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Ibsen   Listen
proper noun
Ibsen  n.  Henrik Ibsen (1828-1906), Norwegian poet and dramatist.
Synonyms: Henrik Ibsen.






Collaborative International Dictionary of English 0.48








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"Ibsen" Quotes from Famous Books



... was she deeply moved by the disarrangement and bewilderment which she saw around her, but she began to awaken to certain great events and developing powers in the world. She read the sardonic commentators upon modern life—Ibsen, Strindberg, and many others; and if she sometimes passionately repudiated them, at other times she listened as if she were finding the answers to her own inquiries. It moved her to discover that men, more often than women, had been the interpreters ...
— The Precipice • Elia Wilkinson Peattie

... of purity and spiritual triumph, which lies at the back of the real objection felt by so many sane men to the realistic literature of the nineteenth century. If any ordinary man ever said that he was horrified by the subjects discussed in Ibsen or Maupassant, or by the plain language in which they are spoken of, that ordinary man was lying. The average conversation of average men throughout the whole of modern civilization in every class or trade is such as Zola would never ...
— Heretics • Gilbert K. Chesterton

... conspicuously, in having derived the suggestion or inspiration of many of his pieces from poetic suggestion. One of the most famous and best known of this kind is the first "Peer Gynt" suite. Peer Gynt is a ne'er-do-weel in Ibsen's poem. He had a variety of adventures in the course of his unprofitable life, a few of which are alluded to in the suite here under consideration. For example, it begins with a prelude in 6/8 time—a ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews

... Ibsen is still the most formidable of obstinate individualists. Absolute self-reliance is the note he constantly strikes. He is obsessed by the psychology of moral problems; but for him there are no universal ethical laws—"the golden rule is that there ...
— One Hundred Best Books • John Cowper Powys

... appeared—he is not positively ugly, but he has a way of staring at one that is rather ill-bred.... There is a gold band around his left wrist and a scar upon his right cheek.... I am sure he is the SAME man I met at one of Sadakichi-Hartmann's readings from Ibsen's Ghosts.... He may recall the time.... It was in an abandoned palace on Russian Hill, somewhere in America; the lady at his left was discussing the difficulties of getting her motor car into Ragiz; the younger one on his right was known as Alma and gave her address ...
— Rescuing the Czar - Two authentic Diaries arranged and translated • James P. Smythe

... packed throng over a mile long, being from six to eight in the morning. Here you may hear more languages spoken than the Tower of Babel could have echoed. Polish Jews and Russian princes, Chinese mandarins and Turkish pashas, Norwegians looking as if they had stepped out of Ibsen's plays, women from the Boulevards, Spanish grandees and English countesses, mountaineers from Montenegro and millionaires from Chicago, you will find every dozen yards. Every luxury in the world Carlsbad provides for its visitors, with the one exception of pepper. That you ...
— Three Men on the Bummel • Jerome K. Jerome

... patriotism was a conviction that because they were born in Tooting or Camberwell, they were the natural superiors of Beethoven, of Rodin, of Ibsen, of Tolstoy and all other benighted foreigners. Those of them who did not think it wrong to go to the theatre liked above everything a play in which the hero was called Dick; was continually fingering a briar pipe; and, after being overwhelmed with admiration and affection through three acts, ...
— Getting Married • George Bernard Shaw

... know, to free oneself wholly from traditional interpretation, for it often succeeds in reasserting its sway upon us at the very moment we strain every nerve to escape from our bondage. So has it happened with Ibsen, who, in his search for a new and almost scientific form of fatality, erected the veiled, majestic, tyrannical figure of heredity in the centre of the very best of his dramas. But it is not the scientific mystery ...
— The Buried Temple • Maurice Maeterlinck

... these shores I have been told that here also the public interest in poetry is visibly on the wane." Now whoever told him that was mistaken. The public interest in poetry and in poets has visibly wox, to use Mr. Watson's word. It is always true that an original genius, like Browning, like Ibsen, like Wagner, must wait some time for public recognition, although these three all lived long enough to receive not only appreciation, but idolatry; but the "reading public" has no difficulty in recognizing immediately first-rate work, when it is produced in the familiar forms of art. In the Preface ...
— The Advance of English Poetry in the Twentieth Century • William Lyon Phelps

... suit the will of these dictators, and to serve as a good business basis for shrewd literary speculators? The number of Rip Van Winkles in life, science, morality, art, and literature is very large. Innumerable ghosts, such as Ibsen saw when he analyzed the moral and social conditions of our life, still keep the majority of the human race ...
— Mother Earth, Vol. 1 No. 1, March 1906 • Various

... of his criticisms of the greatest modern dramatist, Mr. William Archer has called attention to the fact that "habitually and instinctively men pay to Ibsen the compliment (so often paid to Shakespeare) of discussing certain of his female characters as though they were real women, living lives apart from the poet's creative intelligence." [It is evident that Mr. Archer, in saying "real women," means what is more ...
— A Manual of the Art of Fiction • Clayton Hamilton

... had said had been unfortunate. He had praised the Cove enthusiastically, and Robin had been contemptuous. He had never heard of Pater and had confounded Ibsen with Jerome K. Jerome. He had praised cricket and met with no reply. Twice he had seen Robin's mouth curl contemptuously, and it had cut him to ...
— The Wooden Horse • Hugh Walpole

... is ultimately the same as that of Marlowe, but the form of it is absolutely opposed to his. Goethe is as far from Marlowe's theological position as Peer Gynt is, and indeed there is a considerable similarity between Ibsen's great play and Goethe's. As the drama develops, it is true that the love of Faust becomes sensual and his curiosity morbid; but the tragedy lies no longer in the belief that sense and curiosity are in ...
— Among Famous Books • John Kelman

... childless, since it has this strange quality of being offensive and engendering thought. Food for the mind if not food for the body—didactic if not delightful—a bit of modern literature, earnest and fundamentally real. I must try and understand you, Ibsen Ovarum. Possibly it is a profound parable I have stumbled upon. Though I scarcely reckoned on a parable with my bread and butter. Frankly, I must confess I ...
— Select Conversations with an Uncle • H. G. Wells

... really mean to tell us that you enjoy an Ibsen play?" he demanded. "Why, you are too full of ...
— The Rise of David Levinsky • Abraham Cahan

