"Copyright" Quotes from Famous Books
 ... man in a grey tweed suit,'" repeated Spargo. "Good line. You haven't any copyright in it, remember. It would make ...
— The Middle Temple Murder • J.S. Fletcher
... as she sat, rosy cheeked and laughing, on the lowest stair, and stood before her. "That wasn't so bad," he said, approvingly. "You and Jarve had better get out a copyright on that—you worked in some pretty fancy steps. Got your skates ...
— Strawberry Acres • Grace S. Richmond
... plead guilty to a sacrilege, in having sometimes shaped anew, as his fancy dictated, the forms that have been hallowed by an antiquity of two or three thousand years. No epoch of time can claim a copyright in these immortal fables. They seem never to have been made; and certainly, so long as man exists, they can never perish; but, by their indestructibility itself, they are legitimate subjects for every age to clothe with its own garniture of manners and sentiment, ...
— The Gorgon's Head - (From: "A Wonder-Book For Girls and Boys") • Nathaniel Hawthorne
... forgotten amongst the old fishing-tackle in Scott's cabinet. Tilneys, Thorpes, and Morlands consigned apparently to eternal oblivion! But when four novels of steadily increasing success had given the writer some confidence in herself, she wished to recover the copyright of this early work. One of her brothers undertook the negotiation. He found the purchaser very willing to receive back his money, and to resign all claim to the copyright. When the bargain was concluded and the money paid, but not till ...
— Memoir of Jane Austen • James Edward Austen-Leigh
... found a way By a staunch witness to secure his prey. The people cursed him, but in times of need Trusted in one so certain to succeed: By Law's dark by-ways he had stored his mind With wicked knowledge, how to cheat mankind. Few are the freeholds in our ancient town; A copyright from heir to heir came down, From whence some heat arose, when there was doubt In point of heirship; but the fire went out, Till our attorney had the art to raise The dying spark, and blow it to a blaze: ...
— The Borough • George Crabbe
... produced from Amazing Stories, May 1957. Extensive research did not uncover any evidence that the copyright on this publication ...
— The Edge of the Knife • Henry Beam Piper
... dramatist. He wrote the "Goodnatured Man," a piece which had a worse fate than it deserved. Garrick refused to produce it at Drury Lane. It was acted at Covent Garden in 1768, but was coldly received. The author, however, cleared by his benefit nights, and by the sale of the copyright, no less than 500 pounds, five times as much as he had made by the "Traveller" and the "Vicar of Wakefield" together. The plot of the "Goodnatured Man" is, like almost all Goldsmith's plots, very ill constructed. But some passages are exquisitely ludicrous; much more ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 3. (of 4) • Thomas Babington Macaulay
... entrusted me with the task of editing this volume, one sheet was already printed and a considerable portion of the book was in type. Under his agreement with the owners of the copyright, he was bound to reproduce the text and notes, etc., originally prepared by Mr. David Lewis without any change, so that my duty was confined to reading the proofs and verifying the quotations. This translation of the Life of St. Teresa ...
— The Life of St. Teresa of Jesus • Teresa of Avila
... women who are physically and economically weak in this manner, not so much for their own good as the good of the race. The state already puts literary property into a class apart by limiting its duration. At a certain point, which varies in different circumstances, copyright expires. It is possible for an author, whose fame comes late, to be present as a row of dainty volumes in half the comfortable homes in the world, while his grandchildren beg their bread. The author's blood is sacrificed to the need the whole world has of cheap access to his work. And since we ...
— Mankind in the Making • H. G. Wells
... widow, a Mrs. Peach. He soon left his wife, and was abroad (with a barmaid) when his father died in 1773. In January 1774 he took his seat in the Lords. Though Fox thought him a bad man, his first speech was in favour of securing to authors a perpetual copyright in their own works. He repeated his arguments some months later; so authors, at least, have reason for judging ...
— The Valet's Tragedy and Other Stories • Andrew Lang
... to Messrs. Smith, Elder & Co. on behalf of the owner of the copyright for their permission to make extracts from copyright poems for use ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... of commas between repeated words ("well, well"; "there there", etc.) in this etext is reproduced faithfully from both the 1914 and 1926 editions of Hedda Gabler, copyright 1907 by Charles Scribner's Sons. Modern editions of the same translation ...
— Hedda Gabler - Play In Four Acts • Henrik Ibsen
... were proud to claim him as a compatriot through his mother, and a nautical drama from his pen—The Ocean Wolf, or the Channel Outlaw—was performed at New York with acclamation. He had some squabbles with American publishers concerning copyright, and was clever enough to secure two thousand two hundred and fifty dollars from Messrs Carey & Hart for his forthcoming Diary in America and The Phantom Ship, which latter first appeared in the New Monthly, ...
— Peter Simple and The Three Cutters, Vol. 1-2 • Frederick Marryat
... of potassium. But if "mere self-interest" comprises fraudulent balance-sheets, it cannot claim any support from political economy. When Carlyle drew up a petition to the House of Commons for amending the law of copyright, he was guided by self- interest, but it was not a counsel of despair. The City Companies, says Froude, "are all which now remain of a vast organisation which once penetrated the entire trading life of England—an organisation set on foot to realise that impossible condition of commercial ...
