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Emotional   /ɪmˈoʊʃənəl/  /ˈimoʊʃənəl/   Listen
Emotional

adjective
1.
Determined or actuated by emotion rather than reason.
2.
Of more than usual emotion.
3.
Of or pertaining to emotion.  "An emotional crisis"
4.
(of persons) excessively affected by emotion.  Synonyms: aroused, excited, worked up.  "She was worked up about all the noise"



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"Emotional" Quotes from Famous Books



... crowded to the doors night by night. The reek of stable-stained coats and boots, the smell of strong tobacco, the effluvia of many breaths, the heat, the closeness were forgotten in the fervor of the young evangelist's utterances. His voice took on wild emotional cadences which sounded deep places in the heart. To these people, long unused to religious oratory, it was like the return of John and Isaiah. It was poetry and the drama, and processions and apocalyptic visions. This youth had the histrionic spell, ...
— Other Main-Travelled Roads • Hamlin Garland

... the upper classes during the first century after its introduction must be attributed in no small measure to the fact that the throne was twice occupied by Empresses in that interval. The highly decorative aspects of the creed appealing to the emotional side of woman's nature, these Imperial ladies encouraged Buddhist propagandism with earnest munificence. But the mass of the people remained, for the most part, outside the pale. They continued to believe in the Kami and to worship them. Thus, when a terribly destructive earthquake* occured ...
— A History of the Japanese People - From the Earliest Times to the End of the Meiji Era • Frank Brinkley and Dairoku Kikuchi

... casks which had formed part of the outward-bound burden. The protracted holiday-making had its natural sequence. There was, however, too much method in the next proceedings for it to be attributed wholly to emotional inebriety. ...
— Charles the Bold - Last Duke Of Burgundy, 1433-1477 • Ruth Putnam

... of Concha Arguello there was never a lingering doubt of the quality of that fortnight between the days of torturing doubts and acute emotional upheaval, and the sailing away of Rezanov. It was true that what he banteringly termed her romantic sadness possessed her at times, but it served as a shadow to throw into sharper relief an almost incredible happiness. If she seldom saw Rezanov alone there was the ...
— Rezanov • Gertrude Atherton

... was interpreting in the hope that the purely technical deficiencies which I had neither time nor knowledge to enable me to correct would pass comparatively unnoticed, provided I was able to give sufficient interest and compel sufficient attention to the emotional values of the work. This kind of study, forced upon me in the first instance through reasons of expediency, became a habit, and gradually grew into a conviction that it was a mistake to practice technic at all unless such practice should conduce to some definite, specific and immediate ...
— Great Pianists on Piano Playing • James Francis Cooke

... profession a satirist. Although the finer graces of poetry are not his, his verse indicates the gradual advance that was being made to greater ease and freedom; his lines are not weighted with sounding words, nor is the 'privilege of metre' restricted to the expression of beautiful, wise or emotional thought, as was commonly the case elsewhere. The country freshness of his lyrics has been already praised. Altogether, despite the slight amount of his work in drama, Nash is not a dramatist to be dismissed ...
— The Growth of English Drama • Arnold Wynne

... my neighbour's donkey recalls to mind an interesting religious ceremony in which that amiable but emotional beast figured with much distinction. Once every year all the animals at Roc-Amadour that are worth blessing are assembled on the plain near the Hospitalet to receive the benediction of the Church. The ...
— Wanderings by southern waters, eastern Aquitaine • Edward Harrison Barker

... problem of work or wages or education and government which, when solved, will mean also the solution of the race problem. To give his point of view, the author, therefore, describes his childhood, training, and outlook on the world as a Negro. To show the "vast emotional content of the social problem, he has inserted between the chapters, bits of poetry and fancy which interpret the bewilderment, the disappointment, the longing and the faith of millions of men. The work ends with a brief philosophy of ...
— The Journal of Negro History, Volume 5, 1920 • Various

... George. Mere innocence of guile, of verbal trickery, had not alone sufficed for his passionate bluntness in the present crisis. At a later stage in his career as a husband he might have been equally blunt; yet never again, perhaps, would he have been so emotional in his opposition to woman polluting herself ...
— The Sturdy Oak - A Composite Novel of American Politics by Fourteen American Authors • Samuel Merwin, et al.

... constantly endures with life. It is, this encounter, what you feel in the Greeks, and as in the Greeks, it is a spiritual waging of miraculous forces. There is, too, in Mr. Housman's poems, the singularly Grecian Quality of a clean and fragrant mental and emotional temper, vibrating equally whether the theme dealt with is ruin or defeat, or some great tragic crisis of spirit, or with moods and ardours of pure enjoyment and simplicities of feeling. Scarcely has any modern book of poems shown so sure a touch of genius in this respect: the magic, in ...
— A Shropshire Lad • A. E. Housman

... have a leader. That, to my mind, is the whole point. Given that leader, they would effect a revolution precisely as I have described in my story. Nor would they run the risk of failure. The German race is not eight-tenths illiterates and two-tenths intellectuals, emotional firebrands, anarchists and sellers-out like the Russians. They are uniformly educated, uniformly disciplined. They will do nothing futile, nothing without the most secret and methodical preparation of which even the German mind is capable. It will be like turning over in bed in camp: they will ...
— The White Morning • Gertrude Atherton

... violently, then subsided into the respectful silence they were wont to accord Dr. Rogers; at the finish they stole out without a word. As for Knox, he sat alone, overwhelmed with the powerful sermon he had repeated, and by remorse for his own attempted levity. His emotional Celtic nature was deeply impressed. A few days later he disappeared, and was not heard of again until, some months after, Dr. Rogers learned that he was the guest of the Rev. Aaron Burr at Newark, and studying for the church. He was ordained in due course, converted his ...
— The Conqueror • Gertrude Franklin Atherton

... a reserved, dandified manner, he tried unsuccessfully to conceal the fact that he was too intelligent for his type. He did not, however, quite attain his standard of entire expressionlessness; and his bright, light-blue eyes and fully-curved lips showed the generous and emotional nature of their owner. At this moment he seemed very much ...
— Love's Shadow • Ada Leverson