... Whitman, Thoreau, and Emerson. Such reading is excellent as a means of humanising and making anarchists of refined people, but how could you appeal to the rebellious workers with such books as these? For instance, my father, do you think he could read Ibsen or any of the others? Indeed not; but let him go to a meeting where he can hear Emma Goldman speak, or let him read Jean Grave, or Bakunin, or some other writer of 'crude' pamphlets, and he might become interested, he might be able to understand. ...
— An Anarchist Woman • Hutchins Hapgood

... America is, in truth, perhaps intellectually more remote from Europe than in its earlier days. The contact of its romanticism with that of Europe was, as has been seen, imperfect, but its touch with the later developments and reactions of the movement in Europe is far more imperfect. With Tolstoy, Ibsen, d'Annunzio, Zola, Nietzsche, Maeterlinck, Sudermann, the American people can have no effectual touch; their social tradition and culture make them impenetrable to the present ideas of Europe as they are current in literary forms. Nor has anything been developed from within ...
— Project Gutenberg Encyclopedia

... the importunities of numerous correspondents, the Baron has read IBSEN'S Master Builder, translated by two of the Ibsenitish cult. "Only fancy!" Of all the weak-knee'd, wandering, effeminate, unwholesome, immoral, dashed "rot," to quote Lord Arthur in the Pantomime Rehearsal, this is the weak-knee'dest, effeminatest, and all the epithets ...
— Punch, or the London Charivari, Vol. 104, March 11, 1893 • Various

... satisfactory to take the two Father Brown books together. In the first of these and Manalive, a change can be distinctly felt. It is not a simple weakening of the power of employing instruments, such as befell Ibsen when, after writing The Lady from the Sea, he could no longer keep his symbols and his characters apart. It is a more subtle change, a combination of several small changes, which cannot be studied fairly in relation only ...
— G. K. Chesterton, A Critical Study • Julius West

... at lunch or dinner usually shun grave topics and indulge in persiflage, and even descend to talk about wine and the made dishes. The women's lunch of this summer takes higher ground. It will give Mr. Browning his final estimate; it will settle Mr. Ibsen; it will determine the suffrage question; it will adjudicate between the total abstainers and the halfway covenant of high license; it will not hesitate to cut ...
— Baddeck and That Sort of Thing • Charles Dudley Warner

... the Bunsens, the Pasteurs. In the place of God we see Law, and the old concept of rewards and punishments has been re-stated as 'the survival of the fittest.' If, on the other hand, you need emotions, and the inspiration of concrete teaching, you must go to Balzac, to Turgenief, and to Ibsen...." ...
— Elder Conklin and Other Stories • Frank Harris

... Laura discussed ideas she had got from reading Ibsen and Shaw. She grew bold and daring in the advancing of opinions and tried to stir the young man to some overt speech or action ...
— Marching Men • Sherwood Anderson

... couple of hours to spare of a night, and having also the sincere desire but not the will-power to improve his taste and knowledge, would deliberately sit down and work sums by way of preliminary mental calisthenics. As Ibsen's puppet said: "People don't do these things." Why do they not? The answer is: Simply because they won't; simply because human nature will not run to it. "Esperance's" suggestion of ...
— Mental Efficiency - And Other Hints to Men and Women • Arnold Bennett

... It is true that too much of this domestic virtue is self-denial, which is not a virtue at all; but then the following of the inner light at all costs is largely self-indulgence, which is just as suicidal, just as weak, just as cowardly as self-denial. Ibsen, who takes us into the matter far more resolutely than Jesus, is unable to find any golden rule: both Brand and Peer Gynt come to a bad end; and though Brand does not do as much mischief as Peer, the mischief he does do is ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw

... after her father's insistence, Laura Van Dorn changed from the night watch to the day nurse, and from that day on for ten days, she ministered to Grant Adams' wants. Mechanically she read to him from such books as the house afforded—Tolstoi—Ibsen, Hardy, Howells,—but she was shut away from the meaning of what she read and even from the comments of the man under her care, by the consideration of her own problems. For to Laura Van Dorn it was a time of anxious doubt, of sad retrogression, of inner anguish. In some of the books were passages ...
— In the Heart of a Fool • William Allen White

... elaborate ritual because he is close to the earth. In short, he is close to the heavens because he is close to the earth. But we must not expect any of these elemental and collective virtues in the man of the garrison. He cannot be expected to exhibit the virtues of a people, but only (as Ibsen would say) of an enemy of the people. Mr. Shaw has no living traditions, no schoolboy tricks, no college customs, to link him with other men. Nothing about him can be supposed to refer to a family feud or to a family joke. He does not drink toasts; he does not keep ...
— George Bernard Shaw • Gilbert K. Chesterton

... intended to describe a luminary. But he failed to carry out his purpose consistently. In spite of himself this apostle is unable to effect any good, too often does just the contrary. The action of this character reminds us of Gregor Werle in Ibsen's "Wild Duck." ...
— Maxim Gorki • Hans Ostwald

... feature, the processions of the two creeds into each other's churches singing the same song, made such an impression on Henrik Ibsen, the great Scandinavian poet, that again and again he returned in his conversations to this as one of the greatest and most beautiful experiences he had ...
— The New York Times Current History: the European War, February, 1915 • Various

... know: though Vaudeville delight, Musical Comedy can bore me quite; One act of Ibsen from the Gallery caught, Better than Daly ...
— The Rubaiyat of Omar Cayenne • Gelett Burgess

... weather or when the road is muddy, during the thaws of spring, they always wear goloshes, and as it is considered the worst of taste to enter a room with dirty boots, the goloshes are left behind with the coat in the hall. This reminded us of Henrik Ibsen's home in Christiania, where the hall was strewn with goloshes. So much is this the fashion that we actually saw people walking about in indiarubber "gummies," as our American friends call them, during almost tropical weather. Habit ...
— Through Finland in Carts • Ethel Brilliana Alec-Tweedie

... district; two cars, with garage to match; a widowed mother, a lamented father who made all kinds of money, so naturally some of it was honest money; two brothers, a married sister; a love for Henry James, and Galsworthy; substantial familiarity with Ibsen, Hauptman, Bergsen, Wagner, Puccini, Brahms, Freud, Tschaikovsky, and Bernard Shaw; a whole-hearted admiration for Barrie; and a record as organizer in the suffrage campaign which won in her state three years ago, plus a habit of buying gloves by the dozen and candy in five pound boxes! ...
— The Martial Adventures of Henry and Me • William Allen White

... honor of Heinrik Ibsen by a Norwegian society known as the Woman's League, in response to a speech thanking him in the name of the society for all he had done for the cause of women, the poet, while disclaiming the honor of having consciously worked ...
— The Power of Womanhood, or Mothers and Sons - A Book For Parents, And Those In Loco Parentis • Ellice Hopkins