— The Life of Froude • Herbert Paul
... has quite materially increased in volume. Inquiries from all parts of the Dominion for information as to the value of certain rare books, requests for assistance in literary matters, and on questions relative to the Copyright Act, have involved considerable work, Mr. W. F. Johnson having rendered valuable aid in assisting the Chief Librarian in ...
— Report of the Chief Librarian for the Year 1924-25 • General Assembly Library (New Zealand)
... of impinging on Mr. Young's copyright that prevents me reprinting the graphic ballad of The Wanderer and the prologue of The Strollers, which reads like a page from the prelude to some Old-World miracle play. The setting of these things is frequently antique, but the thought is the thought ...
— Ponkapog Papers • Thomas Bailey Aldrich
... under a complete delusion. I could not possibly write anything for him in less than two years; and I had rather not enter into any agreement. On reflection, I am satisfied that it would not answer my purpose to write a popular 'History of the French Revolution' for 100 L, and to surrender the copyright. An author never ought to surrender a copyright unless he is compelled to do so. If I wrote a History of the French Revolution which became a school book or an educational book, it might become a ...
— Memoirs of the Life and Correspondence of Henry Reeve, C.B., D.C.L. - In Two Volumes. VOL. II. • John Knox Laughton
... From "Teutonic Switzerland." By special arrangement with, and by permission of, the publishers, L.C. Page & Co. Copyright, 1894.] ...
— Seeing Europe with Famous Authors, Volume VI • Various
... North gave his decision against Lord Rosebery and his publishers, while the Lords of Appeal went in his favour; but the House of Lords reaffirmed the decision of Mr Justice North and granted a perpetual injunction against this book. The copyright in his speech is Lord Rosebery's, but the copyright in the Times' report is the Times'. You see one of the ideas underlying the law is that no manner of speech is quite perfect as the man speaks it, or is beyond revision, ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... and it might infringe a copyright to tell the rest of the story. It would be insulting to say that the false minister, repenting, told the hero, who told the heroine after he rescued her from the satanic yacht and various other temptations. ...
— We Can't Have Everything • Rupert Hughes
... Alden's story is published with permission of the Bobbs-Merrill Company of Indianapolis, Indiana, the publishers of Professor Alden's story and the holders of the copyright. ...
— Why the Chimes Rang: A Play in One Act • Elizabeth Apthorp McFadden
... edition contains a preface tracing the history of the blocks, which are said to be Bewick's first efforts to depict beasts and birds, undertaken at the request of the New castle printer, to illustrate a new edition of "Tommy Trip." As at this time copyright was unknown, and Newcastle or Glasgow pirated a London success (as New York did but lately), we must not be surprised to find that the text is said to be a reprint of a "Newbery" publication. But as Saint was called the Newbery of the North, possibly ...
— Children's Books and Their Illustrators • Gleeson White
... to thank Messrs. Houghton, Mifflin & Co., the Century Co., Roberts Brothers, and Charles Scribner's Sons, for permission to use and adapt some of their valuable copyright matter. ...
— New National Fourth Reader • Charles J. Barnes and J. Marshall Hawkes
... without reputation, applied to me, asking me for permission to publish a good translation in verse of the poem of "Tannhauser," in one of the first Revues de Paris. That permission I granted him, on condition that the publication in the review should not imply any further copyright. I am now expecting the pianoforte arrangements of my operas, in order to secure my rights, which will be of importance, whether I want my operas to be performed or whether I want to prevent their performance. The management of the ...
— Correspondence of Wagner and Liszt, Volume 2 • Francis Hueffer (translator)
... where previously published, are used by arrangement with the owners of the copyrights (as specified at the beginning of each story). Translations made especially for the series are covered by its general copyright. All rights in ...
— Stories by Foreign Authors: German (V.2) • Various
... now in a great measure so written. "Ivanhoe," "The Monastery," "The Abbot," and "Kenilworth" were all published between December 1819 and January 1821, Constable & Co. giving five thousand guineas for the remaining copyright of them, Scott clearing ten thousand before the bargain was completed; and before the "Fortunes of Nigel" issued from the press Scott had exchanged instruments and received his bookseller's bills ...
— On the Old Road, Vol. 2 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... accordance with the description given by Bernadette; the amiable and smiling face, the extremely long veil, the blue sash, and the golden roses on the feet, there being, however, some slight modification in each model so as to guarantee the copyright. And there was another flood of other religious objects: a hundred varieties of scapularies, a thousand different sorts of sacred pictures: fine engravings, large chromo-lithographs in glaring colours, submerged beneath a mass of smaller pictures, which were coloured, gilded, ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... Dunlap Publishers Publishers Made in the United States of America Copyright, 1921, ...
— The Tale of Pony Twinkleheels • Arthur Scott Bailey
... has been used to create this digital copy. It was scanned bitonally at 600 dots per inch resolution and compressed prior to storage using ITU Group 4 compression. Conversion of this material to digital files was supported by the Andrew W. Mellon Foundation. Digital file copyright by Cornell ...
— Continental Monthly, Vol. II. July, 1862. No. 1. • Various
... etext was produced from Galaxy Science Fiction January 1953. Extensive research did not uncover any evidence that the U.S. copyright on this ...
