described in The Ballad of Bouillabaisse; Maire's, in the boulevard St.-Denis, which dates back beyond 1850; the Cafe Madrid, in the boulevard Montmartre, of which Carjat, the Spanish lyric poet, was an attraction; the Cafe de la Paix, in the boulevard des Capucines, the resort of Second Empire Imperialists and their spies; the Cafe Durand, in the place de la Madeleine, which started on ...
— All About Coffee • William H. Ukers
... that turns the very stones along life's road to precious gems of thought; whose gift it is to find speech in dumb things and eloquence in the ideal half of the living world; to whom sorrow is a melody and joy sweet music; to whom the humblest effort of a humble life can furnish an immortal lyric, and in whom one thought of the Divine can inspire a sublime hymn. Another stoops and takes a handful of clay from the earth, and with the pressure of his fingers moulds it to the reality of an unreal image seen in dreams; or, standing before the vast, rough ...
— The Witch of Prague • F. Marion Crawford
... first made writing easily an art; first shewed us to conclude the sense, most commonly in distichs, which, in the verse of those before him, runs on for so many lines together, that the reader is out of breath to overtake it. This sweetness of Mr Waller's lyric poesy was afterwards followed in the epic by Sir John Denham, in his Cooper's-Hill, a poem which, your Lordship knows, for the majesty of the style, is, and ever will be, the exact standard of good writing. But if we owe the invention of it to Mr Waller, ...
— The Works of John Dryden, Vol. II • Edited by Walter Scott
... this very hotel, but, alas! he is now gone, who sang (from morning to night, as my informant said with a shrug at the recollection) what but 'S IST LANGE HER, the German version of Auld Lang Syne; so you see, madame, the finest lyric ever written will make its way out of whatsoever corner of patois it found ...
— The Letters of Robert Louis Stevenson - Volume 1 • Robert Louis Stevenson
... some occurrence or other, and are impromptu songs readily set to the music of wind or string instruments, so that any one who is not cognisant of their gist cannot appreciate the beauties contained in them. So you are not likely, I fear, to understand this lyric with any clearness; and unless you first peruse the text and then listen to the ballad, you will, instead of pleasure, feel as if you were chewing wax (devoid of ...
— Hung Lou Meng, Book I • Cao Xueqin
... I have some slight control, But deem her of a feeble soul That doth not love my naked sword Above my sweetest lyric word," ...
— Among My Books • James Russell Lowell
... cynic rather than a poet, and his natural dryness and sarcastic severity would have been unpleasing, had not he qualified them, by adopting the extravagant humour of Lueian and Rabelais—Prior, lively, familiar, and amusing—Rowe, solemn, florid, and declamatory—Pope, the prince of lyric poetry; unrivalled in satire, ethics, and polished versification—the agreeable Parnel—the wild, the witty, and the whimsical Garth—Gay, whose fables may vie with those of La Fontaine, in native humour, ease, and simplicity, and whose genius for pastoral was truly original. Dr. Bentley stood ...
— The History of England in Three Volumes, Vol.II. - From William and Mary to George II. • Tobias Smollett
... Man of Ross I 'll daily sing, With vocal note and lyric string, And duly, when I 've drank the king, He 'll be my second toss. May Heaven its choicest blessings send On such a man, and such a friend; And still may all that 's good attend The ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... an introduction to the reading and study of French lyric poetry. If it contributes toward making that poetry more widely known and more justly appreciated its purpose ...
— French Lyrics • Arthur Graves Canfield
... the loser. Not in its relations with the world, fair or ill—such, like all external things, are important only as we take them: but in its diminished capacity to feel greatly and tenderly, in its added numbness, in its less noble beat. It was thus that the cor cordium lost what no lyric passion, no triumphant exultation of success, could ...
— Prose Fancies • Richard Le Gallienne
... of the soul. The voice of the two Pitts was the same voice, we have been told—a deep, rich, cultivated lyric-barytone. It was a trained voice, a voice that came from a full column of air, that never broke into a screech, rasping the throat of the speaker and the ear of the listener. It was the natural voice carefully developed by right use. The power of Pitt lay in his cold, calculating ...
— Little Journeys to the Homes of the Great, Volume 7 - Little Journeys to the Homes of Eminent Orators • Elbert Hubbard
... "blotted out all joy from his life and made him long for death, in spite of his feeling that he was in some measure a help and comfort to his sister." Under the influence of this great sorrow he wrote The Two Voices, Ulysses, "Break, Break, Break," and began that exquisite series of lyric poems, afterwards joined together in the In Memoriam. His friendship for Hallam remained throughout life with him as one of his most ...
— Selections from Wordsworth and Tennyson • William Wordsworth and Alfred Lord Tennyson
... orchises. Climbing the staircase paths beside the falls in morning sunlight, or stationed on the points of vantage that command their successive cataracts, we enjoyed a spectacle which might be compared in its effect upon the mind to the impression left by a symphony or a tumultuous lyric. The turbulence and splendour, the swiftness and resonance, the veiling of the scene in smoke of shattered water-masses, the withdrawal of these veils according as the volume of the river slightly shifted in its fall, the rainbows shimmering on the silver spray, the shivering ...
— New Italian sketches • John Addington Symonds
... say nothing of "Fidelio," or "Oberon," or "Freischuetz," they have not the organization for it, have not the chorus, the secondary singers, the artists who know and love the music; it will not pay, and so forth. Our Academies must justify their name and be domestic institutions, permanent lyric organizations, before we can call in singers to illustrate an opera, instead of worn-out operas to ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... and critics have been unanimous in their praise of this exquisite lyric, which, had she written nothing more, would alone have been amply sufficient to vindicate Aphara Behn's genius and immortality. It was a great favourite with Swinburne, who terms it 'that melodious and magnificent song'; Mr. Bullen is warm in its praise, whilst Professor ...
— The Works of Aphra Behn, Vol. II • Aphra Behn
... a perfect harmony of the two; in him alone do we find a grace of language like the beauty of a Greek statue, in which there is nothing to add or to take away; at least this is true of single plays or of large portions of them. The connection in the Tragic Choruses and in the Greek lyric poets is not unfrequently a tangled thread which in an age before logic the poet was unable to draw out. Many thoughts and feelings mingled in his mind, and he had no power of disengaging or arranging them. ...
— The Republic • Plato
... a large district in the south of Invernesshire, having Ben Nevis and other Grampian heights within its compass. It is a classic name in Scottish literature owing to Allan Ramsay's plaintive lyric, 'Lochaber no more.' ...
— Marmion • Sir Walter Scott
... turn their heads to look at her. She has the appeal of a folk-song And her cheap clothes are always in rhythm. When the strike was on she gave half her pay. She would give anything—save the praise that is hers And the love of her lyric body. ...
— The Ghetto and Other Poems • Lola Ridge
... only scholar questioning the basis of the canon; indeed, revisionism is fast becoming one of the more ingenious—and useful—parlor games among academics. Modern readers are no longer so squeamish about obscenity nor so uncomfortable with the purely personal lyric as were the editors at the end of the eighteenth century. And we are hardly likely to find poetry written by women objectionable on that score alone. In short, the anthologies we depend upon are ...
— The Merry-Thought: or the Glass-Window and Bog-House Miscellany - Parts 2, 3 and 4 • Hurlo Thrumbo (pseudonym)
... like Barty to begin a lyric that will probably last as long as the English language with an innocent jingle worthy of ...
— The Martian • George Du Maurier
... in a new walk of poetry; but in the then barbarous state of our Theatre, such a performance as Gorboduc must have been hailed as not only a novelty but a wonder. It was the first piece composed in English on the ancient tragic model, with a regular division into five acts, closed by lyric choruses. ...
— Memoirs of the Court of Queen Elizabeth • Lucy Aikin
... by "The Buffalo Battery," a rollicking lyric known to all Anglo-India from Peshawur to Tuticorin. The air is the familiar one of the "Hen Convention," and the opening ...
— The Wings of the Morning • Louis Tracy
... and helped to confuse one another. He might be compared to a builder engaged in some great design, who could only dig with his hands because he was unprovided with common tools; or to some poet or musician, like Tynnichus (Ion), obliged to accommodate his lyric raptures to the limits of the tetrachord ...
— Timaeus • Plato
... the style of his letters and prose compositions, which have the air of being uttered from the heart. The excellences and defects of his poetry, soaring to the height of song and sinking into frigidity or baldness when the lyric impulse flags, reveal a similar quality. In conduct this spontaneity assumed a form of inconsiderate rashness, which brought him into collision with persons of importance, and rendered universities and Courts, the sphere of his ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds
... Yes, yes, Vera. You bring back my sunnier self. I must be a pioneer on the lost road of happiness. To-day shall be all joy, all lyric ecstasy. [He takes up his violin.] Yes, I will make my old fiddle-strings burst with joy! [He dashes into a jubilant tarantella. After a few bars there is a knock at the door leading from the hall; their ...
— The Melting-Pot • Israel Zangwill
... The grey and sparkling crags. The breath of morn Still lingers in the valley; but the bee With restless passion hovers on the wing, Waiting the opening flower, of whose embrace The sun shall be the signal. Poised in air, The winged minstrel of the liquid dawn, The lark, pours forth his lyric, and responds To the fresh chorus of the sylvan doves, The stir of branches and the fall of streams, ...
— Venetia • Benjamin Disraeli
... I slipped once more From lyric dawn through dreamland's open door, And there was God, Eternal Life that sings, Eternal joy, brooding all mortal things, A nest ...
— The Second Book of Modern Verse • Jessie B. Rittenhouse
... a trifle shaken by reason of the sudden tensity which had crept into the atmosphere, she repeated the brief lyric: ...
— The Moon out of Reach • Margaret Pedler
... is Our purpose to inflame Our soldiers' arteries with lust of fame; To give them something in the lyric line That shall be tantamount to fumes of wine, Yet not too heady, like the champagne (sweet) That lately left them dormant in the street, So that the British, coming up just then, Took them for swine and not ...
— Punch, or the London Charivari, Vol. 147, September 30, 1914 • Various
... and extremely healthy. They should have music always at their meals. The theatre, entirely remodelled and reformed, and, under a minister of state, should be an important element of education. I should not object to the recitation of lyric poetry. That is enough. I would not have a book in the house, or even see ...