... sweet letter from the Sphinx.[13] She gives me a delightful account of Ernest[14] subscribing to Romeike while his divorce suit was running, and not being pleased with some of the notices. Considering the growing appreciation of Ibsen I must say that I am surprised the notices were not better, but nowadays everybody is jealous of everyone else, except, of course, husband and wife. I think I shall keep this last remark ...
— Oscar Wilde, Volume 2 (of 2) - His Life and Confessions • Frank Harris

... some amusing little trifles that do not amount to much. Among these are: "The Bear," "The Asking in Marriage," and others. Then come the more serious plays, where one feels for a moment the influence of Ibsen. We find here again the same heroes, each of whom talks about his own particular case, and acts only in starts. These are specimens of "failures" belonging to the most tiresome ...
— Contemporary Russian Novelists • Serge Persky

... ambition of the producers was natural, to go forward from the little playlets to great dramas which held the attention for hours. The kinematographic theater soon had its Shakespeare repertoire; Ibsen has been played and the dramatized novels on the screen became legion. Victor Hugo and Dickens scored new triumphs. In a few years the way from the silly trite practical joke to Hamlet and Peer Gynt was covered with such thoroughness that the possibility ...
— The Photoplay - A Psychological Study • Hugo Muensterberg

... to insist that there's nothing to retribute," ran a passage in one of the letters, "but the poor fellow is saying one thing with his lips and another in his soul. What's the play in which the ghosts come back? Is it "Hamlet," or "Macbeth," or one of Ibsen's? Well, it's like that. He's seeing ghosts. He wants us to be on hand because we persuade him that they're not there—that they can't be there, so long as we're all on friendly terms, and that we're not laying up anything against him. The very fact that he pays ...
— The Side Of The Angels - A Novel • Basil King

... Frelsers Kirke (Church of our Saviour), the Storthings-Bygning (parliament-house, 1866) is seen, facing a handsome square planted with trees. Beyond this is the National theatre (1899), with colossal statues of the dramatists Ibsen and Bjoernsen. It faces the Fridericiana University, housed in three buildings dating from 1853, but founded by Frederick VI. of Denmark in 1811, embracing the five faculties of theology, law, medicine, history and philology, mathematics and natural sciences. ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 3 - "Chitral" to "Cincinnati" • Various

... produced but little of universal significance, or that, after Goethe and Heine, there were but few Germans worthy to be mentioned side by side with the great writers of other European countries. True, there is no German Tolstoy, no German Ibsen, no German Zola—but then, is there a Russian Nietzsche, or a Norwegian Wagner, or a French Bismarck? Men like these, men of revolutionary genius, men who start new movements and mark new epochs, are necessarily rare ...
— The German Classics of The Nineteenth and Twentieth Centuries, • Editor-in-Chief: Kuno Francke

... times! Ladies and gentlemen Who once before my cage in thronging crescents Crowded, now honor operas, and then Ibsen, with their so highly valued presence. My boarders here are so in want of fodder That they reciprocally devour each other. How well off at the theater is a player, Sure of the meat upon his ribs, albeit His frightful ...
— Erdgeist (Earth-Spirit) - A Tragedy in Four Acts • Frank Wedekind

... subjected the English dramatists. Indeed, when their mutinous mutterings finally jogged Parliament into inspecting his activities, the Lord Chamberlain was somewhat taken aback by the tactics of Shaw, who, instead of hissing him for forbidding public performances of certain Shaw and Ibsen plays, derided and denounced him instead for the plays he had not suppressed. And indeed, for every play which the Lord Chamberlain has suppressed, the old playgoer of London could point to five which, had he been more ...
— Nonsenseorship • G. G. Putnam

... talk Shakespeare, Goethe, and Ibsen,' said Harding, 'but I never heard him say anything new, anything personal. It seems to me that you mistake quotation for perception. He assimilates, but he originates nothing. He has read a great deal; he is covered ...
— Vain Fortune • George Moore

... at once, as he wrote to Georg Brandes, the eminent Danish critic, "eyes that saw and ears that heard." Up to this time the poet in him had been predominant; now it was to be the social philosopher that held the reins. Just as Ibsen did, so Bjornson abandoned historical drama and artificial comedy for an attempt at prose drama which should have at all events a serious thesis. In this he anticipated Ibsen; for (unless we include the satirical political comedy, ...
— Three Dramas - The Editor—The Bankrupt—The King • Bjornstjerne M. Bjornson

... materialistic conception of the development of society and civilization is a mistake not only of the learned, but of the pseudo-learned, of the men and women of more or less education whose mental development has not progressed beyond an appreciation of Bernard Shaw, Henrik Ibsen and H.G. Wells. Most of them are estimable people, but the difficulty is that they are so idealistic that, so to speak, they never have both feet upon the ground at the same time. This is especially true of our esteemed contemporaries, the Socialists. These cheerful servants of an idealistic ...
— Socialism and American ideals • William Starr Myers

... submission of women and the superiority of men. It was a type which was becoming rare in her own country. Little Asako had nothing in common with the argumentative heroines of Bernard Shaw or with the desperate viragos of Ibsen, to whom Sadako felt herself spiritually akin. Asako must be a fool. She exasperated her Japanese cousin, who at the same time was envious of her, envious above all of her independent wealth. As she observed to her own mother, it was ...
— Kimono • John Paris

... for the obituary announcement which, if not yet, as I said, officially made, is already writing in the hearts, and even in the actions, of society. The popularity of such writers as Meredith and Hardy, Ibsen and Nietzsche, Maeterlinck and Walt Whitman, constitutes a writing on the wall the significance of which cannot be gainsaid. The vogue alone of Mr. Bernard Shaw, apostle to the Philistines, is a portent sufficiently conclusive. To regard Mr. Shaw ...
— Vanishing Roads and Other Essays • Richard Le Gallienne

... London, too," Lily said, in her enthusiastic voice, "but I think modern plays are intensely interesting, especially Ibsen's." ...
— Tongues of Conscience • Robert Smythe Hichens

... than that of any other literary figure in the British Isles. His dramas are played from Madrid to Helsingfors, from Buda-Pesth to Stockholm, from Vienna to St Petersburg, from Berlin to Buenos Ayres. Recently Zola, Ibsen and, Tolstoy constituted the literary hierarchy of the world—according to popular verdict. Since Zola and Ibsen have passed from the scene, Tolstoy experts unchallenged the profoundest influence upon the thought and ...
— Mark Twain • Archibald Henderson