— The Inhabited • Richard Wilson
... gags and points bodily—can be pursued and punished under the copyright law, but the chooser is a kind of sneak thief who works gags and points around to escape taking criminal chances, making his material just enough different to evade the law. A chooser damages the originator ...
— Writing for Vaudeville • Brett Page
... Appendix E: Weights and Measures Appendix F: Cross-Reference List of Country Data Codes Appendix G: Cross-Reference List of Hydrographic Codes Appendix H: Cross-Reference List of Geographic Names History Contributors and Copyright Information Purchase Information ...
— The 2000 CIA World Factbook • United States. Central Intelligence Agency.
... sustain the thesis that the last fifty years have witnessed a distinct reaction from Victorian Liberalism to Collectivism which has perceptibly strengthened the State Churches. Yet the fact remains that whereas Byron's Cain, published a century ago, is a leading case on the point that there is no copyright in a blasphemous book, the Salvation Army might now include it among its ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... Acknowledgment is also made to Row, Peterson and Company for kind permission to use illustrations from History Stories of Other Lands; also to the International Film Service, Inc., of New York City for the use of many valuable copyright illustrations of scenes ...
— The World War and What was Behind It - The Story of the Map of Europe • Louis P. Benezet
... to internal improvements in deference to public opinion, and signed the bills which made appropriations for the improvement of harbors and rivers, for the continuation of the Cumberland road, for the encouragement of the culture of the vine and olive, and for granting an extended copyright to authors. It was only during his second term that his hostility to tariffs became a passion,—not from any well-defined views of political economy, for which he had no adequate intellectual training, but because "protection" was unpopular in the southwestern ...
— Beacon Lights of History, Volume XII • John Lord
... perseveringly followed up, led me very wide of your mark, and I was obliged to leave you quite unsatisfied on another point, about which, for one who is not an author, you seem to be singularly excited. To waive my astonishment at the Benthamism of the phrase, pray what is "International Copyright" to Godfrey, that he should weep for such a Hecuba? I should have been as little surprised, had you asked me to inquire the opinion of the Indians as to the best regimen for infants. A veritable author, suffering by wholesale American rapine, would have commanded my sympathies, ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847. • Various
... [Footnote: From "Reminiscences of a Journalist." By special arrangement with, and by permission of, the publishers, Houghton, Mifflin Co. Copyright, 1884. Mr. Congdon was, for many years, under Horace Greeley, a leading editorial writer ...
— Seeing Europe with Famous Authors - Vol. II Great Britain And Ireland, Part Two • Francis W. Halsey
... leading critics of this part of the State, that I think of having them printed in a volume. I am going to the city for that purpose. My mother has given her consent. I wish to ask you several business questions. Shall I part with the copyright for a downright sum of money, which I understand some prefer doing, or publish on shares, or take a percentage on the sales? These, I believe, are the different ways taken ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... Progress Modern Fiction Your Culture to Me Equality Literature and Life Literary Copyright Indeterminate Sentence Education of the Negro Causes of Discontent Pilgrim and American Diversities of American Life American Newspaper Fashions in ...
— Quotes and Images From The Works of Charles Dudley Warner • Charles Dudley Warner
... as "Hommes de Bouche." The twelfth edition lies before me, a thick octavo volume, dated 1805. The title-page is succeeded by an anonymous address to the reader, at the foot of which occurs a peremptory warning to pilferers of dishes or parts thereof; in other words, to piratical invaders of the copyright of Monsieur Barba. There is a preface equally unclaimed by signatures or initials, but as it is in the singular number the two hommes de bouche can scarcely have written it; perchance it was M. Barba aforesaid, lord-proprietor of these not-to-be-touched treasures; but anyhow ...
— Old Cookery Books and Ancient Cuisine • William Carew Hazlitt
... difficulties in the way of the scholar of the seventh century. Knowing these facts, we can very well credit that part of the story of St. Columbkill's banishment into Argyle, which turns on what might be called a copyright dispute, in which the monarch took the side of St. Finian of Clonard, (whose original MSS. his pupil seems to have copied without permission,) and the Clan-Conal stood up, of course, for their kinsman. This dispute is even said to have led to the affair of Culdrum, ...
— A Popular History of Ireland - From the earliest period to the emancipation of the Catholics • Thomas D'Arcy McGee
... Copyright, 1918, by Doubleday, Page & Company All rights reserved, including that of translation into foreign languages, ...
— Cleek, the Master Detective • Thomas W. Hanshew
... issue, when Canada would literally be damming the springs of her national literature. Canada considers her population too small to support a purely national literature. Not so reasons Belgium of smaller population; nor Ireland; nor Scotland. The fault here is primarily in the copyright law. A book published first in the United States gains international copyright. A book published first in Canada may be pirated in the United States or England; and on such printed editions no payment can be collected by the author. The profits in England and the United States were ...
— The Canadian Commonwealth • Agnes C. Laut
... Code prohibits use of the CIA seal in a manner which implies that the CIA approved, endorsed, or authorized such use. If you have any questions about your intended use, you should consult with legal counsel. Further information on The World Factbook's use is described on the Contributors and Copyright Information page. As a courtesy, please cite The ...