— Lothair • Benjamin Disraeli
... are my bread and honey, set among A grove of spice; An ever brimming cup; a lyric sung ...
— Ptomaine Street • Carolyn Wells
... point unguarded, never allows himself to be caught in undress. Thoreau spurns this punctiliousness, and thus impairs his average execution; while for the same reason he attains, in favored moments, a diction more flowing and a more lyric strain than his teacher ever allows himself, at least in prose. He also secures, through this daring, the occasional expression of more delicate as well as more fantastic thoughts. And there is an interesting passage in these letters where he rather unexpectedly recognizes ...
— The Atlantic Monthly, Volume 16, No. 96, October 1865 • Various
... "he's a daisy," and remarks, appropriately enough, "that this was well enough for 1898; but we would now be more inclined to render it 'he's a peach.'" Again, Peck renders "illud erat vivere" by "that was life," but, in the words of our lyric American jazz, we would be more inclined to render it "that was the life." "But," as Professor Gaselee has said, "no rendering of this part of the Satyricon can be final, it must always be in ...
— The Satyricon, Complete • Petronius Arbiter
... was timid only in repose. Once excited, he burst forth, a sort of mirth accentuated his enthusiasm, and he was at once both laughing and lyric. ...
— Les Miserables - Complete in Five Volumes • Victor Hugo
... other than that illustrious personage, whose shining countenance may be beheld many a night, clouds and fogs permitting, beaming good-naturedly on the dark earth, and singing, in the language of a lyric bard, ...
— Moon Lore • Timothy Harley
... us follow him as he rides thither on his bob-tailed mule (Sat. I, vi, 104), the heavy saddlebags across its loins stored with scrolls of Plato, of the philosopher Menander, Eupolis the comedian, Archilochus the lyric poet. His road lies along the Valerian Way, portions of whose ancient pavement still remain, beside the swift waters of the Anio, amid steep hills crowned with small villages whose inmates, like the Kenites of Balaam's rhapsody, put their nests in rocks. A ride of twenty-seven miles ...
— Horace • William Tuckwell
... welcome to those who never saw him in his modest kurtka of 1814. These and those will be surprised in the botanizing, circumnavigating—the once well-appointed Royal Prussian officer, in the historiographer of the illustrious Peter Schlemihl, to discover a lyric whose poetical heart is rightly fixed, whether he ...
— Peter Schlemihl • Adelbert von Chamisso
... coming in full choir upon the wind, and fancied that, if moonlight could be heard, it would sound just like that. Finally, he took a draught at the Shaker spring, and, as if it were the true Castalia, was forthwith moved to compose a lyric, a Farewell to his Harp, which he swore should be its closing strain, the last verse that an ungrateful world should have from him. This effusion, with two or three other little pieces, subsequently written, he took the first opportunity to send, by one of the Shaker brethren, to ...
— The Snow Image • Nathaniel Hawthorne
... with "One Thousand and One Afternoons." The prefacer confesses failure. It is the turn of the reader. He may welcome the sketches in book form; he may turn scornfully from them and leave them to moulder in the stock-room of Messrs. Covici-McGee. To paraphrase an old comic opera lyric: ...
— A Thousand and One Afternoons in Chicago • Ben Hecht
... Poetry was therefore concerned in early times entirely with things of the spirit. It dealt with persons, and with them alone. It celebrated epic actions, recorded sagacious judgments, or uttered in lyric song emotions primarily felt by an individual, yet interpreting the common lot of man. But there has occurred a great change in poetry too, a change notable during the last century but initiated long before. Poetry ...
— The Nature of Goodness • George Herbert Palmer
... legends in praise of their deeds. As the hymn developed, the chorus and strophe were dropped, and the narrative only was preserved. The word "epic" was used simply to distinguish the narrative poem, which was recited, from the lyric, which was sung, and from ...
— National Epics • Kate Milner Rabb
... This admirable lyric seemed to have perfect success, if one were only to judge from the thundering of voices, hands, and drinking vessels which followed; while a venerable, gray-haired sergeant rose to propose Mr. Free's health, and speedy ...
— Charles O'Malley, The Irish Dragoon, Volume 1 (of 2) • Charles Lever
... day. Take Tennyson's "Idyls of the King," and see what beautiful beadrolls of names he can string together from the rough Cornish and Devon coasts. Only out of a poetic-hearted people are poets born. The peasant writes ballads, though scholars and antiquaries collect them. The Hebrew lyric fire blazed in myriad beacons from every landmark. The soil of Palestine is trodden, as it were, with the footsteps of God, so eloquent are its mountains and hamlets with these records of ...
— Atlantic Monthly, Vol. 5, No. 30, April, 1860 • Various
... of its literature shows more striking proof of the common life and interests of Mediaeval Europe than does the lyric poetry of the period. In Northern France, in Provence, in all parts of Germany, in Italy, and a little later in Spain, we see a most remarkable outburst of song. The subjects were the same in all the countries. Love-the love of feudal chivalry—patriotism, ...
— Song and Legend From the Middle Ages • William D. McClintock and Porter Lander McClintock
... apparent sincerity that it is impossible to tell in what direction his genius will develop. In whatever style he writes,—the mystical, the historical-dramatic, the impassioned description of natural beauty, the ballad, the love lyric,—he has the peculiarity of seeming in each style to have found the ...
— The Unicorn from the Stars and Other Plays • William B. Yeats
... soul, no talent acquired by loving exertion, but something extrinsic, unavoidable, and unmeritorious. Why was it so? Why should fate treat Milly like a godchild? Why should she have prettiness, and adorableness, and the lyric gift, and such abounding confident youth? Why should circumstances fall out so that she could meet her unacknowledged lover openly at all seasons? Leonora's eyes wandered to the figure of Ethel reclining with shut eyes in the arm-chair. Ethel in her graver and more diffident ...
— Leonora • Arnold Bennett
... as I remember it, a most exquisite night—a white poem, a frosty, starry lyric of light. It was one of those nights on which one might fall asleep and dream happy dreams of gardens of mirth and song, feeling all the while through one's sleep the soft splendour and radiance of the white moon-world outside, as one hears soft, far-away music ...
— The Golden Road • Lucy Maud Montgomery
... poetry of this opera is not much above that ordinary kind, to which music is so often doomed to be wedded—making up by her own sweetness for the dulness of her help-mate—by far the greater number of the songs are full of beauty, and some of them may rank among the best models of lyric writing. The verses, "Had I a heart for falsehood framed," notwithstanding the stiffness of this word "framed," and one or two other slight blemishes, are not unworthy of living in recollection with the matchless air to ...
— Memoirs of the Life of the Rt. Hon. Richard Brinsley Sheridan V1 • Thomas Moore
... ominous hum from the operating-rooms, the 1921 "Literary Digests," and the silent, sullen, group of waiting patients, each trying to look unconcerned and cordially disliking everyone else in the room,—all these have been sung by poets of far greater lyric powers than mine. (Not that I really think that they are greater than mine, but that's the customary form of excuse for not writing something you haven't got time or space to do. As a matter of fact, I think I could do it much better than it ...
— Love Conquers All • Robert C. Benchley
... self-reliant force By which his way he told, Nor of the Midas-touch that turn'd All enterprise to gold, And made the indignant River yield Unto the ozier'd plain,— For these would ask a wider range Than waits the lyric strain: ...
— Man of Uz, and Other Poems • Lydia Howard Sigourney
... above apostrophe to War in a Phi Beta Kappa poem of long ago, which we liked better before we read Mr. Cutler's beautiful prolonged lyric delivered at the recent anniversary of ...
— Pages From an Old Volume of Life - A Collection Of Essays • Oliver Wendell Holmes, Sr.
... Fair," and "The Devil is an Ass," which was written too late. It included likewise a book of some hundred and thirty odd 'Epigrams', in which form of brief and pungent writing Jonson was an acknowledged master; "The Forest," a smaller collection of lyric and occasional verse and some ten 'Masques' and 'Entertainments'. In this same year Jonson was made poet laureate with a pension of one hundred marks a year. This, with his fees and returns from several noblemen, and the small earnings of his plays must have ...
— Every Man In His Humor - (The Anglicized Edition) • Ben Jonson
... an outlander—with the hate of an Italian for a woman who works with her brain—with the hate of an Italian who sees another taking the bread out of his mouth. All this, coupled with the fact that your Italian is a natural-born hater, may indicate that the life of Mary Gowd had not the lyric lilt that life is commonly reputed to have ...
— Cheerful—By Request • Edna Ferber
... but for the elevation of these into the realm of magic, into the upper air of spontaneous spiritual activity, his imagination has, for the romantic imagination which it is, a trifle too much self-possession—too much sanity, if one chooses. He has the ambitions, the faculties, of a lyric poet, and he gives us ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell
... was so prodigal of bon-mots; or that the opposite party had right or justice on their side, whose pleadings were as uninteresting as a sermon. But Beaumarchais was not the only author who owed his notoriety to his legal proceedings. One of the great lyric poets of France, who is placed by his countrymen upon the same level as Pindar—Denis Leonchard Lebrun—was the town-talk for several years, during his action against his wife for the restitution of conjugal rights. And as his ...
— Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various
... Carols separately. I ought to admit here that the confidence with which I claimed, in my Third Series, a place on the roll for The Jolly Juggler, has abated, and I now consider it to be no more than a narrative lyric without ...
— Ballads of Robin Hood and other Outlaws - Popular Ballads of the Olden Times - Fourth Series • Frank Sidgwick
... his song," {0f} by adopting "a diversity of structure in the metre;" for the lyric comes in occasionally to relieve the solemnity of the heroic, whilst at the same time the latter is frequently capable of being divided into a shorter verse, a plan which has been observed in one of the MSS. used on the present occasion; e. g. the ...
— Y Gododin - A Poem on the Battle of Cattraeth • Aneurin
... earth And those who saw it wept with joy and fright. "Thou art Apollo, than the sun more bright!" They cried. "Our music is of little worth, But thrill our blood with thy creative mirth Thou god of song, thou lord of lyric might!" ...
— Main Street and Other Poems • Alfred Joyce Kilmer
... all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the rest ...