... "You have an emotional nature," the letter went on, "a quick natural response. If only you could learn patience and self-discipline, I do not see why you should not make a good teacher. The least you could do is to try. You need only serve a year, or perhaps two years, as uncertificated teacher. Then you would ...
— The Rainbow • D. H. (David Herbert) Lawrence

... on discussing clearly, logically and deeply, all the issues of the Civil War; the attitude, responsibilities and influences of California, particularly San Francisco. He made no great emotional appeals; he dealt in no impassioned oratory ...
— Port O' Gold • Louis John Stellman

... conditions peculiar to it. The qualities which derive from line and mass are emphasized or modified by the management of color in relation to them. The painter in this direction uses the three elements together. Contrast and accent are attributes of color. Dignity and weight, as well as certain emotional qualities, such as vivacity and sombreness, may give the key to the picture in accordance with the arrangement ...
— The Painter in Oil - A complete treatise on the principles and technique - necessary to the painting of pictures in oil colors • Daniel Burleigh Parkhurst

... at times were avoidable things. With the coming of plenty I ate abundantly and foolishly, drank freely and followed my impulses more and more carelessly. I felt no reason why I should do anything else. Never at any point did I use myself to the edge of my capacity. The emotional crisis of my divorce did not produce any immediate change in these matters of personal discipline. I found some difficulty at first in concentrating my mind upon scientific work, it was so much more exacting than business, but I got over that ...
— Tono Bungay • H. G. Wells

... Grand Canon for the first time does not necessarily produce the startling and lachrymose effects that have been described by some emotional writers, but the first sight never disappoints and always leaves a deep ...
— Arizona Sketches • Joseph A. Munk

... jeweler's the next morning and sent her a tiny jeweled watch. Lily was touched and repentant. She made up her mind not to see Louis Akers again, and found a certain relief in the decision. She was conscious that he had a peculiar attraction for her, a purely emotional appeal. He made her feel alive. Even when she disapproved of him, she was conscious of him. She put him resolutely out of her mind, to have him reappear in her dreams, not as a lover, but as some one dominant and insistent, commanding her to ...
— A Poor Wise Man • Mary Roberts Rinehart

... hair when it's yellow, yellow hair when it's red. Her face, with its pensive, quizzical eyes, its tip-tilted nose, its rather large mouth, and the little mocking quirks and curves the lips took, with an alert, arch, witty face; a delicate high-bred face; and withal a somewhat sensuous, emotional face; the face of a woman with a vast deal of humour in her soul; a vast deal of mischief; of a woman who would love to tease you, and mystify you, and lead you on, and put you off; and yet who, in her own way, at her own time, would ...
— The Wit and Humor of America, Volume X (of X) • Various

... speaker can address himself. They are so cold that the orator never welds them into a mass. He may amuse them, but in a single hour to change the opinions of a lifetime is no longer possible in America. There are so many people, and so much business to transact, that emotional life plays only upon the surface—in it there is no depth. To possess depth you must commune with the Silences. No more do you find men and women coming for fifty miles, in wagons, to hear speakers discuss political issues; no more do you find campmeetings where the preacher ...
— Little Journeys To the Homes of the Great, Volume 3 (of 14) • Elbert Hubbard

... depends on a faculty whose power or weakness it is far more difficult to test; and it involves the will which may be exerted on either side. And for this reason men sometimes dismiss this truth as being no more than an imagination, needed by some men to satisfy an emotional nature, but having no substance that can be brought to an external test. The believer in God knows that the truth which he holds is as certain as the axioms of mathematics; but he cannot make others know this whose spiritual faculty is not awake; and he is liable to be asked for proof not of the ...
— The Relations Between Religion and Science - Eight Lectures Preached Before the University of Oxford in the Year 1884 • Frederick, Lord Bishop of Exeter

... power of the Gospel to see the change in that same shrewd old sinner. Yes, sir, give the Gospel a chance and it will do its work." The Convener, who hated all cant and canting phrases with a perfect hatred, rarely allowed himself the luxury of an emotional outbreak. But the case of Hank Fink seemed to reach the springs of feeling that he kept hidden in ...
— The Doctor - A Tale Of The Rockies • Ralph Connor

... on about you, how funny and silly lots of traditional ideas did seem. That notion, solemnly accepted by the would-be sophisticated moderns, for instance, that a woman of beauty and intelligence was being wasted unless she was engaged in being the "emotional inspiration" of some man's life: which meant in plain English, stimulating his sexual desire to that fever-heat which they called impassioned living. As if there were not a thousand other forms of deep fulfilment in life. People who thought that, how narrow and cramped ...
— The Brimming Cup • Dorothy Canfield Fisher

... weak, emotional sort of fellow—perhaps it was due to the climate, and my having had the fever when we first came there—and the writing looked very dim and blurry before my eyes; and yet I felt inclined to laugh over what Bob had scribbled. I did laugh when my eyes grew clear again, for ...
— Charge! - A Story of Briton and Boer • George Manville Fenn

... nothing, but stood in silence, looking upon the scene. It was one which might have stirred the souls of even the least emotional, and among this little company there were two, at least, who were quick to kindle into enthusiasm at the presence of anything connected with the storied past. These were David and Clive, who each, ...
— Among the Brigands • James de Mille

... by seeing Bonaparte often, he always intimidated me more and more. I felt vaguely that no emotional feeling could influence him. He regards a human creature as a fact or a thing, but not as an existence like his own. He feels no more hate than love. For him there is no one but himself: all other creatures are mere ciphers. The force of his will consists in the imperturbable calculations ...
— The Best of the World's Classics, Restricted to Prose, Vol. VII (of X)—Continental Europe I • Various

... lies there, and too few people recognise it. I believe that half the emotional catastrophes of life might be traced back to want of self-control in the region of thought. The world's real conquerors are those who 'hold in quietness their land of the spirit'; and you have the power to be one of them if ...
— Captain Desmond, V.C. • Maud Diver

... many great sages have said that an analogous sequence holds good. When the whole emotional and moral nature has thrown itself in a particular direction, and then an unwinding has taken place, the moment of completed renunciation has been said to be the dawn of some great ...
— The Healthy Life, Vol. V, Nos. 24-28 - The Independent Health Magazine • Various

