"Piano music" Quotes from Famous Books
 ... when twenty-four years old was appointed Chamber musician (Kammer Musicus) in the Royal Chapel, where he often accompanied Frederick the Great (who was an accomplished flutist) on the harpsichord. His most numerous compositions were piano music but he wrote a celebrated "Sanctus," and two oratorios, besides a number of chorals, of which "Weimar" is one. He died in Hamburg, ...
— The Story of the Hymns and Tunes • Theron Brown and Hezekiah Butterworth
... was the birthplace of the "most poetical composer who ever lived," as Liszt said of him; the man who created over six hundred songs, eight symphonies, operas, masses, chamber works and much beautiful piano music, and yet only lived to be thirty-one. It is almost unbelievable. Let us get a nearer ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... position of his hammer is reversed. Stein's light and facile movement with shallow key-fall, resembling Cristofori's in bearing little weight, was gratefully accepted by the German clavichord players, and, reacting, became one of the determining agents of the piano music and style of playing of the Vienna school. Thus arose a fluent execution of a rich figuration and brilliant passage playing, with but little inclination to sonorousness of effect, lasting from the time of Mozart's immediate followers to that of Henri ...
— Scientific American Supplement, No. 385, May 19, 1883 • Various
... better, Don Bob, than pistil and stamen and radicle? —than wearing out BBB lead pencils in drawing tumble-down castles, rickety cottages, and dumpling-shaped trees?—than acquiring a language which has no literature fit for a girl to read?—than mistressing the absurd modern piano music?—than taking diplomas from institutes, which most certainly do not express all that young women learn in those venerable seats of learning? We will not put stays upon our pet until we are obliged to do so. Birdie shall abide in the ...
— Atlantic Monthly, Vol. II., November, 1858., No. XIII. • Various
... bringing his hands together with a joyful clap; and getting out of his chair he began to skip up and down like a boy. "And let Amy Loughead do the piano music, do; that will please Polly to see how the child has gone ahead. I can't hardly believe Miss Salisbury; she tells me the chit practices every minute she can save from other things. Be sure to have ...
— Five Little Peppers Grown Up • Margaret Sidney |