— The Sport of the Gods • Paul Laurence Dunbar
... would hold a second place. They already have their reward, and I say no more of them; but there are other worthy deeds of which no poet has worthily sung, and which are still wooing the poet's muse. Of these I am bound to make honourable mention, and shall invoke others to sing of them also in lyric and other strains, in a manner becoming the actors. And first I will tell how the Persians, lords of Asia, were enslaving Europe, and how the children of this land, who were our fathers, held them back. Of these I will speak first, and ...
— Menexenus • Plato
... only half-humorously disclaims the capacity for lofty themes, but, especially as he grows older and more philosophic, and perhaps less lyric, half-seriously attributes whatever he does to ...
— Horace and His Influence • Grant Showerman
... the parts of this delightful pastoral had been in unison with its many innocent scenes and sweet lyric intermixtures, it had been a poem fit to vie with Comus or the Arcadia, to have been put into the hands of boys and virgins, to have made matter for young dreams, like the loves of Hermia and Lysander. But a spot is on the face of this Diana. Nothing short ...
— The Works of Charles Lamb in Four Volumes, Volume 4 • Charles Lamb
... Love's iteration Seems to warble and to rave; Letters where the pent sensation Leaps to lyric exultation, Like a song-bird ...
— Collected Poems - In Two Volumes, Vol. II • Austin Dobson
... The Lyric Poems are almost all of the light and airy kind, such as trip lightly and nimbly along, without the load of any weighty meaning. From these, however, "Rural Elegance" has some right to be excepted. I once heard it praised by a very learned ...
— Lives of the Poets: Gay, Thomson, Young, and Others • Samuel Johnson
... the shadows lifted from her eyes; and Maurice ceased to remember that he had made a mess of his affairs. But the very next one failed—as far as Louise was concerned—to reach the same level: it was like a flower ever so slightly overblown. The lyric charms that had so pleased her—the dewy freshness of the morning, the solitude, the unbroken sunshine—were frail things, and, snatched with too eager a hand, crumbled beneath the touch. They were not made to stand the wear and tear of repetition. It was also impossible, ...
— Maurice Guest • Henry Handel Richardson
... Greek literature dawned upon Europe, the soil had been in some measure prepared for it. But, to get rid of the details of history, which are always wearisome and usually inaccurate, let us say generally, that the forms of art have been due to the Greek critical spirit. To it we owe the epic, the lyric, the entire drama in every one of its developments, including burlesque, the idyll, the romantic novel, the novel of adventure, the essay, the dialogue, the oration, the lecture, for which perhaps we should not forgive them, and the epigram, ...
— Intentions • Oscar Wilde
... Kentucky birth, and came a child to Ohio; but William H. Lytle, dear to lovers of poetry as the author of the fine lyric, "Antony and Cleopatra," was born in Cincinnati, of the old Scotch-Irish stock, in 1826. He had everything pleasant in life and he enjoyed his prosperity, but when the war came he met its call halfway. At Chickamauga he fell, ...
— Stories Of Ohio - 1897 • William Dean Howells
... chief French lyric poet of the sixteenth century, whose sonnets had considerable ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... There was a difference now—a difference which their discovery by an outsider had made unpleasantly manifest. De Folligny's appearance at Verneuil had made Markham thoughtful, but Olga's intrusion now had paraphrased their pastoral lyric into unworthy prose. Parnassus wept with them, but no amount of weeping could destroy the ugly doggerel as Olga had written it. Their idyl was smirched, the fair robe of Euterpe was trialing in ...
— Madcap • George Gibbs
... a great English poet had rushed down on Venice like a raven on a corpse, to croak out in lyric poetry—the first and last utterance of social man—the burden of a de profundis. English poetry! Flung in the face of the city that had given birth to Italian ...
— Massimilla Doni • Honore de Balzac
... seemed an odd result of fortunate love that the artist, though in every other respect a better man than before, should have become, to all appearances, less zealous, less efficient, in his art. Had Rosamund Elvan the right influence on her lover; in spite of Norbert's lyric eulogy, had she served merely to confuse his aims, perhaps to bring him down to a lower level ...
— Will Warburton • George Gissing
... herself "en rapport" with those around her. Books were her world from her earliest years; in them she literally lost and found herself. She was eleven years old when the War of Succession broke out, which inspired her first lyric outbursts. Her poems and translations written between the ages of fourteen and seventeen were collected, and constituted her first published volume. Crude and immature as these productions naturally were, and utterly condemned by the writer's later judgment, they are, ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... melancholy beauty of the autumn woods, the loveliness of quiet waters under fading skies, the sapphire and emerald glories, or the ominous chantings, of the sea, the benign and mysterious majesty of summer stars, the lyric sweetness of a meadow: these things urged him to musical transcripts, notations of loving tenderness and sincerity. His music is redolent of the breath and odour of woodland places, of lanes and moors and gardens; or it is saturated with salt spray; or it communicates the incommunicable ...
— Edward MacDowell • Lawrence Gilman
... to devote his life to philosophy, again retarded his poetic development. Certainly it held him in leash during the years of adolescent enthusiasms when he might have become a lyric poet of the neoteric school. A Catullus or a Keats must be caught early. Indeed the very dogmas of the Epicurean school, if taken in all earnestness, were suppressive of lyrical enthusiasm. The Aetna shows perhaps the worst effects of Epicurean doctrine in its scholastic ...
— Vergil - A Biography • Tenney Frank
... The song was a lyric of merit. The words were non-sense, as befitted the play, but the music was worthy of something better. Delmars struck into it in a rich tenor that owned a quality that ...
— Whirligigs • O. Henry
... after all his Aholibah, his first love. A crowd gathered. He asked for a doctor. A dozen students ran in a dozen different directions. The tired horse stamped its feet impatiently, and once it whinnied. The coachman lighted his pipe and watched his dying fare. Some wag sang a drunken lyric, and Ambroise repeated ...
— Visionaries • James Huneker
... poems of shipwreck or of mental conflict, we can only wonder at the gift of vivid imagination by which this recluse woman can delineate, by a few touches, the very crises of physical or mental struggle. And sometimes again we catch glimpses of a lyric strain, sustained perhaps but for a line or two at a time, and making the reader regret its sudden cessation. But the main quality of these poems is that of extraordinary grasp and insight, uttered with an uneven vigor sometimes exasperating, ...
— Poems: Three Series, Complete • Emily Dickinson
... are absorbed in their own thoughts; they stand isolated apart, as though the painter wishes to intensify the mood of dreamy abstraction. Nothing disquieting disturbs the scene, which is one of profound reverie. All this points to Giorgione being a man of moods, as we say; a lyric poet, whose expression is highly charged with personal feeling, who appeals to the imagination rather than to the intellect. And so, as we might expect, landscape plays an important part in the composition; ...
— Giorgione • Herbert Cook
... that I first came upon Les Aventures d'Adhelmar de Nointel. This manuscript dates from the early part of the fifteenth century and is attributed—though on no very conclusive evidence, says Hinsauf,—to the facile pen of Nicolas de Caen (circa 1450), until lately better known as a lyric ...
— The Line of Love - Dizain des Mariages • James Branch Cabell
... haul the frozen cod-lines are mostly aliens. The pride that once broke into singing has turned harsh and silent. "Labor" looms vast upon the future political and social horizon, but the songs of labor have lost the lyric note. They have turned into the dramas and tragedies of labor, as portrayed with the swift and fierce insistence of the short story, illustrated by the Kodak. In the great agricultural sections of the West and South the old bucolic sentiment still ...
— The American Mind - The E. T. Earl Lectures • Bliss Perry
... works to be native to India. Although this discussion does not bear directly upon the {14} origin of our numerals, yet it is highly pertinent as showing the aptitude of the Hindu for mathematical and mental work, a fact further attested by the independent development of the drama and of epic and lyric poetry. ...
— The Hindu-Arabic Numerals • David Eugene Smith
... the gate, and walked rapidly in the direction of the Washington monument, which lifted a splendid silhouette against a deep blue background of sky. It was one of those soft, opal-tinted February days which fall like a lyric interlude in the gray procession of winter. The sunshine lay like flowing gold on the pavement; and the breeze that stirred now and then in the leafless boughs of the trees was as roving and provocative as the air of spring. In the winding brick walks of ...
— One Man in His Time • Ellen Glasgow
... other intuitions there is no trace of such a mixture, which proves that it is not necessary. The impression of a moonlight scene by a painter; the outline of a country drawn by a cartographer; a musical motive, tender or energetic; the words of a sighing lyric, or those with which we ask, command and lament in ordinary life, may well all be intuitive facts without a shadow of intellective relation. But, think what one may of these instances, and admitting further that one may maintain that the greater part of the intuitions of civilized ...
— Aesthetic as Science of Expression and General Linguistic • Benedetto Croce
... the works in which he was engaged, particularly 'The Irish Minstrel,' and 'Select Melodies.' Smith was a man of modest worth and superior intelligence; peculiarly delicate in his taste and feeling in everything pertaining to lyric poetry as well as music; his criticisms were strict, and, as some thought, unnecessarily minute. Diffident and retiring, he was not got acquainted with at once, but when he gave his confidence, he was found a pleasant companion ...
— The Modern Scottish Minstrel, Volume IV. - The Songs of Scotland of the Past Half Century • Various
... classic art. Why should the several literary species be impounded each in its separate paddock? Let them mingle at the pleasure of the artist's genius; let the epic and the drama catch what they can of the lyric cry; let tragedy and comedy meet and mix. Why remain in servitude to the models of Greece and Rome? Let all epochs and every clime contribute to the enrichment of art. The primitive age was above all others the age of poetry. The great Christian centuries ...
— A History of French Literature - Short Histories of the Literatures of the World: II. • Edward Dowden
... picture, and is found, on trial, to consist mostly of embellishments. The more I saw of my fellow passengers, the less I was tempted to the lyric note. Comparatively few of the men were below thirty; many were married, and encumbered with families; not a few were already up in years; and this itself was out of tune with my imaginations, for ...
— The Works of Robert Louis Stevenson - Swanston Edition - Vol. 2 (of 25) • Robert Louis Stevenson
... which, can never be recaptured. Take a few typical instances. Coleridge lost the poetical gift altogether when he left his youth behind; Wordsworth wrote all his best poetry in a few early years; Milton lost his pure lyric gift. But the most salient instance of all is Tennyson; in the two earliest volumes there is a perfectly novel charm, a grace, a daring which he lost in later life. He became solemn, mannerised, conscious of responsibility. Sometimes, as in some of the lyrics of ...