— The 2004 CIA World Factbook • United States. Central Intelligence Agency
... severity of most of the reviews so great, that their progress to oblivion, notwithstanding the merit which I was quite sure they possessed, seemed ordained to be as rapid as it was certain. I had given thirty guineas for the copyright, as detailed in the preceding letters; but the heavy sale induced me at length, to part with, at a loss, the largest proportion of the impression of five hundred, to Mr. Arch, a London bookseller. After ...
— Reminiscences of Samuel Taylor Coleridge and Robert Southey • Joseph Cottle
... American child's "culture"—such, for example, as the Japanese folk stories—also have been omitted. Other splendid specimens of juvenile literature, as stories from Kipling's Jungle Books and essays from Burroughs, have been omitted because of copyright restrictions. ...
— Types of Children's Literature • Edited by Walter Barnes
... more," [1] makes conversation not very pleasant, I think it as well to write a few lines on the topic.—Before I left town for Yorkshire, you said that you were ready and willing to give five hundred guineas for the copyright of 'The Giaour'; and my answer was—from which I do not mean to recede—that we would discuss the point at Christmas. The new story may or may not succeed; the probability, under present circumstances, seems to be, that it may at least pay its expences—but even that ...
— The Works of Lord Byron: Letters and Journals, Volume 2. • Lord Byron
... made to the following authors, publishers, and owners of copyright, who have courteously granted permission to use the selections ...
— De La Salle Fifth Reader • Brothers of the Christian Schools
... Dunlap Publishers New York Made in the United States of America Copyright, 1920, by William Macleod ...
— The Big-Town Round-Up • William MacLeod Raine
... idea of the condition of the country at that time, and of the vast and lamentable change that has since taken place, may be obtained from the consideration of a few facts connected with the manufacture of books in the closing years of the last century. The copyright laws not extending to Ireland, all books published in England might there be reprinted, and accordingly we find that all the principal English law reports of the day, very many of the earlier ones, and many of the best treatises, as well as the principal novels, ...
— The trade, domestic and foreign • Henry Charles Carey
... was the sale of this book that the author was able to support his family during the twenty years (1807-27) he was at work on his Dictionary of the English Language, entirely from the royalties from the Speller though the copyright returns were less than one cent a copy. At the time of his death (1843), the sales were still approximately a million copies a year, and the book ...
— THE HISTORY OF EDUCATION • ELLWOOD P. CUBBERLEY
... Langueo; to Mssrs. Macmillan for confirming permission for the extracts from FitzGerald, Christina Rossetti, and T. E. Brown, and particularly for allowing me to insert the latest emendations in Lord Tennyson's non-copyright poems; to the proprietors of Mr. and Mrs. Browning's copyrights and to Messrs. Smith, Elder & Co. for a similar favour, also for a copyright poem by Mrs. Browning; to Mr. George Allen for extracts from Ruskin and the author of Ionica; to Messrs. G. Bell & Sons for poems by Thomas Ashe; ...
— Book of English Verse • Bulchevy
... a finis put to his mortal career. The jocose ruffians here enliven the scene—one by being cast into a dungeon for asking Ottocar (evidently the Colburn of his day), an exorbitant price for the copyright of a certain manuscript; the other, by calling the courtier a man of genius, and being taken into his service, as no doubt, "first robber." To support this character, a change of apparel is necessary: and no wonder, for Wolfstein has on precisely the ...
— Punch, or the London Charivari, Volume 1, Complete • Various
... reissued the book in a new (and extremely hideous) format, with a publisher's note containing smug quotations from the encomiums of the Fortnightly Review, the Athenaeum, the Spectator, the Academy and other London critical journals. More, they contrived humorously to push the date of their copyright back to 1900. But this new enthusiasm for artistic freedom did not last long. They had published "Jennie Gerhardt" in 1911 and they did "The Financier" in 1912, but when "The Titan" followed, in 1914, they were seized with qualms, and suppressed the book after it had got into type. In this emergency ...
— A Book of Prefaces • H. L. Mencken
... of the Biographical Supplement is meant to carry out as far as possible the original project of its author. The whole of his narrative has been retained, and also what Sara Coleridge added to his writing; and all the non-copyright letters of Coleridge available from other sources have been inserted into the narrative, and additional biographical matter, explanatory of the letters, has been given. [1] By this retention of authentic sources I have produced ...
— Biographia Epistolaris, Volume 1. • Coleridge, ed. Turnbull
... half of the period the question of copyright affects our scheme to a certain extent, because it affects prices. Fortunately it is the fact that no single book of recognised first-rate general importance is conspicuously dear. Nevertheless, I have encountered difficulties in the second rank; I have dealt ...
— Literary Taste: How to Form It • Arnold Bennett
... authors with American girls than Mrs. L. T. Meade, whose copyright works can only be had from us. Essentially a writer for the home, with the loftiest aims and purest sentiments, Mrs. Meade's books possess the merit of utility as well as the means of amusement. They are girls' books—written for girls, and ...
— The Boat Club - or, The Bunkers of Rippleton • Oliver Optic
... the summer of 1902 at Bayreuth, and in part at Nuremberg and Munich. It may also be stated that this version is issued with the kind permission of Messrs. Schott and Company of London, the owners of the copyright ...
