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Romanesque   Listen
adjective
Romanesque  adj.  
1.
(Arch.) Somewhat resembling the Roman; applied sometimes to the debased style of the later Roman empire, but esp. to the more developed architecture prevailing from the 8th century to the 12th.
2.
Of or pertaining to romance or fable; fanciful.
Romanesque style (Arch.), that which grew up from the attempts of barbarous people to copy Roman architecture and apply it to their own purposes. This term is loosely applied to all the styles of Western Europe, from the fall of the Western Roman Empire to the appearance of Gothic architecture.






Collaborative International Dictionary of English 0.48








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"Romanesque" Quotes from Famous Books



... subterranean passage. But resolute as she is on this point of the poetry of the past, on all other questions she is the most docile of pupils. Her interest, her listening power, her curiosity, is inexhaustible. If she has a passion, indeed, it is for Early English. But she has a proper awe for Romanesque, and a singular interest in Third Pointed. She is ruthless in insisting on her victim's spelling out every word of a brass in Latin that she cannot understand, and which he cannot translate. She collects little fragments of Roman brick, and wraps them up ...
— Modern Women and What is Said of Them - A Reprint of A Series of Articles in the Saturday Review (1868) • Anonymous

... new form of love, mutual devotion, and the thought of the consummation of this love, the Love-death, which was not definitely realised until six hundred years later. It originated in the Celtic soul, as the worship of woman originated in the Romanesque (the Teutonic soul shared in the development of both). It was a dream of the suppressed Celtic race, spending its whole soul in dreams and producing visions of such depth and beauty that even we of to-day cannot read ...
— The Evolution of Love • Emil Lucka

... Mullgardt, of San Francisco, architect. Most original of the courts. Faint influence of Spanish Gothic, Romanesque, French, Moorish. Richness and profusion. Suggests evolution ...
— The City of Domes • John D. Barry

... White, d. 1827; 123, Richard Ford, author of "The Handbook for Spain." In North Audley Street, opposite Green Street, is St. Mark's Church, built from designs by J. P. Deering in 1825-28, and reconstructed in Romanesque style in 1878. Adjoining is the Vicarage, built in 1887, and at the back the St. Mark's Institute, containing a church-room, mission-room, gymnasium, and a working men's club. Attached to the institute are the parish schools, ...
— Mayfair, Belgravia, and Bayswater - The Fascination of London • Geraldine Edith Mitton

... the vast area are inscribed to the memory of foreigners of all ranks, who, during a long course of years, have ended their days in London. The little antique church, too—one of the oldest, if not the oldest, in London—is well worth a visit, as an interesting specimen of Romanesque architecture, well restored a ...
— Rambles in the Islands of Corsica and Sardinia - with Notices of their History, Antiquities, and Present Condition. • Thomas Forester

... of Yorkshire, we must confess the superiority of the Normans to the Anglo-Saxons and Anglo-Danes, whom they met here in 1066, as well as to the degenerate Frank noblesse and the crushed and servile Romanesque provincials, from whom, in 912, they had wrested the district in the north of Gaul which still bears the name ...
— The Fifteen Decisive Battles of The World From Marathon to Waterloo • Sir Edward Creasy, M.A.

... important. A man needs a good eye and a good education to feel and thoroughly appreciate the grand symphonies which this wonderful architectural music of the Middle Ages has so long been silently playing. San Miniato belongs to the close of the Romanesque or Latin period. The early Christian school had expired in the midst of the general convulsions of the ninth and tenth centuries,—in the struggles of an effete and expiring antiquity with the brutal, blundering, but vigorous infancy of mediaeval Europe. During the ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various

... on to Michaelsburg, an extremely curious place. In the centre of a lovely valley rises a conical rock of gneiss, protruding to the height of 200 feet or more. This is crowned by the ruins of a Romanesque church. There are, I believe, only two other specimens of this kind of architecture in the country. The time of the building of Michaelsburg is stated to be between 1173 and 1223. Before the use of artillery this fortified church on the rock must have been really impregnable. Inside the walls ...
— Round About the Carpathians • Andrew F. Crosse

... on a spot Bismarck selected for himself; a plain Romanesque House of Death against a background of trees; and to the right still may be seen his favorite bench where he used to sit, under the ...
— Blood and Iron - Origin of German Empire As Revealed by Character of Its - Founder, Bismarck • John Hubert Greusel