— The Silent Isle • Arthur Christopher Benson
... or no space to the specific discussion of epic and drama, as these types are adequately treated in many books. Our own generation is peculiarly attracted by various forms of the lyric, and in Part Two I have devoted especial ...
— A Study of Poetry • Bliss Perry
... are concerned now only with the play as Da Ponte and Mozart gave it to us. In the dramatic terminology of the eighteenth century "Don Giovanni" was a dramma giocoso; in the better sense of the phrase, a playful drama—a lyric comedy. Da Ponte conceived it as such, but Mozart gave it so tragical a turn by the awful solemnity with which he infused the scene of the libertine's punishment that already in his day it was felt that the last scene as written and composed to suit the ...
— A Book of Operas - Their Histories, Their Plots, and Their Music • Henry Edward Krehbiel
... investigation), to put my reader in possession of the facts so unfamiliar to the modern oracles of classical mythology! Briefly, it appears that in the best period of ancient Greece nine Muses were recognised, namely, Calliope, the Muse of epic poetry; Euterpe, of lyric poetry; Erato, of erotic poetry; Melpomene, of tragedy; Thalia, of comedy; Polyhymnia, of sacred hymns; Terpsichore, of choral song and dance; Clio, of history; and Urania, of astronomy. The last two seem to have very little in common with the addiction to singing and dancing characteristic ...
— More Science From an Easy Chair • Sir E. Ray (Edwin Ray) Lankester
... science of music. The eunuchs reached the height of their renown in music, as well as what might be termed their golden era, with the establishment of the Italian opera, in the seventeenth century. At this period all the stages of Italy were the scenes of the lyric triumphs of this otherwise unfortunate class, some of whom accumulated vast fortunes. In the following century, as has been seen, Clement XVI abolished the practice as far as the church was concerned, and in the present ...
— History of Circumcision from the Earliest Times to the Present - Moral and Physical Reasons for its Performance • Peter Charles Remondino
... faithful reproduction of the intention of both poet and composer. This reproduction includes the revelation of the characteristics of the poem itself, whether lyric, dramatic, or in other ways distinctive. It also reveals the musical significance of the composition to which the words are set. The melodic, rhythmic, and even harmonic values must be made clear to the hearer. But interpretation includes ...
— The Renaissance of the Vocal Art • Edmund Myer
... of the new sufferings of an ancient people was the Russian satirist, Shchedrin-Saltykov, and he poured forth his, sentiments in the summer of 1882, after the completion of the first cycle of pogroms, in an article marked by a lyric strain, so different from his usual style. [1] But Shchedrin was the only Russian writer of prominence who responded to the Jewish sorrow. Turgenyev and Tolstoi held their peace, whereas the literary celebrities ...
— History of the Jews in Russia and Poland. Volume II • S.M. Dubnow
... the details of the battle of Copenhagen see Southey's Life of Nelson. That conflict has been celebrated, in a noble lyric, by Campbell— ...
— The History of Napoleon Buonaparte • John Gibson Lockhart
... to the poet Gascoigne, and the elder of our fascinating trio, is conspicuous for an unswerving, whole-hearted attachment to nature and rural scenes. It is in the pastoral lyric where, with tenderest devotion, he pursues, untrammelled, a light and free-born fancy. His fertile, varied muse, laden with the passionate exaggerations of love-lorn swain, is yet charged with richest ...
— Pastoral Poems by Nicholas Breton, - Selected Poetry by George Wither, and - Pastoral Poetry by William Browne (of Tavistock) • Nicholas Breton, George Wither, William Browne (of Tavistock)
... a season brief, The lice among your feathers, Stiff-winged and aimless-eyed, With song dead you shall fall; Refuse of some clotted ditch, Seeking no more berries; Why with lyric numbers now Do you ...
— Miscellany of Poetry - 1919 • Various
... their feast of St. Cecilia: I have been so struck with the subject which occurred to me, that I could not leave it till I had completed it; here it is, finished at one sitting.' And immediately he showed him this Ode, which places the British lyric poetry above that of any other nation."[26] These accounts are not, however, so contradictory as they may at first sight appear. It is possible that Dryden may have completed, at one sitting, the whole Ode, and yet have ...
— The Dramatic Works of John Dryden Vol. I. - With a Life of the Author • Sir Walter Scott
... stories, and whatever else is usually delivered in declamation. At the same time she had contracted an unhappy habit of accompanying what she delivered with gestures, by which, in a disagreeable way, what is purely epic and lyric is more confused than connected ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. II • Editor-in-Chief: Kuno Francke
... interview to young enthusiasts who had listened to Zola unfolding in lyric formula audacious methods, or to the soothing words of Daudet, who scattered with prodigality striking, thrilling ideas, picturesque outlines and brilliant synopses. Maupassant's remarks, in tetes-a-tetes, as in general conversation, were usually current commonplaces and on ordinary ...
— Une Vie, A Piece of String and Other Stories • Guy de Maupassant
... verse, which they could not but have hit on before among the rudiments of grammar; but that sublime art which in Aristotle's Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric, what decorum is, which is the grand masterpiece to observe. This would make them soon perceive what despicable creatures our common rhymers and play-writers be; and show them what religious, what glorious and magnificent use might ...
— The Spectator, Volume 2. • Addison and Steele
... the 1921 "Literary Digests," and the silent, sullen, group of waiting patients, each trying to look unconcerned and cordially disliking everyone else in the room,—all these have been sung by poets of far greater lyric powers than mine. (Not that I really think that they are greater than mine, but that's the customary form of excuse for not writing something you haven't got time or space to do. As a matter of fact, I think I could do it much better than it ...
— Love Conquers All • Robert C. Benchley
... was, as I remember it, a most exquisite night—a white poem, a frosty, starry lyric of light. It was one of those nights on which one might fall asleep and dream happy dreams of gardens of mirth and song, feeling all the while through one's sleep the soft splendour and radiance of ...
— The Golden Road • Lucy Maud Montgomery
... The breath of morn Still lingers in the valley; but the bee With restless passion hovers on the wing, Waiting the opening flower, of whose embrace The sun shall be the signal. Poised in air, The winged minstrel of the liquid dawn, The lark, pours forth his lyric, and responds To the fresh chorus of the sylvan doves, The stir of branches and the fall of ...
— Venetia • Benjamin Disraeli
... irreparable and incalculable loss to English letters by Thomas Nash, the worthiest English precursor of Swift in vivid, pure, and passionate prose, embodying the most terrible and splendid qualities of a personal and social satirist; a man gifted also with some fair faculty of elegiac and even lyric verse, but in nowise qualified to put on the buskin left behind him by the "famous gracer of tragedians," as Marlowe had already been designated by their common friend Greene from among the worthiest of his fellows. In this somewhat thin-spun and evidently hasty play a servile ...
— The Age of Shakespeare • Algernon Charles Swinburne
... Preston, Esq. a young Irish gentleman, of whom Lord Charlemont had become the friend and patron. He afterwards published "Thoughts on Lyric Poetry, with an Ode to the Moon;" an "essay on Ridicule, Wit, and Humour;" and a translation of the Argonautics of Appollonius ...
— Letters of Horace Walpole, V4 • Horace Walpole
... and the young men turn their heads to look at her. She has the appeal of a folk-song And her cheap clothes are always in rhythm. When the strike was on she gave half her pay. She would give anything—save the praise that is hers And the love of her lyric body. ...
— The Ghetto and Other Poems • Lola Ridge
... Song. Poets and critics have been unanimous in their praise of this exquisite lyric, which, had she written nothing more, would alone have been amply sufficient to vindicate Aphara Behn's genius and immortality. It was a great favourite with Swinburne, who terms it 'that melodious ...
— The Works of Aphra Behn, Vol. II • Aphra Behn
... this faculty are probably to be sought in that Shelleian treasury, Prometheus Unbound. It is unquestionably the greatest and most prodigal exhibition of Shelley's powers, this amazing lyric world, where immortal clarities sigh past in the perfumes of the blossoms, populate the breathings of the breeze, throng and twinkle in the leaves that twirl upon the bough; where the very grass is all a-rustle with lovely spirit-things, and ...
— Shelley - An Essay • Francis Thompson
... additional polish, and bring them to the highest possible perfection of which they were susceptible, even had I written them down with the utmost care. Maroncelli did the same, and, by degrees, retained by heart many thousand lyric verses, and epics of different kinds. It was thus, too, I composed the tragedy of Leoniero da Dertona, and ...
— My Ten Years' Imprisonment • Silvio Pellico
... of Ross I 'll daily sing, With vocal note and lyric string, And duly, when I 've drank the king, He 'll be my second toss. May Heaven its choicest blessings send On such a man, and such a friend; And still may all that 's good attend The worthy Man ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... had made upon her verse were continued when she published, in 1812, her third volume of 'Plays on the Passions.' His voice, however, did not diminish the admiration for the character-drawing with which the book was greeted, or for the lyric outbursts occurring now and then in ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 3 • Various
... the most perfect lyric of its kind in the English language. Every verse is worthy of careful study, and it should be read and reread until its exquisite melody is felt and the subtle thoughts which it embodies fully understood. Yet there is little ...
— Six Centuries of English Poetry - Tennyson to Chaucer • James Baldwin
... Roth's stirring "Chariot Race" and St. Gaudens's equestrian statue of General Sherman. Sculpture was profusely used to beautify buildings. Wholly original and charming were the four groups for the Temple of Music: Heroic Music, Sacred Music, Dance Music, and Lyric Music. Perched in every corner were figures ...
— History of the United States, Volume 5 • E. Benjamin Andrews
... drama. Very rarely have dramatic writers, even of the first rank, exhibited powers of equal rate, when out of the precincts of their own art; while, on the other hand, poets of a more general range, whether epic, lyric, or satiric, have as rarely succeeded on the stage. There is, indeed, hardly one of our celebrated dramatic authors (and the remark might be extended to other countries) who has left works worthy of his reputation in any other line; and Mr. Sheridan, perhaps, ...