— Parsifal - A Drama by Wagner • Retold by Oliver Huckel
... years old; he was a Cambridge man, and intimate with Tennyson, Hallam, and other men of literary mark, and he was himself a minor poet, and warm in the cause of literature. During his parliamentary career, in 1837, he was instrumental in passing the copyright act. He had travelled in Greece and Italy in his twenties; was fond of society, and society of him. A more urbane and attractive English gentleman did not exist; everything that a civilized man could care for was at his disposal, and he made ...
— Hawthorne and His Circle • Julian Hawthorne
... in 1912, and entered for copyright in February, 1913. I took the manuscript to a friend, Edwin Bjorkman, editor of the "Modern Drama Series," and the most widely read student of dramatic literature known to me; also to Edgar Selwyn and Margaret Mayo, who knew thoroughly the contemporary stage. ...
— The Pot Boiler • Upton Sinclair
... emendations which the editor "would not hesitate to adopt it he should ever find an ancient MS. to confirm them" and a final leaf with colophon and anchor. The Scholia, 24 unnumbered leaves, have a separate title, with notice of copyright granted by Paul III. (the fourth pope to grant this privilege) and the Venetian senate; colophon and anchor repeated on last leaf. Italic letter, 30 lines to the page, five-line spaces with guide-letters left for initials. ...
— Catalogue of the William Loring Andrews Collection of Early Books in the Library of Yale University • Anonymous
... as a legacy of the American people. His representatives have accordingly pursued a course which they conceived the best adapted to give effect to his wishes, by furnishing a separate edition for this country, without any reservation for their own advantage, beyond the transfer of the copyright as an indemnity for the ...
— Memoirs, Correspondence and Manuscripts of General Lafayette • Lafayette
... of the best Fiction by the most popular writers of the day, COPYRIGHT, and issued in handsome cloth binding, library style, ...
— The Recipe for Diamonds • Charles John Cutcliffe Wright Hyne
... each of these professions has divided up, like monads, into many heads. In medicine, we have as many specialists as there are organs of the body. The lawyer who advises you in a copyright or patent cause knows nothing about admiralty; and as they tell us a man who pleads his own case has a fool for a client, so does the insurance lawyer who is retained to foreclose a mortgage. In all prosperous city churches, the preacher who attracts the crowd in the morning ...
— Little Journeys To the Homes of the Great, Volume 3 (of 14) • Elbert Hubbard
... anxious to have published an edition of all her writings, including "Idomen," before leaving New York, and she authorized me to offer gratuitously her copyrights to an eminent publishing house for that purpose. In the existing condition of the copyright laws, which should have been entitled acts for the discouragement of a native literature, she was not surprised that the offer was declined, though indignant that the reason assigned should have been that they were "of too elevated a character ...
— Graham's Magazine Vol XXXIII No. 2 August 1848 • Various
... and finished paintings by Angelico da Fiesole, and Fouquet of Tours.' Among the treasures of the library were the MSS. of Gray, in their perfect calligraphy, and the famous agreement between Milton and the publisher Simmonds, for the copyright of ...
— The Book-Hunter in London - Historical and Other Studies of Collectors and Collecting • William Roberts
... four small books roughly bound in boards, the sides covered with paper. On the reverse of the title pages, two bear a copyright entry in the year 1836; the others were entered in 1837. They are the earliest editions of McGuffey's Eclectic Readers that have been found in a search ...
— A History of the McGuffey Readers • Henry H. Vail
... movables; stock, stock in trade; things, traps, rattletraps, paraphernalia; equipage &c. 633. parcels, appurtenances. impedimenta; luggage, baggage; bag and baggage; pelf; cargo, lading. rent roll; income &c. (receipts) 810; maul and wedges [U.S.]. patent, copyright; chose in action; credit &c. 805; debt &c.806. V. possess &c. 777; be the possessor &c. 779 of; own; have for one's own, have for one's very own; come in for, inherit. savor of the realty. be one's property ...
— Roget's Thesaurus
... to Bok's plans arose from the soreness generated by the absence of copyright laws between the United States and Great Britain and Europe. The editor, who had been publishing a series of musical compositions, solicited the aid of Sir Arthur Sullivan. But it so happened that Sir Arthur's most famous ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok (1863-1930)
... strange thing happened. I know that I am infringing copyright in making that statement, but it so exactly suits the occurrence, that perhaps Mr Rider Haggard will not object. It was ...
— The Gold Bat • P. G. Wodehouse
... cheap paper-covered edition of the letters, and sent the American Publishing Co. a challenge in the shape of an advance notice of their publication. Clemens hurried back to San Francisco from the East, and soon convinced the proprietors of the 'Alta California' of the authenticity of his copyright. The paper-covered edition was ...
— Mark Twain • Archibald Henderson
... own the copyright," retorted Shirley, "this is one of the chapters of my life that isn't going to be typewritten, much less the subject ...
— The Voice on the Wire • Eustace Hale Ball
... behind the Hartstein flowers embodied the devil, and my replete citizen sucking at his cigar in the National Liberal Club, Willie Crampton discussing the care and management of the stomach over a specially hygienic lemonade, and Dr. Tumpany in his aggressive frock-coat pegging out a sort of copyright in Socialism, were the centre and wings of the angelic side. It was nonsense. But how was I to put the truth ...