... pleasure of living in Catholic countries, and she was eager to know if Evelyn had had the privilege of going to Rome. She smiled at the nun's innocent curiosity, which she was glad to gratify, and told her about the old Romanesque churches on the Rhine, and the hundred marble spires of the Cathedral of Milan. But in the midst of such pleasant conversation came an unfortunate question. Mother Philippa asked if Evelyn had travelled with her father. Any simple answer would have sufficed, but she lost her presence of mind, and ...
— Evelyn Innes • George Moore

... Wells, Auteur d'une histoire fine et romanesque Traduit par Davray; il a des idees C'est une chose rare la-bas . ...
— Masques & Phases • Robert Ross

... art of the declining empire is divided into two great branches, western and eastern; one centered at Rome, the other at Byzantium, of which the one is the early Christian Romanesque, properly so called, and the other, carried to higher imaginative perfection by Greek workmen, is distinguished from it as Byzantine. But I wish the reader, for the present, to class these two branches ...
— The Best of the World's Classics, Restricted to Prose, Vol. VI (of X)—Great Britain and Ireland IV • Various

... Michelangelo, reports the general opinion of his age regarding the novelties introduced by Buonarroti into Italian architecture. The art of building was in a state of transition. Indeed, it cannot be maintained that the Italians, after they abandoned the traditions of the Romanesque manner, advanced with certitude on any line of progress in this art. Their work, beautiful as it often is, ingenious as it almost always is, marked invariably by the individuality of the district and the builder, seems ...
— The Life of Michelangelo Buonarroti • John Addington Symonds

... wife were among the most delightful of associates. Another in this category was the Bavarian secretary, Baron Guttenberg, whom I often met later at Berlin. When I spoke to him about a visit I had made to Wurzburg, and the desecration of the magnificent old Romanesque cathedral there by plastering its whole interior over with nude angels, and substituting for the splendid old mediaeval carving Louis Quinze woodwork in white and gold, he said: "Yes; you are right; and it was a bishop of my family ...
— Autobiography of Andrew Dickson White Volume II • Andrew Dickson White

... to-day in a kind of neglected hollow, where it is much shut in by houses; but in the year 1225, when the edifice was begun, the site was doubtless, as the architects say, more eligible. At present indeed, when once you have caught a glimpse of the stout, serious Romanesque tower—which is not high, but strong—you feel that the building has something to say and that you must stop to listen to it. Within, it has a vast and splendid nave, of immense height, the nave of a cathedral, with a shallow choir and transepts and some admirable ...
— A Little Tour in France • Henry James

... makes of the quiet waterway they overhang a promenade historique of which the lesson, however often we read it, gives, in the depth of its interest, an incomparable dignity to Venice. We read it in the Romanesque arches, crooked to-day in their very curves, of the early middle-age, in the exquisite individual Gothic of the splendid time, and in the cornices and columns of a decadence almost as proud. These things at present are almost equally touching in their ...
— Italian Hours • Henry James

... doorways whose round arch, adorned with border after border of rich or quaint device, almost bewilder us with the multiplicity of detail; of low square towers, and solid walls; of that kind of architecture called Norman, but more properly a branch of the Romanesque ...
— Cameos from English History, from Rollo to Edward II • Charlotte Mary Yonge

... relatively stable lands of northern Europe, never gained a firm foothold in those regions about the Mediterranean which are frequently visited by severe convulsions of the earth. There the Grecian or the Romanesque styles, which are of a much more massive type, retain their places and are the fashions to the present day. Even this manner of building, though affording a certain security against slight tremblings, is not safe in the greater shocks. Again and again large areas in southern Italy have been almost ...
— Outlines of the Earth's History - A Popular Study in Physiography • Nathaniel Southgate Shaler

... the bay, under the green shadow of the hills overlooking it, Frederiksted has the appearance of a beautiful Spanish town, with its Romanesque piazzas, churches, many arched buildings peeping through breaks in a line of mahogany, bread- fruit, mango, tamarind, and palm trees,—an irregular mass of at least fifty different tints, from a fiery emerald to a sombre bluish-green. But on entering the streets the ...
— Two Years in the French West Indies • Lafcadio Hearn

... a bad one. This book does somewhat resemble a minster, in the Romanesque style, with pinnacles, and ...
— Hyperion • Henry Wadsworth Longfellow