— Memoirs of the Life of the Rt. Hon. Richard Brinsley Sheridan V1 • Thomas Moore
... masterful on the wing, the child and darling of the summer air, reaping its invisible harvest in the fields of space as if it dined on the sunbeams, touching no earthly food, drinking and bathing and mating on the wing, swiftly, tirelessly coursing the long day through, a thought on wings, a lyric in the shape of a bird! Only in the free fields of the summer air could it have got that steel-blue of the wings and that warm tan of the breast. Of course I refer to the barn swallow. The cliff swallow seems less a child of the sky and sun, probably because its sheen and glow are less, ...
— Under the Maples • John Burroughs
... seemed that the whole-world fabric shook, Thrilled and dissolved in radiant dew; then Brown made him a golden book, Full of the faith that Life is good, that the earth is a dream divinely fair, Lauding his gem of womanhood in many a lyric rich and rare; Took it to Jones, who shook his head: "I will ...
— Rhymes of a Rolling Stone • Robert W. Service
... "Bush Ballads and Galloping Rhymes" Thora's Song "Ashtaroth: A Dramatic Lyric" The Sick Stock-rider "Bush Ballads ...
— An Anthology of Australian Verse • Bertram Stevens
... subtlety compatible with an individual self,—the subtilest of authors, and only just within the possibility of authorship. With this wisdom of life, is the equal endowment of imaginative and of lyric power. He clothed the creatures of his legend with form and sentiments, as if they were people who had lived under his roof; and few real men have left such distinct characters as these fictions. And they spoke in language as sweet as it was fit. Yet his talents never ...
— Essays • Ralph Waldo Emerson
... have finished his education who is not well acquainted with my teazing machine. In fact it has had a great influence on the literature of this country. For the ode to my teazing machine, which is generally regarded as the most finished production of the English lyric muse——" ...
— Walladmor: - And Now Freely Translated from the German into English. - In Two Volumes. Vol. I. • Thomas De Quincey
... these books to contain divine doctrines, and to persist in them, and if occasion be, willingly to die for them."(55) This list agrees with our present canon, showing that the Palestinian Jews were tolerably unanimous as to the extent of the collection. The thirteen prophets include Job; the four lyric and moral books are ...
— The Canon of the Bible • Samuel Davidson
... which the promise had come to him. Although his mission was not properly a prophetic one,—although, in the main, it belonged to him to describe poetically what had come to him through prophetic inspiration, yet prophetic inspiration and sacred lyric are frequently commingled in him. The man who is "the sweet psalmist of Israel" claims a [Hebrew: naM] in 2 Sam. xxiii. 1, and, in ver. 2, says that the Spirit of God spake by him, and His word was upon his tongue. In Acts ii. 30, 31, Peter declares that, by the divine promise, David ...
— Christology of the Old Testament: And a Commentary on the Messianic Predictions, v. 1 • Ernst Wilhelm Hengstenberg
... obtained among them never altogether perfect, and dependent for its charm frequently on strange complexities and unexpected rising and falling of weight and accent in its marble syllables; bearing the same relation to a rigidly chiselled and proportioned architecture that the wild lyric rhythm of Aeschylus or Pindar bears to the finished measures ...
— Stones of Venice [introductions] • John Ruskin
... adapted to the tune. Bessy Bell and Mary Gray, which records a piece of Scottish news of no importance whatever, has become an English nursery rhyme. In Jamie Douglas an historical fact has been interwoven with a beautiful lyric. Indeed, the chances of corruption ...
— Ballads of Scottish Tradition and Romance - Popular Ballads of the Olden Times - Third Series • Various
... periphrases; the rich and riotous vocabulary of earlier poetry had been replaced by one more decorous, measured, and high-sounding. A corresponding process of selection and exclusion was applied to the subject matter of poetry. Passion, lyric exaltation, delight in the concrete life of man and nature, passed out of fashion; in their stead came social satire, criticism, generalized observation. While the classical influence, as it is usually called, was at its height, with such men as Dryden and Pope to ...
— Lady of the Lake • Sir Walter Scott
... think, there was a waiter in this very hotel, but, alas! he is now gone, who sang (from morning to night, as my informant said with a shrug at the recollection) what but 's ist lange her, the German version of Auld Lang Syne; so you see, madame, the finest lyric ever written will make its way out of whatsoever corner of patois it found ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 23 (of 25) • Robert Louis Stevenson
... Corot, and at moments I have thought of him as the heir and successor to some of Corot's haunting graces; but there was all the difference between them that there is between lyric pure and tragic pure. Ryder has for once transcribed all outer semblances by means of a personality unrelated to anything other than itself, an imagination belonging strictly to our soil and specifically to our Eastern geography. In his autographic quality he is certainly our finest genius, ...
— Adventures in the Arts - Informal Chapters on Painters, Vaudeville, and Poets • Marsden Hartley
... "Those lyric feasts, Where men such clusters had, As made them nobly wild, not mad; While yet each verse of thine Outdid the meat, ...
— The Fortunes of Nigel • Sir Walter Scott
... the art which he practiced with such splendid success as few men have known them. His command of the lyric form was complete. And yet who that loves his work has not felt that lack in it which Matthew Arnold had in mind when he said that with all his genius Byron had the ideas of a country squire? The poet was a master of the technique of his art; he had rare ...
— Essays On Work And Culture • Hamilton Wright Mabie
... teachers of the lyre take similar care that their young disciple is temperate and gets into no mischief; and when they have taught him the use of the lyre, they introduce him to the poems of other excellent poets, who are the lyric poets; and these they set to music, and make their harmonies and rhythms quite familiar to the children's souls, in order that they may learn to be more gentle, and harmonious, and rhythmical, and so more fitted for speech and action; ...
— Protagoras • Plato
... other arts, which stimulate poetry, were more widely practised than in the earlier ages. Finn's Song to May, here translated, is of a good type, frank and observant, with a fresh air in it, and a fresh pleasure in its writing. I have no doubt that at this time began the lyric poetry of Ireland, and it reached, under Christian influences, a level of good, I can scarcely say excellent, work, at a time when no other lyrical poetry in any vernacular existed in Europe or the Islands. It was religious, mystic, and chiefly ...
— The High Deeds of Finn and other Bardic Romances of Ancient Ireland • T. W. Rolleston
... characters of Herbert and his father are favorable specimens of well-meaning, even honorable, Southern gentlemen,—only not endowed with such exceptional moral heroism as to offer the pride of life to be crushed before hideous laws. The connection between lyric and tragic power is shown in the "Tragedy of Errors." The songs and chants of the slaves mingle with the higher dialogue like the chorus of the Greek stage; they mediate with gentle authority between the worlds of natural feeling and barbarous usage. ...
— Atlantic Monthly, Vol. 9, No. 55, May, 1862 • Various
... by Alderman Barber in 1723. in two splendid 4to volumes. The first volume containing pieces in most species of poetry, the epic excepted, and also imitations from other authors. His Grace wrote some Epigrams, a great number of lyric pieces, some in the elegiac strain, and others in the dramatic. Amongst his poems, an Essay on Poetry, which contains excellent instructions to form the poet, is by far the most distinguished. He wrote ...
— The Lives of the Poets of Great Britain and Ireland (1753) - Vol. III • Theophilus Cibber
... marble figures that beautified the walks and bowers of Versailles were conceived by the gifted Lebrun. Among his designs were the Four Seasons, the Four Quarters of the Globe, the Four Kinds of Poetry (Heroic, Satiric, Lyric and Pastoral), the Four Periods of the Day (Morning, Noon, Twilight, Night), the Four Elements (Earth, Air, Fire, Water), the Four Temperaments (Phlegmatic, Melancholy, Coleric and Sanguine). Mythological figures, vases ornamented with bas-reliefs of Louis ...
— The Story of Versailles • Francis Loring Payne
... mighty that its branches reach the heavens and its roots the primal rock and nations of men may rest in its shade; Edgar Lee Masters, whose work is full of the shadow and light of Lincoln, has made his most moving lyric an epitaph upon Ann Rutledge, the girl Lincoln loved and lost; and Vachel Lindsay, in Lincoln's own Springfield, during the World War thought of him as so stirred even in death by the horrors which then alarmed the universe that he could not sleep but ...
— Contemporary American Novelists (1900-1920) • Carl Van Doren
... his correspondence-office in the Place de la Bourse; and he began to compose for the Troyes newspaper an account of recent events in a lyric style—a veritable tit-bit—to which he attached his signature. Then they dined together at a tavern. Hussonnet was pensive; the eccentricities of ...
— Sentimental Education, Volume II - The History of a Young Man • Gustave Flaubert
... good or evil all striving would be meaningless, one might as well jump from a housetop or walk into the fire. But as a matter of fact such mystical assertions are indulged in only in the inactive moments of life, and mean no more than a lyric poem or a burst of music. Every one in his practical moments acknowledges tacitly, at least, the difference between the intrinsic goodness and badness of experiences. A life of even delight or even wretchedness, or of colorless indifference, ...
— Problems of Conduct • Durant Drake
... the above apostrophe to War in a Phi Beta Kappa poem of long ago, which we liked better before we read Mr. Cutler's beautiful prolonged lyric delivered at the recent ...
— Atlantic Monthly, Volume 8, No. 47, September, 1861 • Various
... wealth and in power to their AEolian and Dorian neighbours. Among the Ionic cities themselves Miletus and Ephesus were the most flourishing, Grecian literature took its rise in the AEolic and Ionic cities of Asia Minor. Homer was probably a native of Smyrna. Lyric poetry flourished in the island of Lesbos, where Sappho and Alcaeus were born. The Ionic cities were also the seats of the earliest schools of Grecian philosophy. Thales, who founded the Ionic school of philosophy, was a native of Miletus. Halicarnassus was one ...
— A Smaller History of Greece • William Smith
... birth the lyric queen Of numbers smiled, shall never grace The Isthmian gauntlet, or be seen First in the famed Olympic race. But him the streams that warbling flow Rich Tibur's fertile meads along, And shady groves, his haunts shall know The master of ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... of her contemporaries. Sappho was at the height of her career about six centuries before Christ, at a period when lyric poetry was peculiarly esteemed and cultivated at the centres of Greek life. Among the Molic peoples of the Isles, in particular, it had been carried to a high pitch of perfection, and its forms had become the subject of assiduous study. Its technique ...