... toward Lucia was not one entirely foreign to my nature. I simply tried my best to efface the boundaries between, and merge the emotional degrees of affection and love. This was not difficult and I honestly hoped that my true nature would some time really fill the assumed form: that thus I would become for Lucia the true lover and devoted husband she expected to find in me. I also related to ...
— The Bride of Dreams • Frederik van Eeden

... new lightness of spirit. There seemed to come over her, too, a new sense of gratitude for the nearness of this sentient and mysterious life, of this living and breathing man, that could both command and satisfy some even more mysterious emotional hunger in her ...
— Phantom Wires - A Novel • Arthur Stringer

... criterion of conduct. To him the line of least resistance had always seemed the refuge of the coward and the weakling. With the twenty years preceding his return to Clarendon, this story has nothing to do; but upon the quiet background of his business career he had lived an active intellectual and emotional life, and had developed into one of those rare natures of whom it may be truly said that they are men, and that they count nothing of what ...
— The Colonel's Dream • Charles W. Chesnutt

... community which tend to bind the people into a composite whole; Individuality, by the personal independence which liberates from the conventionalities of association and creates social freedom. In the religious domain, Unity is represented by faith, which is allied to the emotional or affectional nature, and is predominantly concessive, unquestioning, and submissive; Individuality, by the spirit of inquiry and investigation, which will only believe after intellectual examination ...
— The Continental Monthly, Vol. 4, No. 5, November, 1863 • Various

... themselves either to producing it or to reading it. In our discussions upon the subject, I have asked him whether he merely means that men will cease to compose verses, or whether he believes that "the poetry" is actually going out of life and literature, and that the imaginative and emotional way of looking at things, which belongs to "poetry," will give place to the rigidly philosophical and practical. He answers, of course, that men will continue to have ardours, aspirations, joys, sorrows, and sympathies, which they will and must express as vividly as they can, to their own relief ...
— Platform Monologues • T. G. Tucker

... a phrase which excites party feeling, and at once—quick as lightning falls—comes back the retort of anger or approval; your way is studded and punctuated with some response or other, that signifies the readiness and the depth and amplitude of emotion in one of the most emotional, and noisy, and responsive assemblies in the world. It is a curious change from all this to look on all these crowded benches sitting in a silence that is unbroken more than once in the course ...
— Sketches In The House (1893) • T. P. O'Connor

... line of feeling I grew more and more in sympathy with my father's dimly expressed hopes to achieve something tangible in the way of interstellar or planetary communication. So that gradually he, by reason of a desire that slowly invaded every emotional recess of his being, and I, through the vagaries of an imaginative mind reached successively an intense conviction that we should ...
— The Certainty of a Future Life in Mars • L. P. Gratacap

... for the organist, all through the ceremony, to continue on the swell organ a dreamy sotto voce improvisation, in the course of which a varied reiteration of "Faithful and true" serves as an affecting expression of the sentiment of the hour. The most enjoyable tears are shed by the emotional under this inspiration. But other people prefer the solemn stillness, broken only by the voice of the priest and the responses of the high contracting parties. It is a matter of taste and feeling; and those interested are at liberty ...
— Etiquette • Agnes H. Morton

... reflect the intelligence of the puru@sa, and thus render its non-intelligent transformations to appear as if they were intelligent. Thus all our thoughts and other emotional or volitional operations are really the non-intelligent transformations of the buddhi or citta having a large sattva preponderance; but by virtue of the reflection of the puru@sa in the buddhi, these appear as if they are intelligent. The self (puru@sa) according to Sa@mkhya-Yoga is ...
— A History of Indian Philosophy, Vol. 1 • Surendranath Dasgupta

... which would have turned any one's head but Joan's. We moved between emotional ranks of grateful country-people all the way. They crowded about Joan to touch her feet, her horse, her armor, and they even knelt in the road and kissed ...
— Innocents abroad • Mark Twain

... He was suddenly emotional. He reached out and took her hand. "Poor old Bev!" he said. "After the way you've come back, too. It's ...
— The Breaking Point • Mary Roberts Rinehart

... though it is doubtful if many of their comments were of sufficient importance or novelty to merit record. Then, also, he often read aloud to her from lovely books, for the colonel read admirably and did not scruple to give emotional passages their value. Trilby, published the preceding spring in book form, was one of these books, for all this was at a very remote period; and the Rubaiyat was another, for that poem was as yet unhackneyed and ...
— The Rivet in Grandfather's Neck - A Comedy of Limitations • James Branch Cabell

... promise easily, and she held out her hand. He kissed it after the European custom; and as he did so he felt her fingers tighten over his, as she whispered with a little underlying emotional vibration, "God bless you, my dear boy!—and a ...
— The Title Market • Emily Post

... It was like a longing for the beloved dead. Of course it was mad—mad! He struggled against the feeling, and generally succeeded in getting back to the point of view that the change had been more in himself, in his own emotional ...
— The Invader - A Novel • Margaret L. Woods

... bed, I suppose," he muttered as he returned to the bridge and stood leaning on the parapet. He yawned, not in weariness but in a reaction from the excitement of the last few days. His emotional mood had passed for the time at all events; it was succeeded by an apathy that was dull without being restful. And in its general effect his interview with Bob was vaguely vexatious in spite of its cordial character. It left with him a notion ...
— Tristram of Blent - An Episode in the Story of an Ancient House • Anthony Hope

... class in the social scale. And if it be true that he only gave us "their outward husk of wit and raillery and flirtation," if it be true that his interpretation of woman was superficial, that he had no understanding for the soul behind the social mask, for the emotional and passionate current, now a quiet stream, now a raging torrent, beneath the layer of etiquette, his work was none the less important ...
— John Lyly • John Dover Wilson

... They were strange products, most of these poems of his; mirroring vague metaphysical moods, unseizable mystic fancies; incomprehensible save to one whose own inwardness they suggested, or to one of infinite emotional sympathy. A blurred, shapeless spirit brooded behind these melodious masses of words, these outpourings of disconnected ideas—a spirit invisible for reason and responsive only to divination, as love responds to love. Sometimes it was hidden amid a flow of sensuous images; ...
— Cleo The Magnificent - The Muse of the Real • Louis Zangwill