... You see, we've just discovered that instead of committing suicide, as Ibsen made them do in the play, they eloped and were eventually married. You can't imagine how delighted we all are to discover that Hedda is still alive. As soon as we found that out, I was ...
— King Arthur's Socks and Other Village Plays • Floyd Dell

... of stable-names. Henry, for example, is softened variously into Harry, Hen, Hank, Hal, Henny, Enery, On'ry and Heinie. Which did Ann Boleyn use when she cooed into the suspicious ear of Henry VIII.? To which did Henrik Ibsen answer at the domestic hearth? It is difficult to imagine his wife calling him Henrik: the name is harsh, clumsy, razor-edged. But did she make it Hen or Rik, or neither? What was Bismarck to the Fuerstin, and to the mother ...
— Damn! - A Book of Calumny • Henry Louis Mencken

... no; IBSEN is the person there's been all this fuss about in the papers—he goes in for unconventionality and all that. I may be wrong, but I think it is such a mistake to have anything unconventional in ...
— Punch, or the London Charivari, Vol. 104, April 22, 1893 • Various

... of letters, and therefore naturally more avid of immediate success with a contemporary audience than of posthumous success with a posterity of readers. Shakespeare and Moliere were actors and theatre-managers, and devised their plays primarily for the patrons of the Globe and the Palais Royal. Ibsen, who is often taken as a type of the literary dramatist, derived his early training mainly from the profession of the theatre and hardly at all from the profession of letters. For half a dozen years, during the formative period of his twenties, ...
— The Theory of the Theatre • Clayton Hamilton

... the regular costumes for Shakespeare's plays, all jeweled and spangled and brocaded, stage armor, great Roman togas with weights in the borders to make them drape right, velvets of every color to rest your cheek against and dream, and the fantastic costumes for the other plays we favor; Ibsen's Peer Gynt, Shaw's Back to Methuselah and Hilliard's adaptation of Heinlein's Children of Methuselah, the Capek brothers' Insect People, O'Neill's The Fountain, Flecker's Hassan, Camino Real, Children of the Moon, The Beggar's Opera, Mary ...
— No Great Magic • Fritz Reuter Leiber

... Oratory has also interested itself in the drama and is responsible for several well-considered presentations of such plays as Galsworthy's Silver Box; Kennedy's The Servant in the House, (1916); Ibsen's Pillars of Society, (1917); and Masefield's Tragedy of ...
— The University of Michigan • Wilfred Shaw

... ever encountered. I talked on with him about books and bookmen. He was most universal and particular. He liked O. Henry. George Moore was a cad and a four—flusher. Edgar Saltus' Anatomy of Negation was profounder than Kant. Maeterlinck was a mystic frump. Emerson was a charlatan. Ibsen's Ghosts was the stuff, though Ibsen was a bourgeois lickspittler. Heine was the real goods. He preferred Flaubert to de Maupassant, and Turgenieff to Tolstoy; but Gorky was the best of the Russian boiling. John Masefield knew what he was writing about, and Joseph Conrad was ...
— The Mutiny of the Elsinore • Jack London

... created as a poet,' Ibsen said in a letter, 'has had its origin in a frame of mind and a situation in life; I never wrote because I had, as they say, found a good subject.' Yet his chief aim as a dramatist has been to set character in independent action, and to stand aside, reserving his judgment. 'The method, ...
— Figures of Several Centuries • Arthur Symons

... afraid she would try to run the talk into literary lines and Ibsen and Gorky, where I would have been swamped in a minute, but she didn't, and, although I had wondered how to break the subject of money when conversing with one who must be thinking of nobler things, I found she was less shy when on that ...
— The Wit and Humor of America, Volume III. (of X.) • Various

... the talk had been mere confessions of faith—in Ibsen, in Browning, in Maeterlinck, in English gardens, in Art for Art's sake, and ...
— The Incomplete Amorist • E. Nesbit

... fine lines from Jean Ingelow that I had given him yesterday, I began to tremble. He seemed astonished when I asked vaguely—'What lines?' and remarked that he had never supposed me forgetful before. Then he began talking about Ibsen, and I gave up. 'Oh! for goodness' sake, stop!' I cried, 'I'm not Faith at all.' 'I knew it,' he said calmly, 'and thought I could soon make you own up. Now, aren't you ashamed ...
— All Aboard - A Story for Girls • Fannie E. Newberry

... I went to a tea, and then I stopped in to hear Madame Ruvier read a paper on the Ethics of Ibsen, and she—" ...
— The Exiles and Other Stories • Richard Harding Davis

... are these! What an extraordinary mixture the Germans are, brave, conceited, sentimental, prosaic, patriotic, and yet no people so soon lose their national characteristics, and become citizens of another country as Germans. Many of their intellectual poses are absolutely morbid. They adore Ibsen as a playwright and despise Goldsmith and Sheridan; they worship Gauguin, and the school of Impressionists, and have little appreciation nowadays for pre-Raphaelitism. They are intensely and truly ...
— A War-time Journal, Germany 1914 and German Travel Notes • Harriet Julia Jephson

... to the public library, but not many plays are obtainable in book form, and the next two meetings were devoted to the plays of Ibsen, Bernard Shaw, Vaughan Moody. When Miss Masters descried this literature in the hands of the now openly mutinous Secretary she felt the time had come to interfere with the "self activity" of her charges. She promptly ...
— New Faces • Myra Kelly

... theoretical strategist, engaged a superior Danish army at Idstedt. They were beaten. Their defeat had so discouraging an effect that Prussia abandoned the struggle in their behalf. In Norway, about this time, Henrik Ibsen came into prominence with a publication ...
— A History of the Nineteenth Century, Year by Year - Volume Two (of Three) • Edwin Emerson

... youngest of literatures, Norway and Russia, reveal its power as vividly as the oldest, Italy and France. It controls the meditative depth of Leopardi, the melancholy of Tourgenieff, the nobler of Ibsen's dramas, and the cadenced prose of Flaubert. It informs the teaching of Tolstoi and the greater art of Tschaikowsky. Goethe, at the beginning of the century, moulded into one the ideals of the Middle Age and of Hellas, and so Wagner ...
— The Origins and Destiny of Imperial Britain - Nineteenth Century Europe • J. A. Cramb