— Sappho: One Hundred Lyrics • Bliss Carman
... the soldier should care so little for martial songs, or the songs that are ostensibly written for him; but that is not the fault of Tommy Atkins. Lyric poets don't give him what he calls "the stuff." He doesn't get it even from Kipling; Thomas Hardy's "Song of the Soldiers" leaves him cold. He wants no epic stanzas, no heroic periods. What he asks for is something simple and romantic, something about a girl, and home, and the lights of London—that ...
— Tommy Atkins at War - As Told in His Own Letters • James Alexander Kilpatrick
... of Pushkin's lyric productions which we shall present to our countrymen, "done into English," as Jacob Tonson was wont to phrase it, "by an eminent hand," is a production considered by the poet's critics to possess the very highest degree of merit in its peculiar style. We have mentioned some details respecting ...
— Blackwood's Edinburgh Magazine, Vol 58, No. 357, July 1845 • Various
... box you can haf all your wishes," asserted the Professor, still in the German lyric strain over his triumph. "It iss the box of enchantments. You haf but to will the change you would haf taig place—it iss done. The substance of the rocks, ...
— The Mystery • Stewart Edward White and Samuel Hopkins Adams
... primitivism in which the products of the first poets were "extemporary effusions," rudely imitative of pastoral scenes or celebratory of the divine being. Thus the first generic distinction Ogilvie makes is between pastoral poetry and lyric; the function of the former is to produce pleasure, the latter to raise admiration of the powers presiding over nature. As poetry is more natural to the young mind than philosophy, so is the end of pastoral poetry more easily achieved than that of the lyric. The difference resides essentially in ...
— An Essay on the Lyric Poetry of the Ancients • John Ogilvie
... with the men before they will let us pass. For example, one afternoon I was waylaid on my way to the women by the head of the household I was visiting, a fine old man of the usual type, courteous but opposed. He asked to look at my books. I had a Bible, a lyric book, and a book of stanzas bearing upon the Truth, copied from the old Tamil classics. He pounced upon this. Then he began to chant the stanzas in their inimitable way, and at the sound several other old men drew round the verandah, till soon a dozen or more were listening with that appreciative ...
— Things as They Are - Mission Work in Southern India • Amy Wilson-Carmichael
... "en rapport" with those around her. Books were her world from her earliest years; in them she literally lost and found herself. She was eleven years old when the War of Succession broke out, which inspired her first lyric outbursts. Her poems and translations written between the ages of fourteen and seventeen were collected, and constituted her first published volume. Crude and immature as these productions naturally were, and utterly condemned ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... not a tulip, which should stand for a 'declaration of passion,' and, at the same time, for a pledge of secrecy. Many of these modern fancies are, however, very beautiful; as, for instance, in that German lyric in which the Angel of the Flowers confers a fresh grace on the rose by veiling it ...
— The Continental Monthly , Vol. 2 No. 5, November 1862 - Devoted to Literature and National Policy • Various
... dealing therefore with problems ineradicably complex, varying endlessly in their instances, and changing as we deal with them. I am inclined to think that the only really profitable discussion of sexual matters is in terms of individuality, through the novel, the lyric, the play, autobiography or biography of the frankest sort. But such generalizations as ...
— First and Last Things • H. G. Wells
... of Christmas as reflected in lyric poetry, we now pass to other forms of devotion in which the Church has welcomed the Redeemer at His birth. These are of two kinds—liturgical and popular; and they correspond in a large degree to the ...
— Christmas in Ritual and Tradition, Christian and Pagan • Clement A. Miles
... among the old editions of the poets and romancists; and there are, and always will be, a distinguished minority, of which the selling prices may be expected to remain firm. Such men as Shakespeare, Jonson, Beaumont, Fletcher, Chapman, Massinger, and among the lyric group Barnfield, Watson, Constable, Wither (earlier works and Hallelujah), Carew, Herrick, Suckling, and Lovelace, are to be viewed ...
— The Book-Collector • William Carew Hazlitt
... flagon to the brim, he declared his despotic pleasure, that I should quaff it off to the last lingering globule. No hard calamity, truly; for the drinking of this wine was as the singing of a mighty ode, or frenzied lyric to the soul. ...
— Mardi: and A Voyage Thither, Vol. I (of 2) • Herman Melville
... a mood and a symbol the almost worshipful admiration felt by Browning for the poet in his youth, which he had, many years before this little lyric was written, recorded in a finely ...
— Browning's England - A Study in English Influences in Browning • Helen Archibald Clarke
... understood his humour, when, after engaging in close colloquy with the schoolmaster of Moffat, respecting a disputed quantity in Horace's 7th Ode, Book ll., the dispute led on to another controversy, concerning the exact meaning of the word Malobathro, in that lyric effusion. His second escapade was made for the purpose of visiting the field of Rullion-green, which was dear to his Presbyterian predilections. Having got out of the carriage for an instant, he saw the sepulchral monument of the slain at the distance of about a mile, and was ...
— Guy Mannering • Sir Walter Scott
... this volume plunges into the middle of things, with the revolution brought about by Copernicus; but, within the tale, partly by means of an incidental lyric, there is an attempt to give a bird's-eye view of what had gone before. The torch then passes to Tycho Brahe, who, driven into exile with his tables of the stars, at the very point of death hands them over to a young man ...
— Watchers of the Sky • Alfred Noyes
... was an artiste. I longed to bring them to my feet, as Jupiter did the Titans. So I ordered from one of those poetasters to be found in every land, a sort of libretto called, in theatrical parlance, a lyric drama; and to the words of this monstrosity I arranged the very finest airs of my several operas. When I had completed this musical kaleidoscope I called it 'Pyramus and Thisbe.' I dished up my olla podrida, and set it before the hungry English; but they ...
— Joseph II. and His Court • L. Muhlbach
... the same class, even giving the word class a fairly elastic sense. They are short prose Romans d'aventures. But Asseneth is a mystical allegory; Aucassin et Nicolette is a sort of idyll, almost a lyric, in which the adventure is entirely subordinated to the emotional and poetical interest; L'Empereur Constant, though with something of the Roman d'aventures in it, has a tendency towards a moralitas ("there is no armour against fate") which never appears in the pure ...
— A History of the French Novel, Vol. 1 - From the Beginning to 1800 • George Saintsbury
... another, and unity of time in a strict sense was, of course, impossible. To overcome that difficulty of accounting for time, which is effected on the modern stage by dropping a curtain, the judgment and great genius of the ancients supplied music and measured motion, and with the lyric ode filled up the vacuity. In the story of the Agamemnon of AEschylus, the capture of Troy is supposed to be announced by a fire lighted on the Asiatic shore, and the transmission of the signal by successive beacons to Mycenae. The signal is first seen at the 21st line, ...
— Shakespeare, Ben Jonson, Beaumont and Fletcher • S. T. Coleridge
... might work—it might add interest—" Mr. Heatherbloom waited patiently. "Would you have any objections," earnestly, "to my making a little addenda to the sign on the chariot of cadence? What's the Matter with Mother? 'The touching lyric, as interpreted by Horatio ...
— A Man and His Money • Frederic Stewart Isham
... part. None the less, however, did He feel for her the love of a loyal son. He had shown this a few days before, when, in the midst of His triumph, He paused on the brow of Olivet, where the city came into view, and burst into a flood of tears, accompanied with such a lyric cry of affection as has never been addressed to any other city on earth. Subsequently, sitting with His disciples over against the temple, He showed how well He foreknew the terrible fate which hung ...
— The Trial and Death of Jesus Christ - A Devotional History of our Lord's Passion • James Stalker
... wonder that a heart like Burns, which, for all its unsteadfastness, never lost its sensibility, nor even a sense of conscience, should have been visited by the remorse which forms the burden of the lyric to Mary in heaven, written three years after. ...
— Robert Burns • Principal Shairp
... the staircase paths beside the falls in morning sunlight, or stationed on the points of vantage that command their successive cataracts, we enjoyed a spectacle which might be compared in its effect upon the mind to the impression left by a symphony or a tumultuous lyric. The turbulence and splendour, the swiftness and resonance, the veiling of the scene in smoke of shattered water-masses, the withdrawal of these veils according as the volume of the river slightly shifted in its fall, the rainbows ...
— New Italian sketches • John Addington Symonds
... which the war has brought forth, we must class that grim Puritanical lyric, 'The Kansas John Brown,' which appeared originally in the Kansas Herald, and which is, as we are informed, extensively sung in the army. The ...
— Continental Monthly, Vol. I, No. VI, June, 1862 - Devoted To Literature and National Policy • Various
... of wonder to the Americans. The friendly intercourse between them, and their occasional intermarriages, seemed little short of monstrous to the ferocious exclusiveness of the Anglo-Saxon. [Footnote: Michelet notices this exclusiveness of the English, and inveighs against it in his most lyric style. "Crime contre la nature! Crime contre l'humanite! Il sera expie par la sterilite de l'esprit."] The Indians in the central part of Illinois cut very little figure in the reminiscences of the pioneers; they occupied much the same relation to them as the tramp ...
— Abraham Lincoln: A History V1 • John G. Nicolay and John Hay
... Hogg's, and, though not so intellectual as Shelley's, rivals it in truth. Mackay's is the lark itself, Shelley's is himself listening, with unwearied ears and tightly-stretched imagination, to the lark. Who is surprised that Eric Mackay's lyric, 'The Waking of the Lark,' sent a thrill through the heart of America? This poem, which appeared in the New York Independent, is undoubtedly the lark-poem of the future. From the opening to the closing stanza there is not an imperfect verse, not a commonplace. ...
— The Song of the Flag - A National Ode • Eric Mackay
... of some seventy-nine verses. Seventy-eight were quite unprintable, and rejoiced his brother cowpunchers monstrously. They, knowing him to be a singular man, forebore ever to press him, and awaited his own humor, lest he should weary of the lyric; and when after a day of silence apparently saturnine, he would lift his gentle voice ...
— The Virginian - A Horseman Of The Plains • Owen Wister
... cathedral trumpeting an apocalyptic summons to the dead to bloom from their graves. When she played the cornet it was with a superhuman tone that shook his emotions almost insufferably. She had sung, too, in four voices—in an imitation of a bass, a tenor, a contralto, and finally as a lyric soprano, then skipping from one to the other. They called her ...