... that the higher ethics of low savages rather reflect their emotional instincts than arise from tribal legislation which is supposed to enable a "tribe" to prosper in the struggle for existence. As Brebeuf and Dampier, among others, prove, savages often set a good example to Christians, and their ethics are, in certain cases, as among ...
— Myth, Ritual, and Religion, Vol. 1 • Andrew Lang

... of the mind of Paul Lintier which marked him out for a place above his fellows was the prodigious exactitude of his memory. This was not merely visual, but emotional as well. Not only did it retain, with the precision of a photograph, all the little fleeting details of the confused and hurried hours in which the war began, but it kept a minute record of the oscillation of feeling. Those readers who take a pleasure in the technical ...
— Three French Moralists and The Gallantry of France • Edmund Gosse

... doesn't mean that I am a criminal . . ." thought Sasha. "And it's not in my character to bring myself to commit a crime. I am soft, emotional. . . . When I have the money I help ...
— The Party and Other Stories • Anton Chekhov

... is any considerable number of this class, there is a section of negro society in which social lines are drawn as strictly as in the most aristocratic white community. To prove that the negroes are not emotional, these aristocrats among them are likely to insist upon rigid formality in their church services and upon meticulous correctness in all the details of social gatherings. Since many of these individuals ...
— The New South - A Chronicle Of Social And Industrial Evolution • Holland Thompson

... dead king, while taking saltatory and musical forms, took also verbal forms, originally spontaneous and irregular, but presently studied and measured; whence, first, the unrhythmical speech of the orator, which under higher emotional excitement grew into the rhythmical speech of the priest poet, chanting verses—verses that finally became established hymns of praise. Meanwhile from accompanying rude imitations of the hero's acts, performed now by one and ...
— The Best of the World's Classics, Restricted to Prose, Vol. VI (of X)—Great Britain and Ireland IV • Various

... Oxenden, with deep impressiveness, "was a simple-minded though somewhat emotional sailor, and merely wrote in the hope that his story might one day meet the eyes of his father. I certainly should like to find some more accurate statements about the science, philosophy, and religion of the Kosekin; yet, after all, such things ...
— A Strange Manuscript Found in a Copper Cylinder • James De Mille

... And then a chanty would rise, the voice of the leader quavering with that wild rhythm which had come down to him, a vocal heritage, through centuries of tom-toms and generations of savages striving for emotional expression. But the words were laughable or pathetic. I ...
— Edge of the Jungle • William Beebe

... "Not at all, not at all. Things have moved pretty fast in the past few years. I suppose it takes people's emotional reactions a while to catch up with developments that, logically, we accept as matter ...
— Beyond Pandora • Robert J. Martin

... (Amytal, Nembutal, Seconal, phenobarbital), benzodiazepines (Librium, Valium), methaqualone (Quaalude), glutethimide (Doriden), and others (Equanil, Placidyl, Valmid). Drugs are any chemical substances that effect a physical, mental, emotional, or behavioral change in an individual. Drug abuse is the use of any licit or illicit chemical substance that results in physical, mental, emotional, or behavioral impairment in an individual. Hallucinogens are drugs that affect sensation, thinking, self- awareness, and emotion. Hallucinogens ...
— The 2005 CIA World Factbook • United States. Central Intelligence Agency

... three soda crackers, six marshmallows and one orange since yesterday noon," said she irrelevantly. "I can't be emotional when I'm half starved. Is there any place where I can get a ...
— Rim o' the World • B. M. Bower

... she replied, after a long silence, her voice solemn and veiled like that of an emotional soprano, "I love you because you, too, have something in your face that resembles those of my race, and yet you are as distinct from them as is the servant from the master. I love you... I don't know why. In me there dwells ...
— Luna Benamor • Vicente Blasco Ibanez

... feeling and referred it to her father. It sent out towards him, wherever he might be, a convulsive emotional cry. ...
— Mary Olivier: A Life • May Sinclair

... danger of changing their honest character into morbid sentimentality or unlawful passion. The Morleys stopped to accost Graham, but the lady had scarcely said three words to him, before, catching sight of the haunting face, she darted towards it. Her husband, less emotional, bowed at the distance, and said, "To my taste, sir, the Signorina Cicogna is the loveliest girl in the present bee,* and full ...
— The Parisians, Complete • Edward Bulwer-Lytton

... us, by its powerful artistic realism, those choky sensations which it should be the aim of the humane writer to elicit, whether in comedy or tragedy. The book will enhance Mr. Boothby's reputation and bring him into the very front rank of emotional writers, as well as confirm our opinion of him as a most powerful imaginative author. His humorous vein is fascinating and attractive. His pathos is true, and often ...
— A Master of Mysteries • L. T. Meade

... was sure, indulging in any masochistic self-harrowing; neither, he thought, was she talking to relieve her mind. Once or twice there had been a small catch in her voice, but otherwise the narration had been a piece of straight reporting, neither callous nor emotional. Good reporting, too; carefully detailed. There had been one or two inclusions of inferential matter in the guise of description, but that was to be looked for and discounted. And she had remembered, at the end, to include her ostensible reason ...
— Murder in the Gunroom • Henry Beam Piper

... moment, while the service proceeded and the voices of the choir rose and fell like the waves of the sea in a deep cave. It was a simple enough ceremonial denuded of many of the mediaeval mummeries which have been revived by a newer emotional Church for the ...
— The Velvet Glove • Henry Seton Merriman

... compassion over what might have been! So moving was it, the player himself was melted. His dark nature showed its fairest side,—sensitive refinement, grace of expression, flowing ease of manner. Quick was he in fancy, emotional, soft and strong, gentle and fiery. In this hour he bloomed, like some night-flowering plant, of perfume sweet but poisonous. This was ...
— Idolatry - A Romance • Julian Hawthorne

... first of Ibsen's "social dramas" did upon his. Unreal stage conventions have disappeared, the characterisation is convincing, and the dialogue, if more prolix than Ibsen's (as is throughout the case with Bjornson), is always interesting and individual. The emotional theme of the play, the love of an older woman for her adopted daughter's young lover, is treated with the poetic touch that pervades all Bjornson's work; and the controversial theme, that of religious tolerance, with a sane restraint. It cannot be denied, however, ...
— Three Comedies • Bjornstjerne M. Bjornson