— The New Machiavelli • Herbert George Wells
... States, unless he happened to be as deservedly successful as Washington Irving or Cooper. He not only has to compete against the best English authors, but as almost all the English works are published without any sum being paid for the copyright, it is evident that he must sell his work at a higher price if he is to obtain any profit. An English work of fiction, for instance, is sold at a dollar and a quarter, while an ...
— Diary in America, Series Two • Frederick Marryat (AKA Captain Marryat)
... Mrs. Stowe expected for her disinterested labor, but it suits the world's notion of the fitness of things that this was not altogether wanting. For the millions of copies of Uncle Tom scattered over the world the author could expect nothing, but in her own country her copyright yielded her a moderate return that lifted her out of poverty and enabled her to pursue her philanthropic and literary career. Four months after the publication of the book Professor Stowe was in the publisher's office, and Mr. Jewett asked ...
— The Martin Luther King, Jr. Day, 1995, Memorial Issue • Various
... that a Britisher named Prof. Bridger has been infringing my copyright by proclaiming, as an original discovery, that kissing is an excellent tonic and will cure dyspepsia. When the o'erbusy bacteriologists first announced that osculation was a dangerous pastime, that ...
— Volume 1 of Brann The Iconoclast • William Cowper Brann
... "The Ice Man" in Legends of the MicMacs, published by S. T. Rand; permission to use given by Helen S. Webster, owner of copyright.] ...
— Fifty Fabulous Fables • Lida Brown McMurry
... starting you on the job and finding you a theme. This leaves L100. I will pay you L100 down on your contracting to supply me within three months with a mechanically possible, i.e., stageable drama dealing with the experiences of St. Augustine after re-visiting England. The literary copyright to be yours, except that you are not to prevent me making as many copies as I may require for stage use. The stage right to be mine; but you are to have the right to buy it back from me for L250 whenever you like.* The play, if performed, to be announced as your ...
— Gilbert Keith Chesterton • Maisie Ward
... absolutely take into consideration the size of the orchestra, which at grand concerts amounted to 700 performers. The Society only stipulated for the exclusive right to the work for one year, and did not purchase the copyright; they undertook the gratuity for the poem also, so they were obliged to consult their pecuniary resources, and informed the composer that they were prepared to give him 200 gold ducats for the use of the work for a year, as they had proposed. Beethoven was quite satisfied, and made no ...
— Beethoven's Letters 1790-1826, Volume 1 of 2 • Lady Wallace
... title of Herod given to him because he invented or was fond of tea.[13] A still finer confusion of ideas is to be found in an answer reported by Miss Graham in the University Correspondent: "Esau was a man who wrote fables, and who sold the copyright to a publisher for a ...
— Literary Blunders • Henry B. Wheatley
... New York by arrangement with The Macmillan Company Copyright, 1897-1898, By the Century Co. Copyright, 1898, 1926, By the MacMillan Company. All rights reserved—no part of this book may be reproduced in any form without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages in connection with a review written ...
— Buccaneers and Pirates of Our Coasts • Frank Richard Stockton
... Co., Moffat, Yard & Co., American Book Co., Perry, Mason Co., Duffield & Co., Chicago Kindergarten College, and others, who have granted them permission to reproduce herein selections from works bearing their copyright. ...
— The Children's Book of Christmas Stories • Various
... American citizen and an alien, or between citizens of different states in the Union, the decision of the Circuit Court of Appeals is generally final. The jurisdiction of this court is also final in all cases arising under the revenue, patent, and copyright laws of the ...
— Problems in American Democracy • Thames Ross Williamson
... who lashed America into righteous war. He fought for the freedom of the country, for the abolition of slavery, for the rights of women; he fought for old-age pensions, for free public schools, for the protection of dumb animals, for international copyright; for a hundred and one ideals of equity and humanity which today are legislature. And he fought with his body and his brain; with his "flaming eloquence" and also with a gun! Once let him perceive the cause to be a just one, and—I know of no ...
— Greenwich Village • Anna Alice Chapin
... The quotations from the poems of Joaquin Miller appearing in this chapter are used by permission of the Harr Wagner Publishing Company, owners of copyright.] ...
— Giant Hours With Poet Preachers • William L. Stidger
... His father was now dead, and he had already supported himself and his mother by copying law-papers; he had, also, at the age of twenty-three, published a small volume of poems, and had been elected a shepherd of Arcadia; but in a country where one's copyright was good for nothing across the border—scarcely a fair stone's-throw away—of one's own little duchy or province, and the printers everywhere stole a book as soon as it was worth stealing, it is not likely that he made great gains by a volume of verses which, later ...
— Modern Italian Poets • W. D. Howells
... pity that the American law on the subject of copyright should have rendered Mr. Carey's admiration of my friend and her works so barren of any useful result to her. Any tolerably just equivalent for the republication of her books in America would have added materially ...
— Records of a Girlhood • Frances Anne Kemble
... document it appeared that the author was Robert Paltock of Clement's Inn, and that he received for the copyright 20L., twelve copies of the book, and "the cuts of the first impression"(proof impressions of the illustrations). The writer's name shows him to have been, like his hero, of Cornish origin; but the authors of the admirable and exhaustive "Bibliotheca ...