... for the fashion except perhaps to destroy it. This man is outside the law of supply and demand, because he supplies no demand, and there exists no demand for him. He therefore has to create the demand as well as the supply. Such a man in Music was Wagner: such a man in Drama was Ibsen: such a man ...
— Robert Browning: How To Know Him • William Lyon Phelps

... the whole proceeding, Would have laughed but for good breeding. "Best join me," he cried, "Old Chappie! IBSEN read, be free, and happy! Who'll buy your love-knots? Who'll buy your love-knots? Have a spree—all shackles scorning, Come! We won't go home ...
— Punch, or the London Charivari, Vol. 100, May 2, 1891 • Various

... the dolls to give Ibsen's 'Doll's House.' She didn't know what it was about of course, or who wrote it. She just went by the name. The other classes have got hold of the joke and guy ...
— Betty Wales Senior • Margaret Warde

... romantic point of view must be sternly put down. Now if this assumption were really founded on public opinion, it would indicate an attitude of disgust and resentment towards the Life Force that could only arise in a diseased and moribund community in which Ibsen's Hedda Gabler would be the typical woman. But it has no vital foundation at all. The prudery of the newspapers is, like the prudery of the dinner table, a mere difficulty of education and language. We are not taught to think decently on these subjects, and ...
— Revolutionist's Handbook and Pocket Companion • George Bernard Shaw

... Ibsen has given us Nora Hebler, a Disagreeable Girl of mature age, who, beyond a doubt, first set George Bernard Shaw a-thinking. Then looking about, Shaw saw her at every turn in every stage of her ...
— Love, Life & Work • Elbert Hubbard

... youth she had moved in literary circles, and now found her daily pleasure in the works of Schopenhauer, Kant, and other Germans. Her lightest reading was Sartor Resartus, and occasionally she would drop into Ibsen and Maeterlinck, the asparagus of her philosophic banquet. Her chosen mode of thought, far from leaving her inhuman or intolerant, gave her a social distinction which I had inherited from her. I could, if I had wished it, have attended with success the tea-drinkings, the tennis-playings, ...
— Not George Washington - An Autobiographical Novel • P. G. Wodehouse

... upon which we had started out on our married life five months before. And our Letter of Credit was small, and Youth is stern with itself;—or, more likely, we did not trouble simply because it saved so much more trouble not to. No woman would have to be taught by Ibsen or anybody else how to live her own life, were she willing to live it in shabby clothes. It is not an easy thing to do, I know. I share the weakness of most women in feeling it a disgrace, or a misfortune, to be ...
— Nights - Rome, Venice, in the Aesthetic Eighties; London, Paris, in the Fighting Nineties • Elizabeth Robins Pennell

... places, in search of a climate more favorable to his incipient malady; and every return to Edinburgh proved more and more conclusively that he could not live in Scotch mists. He had made the acquaintance of a number of literary men, and he was consumed with a burning ambition to become a writer. Like Ibsen's Master-Builder, there was a troll in his blood, which drew him away to the continent on inland voyages with a canoe and lonely tramps with a donkey; these gave him material for books full of brilliant pictures, shrewd observations, and irrepressible humour. He contributed various articles to ...
— Essays of Robert Louis Stevenson • Robert Louis Stevenson

... which is never still even when it seems most immobile; I tried to paint the rhythms of the atmosphere, shivering as it is with chords of sunlight and chromatic scales as yet unpainted. Like Oswald Alving in Ibsen's Ghosts, my last cry will be for 'the sun.' How did my friends act? What did the critics say? A black sun was too much for the world, though astronomers have proven my theory correct. The doctors swore I drank too much absinthe; ...
— Visionaries • James Huneker

... thing." Poetry has occupied the purest and the fieriest minds in all ages, and you will remember that Plato, who excluded the poets from his philosophical Utopia, was nevertheless an exquisite writer of lyrical verse himself. So, to come down to our own day, Ibsen, who drove poetry out of the living language of his country, had been one of the most skilful of prosodical proficients. Such instances may allay our alarm. There cannot be any lasting force in arguments ...
— Some Diversions of a Man of Letters • Edmund William Gosse

... downrush of the final curtain, I caught the poetry of the commonplace, I had my first unconscious lesson in literary and dramatic fidelity. And I ended my college days, a much more sophisticated person, championing Pinero and Jones, rushing eagerly to special performances of Ibsen, and ardently admiring the plays of G. B. Shaw, two of which, Arms and the Man and The Devil's Disciple, had been acted in America by Richard Mansfield before ...
— Penguin Persons & Peppermints • Walter Prichard Eaton

... repeated. "Why, I don't know; Walt Whitman, Ibsen, Longfellow, Joaquin Miller? Tolstoi had ...
— Kit of Greenacre Farm • Izola Forrester

... can tell whether he means a thing or not. We think he meant in this case, as Ibsen means in all cases, that you shall look ...
— Imaginary Interviews • W. D. Howells

... "books for review" and yet he was always ready to welcome the slender volume of the new poet. To him I owe much. From him I secured my first knowledge of James Whitcomb Riley, and it was Hurd who first called my attention to Kirkland's Zury. Through him I came to an enthusiasm for the study of Ibsen and Bjornsen, for he was widely read in the literature of ...
— A Son of the Middle Border • Hamlin Garland

... were keeping "buffer States" between ourselves and Russia in the east. Germany had indeed beaten Denmark; but then Denmark was a little State, and was abandoned in her hour of need by those who should have helped her, to the great indignation of Ibsen. Germany had also beaten Austria; but somehow everybody seems able to beat Austria, though nobody seems able to draw the moral that defeats do not matter as much as the Militarists think, Austria being as important as ever. Suddenly Germany beat France right down into the dust, by the exercise ...
— New York Times, Current History, Vol 1, Issue 1 - From the Beginning to March, 1915 With Index • Various

... partial failure to interest, which is as familiar to you in the theatres as it was to me when I, too, frequented those uncomfortable buildings, and found our popular playwrights in the mind to (as they thought) emulate Ibsen. ...
— Man And Superman • George Bernard Shaw

... Swedish, on his mother's side Russian, and attended the Orthodox church. He knew Russian, Swedish, and German. He had read a good deal in those languages, and nothing one could do gave him greater pleasure than lending him some new book or talking to him, for instance, about Ibsen. ...
— The Schoolmistress and Other Stories • Anton Chekhov

... was deep in the mysteries of Ibsen's latest achievement, "The Rise and Fall of the Hobble Skirt," but she politely acknowledged my first sneeze with ...
— You Should Worry Says John Henry • George V. Hobart