... She never told a story the second time differently, however emotional the moment. She ...
— The Summons • A.E.W. Mason

... to him and replying to letters from hundreds of women who had become attracted by his peculiar distorted emotional religion, many of whom desired to enter the cult which he had established. As secretary it was also my duty to arrange for the weekly reunions of the "sister-disciples," held in a big bare upstairs room, in which hung a holy ikon and several sacred pictures, ...
— The Minister of Evil - The Secret History of Rasputin's Betrayal of Russia • William Le Queux

... character? For the practical purposes of the dramatist, it may be defined as a complex of intellectual, emotional, and nervous habits. Some of these habits are innate and temperamental—habits formed, no doubt, by far-off ancestors.[1] But this distinction does not here concern us. Temperamental bias is a habit, like another, only somewhat older, and, therefore, harder to deflect or eradicate. ...
— Play-Making - A Manual of Craftsmanship • William Archer

... situation is far-fetched and not very typical—that outside of "The Heavenly Twins," et id omne genus, wives who insist upon remaining maidens are not very frequent; but, in spite of this drawback, the vividness and emotional force of the dialogue and the beautiful characterization (particularly of the old governor and his wife) set certain sweet chords in vibration, and carry the play to a ...
— Essays on Scandinavian Literature • Hjalmar Hjorth Boyesen

... Med Service should have caught and cleaned up generations ago! But it's not only a Med Service obligation; it's a current mess! Before I could begin to get at the basic problem, those idiots on Orede—It'd happened before I reached Weald! An emotional explosion triggered by a ship full of dead men ...
— This World Is Taboo • Murray Leinster

... Dance, or chorea. So prone are we to overlook moderate evils and moderate needs that the child with aggravated St. Vitus's Dance is apt to be cured sooner than the child who is just "nervous." Teachers cannot know whether twitching eyes, emotional storms, constant motion of the fingers or feet are due to chorea, to malnutrition, to eye strain, or to habits acquired in babyhood or early childhood and continued for the advantage that accrues ...
— Civics and Health • William H. Allen

... or smiling primarily expresses mere happiness or joy. Dr. Crichton Browne, to whom, as on so many other occasions, I am indebted for the results of his wide experience, informs me that with idiots laughter is the most prevalent and frequent of all the emotional expressions. Many idiots are morose, passionate, restless, in a painful state of mind, or utterly stolid, and these never laugh. Others frequently laugh in a quite senseless manner. Thus an idiot boy, incapable ...
— The Expression of Emotion in Man and Animals • Charles Darwin

... it so often does, to other women—to that wild waste which leaves behind it a barren and ill-natured soil exhausted of its power, of its generous and native health. There was a strange apathy in his senses, an emotional stillness, as it were, the atrophy of all the passionate elements of his nature. But because of this he was the better poised, the more evenly balanced, the more perceptive. His eyes were not blurred or dimmed by any stress of emotion, ...
— The Judgment House • Gilbert Parker

... confidence of that man's passionate perplexity, a confidence provoked apparently by nothing but the power of her personality. She was flattered, and even more, she was touched by it; she was aware of something that resembled gratitude and provoked a sort of emotional return as between equals who had secretly recognized each other's value. Yet at the same time she regretted not having been left in the dark; as much in the dark as Mr. Travers himself or d'Alcacer, though as to the latter it was impossible to say how much precise, unaccountable, ...
— The Rescue • Joseph Conrad

... rather than newly discovered, making her mind and innocent body alike eager with absorbed yet half-shuddering recognition. A good ten years had elapsed since then, but her early impression still persisted, producing in her a certain spiritual and emotional unrest. ...
— Deadham Hard • Lucas Malet

... in cultivating such talents as he had. Whoever wished to talk with him about personal, moral or religious conditions found in him a profitable counsellor. In his preaching, which was equal to anything America has ever known, he made no attempt to win his hearers by tricks of oratory or by emotional appeals, though he had a most fascinating personality. He was six feet in height, slender in form, with a high, broad forehead, eyes piercing and luminous and a serene countenance. In the pulpit he was graceful, easy, natural and earnest, though he had little ...
— Jukes-Edwards - A Study in Education and Heredity • A. E. Winship

... gets into the ground at all; the second grows a little, but its greenness soon withers; the third has a longer life, and a yet sadder failure, because a nearer approach to fertility. The types of character represented are unreceptive carelessness, emotional facility of acceptance, and earthly-mindedness, scotched, but not killed, by the word. The dangers which assault, but too successfully, the seed are the personal activity of Satan, opposition from without, ...
— Expositions of Holy Scripture - St. Mark • Alexander Maclaren

... all these forms of emotional appeal, although I became unspeakably embarrassed when they were presented to me at close range by a teacher during the "silent hour," which we were all required to observe every evening, and which was never broken ...
— Twenty Years At Hull House • Jane Addams

... a great thing for Fleeming to make, even thus late, the acquaintance of his father; but the harrowing pathos of such scenes consumed him. In a life of tense intellectual effort, a certain smoothness of emotional tenor were to be desired; or we burn the candle at both ends. Dr. Bell perceived the evil that was being done; he pressed Mrs. Jenkin to restrain her husband from too frequent visits; but here was one of those clear-cut, indubitable duties for which Fleeming ...
— Memoir of Fleeming Jenkin • Robert Louis Stevenson

... fauteuil, with her arms resting upon a table, sits Mme. George Sand (that name so tragically mixed with Chopin's life), "curiously attentive, gracefully subdued." With the second sight of genius, which pierces through the mask, she saw the sweetness, the passion, the delicate emotional sensibility of Chopin; and her insatiate nature must unravel and assimilate this new study in human enjoyment and suffering. She had then just finished "Lelia," that strange and powerful creation, in which she embodied all her hatred of the forms and tyrannies of society, her craving ...
— The Great German Composers • George T. Ferris

... Modern psychology suggests an answer in demonstrating the interdependence of knowledge, feeling, and volition.[58:2] The perfect case of this unity is belief. The believing experience is cognitive in intent, but practical and emotional as well in content. I believe what I take for granted; and the object of my belief is not merely known, but also felt and acted upon. What I believe expresses itself ...
— The Approach to Philosophy • Ralph Barton Perry