... altar of a cathedral, reared itself beneath innumerable vaults leaping from heavy Romanesque pillars, studded with polychromatic bricks, set with mosaics, incrusted with lapis lazuli and sardonyx, in a palace that, like a basilica, was at once Mohammedan and Byzantine ...
— Against The Grain • Joris-Karl Huysmans

... his successors built out still farther, until some two hundred feet of stonework ends now in a perpendicular wall of eighty feet or more. In this space are several ranges of chambers, but the structure might perhaps have proved strong enough to support the light Romanesque front which was usual in the eleventh century, had not fashions in architecture changed in the great epoch of building, a hundred and fifty years later, when Abbot Robert de Torigny thought proper to reconstruct the west front, ...
— Mont-Saint-Michel and Chartres • Henry Adams

... demon Fire for a third time, "three days before the Christmas of 1136," partially destroyed, or at least seriously injured, St. Paul's, during a conflagration which reached from London Bridge to beyond the Fleet. In rebuilding, the then method was to throw a coating of the more refined Romanesque of the day over the older work;[8] and this is how I explain an obscure passage in Pepys—"It is pretty here to see how the late church was but a case wrought over the old church; for you may see the very old pillars standing ...
— Bell's Cathedrals: The Cathedral Church of St. Paul - An Account of the Old and New Buildings with a Short Historical Sketch • Arthur Dimock

... reasoning, though it advances upon legitimate premises, may be fallacious, as is proved at Caen, where three coeval churches, probably erected by the same architect, are distinguished by such remarkable modifications of the Norman Romanesque style, that were we not acquainted with the facts, we might well suppose that they marked the progress of architecture during three half centuries.—St. Nicholas, the first of these edifices, was built by the monks of St. Stephen's Abbey ...
— Architectural Antiquities of Normandy • John Sell Cotman

... entire Romanesque and Gothic periods (1000-1400) Italy was torn by political wars, though the free cities, through their leagues of protection and their commerce, were prosperous. A commercial rivalry sprang up among the cities. Trade with the East, ...
— A Text-Book of the History of Painting • John C. Van Dyke

... carved stones of curious shape recognisable by the antiquary as having once formed part of a shaft, a window, or an archway of the proud Abbey. Of these scattered fragments the most important is the lectern of alabaster, Romanesque in style, now, after long misuse and neglect serving its original purpose in the church of Saint Egwin at Norton, a village lying nearly three miles to the north of the town. A description of this relic will be found in the last section ...
— Evesham • Edmund H. New

... call this beautiful architecture by name one might say Spanish Gothic, on account of the round-arched Gothic and also the Spanish finials used, but it is so thoroughly original that this is hardly the term to use. It is Romanesque in its vaulting of the corridor, and at first glance in its great square tower, and arches, and yet ...
— Palaces and Courts of the Exposition • Juliet James

... Greeks was based. Roman architecture was founded on Greek models with the addition of Etruscan construction, and was for a time universally prevalent. The break-up of the Roman Empire was followed by the appearance of the Basilican, the Byzantine, and the Romanesque phases of Christian art; and, later on, by the Saracenic. These are the styles on which all mediaeval and modern European architecture has been based, and these accordingly have furnished the subjects to which the reader's attention is chiefly directed. Such styles ...
— Architecture - Classic and Early Christian • Thomas Roger Smith

... Bomington, near Edinburgh, along with a quantity of placks or bodles of James VI., which thus gave trustworthy evidence of their true date. Others were found in the ancient cemetery at North Berwick, adjoining to which is a small Romanesque building of the Twelfth Century, close upon the shore. Within the last half-century, the sea has made very great inroads upon this ancient burial-place, carrying off a considerable ruin, and exposing the skeletons, and bringing to light many interesting ...
— Tobacco; Its History, Varieties, Culture, Manufacture and Commerce • E. R. Billings

... give style of building, using words Egyptian, Assyrian, Greek, Roman, Byzantine, Romanesque, Gothic, Renaissance, Modern, etc., followed by adjective ...
— A Library Primer • John Cotton Dana

... and after the Renaissance movement many local and extraneous influences temporarily modified the forms of the Roman letters. There are, for instance, numerous examples of lettering in which Byzantine and Romanesque traits are strongly apparent, such as the free manipulation of the letter forms in order to make them fit into given lines and spaces. The drawing of the panel over the doorway of the Badia, Florence, ...
— Letters and Lettering - A Treatise With 200 Examples • Frank Chouteau Brown