... more general intelligibility. Bjornson and Jonas Lie in this way have secured places in literature in no small part because of their characteristic Norwegianism; Kielland to some little extent has secured his place because of the want of it. Ibsen is here left out of the discussion. He is quite sui generis, and apart from the mere choice of environment, for his work could ...
— Skipper Worse • Alexander Lange Kielland

... not a sound reformer at all. You're an impossibilist. And you give up too easily. You gave up on the new city hall, the anti-fly campaign, club papers, the library-board, the dramatic association—just because we didn't graduate into Ibsen the very first thing. You want perfection all at once. Do you know what the finest thing you've done is—aside from bringing Hugh into the world? It was the help you gave Dr. Will during baby-welfare week. You didn't demand that each baby be a philosopher and artist before you weighed ...
— Main Street • Sinclair Lewis

... top? And if you scorn the Commonplace, Why wear a Nose upon your Face? And since Pythagoras is mute on Sex Hygiene and Cosmic Law, Is your Blonde Beast as Bland a Brute, As Blind a Brute, as Bernard Shaw? No doubt, when drilling through the parks, With Ibsen's Ghost and Old Doc Marx, You've often seen two Golden Souls Drink Suds ...
— Hermione and Her Little Group of Serious Thinkers • Don Marquis

... Tarrytown, if a little boy drops an egg on his way home from the grocery, if a casual house or two drops into the subway, if a lady loses a nickel through a hole in the lisle thread, if the police drag a telephone and a racing chart forth from an Ibsen Society reading-room, if Senator Depew or Mr. Chuck Connors walks out to take the air—if any of these incidents or accidents takes place, you will see the mad, irresistible rush of the "rubber" tribe to ...
— The Voice of the City • O. Henry

... to make it short, lastly, the late Henrik Ibsen, nourished upon Munich beer, wrote "Hedda Gabler," not to mention "Rosmersholm" and "The Lady from the Sea"—wrote them in his flat in the Maximilianstrasse overlooking the palace and the afternoon promenaders, in the late eighties of the present, or Christian era—wrote them ...
— Europe After 8:15 • H. L. Mencken, George Jean Nathan and Willard Huntington Wright

... Liberal government had been persuaded to meddle at all with a question in which so many conflicting interests were involved, and which had probably no electoral value whatever. Many simple simple souls believed that it was because certain severely virtuous plays by Ibsen, by M. Brieux, by Mr Granville Barker, and by me, were suppressed by the censorship, whilst plays of a scandalous character were licensed without demur. No doubt this influenced public opinion; but those who imagine that it could influence British governments little know how remote ...
— The Shewing-up of Blanco Posnet • George Bernard Shaw

... got out of bed; "the Dardanelles expedition with Gaisford, the plays of Synge with George Oakleigh, 'The Bomb-Shell' with Vincent Grayle, memories of Jessie Farborough with Deganway, 'The Bomb-Shell' with Grierson, Ibsen with Harry Greenbank, and 'The Bomb-Shell' with Donald Butler. I'm ...
— The Education of Eric Lane • Stephen McKenna

... enriched our educational experience by the establishment of her famous high schools, which we can hardly imagine her doing had she been a province of Prussia; Norway has given us the greatest of modern dramatists, Henrik Ibsen; and Belgium has not only produced Maeterlinck and Verhaeren, but is industrially the most highly developed country on the continent. The world cannot afford to do without her small peoples, who must be either independent ...
— The War and Democracy • R.W. Seton-Watson, J. Dover Wilson, Alfred E. Zimmern,

... laughing. Wagner was greatly over-estimated, in her opinion; she asked for invertebrate music, the free harmony of the passing wind. As for her moral views, they were enough to make one shudder. She had got past the argumentative amours of Ibsen's idiotic, rebellious heroines, and had now reached the theory of pure intangible beauty. She deemed Santerre's last creation, Anne-Marie, to be far too material and degraded, because in one deplorable passage the author remarked ...
— Fruitfulness - Fecondite • Emile Zola

... little actress said to me only yesterday, "We want something a bit meatier than the dry old bones of IBSEN'S ghosts." Well, I am out to provide that something; my present success certainly does not lack ...
— Punch, or the London Charivari, Vol. 159, July 28th, 1920 • Various

... Die Walkuere shows the irresistible passion of Siegmund and Sieglinde, brother and sister, from whose union sprang the mighty hero Siegfried; and in Gengangere (Ghosts), 1881, Ibsen threw, by the sickly craving of the fibreless Oswald Alving for Regina, a lurid light across that awesome tragedy of ...
— The Works of Aphra Behn, Vol. I (of 6) • Aphra Behn

... The Pillars of Society, and Other Plays. By Henrik Ibsen. Edited, with an Introduction, ...
— Life of Robert Browning • William Sharp

... esteem only of the handful of people who think for themselves. I should say that no first-class modern French author is more perfectly unknown and uncared-for in England than Henri Becque. I once met a musical young woman who had never heard of Ibsen (she afterwards married a man with twelve thousand a year—such is life!), but I have met dozens and scores of enormously up-to-date persons who had never heard of Henri Becque. The most fantastic and the most exotic foreign plays have been performed in England, but I doubt if the London curtain ...
— Books and Persons - Being Comments on a Past Epoch 1908-1911 • Arnold Bennett

... culture, draws strength and inspiration from a circuit even wider than Voltaire's—Greece, Rome, Persia, Italy, the Middle Age, Mediaeval Germany; Carlyle's work made him, at least in spirit, a native of France for three or four years, and for twelve a German; even Dr. Henrik Ibsen in his hot youth essayed a Catiline, and in later life seeks the subject of what is perhaps his masterpiece, the Emperor and Galilean, in the Rome of the fourth century. But in Russia Tolstoi begins, and in Russia he ends. As volume ...
— The Origins and Destiny of Imperial Britain - Nineteenth Century Europe • J. A. Cramb

... away the image of the other, godlike, radiant with the glory of youth and love; each will cherish the memory of a loved one who shall be beautiful always. That their parting may not appear such wild nonsense as at first it strikes us, Ibsen shows us other lovers who have married in the orthodox fashion. She was all that a mistress should be. They speak of her as they first knew her fifteen years ago, when every man was at her feet. He then was a young student, burning with fine ideals, with ...
— Idle Ideas in 1905 • Jerome K. Jerome