— The Cup of Fury - A Novel of Cities and Shipyards • Rupert Hughes
... judges. Naturally his chief weapon in the collision is just common sense; it is at the impact of mere common sense that the current system crumbles. It is simply unanswerable common sense which will infuriate those who do not like the book. When common sense rises to the lyric, as it does in the latter half of the tale, you have something formidable. Here Wells has united the daily verifiable actualism of novels like "Love and Mr. Lewisham" and "Kipps," with the large manner of the paramount synthetic scenes in (what general usage compels me to term) ...
— Books and Persons - Being Comments on a Past Epoch 1908-1911 • Arnold Bennett
... judged of by my extracts or by anybody's extracts from his last-published volume.[68] Do you remember his grand ode upon Childhood—worth, to my apprehension, just twenty of Dryden's 'St. Cecilia's Day'—his sonnet upon Westminster Bridge, his lyric on a lark, in which the lark's music swells and exults, and the many noble and glorious passages of his 'Excursion'? You must not indeed blame me for estimating Wordsworth at his height, and on the other side I readily confess to you that he is occasionally, and not unfrequently, heavy ...
— The Letters of Elizabeth Barrett Browning (1 of 2) • Frederic G. Kenyon
... epic, lyric and dramatic poetry are dealt with in the order in which they are here named, while in the second the arrangement is strictly chronological, taking up historians, philosophers and orators as they appeared upon the scene. Except in the case of the ...
— Lippincott's Magazine, Vol. 26, August, 1880 - of Popular Literature and Science • Various
... was the last, and the most interesting, of these recruits, and a good example of Murchard's somewhat morbid assertion that our old friend "liked 'em juicy." It was indeed a fact that Culwin, for all his mental dryness, specially tasted the lyric qualities in youth. As he was far too good an Epicurean to nip the flowers of soul which he gathered for his garden, his friendship was not a disintegrating influence: on the contrary, it forced the young idea to robuster bloom. And in Phil ...
— Tales Of Men And Ghosts • Edith Wharton
... detectives say when tracking down a criminal. It is, however, of no consequence; but it was clear that the song she sang had moved her, for there was the glint of a tear in her eye as she turned towards the house, the words of the lyric singing themselves ...
— The Judgment House • Gilbert Parker
... the first of another series of short pieces (cf. the epithet nugae in l. 4). Catullus doubtless published his larger pieces together. The traditional arrangement, due to a later hand, is as follows: (1) The lyric poems in various metres; (2) the larger poems and the elegies; (3) the shorter poems written in elegiacs. Catullus began to be popular as soon as his works were published; cf. Nep. Att. 12, 4 (quoted p. 124). He is imitated in the Priapea, in Ovid, in Ausonius, in the Ciris, ...
— The Student's Companion to Latin Authors • George Middleton
... various schools, great and small; and was very early distinguished for my classical attainments, especially for my knowledge of Greek. At thirteen I wrote Greek with ease; and at fifteen my command of that language was so great that I not only composed Greek verses in lyric metres, but could converse in Greek fluently and without embarrassment—an accomplishment which I have not since met with in any scholar of my times, and which in my case was owing to the practice of daily reading off the newspapers into the best Greek I could furnish ...
— Confessions of an English Opium-Eater • Thomas De Quincey
... confirming man. For, besides that the mind is raised with the height and sublimity of such a verse, it takes spirit from the greatness of the matter, and is tinctured with the best things. Tragic and lyric poetry is good, too, and comic with the best, if the manners of the reader be once in safety. In the Greek poets, as also in Plautus, we shall see the economy and disposition of poems better observed ...
— Discoveries and Some Poems • Ben Jonson
... study, hoping to persuade him into telling the story of how he had gone down to Dulwich to write a criticism of Innes's concert, and how he had at once recognised that Evelyn had a beautiful voice, and would certainly win a high position on the lyric stage ...
— Sister Teresa • George Moore
... immutable law in himself as it is in nature; it is the highest object of his thoughts. Its workings are submitted to his observation and experiment as a part of the world of knowledge; he sees its operation in individuals, social groups, and nations, and sets it forth in the action of the lyric, the drama, and the epic as the law of life. In its sphere is the higher unity of plot by virtue of which it integrates many lives in one main action. Such, then, is the nature of plot as intermediary between man and his environment, but deeply engaged in the latter, and not to ...
— Heart of Man • George Edward Woodberry
... friend, and by the aid of virtue in the person of Director Holtei, thanks to a magnanimous oversight on the part of Franz Listz. The preference of King Friedrich Wilhelm IV. for church scenes contributed to secure him eventually his important position at the greatest lyric theatre in Germany, the Royal Opera of Berlin. For he was prompted far less by his devotion to the dramatic muse than by his desire to secure a good position in some important German city, when, as already hinted, through Liszt's recommendation ...
— My Life, Volume I • Richard Wagner
... is an "Official Number", containing the work of none but titled authors. Rheinhart Kleiner contributes the single piece of verse, a smooth and pleasing lyric entitled "Love Again", which is not unlike his previous poem, "Love, Come Again". As an amatory poet, Mr. Kleiner shows much delicacy of sentiment, refinement of language, and appreciation of metrical values; his efforts in this direction ...
— Writings in the United Amateur, 1915-1922 • Howard Phillips Lovecraft
... the gobble-gobble, moo-moo, baa-baa, etc., as long as the laureate's imagination and the infant's breath hold good. The tune is pretty, and I do not know, or did not, when I was young, a more fascinating lyric. ...
— The Diary of a Goose Girl • Kate Douglas Smith Wiggin
... could tell under what new phases of uneasy life Europe was labouring even then, while we, two of her lonely children, rehearsed the tale of her late woes and glories? More worthily, perhaps, had the tongue of a lyric Demodocus recounted them; but, in the absence of the poet, the newspaper correspondent performed his part as well and ...
— How I Found Livingstone • Sir Henry M. Stanley
... names he can string together from the rough Cornish and Devon coasts. Only out of a poetic-hearted people are poets born. The peasant writes ballads, though scholars and antiquaries collect them. The Hebrew lyric fire blazed in myriad beacons from every landmark. The soil of Palestine is trodden, as it were, with the footsteps of God, so eloquent are its mountains and hamlets with these records ...
— Atlantic Monthly, Vol. 5, No. 30, April, 1860 • Various
... a catch of a song or a phrase of a lyric will haunt one along the lonely miles of a walk, up hill and down dale of one's pilgrimage. Hood found a phrase of a lyric dogging him down the first stages of his home-road last year. He thought little of the circumstance at the time, but afterwards he remembered it, and wondered ...
— Cinderella in the South - Twenty-Five South African Tales • Arthur Shearly Cripps
... not greater progress in the early ages of Grecian history. Hesiod lived B.C. 735; and lyric poetry flourished in the sixth and seventh centuries before Christ, especially the elegiac form, or songs for the dead. Epic poetry was of still earlier date, as seen in the Homeric poems. The AEolian ...
— Ancient States and Empires • John Lord
... attracted by "The Buffalo Battery," a rollicking lyric known to all Anglo-India from Peshawur to Tuticorin. The air is the familiar one of the "Hen Convention," and the opening verse runs in ...
— The Wings of the Morning • Louis Tracy
... pass; The conscious woods, the stony meadows growing Up to birch pastures, where we heard the lowing Of one disconsolate cow. All the warm afternoon, Lulled in a reverie by the myriad tune Of insects, and the chirp of songless birds, Forgetful of the spring-time's lyric words, Drowsed round us while we tried to find the lane That to our coming feet had been so plain, And lost ourselves among the sweetfern's growth, And thickets of young pine-trees, nothing loath, Amidst the wilding loveliness to stray, And spend, if need were, looking for the way, Whole hours; ...
— The Daughter of the Storage - And Other Things in Prose and Verse • William Dean Howells
... a book which he had never read. Nietzsche was an inveterate enemy of efficiency, astigmatic with regard to practical life, and he never worked out a philosophy in the accepted sense of the term. He was a lyric poet who wrote psychology when he failed to sustain the poetic mood. In the Engadine and at Sils-Maria, brooding in a rocky void wherein he touched the sharp edge of infinity, he sang a Dionysian hymn to life against the melancholy products of German ...
— The New York Times Current History of the European War, Vol. 1, January 9, 1915 - What Americans Say to Europe • Various
... those who saw it wept with joy and fright. "Thou art Apollo, than the sun more bright!" They cried. "Our music is of little worth, But thrill our blood with thy creative mirth Thou god of song, thou lord of lyric might!" ...
— Main Street and Other Poems • Alfred Joyce Kilmer
... cock thy indulgent eye at the petition Of one consumed by corresponding ambition, And lend the helping hand to lift, pulley-hauley, To Parnassian Peak this poor perspiring Bengali! Whose ars poetica (as per sample lyric) Is fully competent to turn out panegyric. What if some time to come, perhaps not distant, You were in urgent need of Deputy-Assistant! For two Princesses might be confined simultaneously— Then, how to homage the pair extemporaneously? Or with Nuptial Ode, ...
— Baboo Jabberjee, B.A. • F. Anstey
... B.C.), who is, however, not mentioned by Aristotle. The mask, to enable the actor to assume different parts, by whomsoever invented, was in regular use before Aeschylus' day. The third change was the enlarged range of subjects. The lyric dithyramb-tales were necessarily about Dionysus, and the interludes had, of course, to follow suit. Nothing in the world so tenaciously resists innovation as religious ceremony; and it is interesting to learn that the Athenian populace (then, as ever, eager ...
— Project Gutenberg Encyclopedia
... wishing there were some such rule in Society, at the conclusion of a song—that the singer herself should say the right thing, and not leave it to the audience. Suppose a young lady has just been warbling ('with a grating and uncertain sound') Shelley's exquisite lyric 'I arise from dreams of thee': how much nicer it would be, instead of your having to say "Oh, thank you, thank you!" for the young lady herself to remark, as she draws on her gloves, while the impassioned words 'Oh, press it to thine own, or it ...
— Sylvie and Bruno • Lewis Carroll
... end, but all his best poetry was written in about five early years. Tennyson went on to a patriarchal age, but there is little of his later work that bears comparison with what he wrote before he was forty. Browning produced volume after volume, but, with the exception of an occasional fine lyric, his later work is hardly more than an illustration of his faults of writing. Coleridge deserted poetry very early; Byron, Shelley, Keats, all died ...