— Life And Adventures Of Peter Wilkins, Vol. I. (of II.) • Robert Paltock
... in vain for me to reason with this man of metres upon the unreasonableness of this despotic and exclusive assertion of copyright. I well remember his answer to me when, among other arguments, I urged the advisability of some care for the permanence of his reputation, as a motive to induce him to consent to have his poems written down, and thus reduced to ...
— The Purcell Papers - Volume II. (of III.) • Joseph Sheridan Le Fanu
... of the Manchester Guardian have kindly allowed me to make use of their copyright in the letters written by me to that newspaper during the first half of the year. The substance of the letters has been reproduced in the hope that home-staying folk may find in them something of the atmosphere that surrounds ...
— The Relief of Mafeking • Filson Young
... first and chiefly, to Mr. Clement K. Shorter who placed all his copyright material at my disposal; and to Mr. G.M. Williamson and Mr. Robert H. Dodd, of New York, for allowing me to draw so largely from the Poems of Emily Bronte, published by Messrs. Dodd, Mead, and Co. in 1902; also to Messrs. Hodder and Stoughton, ...
— The Three Brontes • May Sinclair
... Century Dictionary" are made under an arrangement with the owners of the copyright of that work. I am also indebted to Professor Barrett Wendell, Messrs. Houghton, Mifflin & Co., and Messrs. Macmillan & Co. for permission to use brief ...
— Practical Exercises in English • Huber Gray Buehler
... that edition having been soon exhausted, and the call for the "Book of Nonsense" continuing, I added a considerable number of subjects to those previously-published, and having caused the whole to be carefully reproduced in woodcuts by Messrs. Dalzell, I disposed of the copyright to Messrs. Routledge and Warne, by whom the volume was published in 1843. ...
— Nonsense Books • Edward Lear
... was not registered in the Copyright Library, but it appears to have been a rather badly printed pirated version. It was not an easy job to create this e-book, but I believe the author would approve of what we have ...
— The King's Daughters • Emily Sarah Holt
... Some Learned Fables, For Good Old Boys And Girls My Late Senatorial Secretaryship A Fashion Item Riley-Newspaper Correspondent A Fine Old Man Science Vs. Luck The Late Benjamin Franklin Mr. Bloke's Item A Medieval Romance Petition Concerning Copyright After-Dinner Speech Lionizing Murderers A New Crime A Curious Dream A True Story The Siamese Twins Speech At The Scottish Banquet In London A Ghost Story The Capitoline Venus Speech On Accident Insurance John Chinaman In New York How I Edited ...
— Innocents abroad • Mark Twain
... publisher intended to bring it out in book form. That made him decide to publish it in England himself, and he did so at his own expense. The publisher soon failed, and by Scott's help, as already explained, Irving got his book into the hands of Murray. Murray finally gave him a thousand dollars for the copyright. But when it was published, it proved so very popular that Murray paid him five hundred more. From that time forward he received large sums for his writings, both in the United States ...
— Four Famous American Writers: Washington Irving, Edgar Allan Poe, • Sherwin Cody
... copyright" guarantees that "The Young Visiters" is the unaided effort in fiction of an authoress of nine years. "Effort," however, is an absurd word to use, as you may see by studying the triumphant countenance of the child herself, which is here reproduced as frontispiece ...
— The Young Visiters or, Mr. Salteena's Plan • Daisy Ashford
... to put forth these ideas, at a time when reprints are the order of the day—when speculators, with a singular blindness, are ready to take hold of almost anything that comes in their way without the expense of copyright. It would be far more judicious to employ persons of a correct and elegant taste to separate the local and temporary from the universal and immortal part of our classics, and give us, in an independent form, what belongs to ourselves and to all time. A movement was made some ...
— Chambers's Edinburgh Journal, No. 448 - Volume 18, New Series, July 31, 1852 • Various
... chronicled and sent up to me, till I wrung my hands because it was too late to insert them in "Red Pottage."[1] For they all fitted Mr. Gresley like a glove, and I should certainly have used them if it had been possible. For, as has been well said, "There is no copyright in platitudes." They are part of our goodly heritage. And though people like Mr. Gresley and my academic prig Wentworth have in one sense made a particular field of platitude their own, by exercising themselves continually upon it, nevertheless we ...
— The Lowest Rung - Together with The Hand on the Latch, St. Luke's Summer and The Understudy • Mary Cholmondeley
... hard and startling blow, inflicting not only sorrow, but for a while that positive, physical pain which comes from evil tidings which are totally unexpected. It was but a week or two since that I was discussing at the club that vexed question of American copyright with Mr. Dickens, and while differing from him somewhat, was wondering at the youthful vitality of the man who seemed to have done his forty years of work without having a trace of it left upon him to lessen his ...
— Stories of Authors, British and American • Edwin Watts Chubb
... York Street Independent Chapel, I am indebted to Mr F. Herbert Stead, Warden of "The Robert Browning Settlement," Walworth. I thank Messrs Smith, Elder and Co., as representing Mr R. Barrett Browning, for permission to make such quotations as I have ventured to make from copyright letters. I thank the general Editor of this series, the Rev. D. Macfadyen, for kind ...