... have not ceased to peck at the liver of men's benefactors. All great and high art is purchased by suffering—it is not the mechanical product of dexterous craftsmanship. This is one part of the meaning of that mysterious Master Builder of Ibsen's. "Then I saw plainly why God had taken my little children from me. It was that I should have nothing else to attach myself to. No such thing as love and happiness, you understand. I was to be only a master builder—nothing else." And the tense strings that give the highest and sweetest notes are ...
— The Idler Magazine, Vol III. May 1893 - An Illustrated Monthly • Various

... race has followed in its upward development. Beauty has been the genius of Evolution." Thus science has lent its authority to philosophy. The idea is charming. In its power it is irresistible. It certainly dominates modern literary art, being the principal dynamic of Ibsen and Bernard Shaw ...
— A Tramp's Sketches • Stephen Graham

... soon coming to Moscow, please keep a ticket for me for "The Pillars of Society"; I want to see the marvellous Norwegian acting, and I will even pay for my seat. You know Ibsen is ...
— Letters of Anton Chekhov • Anton Chekhov

... the grandest. Each is bound to a thesis, but reality is bound to no thesis. You cannot say where it begins or where it leaves off; and it will not allow you to say precisely what its meaning or argument is. For this reason, there are no such perfect pieces of realism as the plays of Ibsen, which have all or each a thesis, but do not hold themselves bound to prove it, or even fully to state it; after these, for reality, come the novels of Tolstoy, which are of a direction so profound because so patient ...
— Henry James, Jr. • William Dean Howells

... lines. By passing the Flag Bill, they prepared to renew negotiations on the Consular Question, while, at the same time, they were busily engaged in strengthening their defence and raising on the boundaries rumoured fortresses against Sweden. The Under Secretary of State, Dr. SIGURD IBSEN, instituted an inquiry as to the feasibility of having a separate Consular Service in conjunction with the existing Foreign administration. It was on this point that the Minister for Foreign affairs, for the time being, Mr. LAGERHEIM, made a proposal, ...
— The Swedish-Norwegian Union Crisis - A History with Documents • Karl Nordlund

... Joy of life. Read Ibsen. [He goes into the pavilion to relieve his restlessness, and stares out with his hands thrust deep in ...
— Misalliance • George Bernard Shaw

... Ibsen "to cultivate her mind," And reads Shakespeare and Browning through and through; Meanwhile she knits her brows—it is the only kind Of fancy work this ...
— Cap and Gown - A Treasury of College Verse • Selected by Frederic Knowles

... this power of a fine or noble action to thrill the human heart that makes the triumphs of dramatic art possible. The dramatists, like Shakespeare, whose characters accept the current moral code, appeal to a wide audience—to nearly all. But those dramatists, such as Ibsen, Shaw, Maeterlinck, and above all, Sudermann, whose heroes and heroines attempt to put into practice the ideals of to-morrow in the environment of to-day, are misunderstood and disliked by the majority, and understood and appreciated only by the few who, like themselves, have rejected ...
— Socialism: Positive and Negative • Robert Rives La Monte

... something, if she were only wiser, a linguist, a student of poetry or of history. Nearing twenty-five, she was as ignorant as she had been at fifteen! A remembered line from a carelessly read poem, a reference to some play by Ibsen or Maeterlinck or d'Annunzio, or the memory of some newspaper clipping that concerned the marriage of a famous singer or the power of a new anaesthetic,—this was ...
— Saturday's Child • Kathleen Norris

... entrance hall and a low-ceilinged parlour. Frederic is its proprietor, and since Joseph of the Marivaux died Frederic remains the one great "character" in the dining world of Paris. In appearance he is the double of Ibsen, the same sweeping whiskers, the same wave of hair brushed straight off from the forehead. He is an inventor of dishes, and it is well to ask for a list of his "creations," which are of fish, eggs, meat, and fruit, and are generally named after some patron of the establishment,—Canape ...
— The Gourmet's Guide to Europe • Algernon Bastard

... to put the masked man down to Quamina's vivid imagination," declares Eleanor, "if you had not personally encountered him, Carol. He is like a sort of 'troll,' one of Ibsen's ...
— When the Birds Begin to Sing • Winifred Graham

... you might almost say dazed. He asked me apologetically if we ever did anything to relieve the strain,—had any amusements, you know,—and I said, oh, yes; we had a Browning and an Ibsen club, and we sometimes gave Greek tragedies in the original. He was positively afraid to come near me again, for fear I'd forget and talk to him ...
— When Patty Went to College • Jean Webster

... remember in this connection, that up to the time in question no dramatic work of similar importance had ever been produced in Sweden. Its completion was more epoch-making for Sweden than that of Brand was for Norway in 1865—since the coming of Ibsen's first really great play was heralded by earlier works leading up to it, while Master Olof appeared where nobody had any reason to expect it. This very fact militated against its success, of course; it was too unexpected, and ...
— Master Olof - A Drama in Five Acts • August Strindberg

... difference is all the difference in the world" (p. 84). It is curious what a fascination this turn of phrase has exercised upon many and diverse intelligences. Mr. Bernard Shaw, for instance, adopts it with enthusiasm. Henrik Ibsen—if it is ever possible to tie a true dramatist down to a doctrine—preaches in Peer Gynt that "to be thyself is to slay thyself." Mr. Wells has a cloud of witnesses to back him up; and yet it is very doubtful whether the turn of phrase is a really ...
— God and Mr. Wells - A Critical Examination of 'God the Invisible King' • William Archer

... not reassured, when ethics are as wild as cannibalism, by the fact that they are also as grave and sincere as suicide. And I think there is an obvious fallacy in the bitter contrasts drawn by some moderns between the aversion to Ibsen's "Ghosts" and the popularity of some such joke as "Dear Old Charlie." Surely there is nothing mysterious or unphilosophic in the popular preference. The joke of "Dear Old Charlie" is passed—because it is a joke. "Ghosts" ...
— All Things Considered • G. K. Chesterton

... immovable basis. While idealism shows us how life might be or ought to be, realism shows how it actually is. Unfortunately, realistic writers have not, in many cases, been true to their fundamental principles. The great continental leaders of realism—Tolstoi, Zola, Ibsen—have been tainted with a fatal pessimism. Realists of this type seem to see only one side of life,—the darker side of sin and wretchedness and despair. They often describe what is coarse, impure, obscene. No doubt their ...
— Elementary Guide to Literary Criticism • F. V. N. Painter

... took for her subject Ibsen's drama, A Doll's House, and discussed its ethical problems, closing with the sentence: "As long as the fighting qualities of woman remain, there is a chance for the nation to make a robust, steady ...
— The History of Woman Suffrage, Volume IV • Various

