"Sepia" Quotes from Famous Books
 ... against the coffers of little old New York with anything as transparent as mica? Now, you come with me over to the Hotel Brunswick. You're just the man I was hoping for. I've got something there in sepia and curled hair that I want you to ...
— Roads of Destiny • O. Henry
... round quickly to meet the gaze of mischievous eyes that strove vainly to seem simple and sincere. His own, in which amusement was blended with wonder, noted that they were very handsome eyes and rather curiously colourful, the delicate sepia shade of the pupils being lightened by a faint sheen of gold in the irides; they were, furthermore, large and set well apart. On the whole he decided that they were even beautiful, for all the dancing glimmer of perverse humour in their depths; he could fancy that they might ...
— The Bronze Bell • Louis Joseph Vance
... and a full view could be had of the little garden, which, in its winter guise, looked like some large sepia drawing, finished with exquisite delicacy, the little black branches of the trees showing clear against the brown earth. The two sisters were carrying ...
— A Love Episode • Emile Zola
... agree with your Scotch friend in his estimate of Forbes, and if he were alive and the controversy beginning, I should say draw your picture in your best sepia or lampblack. But I have been thinking over this matter a good deal since I received your letter, and my verdict is, leave that tempting piece of ...
— The Life and Letters of Thomas Henry Huxley Volume 2 • Leonard Huxley
... independent it is of material or method of production, how absolutely dependent on rightness of place and depth,—there are now before you instances enough to prove. Here is Duerer's work in flat colour, represented by the photograph in its smoky brown; Turner's, in washed sepia, and in mezzotint; Lionardo's, in pencil and in chalk; on the screen in front of you a large study in charcoal. In every one of these drawings, the material of shadow is absolutely opaque. But photograph-stain, chalk, lead, ink, or charcoal,—every one of them, ...
— Lectures on Art - Delivered before the University of Oxford in Hilary term, 1870 • John Ruskin
... magnificence of their physical equipment, and of sympathy for them in their decline and inevitable passing under the changed conditions of environment made by the sudden smothering of their instinctive needs in the sepia of commercial civilization. I saw that those natives remaining, laughing and full of the desire for pleasure as they were, must perish because unfit to survive in the morass of modernism in which they were sinking, victims of a system of life in which material profits ...
— Mystic Isles of the South Seas. • Frederick O'Brien
... volleying in level lines against the great gray cliffs at the top of Lebanon, silvering the bare sandstone, blackening the cedars and pines by contrast, and making a fine-lined tracery, blue on gray, of the twigs and leafless branches of the deciduous trees. Off to the left a touch of sepia on the sky-line marked the chimneys of Crestcliffe Inn, and farther around, and happily almost hidden by the shouldering of the hills, a grayer cloud hung over the ...
— The Quickening • Francis Lynde
... wonders of the deep through the four quarters of the world; he had a cabinet of stuffed and dried fishes, of shells, sea-weeds, corals, and madrepores, that was the admiration and envy of the Royal Society. He had penetrated into the watery den of the Sepia Octopus, disturbed the conjugal happiness of that turtle-dove of the ocean, and come off victorious in a sanguinary conflict. He had been becalmed in the tropical seas, and had watched, in eager expectation, though unhappily always in vain, to see the colossal polypus rise from the water, and ...
— Nightmare Abbey • Thomas Love Peacock
... surprising. Mr. Rang, who has been mentioned with praise in this work, having had the curiosity to catch one of these singular animals, soon felt a tingling in his hand, and a burning heat, which made him feel much pain till the next day. Bones of seche gigantesque (sepia, cuttle-fish) already whitened by the sun, passed rapidly along the side of the ship, and almost always with some insects, which having, imprudently ventured too far from the land, had taken refuge on these floating islands. ...
— Narrative of a Voyage to Senegal in 1816 • J. B. Henry Savigny and Alexander Correard
... he longed to possess a tender affection which would be a secret between two alone. He complained of her want of confidence in him, and of his work in his loneliness. She tried to comfort him, and being artistic, sent him a sepia drawing. He sought a second one to hang on the other side of his fireplace, and thus replaced two lithographs he did not like. As a token of his friendship he sent her a manuscript of one of ...
— Women in the Life of Balzac • Juanita Helm Floyd
... canvas worked up in monochrome. The success of their undertaking lies in the circumstance that they do not produce colored work—or, at any rate, it is exceptional on their part to do so—but devote their efforts to the production of an artistic portrait in brown or sepia. In this way they can make full use of the dark brown photograph itself; there is less necessity for tampering with the enlarged image, and natural blemishes in the model itself maybe softened and ...
— Scientific American Supplement, No. 315, January 14, 1882 • Various
... has become quite dry, about ten or twelve hours. It may then be taken out of the frame, cut to the desired shape, and a single or double line nicely drawn around the picture, at a distance suitable to each individual's taste, by the help of sepia-coloured ink and a crowquill pen, both of which may also be bought at the artists' colour shop. Should it be required to be still more nicely mounted, and to appear to have been one and the same paper originally, ...
— Notes and Queries, Number 234, April 22, 1854 • Various
... hall it was dark because floor and staircase and wall and ceiling were all lined with Spanish chestnut-wood, while the windows were full of Flemish glass in purple and sepia and blue. There was nothing to reflect a glint of light except a collection of weapons of all ages which occupied the wall behind a bare stone hearth; suits of inlaid armour, coats of chainmail as flexible as silk, assegais and blowpipes, Bornean ...
— Nightfall • Anthony Pryde
... the boats came in, Richard made his way to the shore, on the beautiful, rocky, broken coast; and presently encountered a sepia, which fully justified Sir Robert's comparison, lying at the bottom of a boat. The fisherman intended it for his own dinner, when all his choicer fish should have gone to supply the Friday's meal of the ...
— The Prince and the Page • Charlotte M. Yonge
... advanced into the circle of light. She was a small, slight woman, though the furs she was wearing served to conceal the slenderness of her figure. Someone had once said of her that "Mrs. Grey was a charming study in sepia." The description was not inapt. Eyes and hair were brown as a beechnut, and a scattering of golden-brown freckles emphasised the warm tints of a ...
— The Lamp of Fate • Margaret Pedler
... have it all in my note-book. Only imagine, Phoebe, Sir Nicholas had been at Athens, and knew nothing about the Parthenon! And, gourmet as he is, and so long in the Mediterranean, he had no idea whether the Spartan black broth was made with sepia.' ...
— Hopes and Fears - scenes from the life of a spinster • Charlotte M. Yonge
... artistic of photographic printing processes, may be separated into its three modifications—the hot bath and cold bath, in which a faintly visible image is developed, and the Pizzighelli printing-out paper. The hot bath process, again, may be divided into the black and white and sepia papers. I intend to give you a rough outline of the preparation of the paper and working of these modifications, concluding by demonstrating the hot bath method, and ...
— Scientific American Supplement, No. 711, August 17, 1889 • Various |
