"Analysis" Quotes from Famous Books
 ... intimated, are of the most vital importance in our spatial judgments. Now, according to the most generally accepted psychological theories, it is these organic sensations which are the means whereby we measure time, and our spatial judgments are, in the last analysis, I will not for the present say dependent on, but at any rate fundamentally related to our ...
— Harvard Psychological Studies, Volume 1 • Various
... inch of the ground before he set down his foot upon it—that he should, early in 1856, (sic) have appointed his able assistant, Mr. Edwin Clark, to scrutinise carefully the results of every experiment, and subject them to a separate and independent analysis before finally deciding upon the form or dimensions of the structure, or upon any mode of procedure connected with it. At length Mr. Stephenson became satisfied that the use of auxiliary chains was unnecessary, and that the tubular bridge ...
— Lives of the Engineers - The Locomotive. George and Robert Stephenson • Samuel Smiles
... to be carried into their roots in solution in the water which supplies the sap, although they vary in character and proportion with each change in the mineral composition of the soil. It is proven by chemical analysis, that the composition of the ashes, not only of different species of plants, but of different parts of the same plant, have distinctive characters,—some being rich in phosphates, and others in silex; some in potash, and others in ...
— Draining for Profit, and Draining for Health • George E. Waring
... whether one distrusts men, and yet trusts friends? Half of this is true, at all events. Then I cannot conceive how a man should see in handwriting such an accident as whether one knew much of Books or men; and in this point it is very doubtful if Warren is right. But, take it all in all, his analysis puzzles me much. I have sent it to old Jem Spedding the Wise. ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... A distinguishing characteristic of this whole school is what we may call the clumsy-horrible. Brown's romances are not wanting in inventive power, in occasional situations that are intensely thrilling, and in subtle analysis of character; but they are fatally defective in art. The narrative is by turns abrupt and tiresomely prolix, proceeding not so much by dialogue as by elaborate dissection and discussion of motives and states of mind, interspersed with the author's reflections. The wild improbabilities ...
— Initial Studies in American Letters • Henry A. Beers
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