... give it to you fast enough." She turned over one of her sheets and began to draw on the back of it. "Pooh! architecture's easy enough! It'll be about five stories high." She sketched the five stories with five or six lines. "In red brick—Romanesque style like this." She gave a broad sweep with the pencil, grouping several rapidly evolved windows under a wide, round arch. "And the cornice will be brick and terra-cotta; no galvanized iron—that I will not have. And a good-sized ...
— With the Procession • Henry B. Fuller

... stranger, imaginary one made by perspective and fancy; the old bridge, with its two double hermes leading between towers, and the long prison-like walls of the inland buildings, into an imaginary square—an imaginary city with more towers, more Romanesque belfries. This is a case of the imaginary place due to perspective, to bird's-eye view, to some reminiscence. (I trace a resemblance to the arsenal gate at Venice, perhaps also to the inner town at Castelfranco.) This case is an illustration of how large a part illusion, even recognised ...
— The Spirit of Rome • Vernon Lee

... that its images are material; and that, on the other hand, a certain spiritualising and subtilising effect of alien derivations is a privilege and an advantage incalculable—that to possess that half of the language within which Latin heredities lurk and Romanesque allusions are at play is to possess the state and security of a dead tongue, without ...
— The Rhythm of Life • Alice Meynell

... brought into Florence after their exile. This palace, as well as the Church of S. Jacopo close by, where Giano della Bella's death was plotted, were given in 1529 to the Franciscans of S. Salvatore, whose convent had suffered in the siege. S. Jacopo, which still retains a fine romanesque arcade, was originally a foundation of the eleventh century. It seems to have been entirely rebuilt for the friars and the palace turned into a convent in 1580, and again to have suffered restoration in 1790. Close ...
— Florence and Northern Tuscany with Genoa • Edward Hutton

... up to a grand hall, which is now being restored with great taste after the style of that day—a long, lofty room, with an arched roof, and a gallery on one side, and beyond, a row of Romanesque arched windows, commanding a view of the country around. Having finished the tour of this part, we went back, ascended an old, rude staircase, and were ushered into Luther's Patmos, about ten or twelve feet square. The ...
— Sunny Memories of Foreign Lands V2 • Harriet Beecher Stowe

... tower capped by a curious upturned bulbous cupola, upon which was a large gilt open-work clock face. As usual, there was a chime of bells visible, and a flock of rooks circling about the tower. The style of St. Walburga was Romanesque, with Gothic tendencies. Built in the twelfth century, it suffered severely at the hands of the Iconoclasts, and even in its unfinished state was very impressive, none the less, either, because of the rows of small stucco ...
— Vanished towers and chimes of Flanders • George Wharton Edwards

... Conciergerie has invaded the home of kings. One's heart bleeds to see the way in which cells, cupboards, corridors, warders' rooms, and halls devoid of light or air, have been hewn out of that beautiful structure in which Byzantine, Gothic, and Romanesque—the three phases of ancient art—were harmonized in one building by the ...
— Scenes from a Courtesan's Life • Honore de Balzac

... on le montre ... ce n'est pas comme la comtesse! quelle femme! en verite je crois qu'on en deviendrait amoureux si l'on avait le temps.[146] ... Une jeune fille s'avance vers ce salon; la figure romanesque,[147] le front reveur, les yeux baisses ... ce doit etre elle.... Oh! si je pouvais prendre ...
— Bataille De Dames • Eugene Scribe and Ernest Legouve

... Carthaginians nor Romans left much to show for their occupation of the island. With the exception of occasional ruined examples surviving from the time of the Dorian Greeks who colonized Sicily, most of the monuments now existing belong to the Byzantine, Saracenic, and Romanesque periods. As would be natural to expect, the latter influences are not clearly separable one from another either in time or in locality. They overlap in all directions; but in general the Byzantine, which was the earliest ...
— The Brochure Series of Architectural Illustration, Volume 01, No. 03, March 1895 - The Cloister at Monreale, Near Palermo, Sicily • Various

... is certainly the most unique structure in any city. The First Church of Christ, Scientist, as it is officially called, is termed by its Founder, "Our prayer in stone." It is located at the intersection of Norway and Falmouth Streets, on a triangular plot of ground, the design a Romanesque tower with a circular front and an octagonal form, accented by stone porticos and turreted corners. On the front is a marble tablet, with the following inscription ...
— Pulpit and Press • Mary Baker Eddy