— Robert Browning • Edward Dowden
... best in modern play-writing has not been included in this volume. Because of copyright complications the works of Mr. Masefield, Mr. Shaw, Mr. Drinkwater, and Sir James Barrie are not here represented. The plays by these writers that seem best fitted to use by teachers and pupils in high schools, together with a large number of other dramas for this ...
— The Atlantic Book of Modern Plays • Various
... to the effect that invention ought to be encouraged and protected bore fruit in this same year in patent and copyright laws, which became the foundation of our present system. The same good fortune befell the recommendation for a uniform rule for naturalization, and the law of 1790 was quietly enacted, no one then imagining that its alteration less than ten years later was destined to form part of a policy ...
— George Washington, Vol. II • Henry Cabot Lodge
... in the Copyright Series are by arrangement with the Authors, to whom a Royalty is paid, and no American reprints can lawfully be sold ...
— Brooke's Daughter - A Novel • Adeline Sergeant
... have bought the copyright of the third edition, with the privilege of printing it in the form and manner that may best suit their purposes. This step severs the author from all further connection with the work, and affords him an opportunity of stating ...
— Cotton is King and The Pro-Slavery Arguments • Various
... skating has a great advantage over its rival, the "roaring game" of curling. It would be poor fun to curl on asphalte, with stones fixed on wheels, though the amusement is possible, and we recommend the idea, which is not copyright, to enthusiastic curlers; and curlers are almost always enthusiastic. It is pleasant to think how the hills must be ringing with their shouts, round many a lonely tarn, where the men of one parish meet those of the next in friendly conflict north of the Tweed. ...
— Lost Leaders • Andrew Lang
... wince. He went on to point out, not unimpressively, that Armageddon ("as you, sir, have so aptly and so strikingly termed it") had actually broken upon the world. Farmer Best, flattered by this acknowledgment of copyright ...
— Nicky-Nan, Reservist • Arthur Thomas Quiller-Couch (Q)
... affairs was old Werner. His salary was at first L40, and he was passing rich on it; and it was soon raised to L79. We need trouble no further as to whether on such wages he was poor or rich: he evidently considered himself well-to-do. In fact, even in those days, when copyright practically did not exist, he continually made respectable sums by his compositions, and after he had been twice to England, ever the Hesperides' Garden of the German musician, he was a wealthy man, and was thankful for it. He was as keen at driving a ...
— Haydn • John F. Runciman
... pilots and air battles of the war read "The Red Knight of Germany; The Story of Baron von Richthofen, Germany's Great War Bird" by Floyd Gibbons. This book is copyright 1927 and will not be ...
— History of the World War - An Authentic Narrative of the World's Greatest War • Francis A. March and Richard J. Beamish
... you, miss," he said. "And, besides, mine is copyright—Jolly Jack Jenkins. I make a ...
— The Grey Wig: Stories and Novelettes • Israel Zangwill
... condition of abject dependence unless for a fortunate occurrence. This was no less than his being appointed joint-proprietor and editor of the newspaper by a wealthy individual, who, noticing the abilities of the young shopman, purchased the copyright with the view of placing the ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... I and all others of my class on both sides of the water are equally interested—equally interested, there is no difference between us, I would beg leave to whisper in your ear two words: INTERNATIONAL COPYRIGHT. I use them in no sordid sense, believe me, and those who know me best, best know that. For myself, I would rather that my children, coming after me, trudged in the mud, and knew by the general feeling of society that their father ...
— Speeches: Literary and Social • Charles Dickens
... these ingredients. Has a reporter any right to make such ideas appear as her own, without due credit to the authors? Whether this sort of work is done in newspapers, or appears in book form, or whether it is in direct violation of copyright laws or not, it is at least discourteous. Poems are sometimes stolen, but the literature ...
— The Writer, Volume VI, April 1892. - A Monthly Magazine to Interest and Help All Literary Workers • Various
... of copyright another trip to Canada was necessary, and when the newspapers announced (May, 1883) that Mark Twain was about to cross the border there came one morning the ...
— Mark Twain, A Biography, 1835-1910, Complete - The Personal And Literary Life Of Samuel Langhorne Clemens • Albert Bigelow Paine
... Bard," a collection of poems and ballads, which he published in 1803, prefixed with an account of his life. From the profits of this volume, with the sum of eighty-six pounds paid him by Constable for the copyright of his two treatises on sheep, he became master of three hundred pounds. With this somewhat startling acquisition, visions of prosperity arose in his ardent and enthusiastic mind. He hastily took in lease the pastoral farm of Corfardin, in the parish of Tynron, Dumfriesshire, to which he afterwards ...
— The Modern Scottish Minstrel, Volume II. - The Songs of Scotland of the past half century • Various
... theatre simply and solely for his own particular benefit, and with brutal disregard of other interests. He first insinuated himself as a collaborator in various ballets, plays, and vaudevilles; then he waited till the author wanted money and bought up the other half of the copyright. These after-pieces and vaudevilles, always added to successful plays, brought him in a daily harvest of gold coins. He trafficked by proxy in tickets, allotting a certain number to himself, as the manager's ...
— Cousin Pons • Honore de Balzac |