... like, at your leisure. Don't worry, it's not for publication, just a private study which I have never mentioned before to anyone, but the pattern is unmistakable. This peculiar talent of your people is difficult to describe: not really telepathy, but an ability to create the emotional responses in others that will be most favorable to you. Just what part your Fuzzies play in this ability of your people I am not sure, but I'm quite certain that without them ...
— Star Surgeon • Alan Nourse

... ends in view, and to provide the means for the accomplishment of those ends. There were no delusions, no emotional disturbance, no hallucinations or illusions, and the will was normally exercised to the extent necessary to secure the objects of their lives. At any time they had it in their power to alter their purposes, and in that fact we have an essential ...
— Scientific American Supplement, No. 358, November 11, 1882 • Various

... herself, they got no raptures out of life, at least they got along without friction. In her mind their marriage, no matter that it lacked what she no less than Fyfe deemed an essential to happiness, was a fixed state, final, irrevocable, not to be altered by any emotional vagaries. ...
— Big Timber - A Story of the Northwest • Bertrand W. Sinclair

... called her handsome, and no more tender term would suit; but they knew that this fair girl-woman, who seemed created to dominate and might have been expected to carry things with a high hand everywhere, was in reality the simplest, gentlest, and most emotional of her sex. She looked strong and was strong; her only weakness was of the heart, and that was a prey to the sorrows of every human being within whose influence she came in the rounds ...
— The Gold-Stealers - A Story of Waddy • Edward Dyson

... books, to the accompaniment, he said, of two nightingales, one in a copper-beech, one in a laburnum, each striving to outdo the other in melody. A new imaginative world was opened to the boy. In Memorabilia he afterwards recorded the strong intellectual and emotional excitement, the thrill and ecstasy of this poetical experience. To Shelley especially did he give immediate and fervid personal loyalty, even to the extent of endeavoring to follow him ...
— Selections from the Poems and Plays of Robert Browning • Robert Browning

... Then, by a curious emotional phenomenon, she seemed to be suddenly invested with the glory of the sunset. The goldenrod burned at her feet and on her bosom, and her fervent blood leaped to her face. The next moment he staggered like a man blinded by too much light—the ...
— The Voice of the People • Ellen Glasgow

... that I was moved by the man's evident feeling. He had not struck me as an emotional man,—rather, at first, he gave me the impression of being somewhat hard and callous. His deep-set eyes, high cheek-bones, and tall gaunt form, suggested one of those men who was as hard as nails, and who could see his own mother die without ...
— "The Pomp of Yesterday" • Joseph Hocking

... said that the Greek went mad in his attempt to emulate his master. But Tintoretto's influence counts heavier in this picture than Titian's, a picture assigned by Cossio midway between Greco's first and second period. Decorative as is the general scheme, the emotional intensity aroused by the row of portraits in the second plan, the touching expression of the two saints, Augustine and Stephen, as they gently bear the corpse of the Count, the murky light of the torches in the background, while overhead the saintly hierarchy terminating in a white ...
— Promenades of an Impressionist • James Huneker

... a mighty head of steam; it had grown surprisingly and it was intensely alive. Phillips never came back to it without an emotional thrill and a realization of great issues, great undertakings, in process of working out. The knowledge that he had a part in them aroused in him an ...
— The Winds of Chance • Rex Beach

... "Americans are an emotional people," commented a quiet voice at his elbow, and turning hastily Miller recognized Baron Frederic von Fincke. "One death more or less does not create ...
— I Spy • Natalie Sumner Lincoln

... necessary to happiness, have faded, many of them, into the lightest and most worthless of husks and phantoms, like the withered flowers that we find sometimes shut in the pages of our old books, and cannot even remember of what glowing and emotional moment they ...
— Where No Fear Was - A Book About Fear • Arthur Christopher Benson

... reactions both intellectual and sensational which have been produced in me, in recent years, by the re-reading of my favorite writers. I have tried to capture what might be called the 'psychic residuum' of earlier fleeting impressions and I have tried to turn this emotional aftermath into a permanent contribution—at any rate for those of similar temperament—to the psychology of ...
— Women and War Work • Helen Fraser

... of Emotional Adjustment analyzed everything I told them. Your psycho-graph ran to fifty-seven pages, but it was your desperate loneliness ...
— The Man from Time • Frank Belknap Long

... Mr. WILLIAM HEWLETT'S new story, The Plot-Maker (DUCKWORTH), we are introduced to a popular and highly successful novelist, named Coulthard Henderson, in the emotional crisis produced by a sudden doubt as to whether his output of best-sellers represented anything in the least approaching actuality. You will admit a tragic situation. He meets it by the determination that his next book shall be a veritable slice of life, and ...
— Punch, or the London Charivari, Vol. 153, Sept. 12, 1917 • Various

... Diderot's time considered his principal social work, his principal glory in the eyes of the men of to-day consists in his having been the first to create the emotional and eloquent style of criticism. It is through this that he has become immortal, through this that he will be for ever dear to us journalists of every sort and condition. Let us bow down to him as our father, and as the founder ...
— The Bed-Book of Happiness • Harold Begbie

... most sensitive region of the marrow just where it is widening to run upwards into the hemispheres. It has its seat in the region of sense rather than of thought. Yet it produces a continuous and, as it were, logical sequence of emotional and intellectual changes; but how different from trains of thought proper! how entirely beyond the reach of symbols!—Think of human passions as compared with all phrases! Did you ever hear of a man's growing lean by the reading of "Romeo and Juliet," or blowing his ...
— The Autocrat of the Breakfast Table • Oliver Wendell Holmes

... meet her, but my taste has allus run more to brunettes," said Mr. Hyde. Then, since he abhorred emotional display, he continued, briskly: "Now call the dog. I'm off ...
— Laughing Bill Hyde and Other Stories • Rex Beach

... to bring about again. The reformation which they were bent upon was not, however, religious, for they thought little of the religion which satisfies ordinary people. One of them told me that religion was merely emotional and sentimental, a crutch for a weak man, and went on to say that their scheme was moral and social, a cry for a better life and against the oppression of the poor. That man bored me terribly, but since one of his own set had told me that he was the cleverest ...
— Godfrey Marten, Undergraduate • Charles Turley

