"Violinist" Quotes from Famous Books
 ... another jolt for Alfred as Charley Wagner, the violinist of the company, was one of those obstinate Dutchmen who had to be treated "just so," otherwise he would "pack up his wiolin und scoot," as he expressed it. Wagner was fully informed as to the insinuations Lin had indulged ...
— Watch Yourself Go By • Al. G. Field
... repertory—only he did not call it that: he spoke of the Vieuxtemps compositions and of Vieuxtemps himself. "Vieuxtemps wrote in the grand style; his music is always rich and sonorous. If his violin is really to sound, the violinist must play Vieuxtemps, just as the 'cellist plays Servais. You know, in the Catholic Church, at Vespers, whenever God's name is spoken, we bow the head. And Wieniawski would always bow his head when he said: 'Vieuxtemps is the master of ...
— Violin Mastery - Talks with Master Violinists and Teachers • Frederick H. Martens
... now place Liszt's "Campanella" (Bell rondo) on the instrument. Originally this was composed by the famous violinist Paganini, Liszt transcribed it for the pianoforte and so successfully that now it is better known in his version than in its original form. It is a piece which can be described only by one word—delicious. ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb
... criticisms in the great newspapers. 'A former young society woman, well-known in the fashionable circles of Washington, made her debut as a concert player last night. She is a stunning young person.' 'A young queen of the diplomatic circles, here and abroad, appeared in public as a violinist last night. She is a member of the most exclusive sets, and society was out to do her homage.' 'One of Washington's brilliant young horsewomen,' and so forth. Away down at the bottom of the column, somewhere, ...
— The Man on the Box • Harold MacGrath
... when the pit was boarded over, and an orchestra erected on the stage exactly as we are now so familiar with. Jullien, in 1838, had been unlucky in Paris, was bankrupt, and came to London, where, in 1840, he was assistant to Eliason, the violinist and conductor of an orchestra of 100 performers, and a small chorus. Next year Jullien was the conductor; and, in 1842, on 2 Dec., he started for himself, at the English Opera House, the series of promenade concerts with which his ...
— Gossip in the First Decade of Victoria's Reign • John Ashton
|