... was written in Christiania during 1894, and published in Copenhagen on December 11 in that year. By this time Ibsen's correspondence has become so scanty as to afford us no clue to what may be called the biographical antecedents of the play. Even of anecdotic history very little attaches to it. For only one of the characters has a definite model been suggested. Ibsen himself ...
— Little Eyolf • Henrik Ibsen

... not have been easy a few years ago to foresee the achievement of Mr. Squire as a poet. He laboured under the disadvantage of being also a wit. It used to be said of Ibsen that a Pegasus had once been shot under him, and one was alarmed lest the reverse of this was about to happen to Mr. Squire, and lest a writer who began in the gaiety of the comic spirit should end soberly astride Pegasus. When, in Tricks of the Trade, he announced ...
— Old and New Masters • Robert Lynd

... Bengal Civil servant. He drew his chair over by Hilda's, and began discussing Mrs. Ogilvy's eyes and the first officer's flirtations. Hilda hated gossip, and took refuge in generalities. In three minutes the talk had wandered off to Ibsen's influence on the English drama, and we had forgotten the very existence ...
— Hilda Wade - A Woman With Tenacity Of Purpose • Grant Allen

... with a glimmering of science, an officer who understands duty and discipline, and a clergyman with an inkling of religion, though there are nothing like enough of them to go round. But even the few who, like Ibsen's Mrs Solness, have "a genius for nursing the souls of little children" are like angels forced to work in prisons instead of in heaven; and even at that they are mostly underpaid and despised. That friend of mine who went from the hedge schoolmaster to Harrow once ...
— A Treatise on Parents and Children • George Bernard Shaw

... he almost always received the same answer to this question: the great names of the Norwegian nation that had been burned upon the minds even of these workingmen and servant girls were just four in number: Ole Bull, Bjoernson, Ibsen, Nansen. Over and over again he asked that same question; over and over again he received the same answer: Ole Bull, Bjoernson, Ibsen, Nansen. A great musician, a great novelist, a great dramatist, a ...
— Craftsmanship in Teaching • William Chandler Bagley

... firmness. "Why, you are just a child," said Mrs. Barry-Smith. "We are utter strangers to each other. Please remember that, for all you know, I may have an unbridled temper, or an imported complexion, or a liking for old man Ibsen. What you ask—only you don't, you simply assume it,—is preposterous. And ...
— The Cords of Vanity • James Branch Cabell et al

... of literary aridity in Germany that there was a superb literary fecundity in Great Britain and in France, and that each of these countries produced at least a score of authors whose names are known throughout the world. Even sparsely settled Scandinavia brought forth a triumvirate, Bjoernsen, Ibsen, and Brandes, without compeers in Germany. And from Russia the fame of Turgenef and of Tolstoy spread abroad a knowledge of the heart and mind of a great people who are denounced by Germans ...
— The New York Times Current History of the European War, Vol. 1, January 9, 1915 - What Americans Say to Europe • Various

... book than "The Scarlet Letter." Certainly this story of old Salem is impeccably written and its subtle handling of tone and atmosphere is beyond dispute. An ancestral curse, the visitation of the sins of the fathers upon the children, the gradual decay of a once sound stock, are motives that Ibsen might have developed. But the Norseman would have failed to rival Hawthorne's delicate manipulation of his shadows, and the no less masterly deftness of the ultimate mediation of a dark inheritance through the love of the light-hearted ...
— The American Spirit in Literature, - A Chronicle of Great Interpreters, Volume 34 in The - Chronicles Of America Series • Bliss Perry

... he summed up, "a combination of Ibsen and hysterics, and of—er, rather declamatory observations concerning there being one law for the man and another for the woman, and Patricia's realization of the mistake we both made—and all that sort of nonsense, you know, exactly as if, I ...
— The Rivet in Grandfather's Neck - A Comedy of Limitations • James Branch Cabell

... "Ibsen makes a strange impression on me; he foreshadows someone mightier than himself who is yet to come; he is like the light of dawn before the rising sun. And as regards the newest, over-praised and over-advertised ...
— The Comedienne • Wladyslaw Reymont

... exhibits the inverse process: the triumph of mundane policy and genial savoir faire in the person of Ogniben over the sickly and equivocal "poetry" of Chiappino. Browning seems to have thrown off this bitter parody of his own idealisms in a mood like that in which Ibsen conceived the poor blundering idealist of the Wild Duck. Chiappino is Browning's Werle; the reverse side of a type which he had drawn with so much indulgence in the Luigi of Pippa Passes. Plainly, it was a passing mood; as plainly, a mood which, from the high and luminous vantage-ground of ...
— Robert Browning • C. H. Herford

... an Ibsen drama of it!" interrupted the young man, flippantly. "Riddles—especially old Hildebrant's riddles—don't have to be worked out seriously. They are light themes such as Sim Ford and Harry Thurston Peck like to handle. But, somehow, I can't ...
— Strictly Business • O. Henry

... should be made clear at once, however, and that is that Galds, with regard to social questions, was neither a radical nor an original thinker. When one considers the sort of ideas which had been bandied about Europe under the impulse of Ibsen, Tolstoy and others,—the Nietzschean doctrine of self-expression at any cost, the right of woman to live her own life regardless of convention, the new theories of governmental organization or lack of organization—one cannot regard Galds as other than a social conservative, who could be ...
— Heath's Modern Language Series: Mariucha • Benito Perez Galdos

... me, for the credit of English literature, make a protest against an unpatriotic habit into which many of my critics have fallen. Whenever my view strikes them as being at all outside the range of, say, an ordinary suburban churchwarden, they conclude that I am echoing Schopenhauer, Nietzsche, Ibsen, Strindberg, Tolstoy, or some other heresiarch ...
— Bernard Shaw's Preface to Major Barbara • George Bernard Shaw

... she had to face life as it is, and this she found very trying. She suffered from her marriage to a man old enough to be her grandfather, and from her abortive grapplings both with the abstract problems of her soul and the concrete mischiefs of her female friends. The influence of IBSEN and a militant Suffragette didn't help her meditations, and when her husband died she had the mortification to find that the first man of her own age who professed love to her was no man but a series of artistic poses. Of her difficulties, real enough up to this point, the solution was ...
— Punch, or the London Charivari, Vol. 146, January 7, 1914 • Various



Words linked to "Ibsen" :   Ibsenian, playwright, dramatist, Henrik Johan Ibsen



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