... interview the more polished stranger had sat with bowed head, motionless and silent, lifting it only once and for a moment at the German's emotional outburst. Then the upward and backward turned face was marked with a commiseration partly artificial, but also partly natural. He now looked up at ...
— Dr. Sevier • George W. Cable

... was deep and earnest, but entirely her own. It was intuitional, not emotional. It was expressed in her love for man in God, and not God in creeds and ceremonies. She prized the free sentiments of William Ellery Channing, read his works with avidity, and always had some volume of his at hand. The Life of Rev. Joseph Blanco White, a rare book, was for years ...
— History of Woman Suffrage, Volume I • Elizabeth Cady Stanton, Susan B. Anthony, and Matilda Joslyn Gage

... the transference was absolutely useless. But the case is not only none the worse for this; it is all the better. When we are trying to prove that such transmission exists, we want to keep clear, if we can, of emotional complications. If P is brooding over A's approaching death, and sees a figure of A, then, even if the hour coincides, we cannot help a suspicion that the brooding may have produced the figure. But few, I think, will explain the following incident as a mere outcome of morbid sentimentality. We ...
— The Arena - Volume 4, No. 22, September, 1891 • Various

... group or a scene with the externality of a painter. The method resembles that of Tennyson rather than that of Wordsworth, and has more direct analogy with the Greek manner than with the modern and emotional schools; it is objective, often minute, and always carefully composed, in the artistic sense of that term. The description of the river Oxus, for example, though faintly charged with suggested and allegoric meaning, is a ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 2 • Charles Dudley Warner

... trustee's, she was never sure. The only sure thing was that it did not come from the groom.) She had borrowed a half-day from the future on purpose, though she did not want to go at all. But the reality was not bad; only a fluttering, emotional little woman who clung to her hands and talked to her and asked useless questions with a nervous insistence which would have been nerve-wearing for a steady thing, but was only ...
— The Rose Garden Husband • Margaret Widdemer

... cabals, of sinister intrigues and specious platitudes in parliament to cover them up, and of occasional great episodes when the leader feels called to vindicate himself and his followers. Most of these emotional experiences seem to have ...
— The Masques of Ottawa • Domino

... "thoughts." Even with a person who has no technical knowledge of music, the effect of the minor key is unmistakably different from the major. The tones and modulations of the voice, quite apart from the words uttered, have an emotional value and significance. Everything, line, form, gesture, movement, color, sound, all the material world, is expressive. All objective forms have their meaning, and rightly perceived are, in the sense in which the word is used ...
— The Enjoyment of Art • Carleton Noyes

... at the foot; always in want of a fresh incident, a new story, an undescribed character, an unexplained mystery, it is no wonder that the Interviewer fastened eagerly upon this most tempting subject for an inventive and emotional correspondent. ...
— A Mortal Antipathy • Oliver Wendell Holmes, Sr.

... you devote your lives to your art, but you admit that you cannot comfort anybody, you cannot encourage anybody, you cannot improve anybody, and you cannot amuse anybody. I proceed then farther to ask, Can you inform anybody? Many sciences cannot be considered as highly touching or emotional; nay, perhaps not specially amusing; scientific men may sometimes, in these respects, stand on the same ground with you. As far as we can judge by the results of the late war, science helps our soldiers about as much as the front of Whitehall; and at the Christmas parties, the children wanted no ...
— The Two Paths • John Ruskin

... The emotional frenzies, recurring through the day, were past, and she could speak steadily to the man, in the absence of greeting which often emphasizes the self-forgetfulness of love as well as marks the formlessness of common life: "Your supper's waitin' for you, Laban; ...
— The Leatherwood God • William Dean Howells

... cases, the trouble is that emotional men and women always see only the individual whose fate is up at the moment, and neither his victim nor the many millions of unknown individuals who would in the long run be harmed by what they ask. Moreover, almost any criminal, however brutal, has usually some person, often a person ...
— Theodore Roosevelt - An Autobiography by Theodore Roosevelt • Theodore Roosevelt

... utility in aesthetic experience which does demand the attention of the theorist is that the culture of beauty and art has a socializing influence, helping to give to our emotional experience new forms of expression whereby our sympathies are deepened and enlarged.37 The further elucidation of this element of humanizing influence in aesthetic enjoyment may be expected to throw new light on the question, much discussed throughout the history of aesthetics, of the relation ...
— Project Gutenberg Encyclopedia

... for a moment. Perhaps she was conscious of a certain alteration in his deportment, the ring of his last words, the slight but unusual air of emotional fervour with which he seemed somehow to have become endowed. A woman of curiously strong virginal instincts, she realised, perhaps for the first time, the approach of a great change in Wingate's attitude ...
— The Profiteers • E. Phillips Oppenheim

... was as lame in effect as it was rantingly emotional. He liked to hear himself talk, and his stock in trade as a criminal lawyer consisted mainly of perfervid appeals to the sympathies of his juries. Here, he pleaded, with the tremolo stop pulled all the way out, was a young man whose entire future would be blasted—and ...
— Branded • Francis Lynde

... is something great in the half-success that has attended the effort of turning into an emotional religion, Bald Conduct, without any appeal, or almost none, to the figurative, mysterious, and constitutive facts of life. Not that conduct is not constitutive, but dear! it's dreary! On the whole, conduct is better dealt with on the cast-iron ...
— Letters of Robert Louis Stevenson - Volume 2 • Robert Louis Stevenson

... and those most able to help their needy fellow citizens are the very ones who do nothing. If the money is raised by taxation, then the burden will fall where it ought to fall, and these institutions will no longer be supported by the generous and emotional, and the rich and stingy will no longer be able to evade the duties of ...
— The Works of Robert G. Ingersoll, Volume VIII. - Interviews • Robert Green Ingersoll

... this element.—All forms of the creative imagination imply affective elements. Proofs: All affective conditions may influence the imagination. Proofs: Association of ideas on an emotional basis; new combinations under ordinary and extraordinary forms.—Association by contrast.—The motor element in tendencies.—There is no creative instinct; invention has not a source, but sources, and always arises from a need.—The work of the imagination reduced to two great classes, ...
— Essay on the Creative Imagination • Th. Ribot

... novel. It is an Australian story, teeming with a certain calmness of emotional power that finds expression in a continual outflow of ...
— The Mermaid - A Love Tale • Lily Dougall