— Joyous Gard • Arthur Christopher Benson
... lines of pilgrims from every nation of the earth to the gushing fountain of poesy opened by the touch of his magic wand; if he could be permitted to behold the vast assemblage of grand and glorious productions of the lyric art called into being by his own inspired strains, he would weep tears of bitter anguish that, instead of lavishing all the stores of his mighty genius upon the fall of Ilion, it had not been his more blessed lot to crystallize in deathless ...
— The Wit and Humor of America, Volume VIII (of X) • Various
... the wind, and fancied that, if moonlight could be heard, it would sound just like that. Finally, he took a draught at the Shaker spring, and, as if it were the true Castalia, was forthwith moved to compose a lyric, a Farewell to his Harp, which he swore should be its closing strain, the last verse that an ungrateful world should have from him. This effusion, with two or three other little pieces, subsequently written, he took the first opportunity to send, by one ...
— The Snow Image • Nathaniel Hawthorne
... Singha poems were coming out in the Bharati, Dr. Nishikanta Chatterjee was in Germany. He wrote a thesis on the lyric poetry of our country comparing it with that of Europe. Bhanu Singha was given a place of honour as one of the old poets such as no modern writer could have aspired to. This was the thesis on which Nishikanta Chatterjee ...
— My Reminiscences • Rabindranath Tagore
... Moscow opera a Belgian singer, Desiree Artot, who was then thirty-three years old, a woman whose pictures make her nearly beautiful, and who is recorded as a queen of grace and a queen of dramatic and lyric song. She was witty and magnetic, and Peter Iljitsch, five years her junior, like another Chopin and another ...
— The Love Affairs of Great Musicians, Volume 2 • Rupert Hughes
... Wouldn't you like to? The hills are one long glory to-day." It was not the note of her prayer, it was well-ordered and calm. Still, Steering's heart leaped like a boy's at her friendliness, and he began to speak his gratitude in a lyric tune: ...
— Sally of Missouri • R. E. Young
... or to the disturbance of the state, an absolute government will certainly more effectually prohibit them from, or punish them for publishing such thoughts, than a free one could do. But how does that cramp the genius of an epic, dramatic, or lyric poet? or how does it corrupt the eloquence of an orator in the pulpit or at the bar? The number of good French authors, such as Corneille, Racine, Moliere, Boileau, and La Fontaine, who seemed to dispute it with the Augustan age, flourished under the ...
— The PG Edition of Chesterfield's Letters to His Son • The Earl of Chesterfield
... Rabelaisian license of uproarious mirth. It rests with the audience to take the whole as pure extravaganza, or as a reductio ad absurdum or playful defense of the conception underlying the original idea. In the intervals between the scenes, the chorus sing rollicking topical songs or bits of exquisite lyric, or in the name of the poet directly exhort and admonish the audience in ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 2 • Charles Dudley Warner
... the publication, in 1855, of the Poems, in two volumes, entitled "Men and Women," Browning reviewed his work and made an interesting reclassification of it. He separated the simpler pieces of a lyric or epic cast—such rhymed presentations of an emotional moment, for example, as "Mesmerism" and "A Woman's Last Word," or the picturesque rhymed verse telling a story of an experience, such as "Childe Roland" and "The Statue and the Bust"—from their more complex companions, ...
— Men and Women • Robert Browning
... 'Lycidas' we have reached the high-water mark of English Poesy and of Milton's own production." Its innumerable beauties are rather exquisite than magnificent. It is an elegy, and cannot, therefore, rank as high as an equally consummate example of epic, lyric, or dramatic art. Even as elegy it is surpassed by the other great English masterpiece, "Adonais," in fire and grandeur. There is no incongruity in "Adonais" like the introduction of "the pilot of the Galilean lake"; its invective and indignation pour naturally out of the subject; their ...
— Life of John Milton • Richard Garnett
... COLLINS, whose poems though small in number are rich in vivid imagery and beautiful description, was born in Chichester, England, December 25, 1720, and died in 1756. His odes are acknowledged to be the best of their kind in the language. His finest lyric is his Ode on the Passions, which has been called "a magnificent ...
— The American Union Speaker • John D. Philbrick
... book, laid it back in her basket, and raising the lid of the piano, she sang that sad, wailing lyric of Kingsley's, "The ...
— St. Elmo • Augusta J. Evans
... Italian poetry, which now followed at the end of the fifteenth century, as well as the Latin poetry of the same period, is rich in proofs of the powerful effect of nature on the human mind. The first glance at the lyric poets of that time will suffice to convince us. Elaborate descriptions, it is true, of natural scenery are very rare, for the reason that, in this energetic age, the novels and the lyric or epic poetry had something ...
— The Great Events by Famous Historians, Volume 07 • Various
... striking of the poems of the elder Timrod are the following. Washington Irving said of these lines that Tom Moore had written no finer lyric:— ...
— Poems of Henry Timrod • Henry Timrod
... and tragic things of art we began, at the landmarks set by Leonardo and Michael Angelo; and are come now, not quite at random, to the lyric and elegiac loveliness of Andrea del Sarto. To praise him would need sweeter and purer speech than this of ours. His art is to me as the Tuscan April in its temperate days, fresh and tender and clear, ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton
... when he was left alone, set to work on a little lyric of joy, with which to welcome the return of ...
— Captain Dieppe • Anthony Hope
... for applause. It is now what Shelley's 'Cloud' was for many years, a comfort to those who do not like to deny altogether the genius they cannot understand. Yet I am certain that, in the long run, his grotesque plays with their lyric beauty, their violent laughter, 'The Playboy of the Western World' most of all, will be loved for holding so much of the mind of Ireland. Synge has written of 'The Playboy' 'anyone who has lived in real intimacy with the Irish peasantry will know that ...
— Synge And The Ireland Of His Time • William Butler Yeats
... had been of late somewhat tempered by the inclemency of the weather and the obvious unfriendliness of the dog; but there is no resisting a lady's commands; and clear or foul, you might at any twilight's death have found me under her window, where a host of lyric phrases asserted the devotion which a cold in the ...
— Gallantry - Dizain des Fetes Galantes • James Branch Cabell
... English poetry has been for years eminently lyric; the few attempts at the epic or dramatic having been laid aside, if not permanently, at least for a time. The age has been too busy in working out, with machinery and steam, its own great epic thought, to find leisure to listen to any thing longer than a single bugle-blast encouraging ...
— Graham's Magazine Vol XXXIII No. 4 October 1848 • Various
... frauds of literature, had an irresistible charm for him; and he once declared that he would almost rather have been Ireland than Shakespeare; and then it was his delight to write Greek versions of a poem that might attach the mark of plagiarism to Tennyson, or show, by a Scandinavian lyric, how the laureate had been poaching from the Northmen. Now it was a mock pastoral in most ecclesiastical Latin that set the whole Church in arms; now a mock despatch of Baron Beust that actually deceived ...
— Lord Kilgobbin • Charles Lever
... powerful though narrow intelligence, a passionate theorist, and an ardent specialist in grammar and the use of words, Malherbe reacted violently both against the misplaced and artificial erudition of the Pleiade and their unforced outbursts of lyric song. His object was to purify the French tongue; to make it—even at the cost of diminishing its flavour and narrowing its range—strong, supple, accurate and correct; to create a language which, though it ...
— Landmarks in French Literature • G. Lytton Strachey
... Spluttering and smoky you hover around her, and yet don't dare even to address her. But we must be lenient with him; his shyness is to blame. He blushes in woman's presence, and is still capable of lovely emotions, for he started out to be a lyric poet. ...
— The German Classics Of The Nineteenth And Twentieth Centuries, Volume 12 • Various
... as is generally known, this dramatic and lyric adaptation of the famous romance is not particularly happy. I was much embarrassed and I pretended not to understand, but I never dared to go ...
— Musical Memories • Camille Saint-Saens
... It was inconceivable by him that New York could reject it. He spoke about the music, but he meant his "production." The man was a marvel in his own line, and such a worker as can rarely be found anywhere. He believed the opera was going to mark an epoch in the history of the lyric stage. And he said so, almost wildly, in late hours of ...
— The Way of Ambition • Robert Hichens
... his happiness. He felt that he belonged, that Sanford, the "mother of men," had taken him to her heart. The music in the chapel swelled, lyric, passionate—up! up! almost a cry. The moonlight was golden between the heavy shadows of the elms. Tears came into the boy's eyes; he was melancholy ...
— The Plastic Age • Percy Marks
... depression,—a 'fit of the blues,' which he attributed partly to the damp, lowering weather. Idly he turned over the leaves of a first edition of Tennyson's poems,—pausing here and there to glance at a favourite lyric or con over a well-remembered verse, when the echo of a silvery horn blown clear on the wintry silence startled him out of his semi-abstraction. Rising, he went instinctively to the window, though ...
— God's Good Man • Marie Corelli
... remarkable musical composition France had produced. They hissed its performance? Not at all; "they were merely indifferent"—it is Berlioz who tells us this. It passed unnoticed. He died before he had seen Les Troyens played in its entirety, though it was one of the noblest works of the French lyric theatre that had been composed since the death of Gluck.[31] But there is no need to be astonished. To hear these works to-day one must go to Germany. And although the dramatic work of Berlioz has found its ...
— Musicians of To-Day • Romain Rolland
... opera-dancers is extremely well defined, as their names implies; for they most do congregate wherever an opera-house exists. Some, however, descend to the non-lyric drama, and condescend to "illustrate" the plays of Shakespeare. It is said that the classical manager of Drury Lane Theatre has secured a company of them to help the singers he has engaged to perform Richard the Third, Coriolanus, and other ...
— Punch, or the London Charivari, Vol. 1, October 23, 1841 • Various
... country before it appeared in that one, such imitation or suggestion was so rapid that with regard to the French, the Provencals, and the Germans at least, the impression is simultaneous; only the Sicilians beginning distinctly later, forerunners of the new love lyric, wholly different from that of trouveres, troubadours, and minnesingers, of the Italians of the latter thirteenth century. And this simultaneous revelation of mediaeval love takes place in the last quarter of the twelfth century, when Northern France had already consolidated into a powerful monarchy, ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. II • Vernon Lee
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