... Ellsworth was a student of decoration as well as of architecture, and interested in the artistic taste of the American people, which he fancied would some day have a splendid outcome. He was wearied to death of the prevalent Romanesque composite combinations of country and suburban villa. The time was ripe for something new. He scarcely knew what it would be; but this that he had designed for Cowperwood and his father was at least different, as he said, while at the same time being reserved, simple, and pleasing. ...
— The Financier • Theodore Dreiser

... arrivee a Prato et les miracles repetes qui, joints a une maladie mortelle, arracehrent enfin de la bouche du moribond une declaration publique a la suite de laquelle la ceinture sacree fut deposee dans la cathedrale, tout ce melange de passion romanesque et de piete naive, avait efface pour moi les imperfections techniques qui au raient pu frapper une observateur ...
— Legends of the Madonna • Mrs. Jameson

... all the energy and the money of Germany through a thousand years can never make it anything but cold, mechanical, and artificial. When I was in Burgundy I felt that the Burgundians had a genius for Romanesque, and that their Gothic is for the most part feeble and insipid. Now, how about the Normans? One cannot say their Romanesque is not fine, in the presence of William the Conqueror's Abbaye aux Hommes, here at Caen. But I should be inclined to ask (without absolutely affirming) whether the ...
— Impressions And Comments • Havelock Ellis

... things for awhile. She called David by his first name, pronouncing it the French way, and when Claude said he hoped she would do as much for him, she said, Oh, yes, that his was a very good French name, "mais un peu, un peu... romanesque," at which he blushed, not quite knowing whether she were making fun of ...
— One of Ours • Willa Cather

... is the gas plant, Daddy dear. The Gothic building on your left is the gymnasium, and the Tudor Romanesque beside it ...
— Daddy-Long-Legs • Jean Webster

... the great abbey with its towers and dome beside the lake, which even in winter could smile amid its woods, Butzbach felt that in all his travels he had seen no sight more lovely. Their guide led them straight into the church, and as Butzbach's eye glanced along the plain Romanesque columns, past the gorgeous tomb of the founder, to the dim splendours of the choir, the words of the familiar Psalm rose to his lips: 'Haec requies mea in saeculum saeculi; hic habitabo, quoniam elegi eam.' Peace had come to him at ...
— The Age of Erasmus - Lectures Delivered in the Universities of Oxford and London • P. S. Allen

... some very attractive public buildings and office buildings and an unusual number of beautiful churches. The Allegheny County Court-House, in the Romanesque style, erected in 1884-88 at a cost of $2,500,000, is one of Henry H. Richardson's masterpieces. The Nixon Theater is a notable piece of architecture. The Post-Office and the Customs Office are housed in a large ...
— A Short History of Pittsburgh • Samuel Harden Church

... meant to go on to Blackfriars, but they jumped out on seeing the sign of the Temple, fired with the thought of visiting that institution too) and got admission to the old garden of the Benchers, which lies beside the foggy, crowded river, and looked at the tombs of the crusaders in the low Romanesque church, with the cross-legged figures sleeping so close to the eternal uproar, and lingered in the flagged, homely courts of brick, with their much-lettered door-posts, their dull old windows and atmosphere of consultation—lingered ...
— A London Life; The Patagonia; The Liar; Mrs. Temperly • Henry James

... the numerous similar structures belonging to their original mother-church in Ireland. We may feel very certain, also, that they were not erected later than the commencement of the twelfth century, for by that date the Norman or Romanesque style,—which presents no such structures as the Irish Round Towers, was apparently in general use in ecclesiastic architecture in Scotland, under the pious patronage of Queen Margaret Atheling and her three crowned sons. Abernethy—now a small village—was ...
— Archaeological Essays, Vol. 1 • James Y. Simpson

... of Western Mediaeval Architecture into the two schools of Romanesque and Gothic presents a parallel case. It is now realised that no logical separation can be made between the two so-called styles. Similarly we may continue to speak of the Classic Roman style and of the Byzantine style, although ...
— Byzantine Churches in Constantinople - Their History and Architecture • Alexander Van Millingen

... go out is the remarkable church of Santa Maria del Popolo. It is built in the usual Romanesque style; but its external appearance is very unpretending, and owing to its situation in a corner overshadowed by the wall it is apt to be overlooked. It is an old fabric, eight hundred years having passed away since ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan



Words linked to "Romanesque" :   Romanesque architecture, style of architecture



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