... scarcely possible for a writer to attempt anything more serious than a mere reflection of the personal experiences undergone; and, in spite of sundry justifiable departures from simple note-making, this paper is offered only as an effort to record the visual and emotional impressions of ...
— Two Years in the French West Indies • Lafcadio Hearn

... direct succession from the loves of Celadon and Astree, so the comic romance, beside all that it owes to the tradition of the esprit gaulois, owes something to the mocking gaiety with which d'Urfe exhibits the adventures and emotional vicissitudes of his ...
— A History of French Literature - Short Histories of the Literatures of the World: II. • Edward Dowden

... this emotional effect of expectation is perfectly obvious; 'natural selection,' in fact, was bound to bring it about sooner or later. It is of the utmost practical importance to an animal that he should have prevision of the qualities of the objects {79} that surround ...
— The Will to Believe - and Other Essays in Popular Philosophy • William James

... is not governed by love as an ideal," put in Gard, "how is it then that he is so sentimental? People always assure us that Fritz must be really at bottom as affectionate, tender, emotional, as anyone because he is ...
— Villa Elsa - A Story of German Family Life • Stuart Henry

... that that is ruther hard, Samantha, but that hain't the nick on't. The pint is that wimmen hain't got the self-control that men has. The govermunt is afraid of her emotional nater; she gits wrought up too quick. She is good as gold, almost a angel, in fact, as we male voters have always said. But she is too hasty; she hain't got the perfect calmness, the firm onmovable sense of right ...
— Around the World with Josiah Allen's Wife • Marietta Holley

... sympathies toward the hero or the heroine, there should be other contrasting characters; but a story gains color and movement from having a variety of individualities. Especially if the story is one of action, definite sympathies are heightened when they are accompanied by emotional antagonisms. In "The Master of Ballantrae," we come to take sides with Henry Durrie almost wholly through having found his rival, the Master, so black a monster. Such establishment of a common bond of interest between us and the character ...
— The Writing of the Short Story • Lewis Worthington Smith

... generally admitted that Stein made a good thing out of him, and the wonder was where Barter got his money. There was a pretty general apprehension that the young man, at no very far future date, would come to grief. The contemplation of this probability affected the Boosters but little in an emotional way, but it made them keen to see that Mr. Barter paid up punctually, and though they were very shy of paper acceptances from their comrades as a general thing, they were shyer of ...
— Young Mr. Barter's Repentance - From "Schwartz" by David Christie Murray • David Christie Murray

... trembled a little, though her eyes were hard, and Prescott felt sorry for her. She was not of emotional nature; he could imagine her shrinking from any display of tenderness. Nevertheless, it was obvious that she was a prey to fear ...
— Prescott of Saskatchewan • Harold Bindloss

... first blush, may seem a mere effort at paradox, but its literal truth becomes patent on brief inspection. Ask the average American what is the salient passion in his emotional armamentarium—what is the idea that lies at the bottom of all his other ideas—and it is very probable that, nine times out of ten, he will nominate his hot and unquenchable rage for liberty. He regards himself, indeed, as the ...
— The American Credo - A Contribution Toward the Interpretation of the National Mind • George Jean Nathan

... Schiller's Maria Stuart, Adrienne Lecouvreur, La Dame aux camelias and other plays. It was not till 1881, however, when he took the Princess's theatre, that he became well known to the public in the emotional drama, The Lights o' London, by G. R. Sims. The play which made him an established favourite was The Silver King by Henry Arthur Jones, perhaps the most successful melodrama ever staged, produced in 1882 ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various

... should not rigidly adhere to the human evidence of history so far as it goes. On the other hand, however sceptical and discriminating a man may be, from the point of view of imperfect human knowledge, in the admittance of humanly proved fact, there is no reason why, from the emotional and imaginative side of his existence, he should not rigidly subscribe to dogma or personal conviction, whether the abstract idea of virtue, the concrete idea of love for some cherished human being, or the yearning for some supernatural state of sinlessness be concerned. ...
— Ancient China Simplified • Edward Harper Parker

... range of the voice is thereby impeded. Diction and tone work should therefore go hand in hand. "The way in which vowel melts into vowel and consonants float into their places largely determines the character of the tone itself." Without finished pronunciation speech and song of emotional power are impossible. Gounod, the composer, says, "Pronunciation creates eloquence." Mr. Forbes-Robertson, the English master of dramatic diction, speaking for his own profession says: "The trouble with contemporary stage elocution springs from the actor's ...
— Resonance in Singing and Speaking • Thomas Fillebrown

... to leave very much where I found it. Yet Americans have heard and read so much of their increasing national favor with their contemporary ancestors that they may be excused if not satisfied in a curiosity as to the fact. Is the universal favor which an emotional and imaginative press like ours has portrayed them as presently enjoying in England a reality, or is it one of the dreams which our press now and then indulges, and of which the best that can be said is that they ...
— London Films • W.D. Howells

... wherein I might have more knowledge of the bodily pain of our Saviour." And the motive of this desire was that she might "afterwards because of that showing have the more true mind of the Passion of Christ." Her aim was a deeper practical intelligence, and not the gratification of mere emotional curiosity. ...
— The Faith of the Millions (2nd series) • George Tyrrell

... troops was small, but the few soldiers there were, he scattered in distant places, so that they should be out of reach. They were not to be available for the use of the government until the conspirators should have time to complete their work. It was Floyd whom an emotional Virginian later eulogized. With quite as much truth as poetry he declared that the Secretary of War "thwarted, objected, resisted, and forbade" the efforts of General Scott. This same admirer of ...
— The Life of Abraham Lincoln • Henry Ketcham

... dignified prudence, it is impossible to say. When Denon, the designer of his medals, sobbed on bidding him adieu, he remarked: Mon cher, ne nous attendrissons pas: il faut dans les crises comme celle-ci se conduire avec froid. This surely was one source of his power over an emotional people: his feelings were the servant, not the ...
— The Life of Napoleon I (Volumes, 1 and 2) • John Holland Rose

... Other emotional states have their corresponding qualities of voice, such, for example, as the quality of oppressed feeling and ...
— The Ontario High School Reader • A.E. Marty



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